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Far Below Perfect brought Hawthorne to even greater heights with their pop-punk LP, I’ve Been to Hell Before…

Posted on 26 April 2024

After teaming up with Pop Punk Wolf Records, Hawtorne’s Far Below Perfect is set to unveil his LP, I’ve Been to Hell Before…, which is cataclysmic enough in its cultivation of pop-punk evolution that the genre may never be the same again.

Starting with a glimpse into the Far Below Perfect live experience, the LP shifts into the hit, Isn’t Life Grand?, which echoes the influence of Blink-182 and Bowling for Soup, while the pop-punk agent provocateur blasts through their frenetically fierce progressions at a dizzyingly fast tempo, which only slows to inject some existential humour.

In Where’s Your Hero Now? Far Below Perfect continues to give the thrash pioneers a run for their frantic energy while working in elements which hark back to the legacy of the Beastie Boys. In the following track, Far Below Perfect finds their groove in groove metal while never loosening their grip on iconic emo aesthetics until the track culminates in a rallying cry for anyone who would rather die than surrender.

If anything comes close to a ballad, it is track five, April’s Fool, which injects melodic hooks around the agonised with ennui vocal lines before the following single, Headaches, exhibits the artist’s ability to weave progressive ingenuity into their hits. To conclude the LP, Far Below Perfect channels the bite of punk into the infectious volition of future-forward pop-punk in Be Fri Or St End, and ends the LP on an augmented high with On My Own, which proves that loneliness might be a curse, but people with enough resilience to endure isolation can’t be reckoned with. It’s quite the statement for a one-man pop-punk powerhouse to make.

The I’ve Been to Hell Before… LP will hit the airwaves on April 26th; stream it on SoundCloud.

Review by Amelia Vandergast

Boston’s Indie Pop Scene Lit Up After the Unveiling of Maya Salafia’s Latest Single, Swim

Posted on 24 April 2024

The Boston indie pop singer-songwriter, Maya Salafia, broke the two-year spell of silence with the songwriting alchemy caged within the melodies of her latest single, Swim. Instead of skimming over the most obvious emotional themes in a love song, the young prodigy delved deeper, dipping into the sense of duality we are forced to navigate when falling in love and trying to keep a firm grip on our autonomy.

The line, “I never knew existing could be so much work and I hate you ‘cos you like me and I can’t breathe without you taking it away”, in particular, shows that Maya Salafia knows just how to run with a metaphor into unexpected territory and leave you awestruck by a resonant epiphany in the process.

If Maya Salafia doesn’t follow in at least some of Taylor Swift’s footsteps, I suggest we start a riot. Coincidentally, it isn’t only the poetic lyricism that would be equally as at home on Swift’s latest LP which bares reminiscence to the undeniable member of the contemporary pop pantheon. The breezy guitar chord progressions and vocal lines also echo in the same vein as Swift’s earlier work when the guitars aren’t running through the angular indie jangle pop notes and hook-rife warmly overdriven chords. If you’re sick of tuning into throwaway pop hits, hit play and find your new playlist staple.

Swim was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Skinny G Radio lingers on the precipice of chaos in his augmented alt-pop power ballad, As I Look Around

Posted on 24 April 2024

Skinny G Radio’s latest single, As I Look Around, is an audacious expression of alt-pop artistry that captures Geoffrey Lussier at his most uninhibited. As a Connecticut native with a diverse musical pedigree, influenced by the likes of Billy Joel and John Mayer and seasoned through an apprenticeship in Los Angeles, Lussier’s craft as Skinny G Radio fuses insightful songwriting with an eclectic production style reminiscent of Mark Ronson and Jon Bellion.

As I Look Around is a rock-licked, electronica-augmented piano pop power ballad that dances on the edge of chaos and control. This track encapsulates the turbulence of its themes—insanity and the loss of control—in a way that resonates deeply in our unpredictable era. Yet, it’s the song’s masterful balance of explosive energy and restraint that defines its character. With dynamic shifts that travel from the guitar-driven grit of 70s rock through the polyphonic glow of 80s pop, to the ornate orchestral layers, the song creates a rich, ever-evolving soundscape.

This single not only highlights Lussier’s ability to channel broad musical influences into a seamlessly alchemic sound but also his skill in creating a palpable connection through layered, complex compositions. As I Look Around is a compelling herald for his upcoming album, promising more explorative leaps into the potent emotions and reflections of contemporary life. It’s an invitation to experience the maddening times with a sense of infectious zeal and an anthem for those drawn to the artful edge of alt-pop innovation.

As I Look Around was officially released on April 16th; stream the single on Spotify.

