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litesleeper unveiled a pulsating prism of euphonic euphoria in their organic electronica release, Hertz

Hertz by litesleeper surpassed sound to become a sophisticated statement that carries the evolution of electronica on its pulsating back. The Northampton-based collective’s objective to arrest rhythmic pulses while simultaneously stirring the soul was efficaciously achieved through their amalgamation of organic instrumentation and powerful basslines.

Vocalist Shannon Kait honed the release with a razor-sharp indietronica edge; her soulfully ethereal and emotionally charged harmonies floating above intricately layered production ensured that Hertz had all the potential to become the definitive sound of the summer.

With a production that’s as lush as it is meticulously arranged, the transcendent quality of the seminal single strikes a perfect balance between bass-fuelled momentum and hypnotic serenity. The seraphically utopic hues are enough to liberate you from the mundanity of material reality.

Keen to orchestrate tracks that resonate with seasoned clubbers and casual electronica fans alike, the only thing that is more monumental than the cross-over appeal of the single is the synaesthesia which will ensnare you from the first tonally rich progression.

Hertz will be available to stream and download on all major platforms from July 26th; stream the single on SoundCloud first.

Review by Amelia Vandergast

Urban Café Crew cruised through 80s nostalgia and became sonic heartthrobs in their latest single, Movin’ Down I39

It’s all gas and no brakes in Urban Café Crew’s latest single, ‘Movin’ Down I39’, which exudes a striking blend of 80s Hollywood glamour and heart-throb vocals that make the driving anthem impossible not to groove with.

With the opening sounds of engines revving against strident piano chords that are augmented by Blockbuster nostalgia, you’re instantly susceptible to the lyrics that compel you to seize the moment while the rhythmically magnetic progressions seize your pulses and evoke panoramic images of a guy driving to get the girl. The propulsion of the pulsating beats transcends auditory ingenuity to craft a visual masterpiece that you’ll never get tired of revisiting.

We didn’t need any more evidence of the Australian-based collective’s cultivated songwriting stripes after hearing their Christmas earworm and the eternally endearing single, Hey There Boomer, It’s Not OK. Yet, now that Movin’ Down I39 is here, it only cements their ability to produce hits that sweep you up in their infectiously soulful intensity; it’s the most syncable single I’ve heard this year.

Movin’ Down I39 was officially released on July 17; stream the single on SoundCloud now.

Review by Amelia Vandergast

khokkosh. incited an industrial art-pop riot with ‘pelicaning’

Exhibiting the artistic freedom of a mind that knows no creative constraint, the 20-year-old dark electro-pop producer and visual artist khokkosh. used her seminal single, ‘pelicaning’, prised from her sophomore two-track release, ‘pelicaning./a duck, a bear, and I.’ to conjure a macabrely avant-garde aural installation that haunts the middle ground of Poppy and Billie Eilish.

By mainlining the harsh elements of industrial into a hypnotically warped earworm which sonically mimics the effects of a trance spiral, the Indian artist found her place at the vanguard of the art pop revolution.  The self-written, produced, mixed, and mastered computer-adjacent, thematically visceral synthesis of caustic beats and scathing synths explores the self-invented phenomenon of pelicaning; the act of caging words inside you until they are forced to erupt.

With this two-track release feeding into khokkosh.’s merciless agenda of piercing through the veil of inhibition, regardless of how ugly we may appear to others we expose our true unfettered autonomy, the revolutionary isn’t just one to watch, her fearless authenticity makes her an artist to admire and emulate.

Stream the official music video for pelicaning, which premiered on July 8th on YouTube now.

Review by Amelia Vandergast

From Earth to Utopia: Galactica Tranctica Fearlessly Innovated the Trance Anthem with the Cosmic Unconventionality of ‘Cleopatra’

One of the most fearlessly innovative forces in trance, Galactica Tranctica, has made a name for himself with his eclectically styled and unapologetically unconventional singles and EPs. His eagerly anticipated debut LP, Forgotten Forever, which hit all major streaming platforms in June, etched his legacy.

