If any Irish folk artist has what it takes to surpass the fame of Glen Hansard in 2023, it is Sinéad Ann with her spectrally spiritual single, Four Walls, which haunts the middle ground between indie rock and alt-folk.
With vocals that command in the same celestially raw vein as Dolores O’Riordan and chamber strings aiding the depiction of the clash between our mortality and spirit, Four Walls makes no apology as it visualises the maleficence of our shadow selves.
Rather than painting the picture of incandescent innocence, Sinéad Ann elevated the murder-folk subgenre with her confession of nightmarish visions before taking her listeners to a place of enlightenment following the vanquishment of her demons. You couldn’t ask for a more scintillating narration of the triumph of good over evil. It definitively proves that nothing concerning the soul is ever black and white, crimson always has a part to play; it runs in our veins and has a role to play in redemption, whether that plays out in our shadow minds or in reality.
With more music in the baroque pipelines, any folk fans partial to expositions of the darker sides of the human condition will want to be part of the breakthrough artist’s ascent.
Stream Four Walls on Spotify now.
Review by Amelia Vandergast
No Comments