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Dublin’s Jamie Dean eases our busy minds with tranquil masterpiece Alaska

Enhancing our mindsets into a better frame of connection to the earth’s beauty, Jamie Dean is rather special on this soaring new single made with so much love and care towards humanity on Alaska.

Jamie Dean is a Dublin, Ireland-based indie electronic music producer who assembles those exquisite melodies to feel free inside its kind coating.

He plays piano, synths, guitar, bass guitar and drums and has emerged as one of Ireland’s most innovative musical artists and composers.” ~ Jamie Dean

Helping our spirits renew so naturally after so much heartbreak and tragedy, Jamie Dean is the modern day superhero who has just walked rather smartly into our lives. Calm to the core and grabbing us onto a riveting ride to a better place in time, it’s hard not to be completely enticed into this box of relaxation.

Alaska from Dublin, Ireland-based indie electronic music producer Jamie Dean is a simply majestic single with so much elegance and light. Taking us all into the clouds and into happier climates, this is a superb single to swim swiftly into when your soul needs a boost.

When you need to be clear minded again, it’s best to close your eyes and imagine somewhere beautiful.

Listen up on Spotify. See more news on IG.

Reviewed by Llewelyn Screen

Meditate in the moodily cold synaesthesia of Rayne Kristine’s ambient neoclassic score, The Faded Curtains Remind Me of Home

Taken from her EP, Transient, Rayne Kristine’s ambiently neoclassic single, The Faded Curtains Remind Me of Home, is an arresting extension of her commitment to creating moody tracks for lost souls.

The minimalist instrumental score pours lush reverb over the neoclassic progressions to envelop you in an atmosphere that epitomises sonic catharsis. The meditative layers stand as a testament to the Celtic harpist, pianist and music producer’s tenacity in spilling synaesthesia with her cold yet meditatively tranquil soundscapes, which capture the harsh facets of life and convey the gravity we feel to whatever will abstract us from the brutality of them.

Rayne Kristine has been recording music since 2006, influenced by the music of Loreena McKennitt. During her time as an artist, she’s worked on electronic and metal projects to sculpt her intrinsically authentic artistic vision.

Stream Transient in full on Spotify.

Review by Amelia Vandergast

JRMR synthesised the ultimate ambient dream pop instrumental score with his latest single, wind dust.

‘wind dust.’ Is the latest stylishly synthetic single from the up-and-coming experimental music producer JRMR (Jon Munoz). The tranquil beguile of the ambiently dreamy textures allow you to key into transcendental Beach House-Esque tones for two short but sweet minutes as the shimmering reverb washes over you, bringing catharsis in every cinematic wave.

Since his 2019 debut, the Puerto Rican experimentalist has remained prolific by releasing a string of singles which set the anticipation for his first mixtape, death is an illusion that glows in the dark. With that titular nod to the philosophy of the enigmatic artist, you get a clue to the psyche from which his sonically spectacular singles were born. It is one that I, for one, can get on board with, and it seems I’m not alone in my penchant for JRMR’s experimental dream pop aesthetics. His most popular single, avarice. has clocked up over 17k streams on Spotify alone.

Head over to Spotify to add wind dust. to your playlists.

Review by Amelia Vandergast

The Spheres packed their alt indie synth-pop debut, The City of Lights, with evocative kryptonite

If it’s been a while since a debut single has left you utterly obsessed, delve into The Spheres’ alternatively inclined amalgam of 80s synth pop, indie-rock, and dance, The City of Lights. From the suburbs of Toronto, the duo lit up the airwaves with their infectiously hook-rife account of the frontman’s complicated relationship with his city of birth, Karachi, Pakistan. “In the city of lights, you die just for dreaming”, is cuttingly efficacious in alluding to the toll it took on the singer-songwriter and producer Reza Habib.

With the vibrato in the vocals spilling evocative kryptonite across the catchy synth-pop melodies, The City of Lights will blind you with its luminous soul before the solid riffs and punchier vocals conclude the track on a raucous high that will leave you itching for more. Thankfully, that itch will be scratched as more singles from the debut album will drop before its full release in Spring 2023.

Stick The City of Lights to your synapses by heading over to Spotify.

Review by Amelia Vandergast

Jeff Goldsmith – Tied to the Track: Melt Into the Darkly Ambient Melancholy

Following the resounding success of his former releases, the Minneapolis composer, musical sound designer and producer Jeff Goldsmith unleashed the lamentfully arrestive atmosphere of his latest score, Tied to the Track.

With the art rock nuances of Radiohead, the progressive feel of Fear of a Blank Planet era Porcupine Tree and deserty Josh Homme-Esque vocals bleeding into the darkly ambient neo-classic electronic arrangements, succumbing to the cinematic melancholy of Tied to the Track is non-optional.

Goldsmith started his venture into creativity aged four at the Suzuki Music Academy, where he learned to play the violin by ear. In 2020, he made his debut with the album, Vodu, subsequently followed by his poetically titled scintillating sophomore album, May You Find the Light Before the Devil Knows He’s Right, in May 2021. In addition to his solo work, Goldsmith scores for TV and film and works with a myriad of other artists, such as Austin Texas’s Sparta. 

After hearing Tied to the Track, I know I will never stop turning to Goldsmith’s visceral sonic proclivities which innovatively amalgamate ambience with exultant ingenuity. He isn’t just one in a million, his presence on the airwaves can’t be quantified. I can’t recommend him enough.

Tied to the Track is now available to stream via Spotify.

