The latest installation of sonic transcendence, Late Night Call, from the Sydney-based sound designer Timothy and the Apocalypse, is one that you will want to answer.
Capturing the after-dark glow, the downtempo drum & bass spilling of synaesthesia extends the atmosphere of metropolitan twilight, defined by the ambience of streaming taillights and the idealized atmosphere which breeds intimacy and romanticism. For anyone who fails to find sentimentality under the harsh light of day, Late Night Call is the ultimate inky soundscape. Nyctophiles, have your fill.
Review by Amelia Vandergast