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New RnB Music Blog

Get into an intimate RnB groove with ILL PHIL’s seminal single, Abo(U)T [Cinnamon]

THE MEMOIR by ILL PHIL PRODUCTIONS

The lead single, Abo(U)T [Cinnamon], from ILL PHIL’s EP, THE MEMOIR, which dropped on July 8th, is locked and loaded with vibe-heavy vulnerability. The track opens with an aphrodisiacal R&B intro that instantly locks you into a melodious groove that will leave you out of the proverbial palm of this illustrious artist’s hand.

The candour within the ode to a soul he doesn’t feel worthy of filling invites you to live vicariously through the passion that mused the mellow declaration of unflinching affection. The lush and laidback production that allows hints of hip-hop roots to pull through the soul-swathed melodies is a testament to the dynamic artist’s ability to use his own worldview to create vignettes which reflect wider emotional phenomena. Anyone who has ever felt the inflection of inferiority in the presence of someone who appears to be rendered in perfection will find visceral resonance in every honeyed vocal note in Abo(U)T [Cinnamon].

Hailing from Brooklyn, New York, ILL PHIL is a seasoned producer and artist with over a decade of experience in the hip-hop and R&B scenes. Known for his versatility, ILL PHIL excels in producing, songwriting, beat making, mixing, and mastering, crafting high-quality tracks that resound with creative authenticity. Abo(U)T [Cinnamon] is the ultimate example of how ILL PHIL is holding dominion over the NYC RnB scene.

Abo(U)T [Cinnamon] is available to stream on Apple Music and Bandcamp.

Follow ILL PHIL on Instagram.

Review by Amelia Vandergast

Sydney’s annelise. is poised with sensuous power in her latest RnB single, Rearrangement

Since unveiling her 2019 debut EP, NO Feelings, the Western Sydney singer-songwriter annelise. has emerged as an indomitable force in the RnB scene who is showing no signs of slowing down on her trajectory to the top of the charts. Having been lauded by Rolling Stone Magazine and several other national tastemakers, she’s one of the few artists in the modern era who lives up to her hype.

Her latest sensuous with style and soul single, Rearrangement, is the latest installation in an onslaught of euphoric earworms which exhibit her seraphic grace and elevated approach to sound design which any fans of Aaliyah will want to inject into their playlists.

The downtempo track reverberates with honed emotional intelligence as she reflects on the downfall of a relationship after holding her partner to account. Rearrangement softly speaks volumes of how easy it is to become a pacifist in a toxic dynamic while attesting to how vital it is to trust your instinct and be your own advocate in a relationship.

The poised-with-power release will undoubtedly become a source of empowerment for anyone who sinks into the slow-burning serenade of the senses.

Rearrangement was officially released on July 18; stream the single on Spotify now.

Review by Amelia Vandergast

J Cass subverted RnB with the neon-lit melancholy in ‘In Da Club’

In Da Club by J Cass unleashes itself from the parameters of the typical RnB anthem by subverting expectations with its Weeknd-esque pensiveness layered beneath the shimmering, neon-lit instrumentals.

The follow-up to his debut, What We Gon’ Do, showcases J Cass’s scintillating ability to blend visceral colour and melancholy within smooth, minor key melodies. His vocals, heavy with gravitas, sweep across the trap-infused beats, marking this track as a profound exploration of emotional depth and artistic maturity.

In Da Club tears down the barriers to the soul, inviting listeners to reflect on their own journeys while dancing to its rhythm. As J Cass continues to navigate and reshape the R&B landscape, his tracks invite us to submerge into our own introspective experiences.

Joseph Castro, the man behind J Cass, hails from Tampa, Florida, and brings a rich background in music and life philosophy to his work. As a graduate of Berklee with a BA in Music Business, he is deeply committed to influencing the music scene through his soul-stirring sonics and educating young minds as a teacher at the Bach to Rock Music School, where he is fostering the next generation of musical talent.

In Da Club is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Indie synths drive the soul in ‘Our Story’, the latest chapter in the organically originated artistry of iinz

‘Our Story’ is yet another chapter in the organically originated chronicle of the Alt-RnB trailblazer, iinz. With an innate ability to traverse the lesser-explored corners of RnB and the human experience alike, iinz introduces a fresh, experimental approach to her euphoniously stylised narratives.

Born from a visceral moment of heartbreak, Our Story is a profoundly personal vignette which epitomises the authentic and introspective essence of the independent artist. The single touches on how even if you share the most intimate parts of yourself, that doesn’t guarantee that you’ll share the same reality.