Review by Amelia Vandergast

LA-based music professor Poseidon’s Alley intrigues our mind on Haunted

Easing our worries away like a day in the pool soaking those summer rays, Poseidon’s Alley drops a song so sweet it will soothe away all those Haunted dreams which keep on showing up expectedly.

Poseidon’s Alley, aka Tim Herscovitch, is an LA-born music professor and electronic music producer who fuses in lip-licking treats filled to the brim with prog rock, synthwave, and modern jazz.

Drawing inspiration from visual artists, each track functions as a lyric-less canvas that explores memory and seeks to evoke emotion in the listener.” ~ Poseidon’s Alley

Floating rather wonderfully into a universe that needs so much healing, Poseidon’s Alley has released one of the more delightfully tranquil soundtracks to ease all worries away.

Haunted from LA-born music professor and electronic music producer Poseidon’s Alley is the type of song which might make you smile and gaze at those stars tonight. Overflowing with a tranquil ambience to settle all nerves, this is a genuine piece of art that shall transport you into a time machine into a whole new world.

Finding that peace has never been so important.

Get transported on Spotify and find out more on IG.

Reviewed by Llewelyn Screen

Connecticut electronic wizard Matthew O’Callaghan fascinates our consciousness with Indispensable, Essential, and Authoritative

In My Head by Matthew O'Callaghan

Showing creative juices that are rather special to witness as our ears vibrate wildly, Matthew O’Callaghan returns with a sizzling song to swim inside with all day on Indispensable, Essential, and Authoritative.

Matthew O’Callaghan is a Connecticut, USA-based indie electronic artist, composer and college student who produces some of the most transcendent underground tracks imaginable.

Showing us his fearless attitude in one song stacked with greatness, Matthew O’Callaghan is in imperious form and takes our breath away with so much finely tuned skill.

Indispensable, Essential, and Authoritative from Connecticut, USA-based indie electronic artist Matthew O’Callaghan is such a supremely exquisite experience, your whole soul will thank you later. Probably. There is so much to get enthusiastic about here with a single made with so much precision and containing a beat so fresh it will cleanse the hearts of many. Turn it up.

Hear this great song on Bandcamp.

Reviewed by Llewelyn Screen

Life is but a melancholic dream in ALCHA’s candied cinematic alt-pop debut, Steady

‘Steady’ is stylishly cinematic alt-pop debut from the Parisian singer-songwriter, composer, and producer ALCHA (Alec Chassain), who amassed ample creative inspiration during his time in London before getting to work on his introspective dream pop project in 2021.

With the melodies containing blisters of Beach House and a touch of Grandaddy, ALCHA orchestrated a refreshingly original soundscape to pour his uninhibitedly honest vocals into, which will undoubtedly be a hit with any fans of John Grant. Although, admittedly, ALCHA boasts infinitely more affability than John Grant in his nuancedly quirky vocal delivery that rings with a sting of melancholy. Yet, Steady is the ultimate testament to his ability to pull luminous creativity out of dark spaces. If Steady doesn’t give you a soft spot for ALCHA, you’re officially made of stone.

Steady was officially released on November 4th. It is now available to stream on SoundCloud.

Review by Amelia Vandergast

Honeyyycrush has unvelied her confessional piece of Southern Gothic Slowcore, Belly Empty

Brooklyn-based Singer-songwriter, Honeyyycrush (Alexandra Antonopoulos) established herself as one of the most underrated artists of her generation with the launch of her hauntingly soul-stirring single, Belly Empty.

The dark Southern Gothic meets alt-pop single entwines shoegazey guitars with ritualistic percussion and, of course, the evocatively efficacious nature of her ephemeral vocal timbre that meanders with the grungy slowcore melodies.

By building Belly Empty into one of the most arresting crescendos I’ve heard in a long time after grippingly raw lyrical confessionalism which features a vulnerable reprise of “you don’t know me like I do”, this progressively beguiling single is one born of understood isolation and sheer innovation. We can’t wait to hear her forthcoming EP, Milk Teeth.

Belly Empty will officially release on November 4th. Check it out on SoundCloud.

Review by Amelia Vandergast

Vintage synths create oceanic sanctum in Huts on Beaches’ debut electronica release, Coastal Signals

After finding an affinity for the irreplicable timbre and feel of retro synths, the Mosta, Malta-based electronica duo, Huts on Beaches, collected, restored, and used them to craft their euphonically tranquil debut single, Coastal Signals, which officially released on September 20th.

The instrumental extended release, which bridges the gap between organic house and minimalist techno, was designed to envelop the listener in the catharsis that the ocean brings in with the tides. Bringing the elementally restorative power of the ocean to the airwaves was no easy feat. Huts on Beaches were undeniably successful in their debut, which is an incredibly promising sign of what’s to come from the duo, whose first release wouldn’t be out of place on the iconic soundtrack to The Beach.

The single was produced in the duo’s studio with both members, Karl Gauci & Keith Bunce, contributing to synth & drum machine sequencing.

Here’s what Huts on Beaches had to say after making their debut:

“Coastal Signals is our debut single, inspired by the freedom of expression in all forms of media, but in our case, our music. We live on a busy island; one of the few places to clear your head and readjust is the sea. The calmness and the waves clear our mindset, hence our moniker.

We wanted to give the listener an uplifting and welcoming atmosphere that reiterates the message that courage can always be found to express thoughts, even if it is difficult. Sonically, the single is dreamy yet punchy to reflect the challenge of expression.”

Add Coastal Signals to your downtempo techno playlists on Spotify & SoundCloud.

Follow Huts on Beaches via Instagram, and stay tuned for news of their sophomore soundscape, Leap, which is due to premiere on December 1st.

Review by Amelia Vandergast