His intuitive exploration of a cosmos of styles, textures, tones, and emotions prises the listener from material reality into interstellar journeys through utopias of ecstasy. The standout single, Cleopatra, is a progressive tour de force which teems with euphoric energy and filters diverse layers of electronica into a cohesive soundscape of bass-swathed beats, transcendent ethereal motifs, and experimental synths, which showcase an artist unafraid to explore new territories to lead his listeners to the brink of nirvana and beyond.

Influenced by Grimes’ ability to obliterate aural boundaries with sound, Jason Poole, the mastermind behind Galactica Tranctica, follows suit with his intrinsically originated, expansive as a solar system, productions which have earned plaudits from BBC Radio Introducing, Amazing Radio, and Wigwam Radio.

Stream Cleopatra and the Forgotten Forever LP on Apple Music.

Review by Amelia Vandergast

Bitvert – Deletist: A Techno-Punk Invocation of Resistance

Bitvert’s latest release, Deletist, is an off-kilter slice of pulse-pounding experimental electronica, crafted in the heart of East London’s artist quarter—where creativity thrives despite economic and political adversity.

The encapsulation of the struggle against a dysfunctional government and parasitic leaders embodies the spirit of liberation and defiance; the punk ethos charges the sequence of nocturnal electro, born through an amalgamation of spectral electronica, 4/4 techno beats and kinetic sub-bass frequencies.

The single’s release coincided with the new government’s election, yet it remains timely all the same, given the sense of nihilism and despair that remains pervasive in the UK’s collective psyche. Deletist serves as a bass-drenched techno resistance, a sonic uprising against the subjugation that has eroded hope and fuelled a belief in our epoch’s irreversible regression.

With punk’s spirit relegated to the shadows of the music industry, Bitvert ensures its essence endures through his frenetic rhythms that testify to the times, call for unity and vindicate through volition.

Deletist was released on the 4th of July via We Are Not Content; stream the single on SoundCloud now.

Review by Amelia Vandergast

Batka – Ałive: An Electronic Odyssey Between Serenity and Storm

BaŁka went down a cinematic storm in their latest release, Ałive, featuring PRESPHNE. The seductively progressive hit opens on a note of ethereal transcendence with the intricate instrumental layers efficaciously complementing the quiescent harmonic whispers, but it isn’t long before the intensity builds within the momentum of the tour de force of seamlessly chameleonic shifts in tone and tempo.

The head-spinning hits of Drum ‘n’ bass contort Ałive into a pulsative juggernaut of an anthem; the industrial rock aesthetics which follow act as further attestations to BaŁka’s ability to move sonic mountains with virtuosic melodic manipulations.

From the exponentially expansive crescendos to the transient installations of nature-infused cathartic tranquillity which follows like serenity after a storm purges the atmosphere, Ałive is definitive proof that few artists are as capable as BaŁka in depicting the duality between the brutality and ferocity of the human experience.

The inspiration for his powerful sound design is so much more than just an abstract concept. The thematic essence of his work hits you as hard as the beats, which goes a fair way in explaining how in six months within the industry, he’s already had an official release on MONTA Records, been signed by the LA-based music group, Cage Riot, and garnered over 30k streams.

Stream Ałive on all major platforms, including Spotify, now.

Review by Amelia Vandergast

The high vibes in Mike37’s spacey electronic hip-hop track, C.R.I.B., transcended Earth’s orbit

After being dubbed the Best Italian Emerging DJ in 2018, Mike37 has begun to prove his mettle in the rap scene. With over 200k streams behind his hottest track, Take Me to Your Love Again, the luminary of creative versatility has lit a beacon with the fire in his flows.

The rapper and producer’s latest single, C.R.I.B. featuring Uno Hype, is wavey vibe-heavy, cosmic-dipped production which pairs his flair with metric precision with his ability to slam charisma through your speakers.

The spacey synthetics wrapped around the solid rattle of the 808s exhibited how Mike37 isn’t just in his own league; his boundary-breaking aural identity transcends the conventional limits of the genre.

While every bar becomes an infectious mantra, the transgressing instrumentals attest to how much promise lies in the artist’s career as he gears up for the drop of his debut self-written, produced, and performed LP, HOT AIR BALLOON.

Having already released three tracks via Just Entertainment, being featured in La Stampa and on RAI and Radio Monte Carlo, it’s only a matter of time before he looks down on the industry from the top of the charts.