The loungey, pseudo-jazzy rhythms interspersed with indie synthwave touches create a lush, immersive soundscape which testifies to the nuanced sophistication within the artistry of iinz. Her collaboration with producer Taiina elevated the sonic complexity and evocative resonance to the nth degree.

With iinz on your playlists, you’re never short of a refuge of solace and understanding. The LA-hailing Israeli-American soulstress’ ability to find the alchemic intersections between old-school soul and alt-pop is beyond compare. Yet, there’s an aching sense that when it comes to iinz, expression will always be prioritised over competition.

Our Story will be officially released on July 19; stream the single on SoundCloud.

Review by Amelia Vandergast

Chicago soul conduit, JOSÉ, reflected the beauty of human connection in his latest single, This Is

For his latest single, This Is, the soul conduit, JOSÉ, collaborated with guitarist Tim Wu, to deliver his most sublime slice of euphony to date.

With Tim Wu’s melodious guitar lines grooving through the smooth minimalist production, oscillating between staccato chops and intricate lead work, the instrumentals soothe the senses as JOSÉ’ dreamy diaphanous harmonies send sparks of affection through the release which tenderly meditates on a love so pure that it tears at the soul to even think about letting it go.

The Chicago-born-and-raised singer-songwriter and producer who made his debut earlier this year is clearly well on his way to carving out a legacy for himself with his uniquely mellow singles which allow affectionate introspection to evolve into universally resonant reflections of the beauty of human connection.

This Is was officially released on July 12th; stream the single on Spotify now.

Review by Amelia Vandergast

Lust and Luminescence: Exploring Derik Madrid’s Pulsative RnB Pop ‘Vision’

Derik Madrid, a Filipino singer-songwriter based in Sydney, illuminated the airwaves with the neon-lit glow of his latest RnB pop release, Vision. Created in collaboration with the powerhouse producer, Declan Dias, the sensuously salacious single explores the phenomenon of objects of desire existing as abstract ideas within fantasies until the lust-fuelled daydreams become more tangible than semblances of reverie.

The themes of fixation are expertly visualised in the etherealism of the single which showcases Madrid’s vocal versatility and Dias’ ability to thematically run with a concept until it euphonically materialises. Pulsative electronic beats become the bedrock of the vulnerable release that is underpinned with enough pure passion to allow listeners to vicariously experience the artist’s deep adoration and prompt reflection on the profound connections in their own lives.

By exploring the haunting fear of loss and unrequited love, Vision is a deeply affecting meditation on the dualism of love. It’s so much more than a showcase of Madrid’s ability to fuse his narratives into memorable melodies; it’s a testament to his talent for creating music that resonates on a profound level with his audience.

As Madrid continues to draw inspiration from icons like Sam Smith and The Weeknd, his own unique voice becomes increasingly distinct and influential.

Vision was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergast

Shegogg & Mariah Jae blossomed in their serene odyssey of lush RnB, ‘Garden II’

Shegogg’s latest lush with serene soul single, ‘Flower II’, created in collaboration with Mariah Jae, is a revisitation of the 00s RnB era via an unchartered path paved with striking authenticity.

The track’s unique ability to rekindle the genre’s former glory is amplified through the vibrant infusion of contemporary RnB elements while Mariah Jae adds a profound dimension with her ethereal and diaphanously sweet vocals, creating hypnotic harmonies that drift above the solid, trap-infused beats.

At 33, Shegogg, originally from Little Rock, Arkansas and now based in Atlanta, Georgia, stands as a cultivated originator. His style—a skilful meld of RnB and Pop-Funk—brings to mind the smoothness of artists like Justin Timberlake and Usher, yet, rather than letting influence overshadow his sense-awakening sonic signature, he plays to his strengths by blending soulful rhythms and melodies with a warmth that resonates deeply, evoking feelings of comfort and connection.

Unlike his deadest on mimicking RnB icons contemporaries, Shegogg innovative spirit turns everything he touches to sonic gold, and Flower II was far from the exception. The release harnesses the power of metaphoric parables to encourage listeners to nurture their relationships as his and Mariah Jae’s synergy becomes undeniable. Their vocal interplay weaves through the hazy Latin guitar-flavoured backdrop and the intermittently dominant trap beats, efficaciously capturing the bliss of being locked in love.

Garden II was officially released on June 19th; stream the single on Spotify.

