After the release of her second album, there’s never been a better time to indulge in Jessamine Barham’s captivatingly devastating Alt-Indie Folk Pop sound.
The perfect introduction to her melancholically arrestive style is “Marching On” which compassionately addresses the very real fact that globally, we’re suffering from a loss of faith. Not just in a religious sense, but a loss of faith in our futures, ourselves, our leaders. The list is endless, but, as Jessamine Barham so poignantly alludes in this haunting release, it’s not easy to pull yourself out of a depressive hole, but that doesn’t mean that it is an impossibility for you to see more than just futility.
This track isn’t for the fainthearted. The directness of it may rub some salt in the wound, but just as with that tired old analogy, the salt (track) can heal after it stings.
I don’t make a habit of expressing personal gratitude in my reviews, but Jessamine Barham deserves so much more than fancy adjectives, she deserves recognition for this truly priceless record, for how candidly she approached the lyrics, for how cathartically resolving the soundscape became. So, thank you.
You can check out Marching On by heading over to YouTube.
Slip into the soul contained in US singer-songwriter Michael Golden’s debut album Some Kind of Holiday, it’s a candidly compelling narration of the artist’s experience navigating life, you’ll find plenty of familiar moments staring back at you.
The perfect introduction to their melodically haunting style is irrefutably “Mr. Ecstasy”. Any fans of Leonard Cohen and Tom Waits are going to get stung by the melancholy. Just like dropping a pill, there are blissfully radiant highs and soul-scraping lows. Yet, Mr. Ecstasy is able to offer far more than narcotics could.
The tender nostalgic comfort contained in Mr. Ecstasy is worth its weight in gold. Michael Golden has palpably succeeded in recreating the 70s sound with a modern digital folk edge.
You can check out Mr. Ecstasy for yourselves by heading over to YouTube now.
Alt Folk artist Blowing My Own Trumpet may just possess the most ingenious moniker we’ve ever heard. It cheekily alludes to the artist’s playfully expressive nature which also resonates within their rhythmic feat of folk “Calling Me Home” which breaks the monocultural mould by allowing African culture to effervesce within the organically high-vibe single.
Even if Calling Me Home doesn’t sound like your cup of tea, I can guarantee that your soul will feel infinitely lighter once the sun-soaked soundscape has faded to a close. If your escapism playlists are in need of an update, you’ve struck gold with the image-laden track.
You can check out Calling Me Home for yourselves by heading over to YouTube.
South West Celtic Folk artist Brother Sea kindly gave us a sneak peek of their forthcoming single “September” and allowed us to the sink into the accordance of their soulful aural resolve ahead of the official release on October 24th.
There’s nothing which can parallel the ethereally phantasmal chill which creeps from Celtic tones. Yet, Brother Sea infused plenty of their passion, hunger and soul into the soundscape around the eerie tones. So that overall, September unravels as a captivating folklore-spilling soundscape.
Bones & Bukenya are set to drop their stunningly masterful Alt-Indie Folk Pop single “SHE” on September 25th.
Transfixingly hypnotic Hawaiian surf rhythms introduce the track and bring the catharsis, when you find yourself in the midst of the harmonically timeless production, you’ll also find that you’re consumed by the restoratively oceanic single which stands as a testament to Bones & Bukenya’s authenticity.
Even sweeter than the stylistically soulful vibes that they were able to orchestrate through pairing their dual vocals with the mellifluous instrumentals are the lyrics which pay ode to women who know their value and shine with the confidence they exude.
Despite the quiescent tranquil air to SHE, it’s an incredibly powerful record that you’ll definitely want to give repeat attention.
You can check out SHE via the artist’s official Facebook page from the date of release
Well, God damn. If Tokyo-based artist Mike Turpin’s single “Shine” was any more arcanely resolving, I fear that I may never come back down from the high that the aural alchemy left me with.
It’s sensual, it’s sweet, it’s artful, it’s everything that you could possibly expect from a modern Indie Pop record. With twangs of Alt Folk along with similarities to the likes of the 1975, Shine is an indulgently mesmeric release which practically drips with celestial soul. The tear-inducingly compelling vocals are perfectly paired to the striking instrumentals which swim amongst almost haunting reverb.
There are very few ways to accurately allude to how enticing the atmosphere behind the experimental release is. Get it in your ears instead.
Up and coming singer-songwriter PB Ruck released his latest single One-Man Rodeo on August 24th. It’s pretty much safe to say that it may just be the most pensively raw single we’ve heard so far in 2020.
The hauntingly mellifluous soundscape possesses a timeless Alt-Folk feel which is sure to be a hit with any fans of the likes of Cohen, Waits and Dylan, but it’s anything but archaic. Thanks to the clever contemporary nuances in One-Man Rodeo, it rings with modernity, resonance and connectivity.
You can check out PB Ruck’s single One-Man Rodeo for yourselves by heading over to YouTube.
On the heels of a successful debut single, Alabama-born artist and ex-vet Garrett Clark Bell has released their mellifluously hypnotic sophomore single “Rolling On”.
Any fans of War on Drugs and American Football will no doubt appreciate his modernistic take on Country which comes with a blissfully winding infusion of Alt Folk. If you pull your attention away from the consciousness-consuming accordance of the inventively effect-laden instrumentals, anyone who finds resonance in Bob Dylan’s lyrics will find plenty of relatable sentiments in Rolling On. It speaks to the outliers of society, the ones that navigate through the alienation looking for direction. It’s a powerful affirmation of the fact that even if you feel alone, you’re not alone in that feeling.
You can check out Rolling On for yourselves by heading over to Spotify now.
Brian Perrone’s latest darkly moody Indie track “Sorry” is one of the sincerest apologies I’ve ever heard. Any Dark Folk/Murder Folk are sure to be as enamoured and evocatively bruised by Sorry as we were.
From the first verse, you’ll be hooked in the lovelorn narrative tale of regret and longing. The progressive single holds plenty of space for the artist’s seamlessly unexpected evolutions in tone and style which consistently uses complex time signatures. From delicate Neo-classical keying to Jazz-style improvisation, Sorry has a smorgasbord of inventive ingenuity to throw your way. Yet, in its essence, it remains a transfixing resolving soundscape with plenty of soul on offer.
Sorry is due for official release on August 28th, you’ll be able to check it out via Spotify.
If anyone’s looking for tips on how to orchestrate transfixing Alt Folk preludes, hit play on Joey Sherman’s single PRETENDING and grab a pen. From the first pensively picked notes, we were hooked.
After the ringing of an old school alarm clock which pretty much fills you with the I-don’t-want-to-go-to-work/school-dread, the raw, rugged and steady guitar notes lead you into a sombrely captivating soundscape which any fans of Bob Dylan will appreciate. It’s as haunting as it is stunning.
With the extended duration of PRETENDING, there’s plenty of room for absorbing instrumental solos which add just as much emotional depth to the single as the vocals and lyrics.
If you can relate to needing an escape, you’ll find plenty of resonance within PRETENDING which powerfully points out just how much energy is demanded of us in day to day life and how exhausting it can be.
You can check out Joey Sherman’s single PRETENDING via YouTube.