C.R.I.B. dropped on June 28; stream the single on Spotify now.

Review by Amelia Vandergast

António Sá – Partition_Monolog: An Ambient Immersion into Digital Reflection

António Sá’s debut LP, CACHE 01, presents Partition_Monolog, a track that immerses listeners in subtle cerebral reflections, a tonality of transcendence and syncopated spectres of futurism.

The soundscape within the concept LP, which explores how memories are increasingly digitised, subdues the listener into a profound state of catharsis while pondering what it means to be human when our autonomy is increasingly enmeshed with the artificial artifices of technology.

António Sá, an artist, producer, and sound engineer, efficaciously utilised spatial effect within his diaphanously lush downtempo progressions which are shrouded in an aura of deep reticent thought. Partition_Monolog invites you to lose yourself in its sonic world, invite ambience into your psyche, and join the visionary as he follows his muse through unchartered territory.

The CACHE 01 album, released under Diffuse Reality Records, brings a fresh perspective to the electronic music scene. It speaks volumes of the Portuguese-based originator’s talents and ability to awaken the imagination within his evocatively euphonic scores.

Partition_Monolog is now available to stream on Spotify with the rest of António Sá’s debut LP.

Review by Amelia Vandergast

Electro-House Goes Pop in Secret Wish’s EP Melody of the Music Man

Secret Wish

Secret Wish’s hotly anticipated EP, Melody of the Music Man, kicks off with the unfetteredly feel-good 7th Heaven Radio Edit before blasting into the 7th Heaven Club Mix, then progresses into the DJ Combo & Rayman Rave, Duumix, DIM3NSION, and Stelios remixes; offering nine different ways to experience the euphoric waves of electro house as they progressively crash on the shores of airwaves and dancefloors worldwide.

The opening iteration of Melody of the Music Man starts with a simple AVICII-esque piano melody before erupting into a disco-grooved EDM anthem for the ages, not just the summer; the appeal of an EDM anthem in this evocatively and melodically liberating vein could never come close to temporal.

The track reaches the epitome of sun-drenched rhapsodic bliss through layers of transcendentally augmented instrumental layers; the beats bring just as much enraptured ecstasy as the synths as they endlessly ascend throughout the progressive house mix that stands as a testament to the Belgian duo’s ability to craft infectious dance-pop anthems with global appeal.

Their music consistently tops charts across Europe and Asia, demonstrating their ability to transcend borders with crowd-pleasing anthems while injecting high-octane energy into productions hooked with a timelessly finessed pop sensibility. It’s safe to assume that Melody of the Music Man will be sitting scintillatingly pretty at the top of the charts before long.

Stream the Melody of the Music Man EP in full on all major platforms via this link from July 1st.

Review by Amelia Vandergast

Nissu – Connection: A Strident Exhibition of the Resilience of the Human Spirit

Nissu

The latest single from the Brazil-born, Dublin-based pop sensation, Nissu, is an explosion of positivity; ‘Connection’ goes nuclear through the sonic combustion of passion and unflinching optimism. As soon as the beat kicks in, you’ll catch the fever of gratitude and be compelled to move.

The hit is a kaleidoscope of nu-disco cuts, modern pop panache, grooving basslines, and snappy snares that help to deliver a dynamic, driving beat and cradle the exuberance in the vocals that project an uplifting ode to love, compassion and human connection. Written during lockdown, Connection urges the listener to look for the strength in themselves and celebrate the beauty in connectivity.

We may be years beyond the dystopia of lockdown, but the lessons we learned from the grounding experience, which forced us to reflect on what truly matters and affirmed the importance of connection, still exist as a silver lining to the chapter of our lives that will always be bitter-sweet to look back on.

The official music video is just as much of a triumph, featuring cameos from Charity Case and Hey Baby of Ru Paul’s Drag Race UK and the trans/neurodivergent advocate Cleo C. As a precursor to Nissu’s debut EP, Memories, Connection, created plenty of anticipation over what Nissu has lingering in the pop pipeline.

Connection will be available to stream on all major platforms from June 21st; the official music video will premiere on the same day on Nissu’s YouTube channel.

Review by Amelia Vandergast