Review by Amelia Vandergast

Jazz Meets Dreamy RnB in No False Ego’s Irridescent Debut, We are the Soul

No False Ego came to iridescent light with their sublime-on-the-senses debut single, We are the Soul. The devilishly clever arcane reprise of “here we are” is the epitome of a statement of intent from the LA-based unreckonable outfit who, true to their name, riff, harmonise, and groove straight from the heart.

The track is an intoxicating blend of free-form jazz expressionism and dreamy RnB vocals, creating a sublime contrast that is as unpredictable as it is cathartically consuming. The time signatures pulse with an unpredictable fervour, giving the track a lively, spontaneous feel while the hazy-with-soul RnB vocals and loungey keys act as a pure, diaphonic anchor, grounding the listener in the midst of intuitively impromptu drum fills, warm yet wild sax lines, and chameleonic guitars which switch from chopping funk through the progressions to injecting nuances of indie blues rock.

No False Ego’s ability to weave together these diverse elements with superlative ease showcases their impressive musicianship and commitment to authenticity. Each component contributes to a cohesively rich soundscape which triumphs on a technical level while connecting with the listener emotionally.

Now they’ve made their introduction on the airwaves, it is time for No False Ego to hold soulful dominion over them; we can’t wait to watch their ascent.

We are the Soul is now available to stream on Spotify.

Review by Amelia Vandergast

King Brian versed the gospel of manifestation in his latest alt-RnB single, Gotta Make It

Gotta Make It by King Brian

King Brian (AKA Brian Christopher Brown) is a master of all creative trades, and jack of none; the Michigan-born, Nashville-based singer-songwriter, dancer, author, filmmaker and producer honed his talents at a young age, and at this stage of the game, he is nobodies’ pawn.

His latest single, Gotta Make It, is an extension of his impassioned aspiration to become a catalyst for positive transformation worldwide; also noted through his series of books which explore how to unlock enlightenment, fulfilment and self-actualisation. By fusing the soul of RnB and the conviction of rap verses within a melodically tight, and transcendentally iridescent all-consuming pop-hooked production, Gotta Make It is an unflinching statement of intent from an artist determined to bring his rapidly expanding audience to gaze through his illuminated and empowered world view.

Gotta Make It surpasses the tired hustler hip-hop tropes by delivering the gospel of manifestation to anyone ready to take control of their lives, instead of blindly wishing for kismet or karma to pay them their dues.

Gotta Make It is exclusively available on Bandcamp until the single reaches all major streaming platforms on July 7th. Find your preferred way to listen here.

Review by Amelia Vandergast

Interview with ARCTISKY: Exploring Love, Sound Evolution, and Musical Heritage

This week, ARCTISKY sat down with A&R Factory to discuss his latest single, “Unreal Love,” a narrative about the complexity of chemical romance and the importance of self-awareness in relationships. In this interview, ARCTISKY delves into his creative process, the instrumental choices that evoke euphoria, and the evolution of his music since his debut. He also shares insights into his journey from the Maldives to Melbourne, the influences behind his genre-fluid sound, and his ultimate artistic goals.

ARCTISKY, welcome to A&R Factory! Thanks for sitting down with us to discuss your latest single, Unreal Love. What does the single, which narrates a tale of chemical romance, mean to you personally?

Thank you for having me! ‘Unreal Love’ happens to be a confusing tale about an intense romance being ignited while two people find love in a super-charged ‘situationship’. The message is like, “Make sure you both know there could be other factors driving the whole interaction.” It’s about being aware of yourself and taking time away from other influences before wasting anyone’s time.

How did you manage to capture the euphoria of love in the instrumentals and production? 

This track is one of those tracks that stayed in the cocoon stage until I was ready skill-wise to bring it up to speed. Ever since my last release, I really took the time to come up with a sound that truly captures all of my core musical influences. With this one, I believe the live upright piano sounds did the final bit of work in bringing this song to the finish line. Initially, I had a very thin-sounding piano sound, which was fine when I was just writing other instrumentation around it, but it still didn’t give that fuller feel I was looking for. So, later on, I decided to record an upright piano with a pair of AKG c414s, with the help of a couple of my peers. That was the final ingredient to this sound I’d say.

I had written the synth parts years ago, in the early stages of the song, so those spacey-arpeggiator sounds at the back were another factor in capturing that euphoric feeling. I tried to stay true to the sounds that evoked euphoria in me as well. It’s still got that core element of rock & roll, but then those influences from other areas weave through. So this song evolved through quite a few stages to achieve the sounds I was after. I’d say it also had a lot to do with being surrounded by the right people who helped nurture my craft.

