Interview: Propter Hawk tell us all about Toronto life and the anticipation building for their epic 12-track album

Ripping a hugely likeable sound into our lives with a friendly kick to the soul and a smile to follow, Propter Hawk reminds us of that old-school sound that drives our hearts into doughnuts outside the local drive-through at 2 am. They tell us their debut self-titled debut record while sipping on sherry flips and might change your mood for the better. Real music with purpose still exists you see? You just have to look for it and dig a little deeper to find the treasure. Look no further.

Llewelyn: Hello Propter Hawk. Please take a seat on our cosy virtual couch (excuse the snoring cat there) and may we provide you with any snacks or beverages? Alrighty, let’s get into it. Firstly, how did you get this incredible name and who is the cleanest member of the band, who’s the most organised, the most serious, the friendliest and who is the messiest?

Andrew: I came up with the name a while ago and this question has been haunting me ever since. It’s a play on “Post Hoc Ergo Propter Hoc” which is one of Socrates’ informal fallacies. I often find myself trying to explain this to people in loud, packed clubs and it is the most difficult part of my entire life.

Malorie: I’m definitely the most organised, Alec’s the most serious and Jimmy is the friendliest person on earth. Andy and Brian can fight over who is the messiest. They’re both…you know.

Llewelyn: Secondly, we’re super thrilled about your upcoming debut release on the 18th of August 2023. You were kind enough to send us a pre-listen..and wow..we love it. Sherry Flip especially is special. How did the whole album come together and how would you describe the vision and your sound on this one?

Andrew: In many ways, the album came together because of Covid and lockdowns. Mal and I had a lot of song ideas going into the pandemic and we wanted to write songs that really expressed some of the feelings that, I think, a lot of people have been having for a long time. Since we couldn’t play shows, we really used it as an opportunity to work them out with the boys and by the time restrictions were lifted, we had a whole album of songs ready to go before we ever had the chance to play live.

Jimmy: We were toying with the idea of recording the album ourselves but when we got the opportunity to record at Pineship Sound in Toronto with Carlin and Mike of Zeus, that settled it for us. We grew up watching those guys in Zeus and it was a thrill to get the chance to work with them. They’ve contributed to so many records that we love.

Alec: There are a lot of overlapping influences between all of us, so musically we are all headed towards the same goal, but the album certainly showcases everyone’s individual approach and it became kind of our own unique take on rock and roll. For me, a lot of it came down to us recording live off the floor and making sure we kept things loose and organic. I think you can hear that rawness in the tracks.

Llewelyn: Please tell us all about your upcoming album release show at The Cameron House (408 Queen St W, Toronto, ON) on 18th August. Who’s on the lineup and what should fans expect, where can they buy tickets, why did you choose this particular venue, times etc?

Brian: This is a really special show for us. We’ve been sitting on this album for a while now and are really ready to get it out there. We’re playing with The Young Scones, a supergroup made up of some of our favourite Toronto musicians that we’ve been playing with right from the start. Moondoggy is the other act on the bill and another one we’ve played with before; they’re always great. We’ve played at The Cameron House a few times before and it’s always a really exciting spot to play. The room comes with a lot of energy.

Llewelyn: Toronto, Ontario is your hometown and is a place we want to visit. What parts do you love and where do you personally go and watch live music? Is the scene thriving and where do upcoming original solo musicians and bands head to perform?

Brian: I think the live music scene, especially for rock and roll, has changed a lot in recent years all over the world…but Toronto is still holding on like it always has. We grew up going to places like Lee’s Palace, The Horseshoe Tavern, El Mocambo and The Dakota Tavern, and all of them are still going strong and are still home to the best upcoming rock bands in Toronto. I don’t think a lot of these legendary clubs survived the pandemic in other cities. In fact, we have seen more clubs popping up here and there recently. Anyone looking to start playing in Toronto has a lot of options to choose from.

Llewelyn: Ah yes. How did the band form? We have a feeling this is an interesting story…actually…you have told us but we don’t want to spoil it. Please tell our readers about how your band actually got together and now makes beautiful music together.

Malorie: Well…I married a guitar player (Andrew) and he was in a band called New Commuters with Jimmy. I have been singing for years and wanted to start my own music project and Andy was an obvious choice. Since Jimmy is Andy’s most trusted musical collaborator, he was also an obvious choice. Our original idea was going to be the three of us and Andy was working on…a bass-playing robot. Not a joke. He actually got close, but the logistics were a nightmare. So we sent out a desperate classified ad looking for a bass player. Our only reasonable response was from Alec, who played guitar and had no interest in playing bass at all. For some reason, we invited him to come play with us anyway and after a few minutes, it was clear that we could exploit him for his outrageous talent. Shortly after, Alec brought in his seasoned musical collaborator, Brian, to play bass and sing harmony and he fit in right away. And here we are.

Llewelyn: What’s it like when you close your eyes and see that live crowd? Does it excite you and do any parts of the process scare you at all? It must be such a rush feeling the anticipation and seeing sweaty faces staring closely, singing your songs and rocking out to get work-life stresses out of their system.

Alec: It’s definitely a rush to get up there in front of people and give it your all. For me, once you play that first chord through a loud amp we’re off to the races and any nerves turn into excitement. Seeing people get into it and pass that energy back to us might just be the best part.

Llewelyn: Last one. Once again, thank you for your time today. What do you usually eat/drink before a show or is there a pre-gig ritual or do you just have a lil chat and get on with it? Also, is there one song of yours in particular that you all love wholeheartedly and can never get sick of playing?

Jimmy: We kind of do our own thing for the most part and we’re pretty low-key. Right before going on stage, Malorie, Brian and I find a quiet place somewhere and warm up our vocals. The Yawn-Sigh Technique, The Tongue Trill Exercise…lip buzz warm-ups…all of them.

We released Theatre Of The Whole World a while ago and it seems to have caught on really well in Toronto. It’s always a rush to see a crowd of people that you’ve never seen before singing along to every word.

Do some warm-ups for the soul via the album link on Spotify.

See where they fly next on IG.

Interviewed by Llewelyn Screen

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