Review by Amelia Vandergast

Stic N Move’s This is My Life became a vibrant new pulse in the heart of hip-hop

Posted on 22 April 2024

Stic N Move merged the vibrant soul of Reggaeton-inspired beats with the core of hip-hop in his latest single, This is My Life, which radiates the warmth of exotic rhythms and a palpable sense of old-school hip-hop grit.

The intrinsic authenticity within every element of Stic N Move is a refreshing divergence from the cliché rap tracks with rappers waxing lyrical on what they think the genre wants to hear. The instant hit showcases an infectiously charismatic approach that’s bound to captivate any hip-hop enthusiast.

Stic N Move, born Eric Braxton, lives his lyrics, expressing a genuine pursuit of passion over the trappings of fame. His music isn’t crafted from the fabric of superficiality; instead, it’s woven with the threads of personal truth and dedication to family.

The construction of the track is killer. The polyphonic keys are a vibrant extension of his personality, seamlessly matching the energy and conviction in his voice. The result is a sound that could light up any room and invigorate any playlist.

Stic N Move continues to redefine his journey by committing to projects like a new podcast and writing new songs weekly. His relentless drive and innovative spirit are making significant waves, promising a future rich with potential and new anthems for his growing audience.

“This is My Life” is more than just a song; it’s a statement, a manifesto of an artist who refuses to blend into the background, urging everyone to live authentically and passionately. As Stic says, leave your hatin’ at the door and embrace the groove.

This is My Life is now available to stream on Spotify.

Review by Amelia Vandergast

Hannah Johnson pioneered a new path through 90s nostalgia-wrapped alt-pop with her sophomore release, Mine

Posted on 22 April 2024

Hannah Johnson’s sophomore hit ‘Mine‘ blew all expectations out of the water following her 2023 debut, ‘Slow Motion‘. Mine is a kaleidoscope of sound that catapults listeners into the past and the promising future of pop music. The masterclass in genre fusion blends the rhythmic bounce of funk, the raw edge of pop-punk, and the lush textures of R&B into a compelling pop synthesis.

From the outset, ‘Mine’ pulses with a life of its own, driven by Johnson’s rich vibrato that dances over layers of funky guitar riffs and a solid dance-y backbeat. The production, with its lo-fi charm, accentuates the authenticity of her musical exploration, allowing her distinctive voice to guide the narrative through this densely woven sonic landscape.

Johnson’s journey from the quiet suburbs of Coppell, Texas, to an emerging pop sensation is reflected in her music’s ambitious reach. With her roots in diverse musical disciplines, from drum beats to lyrical piano melodies, Johnson channels this extensive background into a sound that recontextualises the sonic past and builds the future of pop.

With ‘Mine’, she not only secures her spot as a trailblazer in the pop genre but also invites her growing audience of nearly 30,000 monthly Spotify listeners to join her in a vibrant exploration of musical boundaries. This single is less a step and more a stride towards the zenith of pop charts, promising that Hannah Johnson’s trajectory in the music world will be as intriguing as the melodies she creates.

Mine was officially released on March 15th; stream the single on Spotify.  

Review by Amelia Vandergast

Eco-Rock Resurgence: The Lürxx’s ‘We Are the Weeds’ Unleashes a Green Rebellion

Posted on 20 April 2024

We Are the Weeds by the Lürxx doesn’t give you a love them or loathe them option; no rock fan could be impervious to the thunderous punch that melds the raucous energy of sleaze rock with a sharp environmental edge.

With their roots firmly planted in the Hollywood glam punk scene, this duo not only revitalises the rock and roll ethos by championing the protection of the natural world in addition to smashing the system. Their music bridges the raw vibe of the 1980s Sunset Strip, reminiscent of legends like Twisted Sister and Guns N’ Roses, with acoustic nuances that echo the Quireboys and Dogs D’Amour all the while being amplified by an energy that’s uniquely their own.

The intoxicating and impactfully dynamic nature warrior punk rock opera is evidence of the duo’s ability to stir the soul and do so without resorting to shaming the listener into action, the installations of zany punk vocals around the classic 80s rock tones ensures the vocal performance perfectly aligns with the spirit of the track which explores the relentless resilience of nature, symbolised by weeds—the unacknowledged heroes of the ecosystem. It’s a powerful metaphor for persistence and survival in a world quick to dismiss the underdog.

Stream the official music video for We Are the Weeds on YouTube.

Review by Amelia Vandergast

Ellie Irwin explored the agony of unmet expectations in her timeless folk single, Pill That Won’t Go Down

Posted on 20 April 2024

“Pill That Won’t Go Down” by Ellie Irwin is a heart-wrenching exposition of coming to terms with a breakup where it was impossible to meet expectations. The single explores the intersections between contemporary folk and the styles of Joni Mitchell and James Taylor while winding in elements of alt-country through the acoustic guitar strings.