How do you want your fans to feel when they hear the single and what do you want them to take away from the lyrics? 

Well, the song is kind of like an unspoken conversation between you and that person you found some sort of crazy love with in the heat of a moment. It doesn’t have to be anyone specific either. It’s just one of those tracks that will help people come to terms with the fact that it’s better to let go by connecting to a song, rather than trying to reach out to an old flame. Never a good idea!

It’s been a while since you made your debut with Losing My Control in 2022; how has the break influenced your music? 

I think I realised I had a bit of work to do to bring my writing to something I was happy with. So, for me, it was more about going back to the sounds that felt most natural to me. That’s actually the main reason why I named this album ‘Roots Vol. 1’ – due to it paying homage to my musical heritage, being the classic rock & roll I grew up with. Unreal Love is the first track from this album and showcases this new sound I’ve been working with the best.

All the songs that will be on this album are what I call “journal songs” – they’re songs that hold more to the lyrical content, and have something listeners can take away and project onto their own experiences. It’s nothing more than a bit of art you may or may not be able to relate to. This stuff is written for the introverted side of people. I know I’ve heard those songs, where I listened to it and the music just helped me come to terms with things I had no idea was bugging me in the first place. Music does such a good job of healing people. I wanted to write some music that could help my audience shed light on some of the things they may be dealing with.

This new sound, with the foundation of rock & roll and the blend of fresh sub-genres, is what I got out of my creative break. This project just feels very fun for me! I’m not taking myself too seriously I’d say. I put a lot of trust into giving this another go, knowing I’m writing and releasing music that I loved writing and enjoy listening to.

You gained a fair amount of notoriety in the Maldives, has establishing yourself in Melbourne been a daunting experience?

I’ve been very lucky to learn and work with some extremely cool people since moving to Melbourne in 2019. I got here and realised I had neglected a lot of important theory, growing up as a drummer, so I had a lot to catch up on. I wanted to make sure I understood music to a certain level before trying to enter the live scene here. I’ve certainly had a bit of work to do to polish my craft before starting live gigs. Melbourne’s already got such a vibrant live music scene, so I want to make sure that what I’m bringing to the table here is going to be something a bit different and adds value. I needed to know that if I were to do live gigs, there were no loose ends in the songs. I want my live performances to bring a high level of energy to the venues here, and I needed time to develop my live-act. Live gigs are something I’ve really had to physically and mentally prepare myself for.

How did your genre-fluid sonic signature come about? 

I grew up with brothers who loved rock music, so it was playing around the house most of the time as a kid. I always heard a lot of Bob Dylan, Santana, Bon Jovi, Bob Marley and all that. Then I discovered Pink Floyd around the age of 18. They have the kind of music that helps you open doors in the back of your mind. Around the time I started this project, I was listening to a lot of Bob Dylan and the ‘Exodus’ record by Bob Marley & the Wailers. They inspired me to get my own messages of love, peace and freedom out with my music – to the individual and to societies. Especially ever since the wars have become a lot more frequent on the news, I wanted to get my message out with these songs. It turned out that when I was writing these “journal songs”, I always wrote music that I felt reflected love, peace and togetherness – “Lead with love and respect,” being the core message. It’s come with trying to strike that chord which resonates with our innate instinct to come together, and to work together and learn from each other.

What is your ultimate goal as an artist? 

My ultimate goal as an artist is to bring my work and artistry to a stage where I can start collaborating with more artists, and to just keep writing and recording music I’m proud of. I want to have songs that my audience can listen to and connect deeply to. I feel like a lot of what I’m hoping to get out of this ‘Roots Vol. 1’ record is to find a true audience that I can take on a new musical journey away from my current sonic blend. Music is such a subjective experience just like any art form. I feel like creating the best art you can do with your abilities and putting it out there is necessary if you have a message that’s greater than what you want to achieve sound-wise. I feel like I’ve been fiddling around with this sound for a while now, but I’m happy knowing this blend was authentic to who I was throughout the writing and recording process. My goal is to story-tell and share some of my crazy experiences with my listeners so that they too can feel and experience those moments. I feel like all my music will have that unique element of ‘me’ in it.

My message is to stay true to yourself no matter what kind of inner demons you may be battling. If you’re still in the thick of that period of your life, I hope some of these tracks I’m putting out can lend a hand.

Listen to Unreal Love now on SoundCloud; find more ways to connect with ARCTISKY via his official website.

Interview by Amelia Vandergast