This track doesn’t just strike a chord; it is enough to reshape your idea of contemporary relationships, where we’re as disposable as everything else in our throwaway economy, where novelty trumps loyalty, regardless of the memories you throw away, the scars you carve into souls, and the distrust you leave in the minds of people you allowed into your world only to show them the door out of it.

Ellie Irwin’s vocal performance efficaciously encapsulates the aura of melancholy without the emotions overbearing the delicately balanced performance that will stay with you long after the final lyrical reprise of ‘the pill that won’t go down’. For anyone who has been there before, Ellie offers not just solace but a cathartic release, her music acting as a mirror to the soul’s more sombre realities.

For fans of innovative, thought-provoking folk, Ellie Irwin offers a profound exploration of heartache and the human condition. Her music serves as a critical commentary on the disposable nature of modern relationships, delivered through a blend of singer-songwriter finesse that echoes the timeless classics, yet with a twist of rawness and originality.

Pill That Won’t Go Down was officially released on April 12th; stream the single on Spotify and Apple Music.

Review by Amelia Vandergast

Emotional Chaos Unravels in the Melancholy of Magenta Wave’s Indie Rock Allegory, Why Am I In Love With You

Posted on 17 April 2024

Magenta Wave’s latest single, “Why Am I In Love With You,” vocally tears at the heartstrings with a fervency akin to Thom Yorke and Frightened Rabbit’s Scott Hutchinson. This track is an atom bomb of melancholy that flips the usual narrative of romanticism upside down. It melodically implores listeners to explore the agony of falling in love when your relationship with yourself is on unsteady ground.

With the guitars sonically visualising the disorientation of losing control under another’s influence, and the rhythm section driving this tormented vignette forward, the vocals find an achingly affecting hallowed ground to project their agony over. The soaring, vintage-toned guitar solos resonate like a battle cry from a scarred soul, marking Magenta Wave’s unparalleled ability to shake up the indie rock scene with their ingenuity and sincerity.

This piece is the second single from their upcoming EP, “Sold My Soul,” mastered by Ed Brooks, known for his work with Pearl Jam and Death Cab for Cutie. It is an essential listen for anyone who still finds sanctuary in the candour and inhibition of indie rock.

Magenta Wave, having become legends in Bellingham, WA, before moving to Seattle, continues to blend alternative, indie, and psychedelic rock in their unique sound, making “Why Am I In Love With You” a poignant reflection on love and self-discovery

Why Am I In Love With You was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Take a lush leap into etherealism with Etherdene’s indie synth-pop exploration of aftermaths, The End

Posted on 16 April 2024

Singer, songwriter, producer and all-around ephemeral aural icon Etherdene reached the paragon of indie electro-pop perfection with their latest single, The End.

Titularly, the release is definitive as they come; sonically, the single is limitless. The ethereal air, which breathes just as much through the transcending tones of the vocal lines as the scintillating synth lines that pay tribute to the new wave trend, is intoxicating from the first emotionally charged progression.

As the lyrics explore the aftermath of a breakup, proving that the love that once endured never dies but takes another form after the final acts of affection, Etherdene laces the bass, which wraps around the stridently momentous synthesised percussion, with lush heartfelt synergy to achingly compelling effect.

Imagine Taylor Swift simultaneously meeting the styles of Enya and Cigarettes After Sex, and you’ll get an idea of how affectingly cathartic and cutting-edge Etherdene’s tender tour de force is.

The End was officially released on March 20th; stream the single on Spotify.

Review by Amelia Vandergast

Darius Marquis weaved RnB, Retro-Pop & Gospel into a Folklore Serenade with ‘Fairytales’

Posted on 15 April 2024

Like every good folk tale, Darius Marquis’ standout single, Fairytales, alters the mind through expansions of the imagination. The slick with soul and swathed with experimentation release exists between the borders of genres, exploring untrodden intersections of RnB, retro pop and gospel, allowing Fairytales to unravel as an exploratively sincere extension of candour.

Fairytales nuancedly exposits how stories shape our perceptions of the world while we’re too innocent to experience the unfair brutality of it only for those illusions to be shattered, one shot to the heart at a time. The Houston-based artist and producer charted these emotional themes with folk-esque eloquent ease, allowing the poetic fragments of introspection to flow throughout the hazy instrumental currents with melodious ease. With gospel infused into the grooves, the melodies endlessly ascend beneath Darius Marquis’ honeyed harmonies which bring luminescence to the most bitter-sweet facets of life.

If there was as much justice in the world as fairytales would have us believe, Marquis would be a #1 phenomenon.

Stream Fairytales on Spotify now.

Review by Amelia Vandergast