It’s always refreshing to hear a new approach to ambience, with their captivatingly cinematic production style, LA artist, pb, offered just that with his latest album, ‘In Parallels’.
Part progressive art-rock, part avant-garde electronica, part retro indie-pop, the first single, ‘Atlantis’ is the perfect introduction to the artist’s talent when it comes to blending textures to build what has never been constructed before. The best part? The catharsis contained in Atlantis is unhindered by pb’s tendency to let their experimentalism run rampant through their intricate grooves.
Evocatively, Atlantis is just as intense as Porcupine Tree’s acclaimed album ‘Fear of a Blank Planet’. Which feels strange to say about such a low-tempo mellifluous soundscape, but the sentiment still stands.
pb’s 2021 album is now available to stream via Spotify.
Opening with some seriously emotive koto-like strings before the beautiful female vocal kicks in, backed by some ephemeral sounds and those haunting picked string notes, ‘Suicidal Starlight’ is the opening track from Indiana-based producer-singer-songwriter Jiwhan Kim’s new EP ‘World’.
Trancey, Ambient, and otherworldly, ‘Suicidal Starlight’ is a beautiful track, spacy and relaxing yet uplifting and hopeful all at once. Kim aims to become a world-class producer and composer, and on the basis of ‘Suicidal Starlight’, and the rest of ‘World’, he’s on exactly the right trajectory.
You can hear ‘Suicidal Starlight’, and the rest of the ‘World’ EP, on Spotify. Check out Jiwhan Kim on Instagram.
Indian Singer-songwriter and composer, Takar Nabam, is set to unleash their genre-defying transcendentally sweet single ‘A Crime’ on the airwaves, for your own sake, hit play on this soul-filling winter warmer.
Elements of Funk, Reggae, Soul, Pop and Indie all meld in the entrancing soundscape which won’t fail to arrest your rhythmic pulses as you listen to the woozy sun-soaked tones effervescing under Takar Nabam’s vocals which will serenade any fans of John Mayer and Steven Wilson.
Not only is A Crime a discernibly radio-ready single. It also packs in enough nuance and virtuosity to appease any serious guitar-led-music aficionados. Guitar Magazine recognised Takar Nabam as one of the top 5 guitar players in 2020, we’re seriously inclined to agree.
You’ll have to wait a little longer before you can check out A Crime. In the meantime, head on over to the artist’s official website and explore their previous releases.
Mercury Lens are back with an excellent new single that gets your heart beating so much faster on the smoothly painted ‘Nails‘.
Spectacular Southern California producer Mercury Lens just dropped the debut album ‘Extrasensory‘ and is on a heart-inspiring mission to launch meaningful music all over the galaxy. With a magnificent blend of ambient, electronica, hip-hop, and film scoring, this is a work of art that demands closer inspection, as our ears need a lift after these gloomy times.
With a marvelously mysterious beat that feels like someone playing the piano up above you, the wondrous waves crashing in the distance puts you at peace with yourself. This is a calming instrumental interlude that does wonders to your mood and has to be on your visualization playlist to gather your mind so you can achieve those goals that you have always wanted to achieve.
Here is a new song with the only purpose of helping us find peace while gazing up above or in the seas of change, each second spent listening here adds to much value to your tired body and soul. With a replenishing potion so easy to sip on, as you turn this up and let it consume all your thoughts to find clarity; you find yourself again and relax from the stress of life.
‘Nails‘ is a quality track by Mercury Lens and scrumptiously delivers what is on the tin and more. The lively layers are wrapped up in out-of-this earth melodies that are sure to have you staring into space and wondering what else is out there.
Hear this top track on Spotify and see more on IG.
‘Quatro ventos’ – or ‘Four Winds’ – is the latest track from prolific Brazilian-born guitarist Ramiro Pinhiero; beautiful, jazz-influenced Latin-American, the product of Argentine and Brazilian parents and a musical education including time spent in Barcelona and the United States, Pinhiero lists an impressive back catalogue of recordings and collaborations with some of the greatest names in Spanish and Latin guitar.
From new album ‘Sentido’, ‘Quatro Ventos’ mixes those same Brazilian and Argentine leanings with European influences and instrumental jazz, the guitar itself providing a vaguely Maracatu rhythm to the track, Pinhiero’s masterful fingerstyle intertwining with jazzy clarinet courtesy of Gabriel Amargent (in turn mildly reminiscent of D’Rivera or Valdez) and the stunning rhythm section of acoustic bassist Horacio Fumero and drummer Nicolas Correa. It’s at once sultry, sexy, and subtle and moody and hot, the lead instruments of Pinhiero and Amargant dancing around each other over that sublime backbeat, each bringing their passion before teasingly wheeling away once more. Like dancers in a samba, it’s a masterful blend.
If your Ambient Electro Pop playlists are crying out for some fresh ingenuity, Leeds, UK-based artist and producer L.H.B.’s standout single ‘You Are Fire’ won’t disappoint.
With celestial highs and sonorous lows within the artist’s dynamic vocal arsenal, you’ll feel every ounce of emotion poured into the contemplatively resounding single. As the lyrics conjure imagery which sits synergistically against the glitchy yet lush Synth Pop melodies, it is all too easy to get lost in the captivating mix.
Stylistically, it sits somewhere between the overwhelming prowess of Lady Gaga’s more stripped back hits and one of Empathy Test’s melancholically tinged works of Synth Pop. Expressively, L.H.B. is in a league of her own.
You can check out You Are Fire along with the rest of L.H.B.’s album Down Yonderland via Spotify.
Rising from nothing over a gorgeous fully ten-second intro, 8udDha bl0od’s ‘Emerald’ is a simple, two-minute instrumental piece, ethereal singing synth-strings atop an almost choral swell of background chords. It’s melancholic yet beautiful, tranquil, peaceful, and uplifting all at once, with an element of hope that transcends ‘instrumental’ or ‘ambient’ genre-typing.
It’s almost Gregorian chant-like in places, orchestral and practically hymnal, inspiring and graceful, with an elegance and appeal that enchants, captivates and enthrals.
If music could have a colour, this one would indeed, definitely, be emerald.
Hear 8udDha bl0od’s single ‘Emerald’ on Soundcloud.
“Clouds” is the tantalisingly ominous latest release from up and coming Electronica artist and producer P!lot which is guaranteed to add ingenuity to your melodic house playlists.
With a constraint-less approach to production, the mix offers a dynamism which is rarely offered through electronically-mastered music. That may have a little to do with the artist’s affinity for a versatile assortment of artists. From Nick Cave to Chemical Brothers to Radiohead to Daft Punk, their stylistic nuances echo all throughout Clouds.
There’s a slight hint of pensive trepidation lingering in the atmosphere of Clouds, allowing the track to stay true to its title. Yet, the energy within the momentum allows it to unfold as anything but an aural melancholy fest.
Ambedo is just one of the celestially graceful compositions which feature on The Ideal Setback’s latest album Nodus Tollens which is due for release on September 25th. It’s safe to say that ambience has never been quite so evocative.
As neo-classic roots entwine with modernistic transcendental tones under the deft composition of Todd Chappell, you’ll be able to feel every fluctuation in momentum and passion. The intricately light soundscape was inspired by and titled after the melancholic trances we enter when vivid sensory details capture us and allow us to drift into a dimension besides the anxiety-riddled hellscape we call 2020. For your own sanity, hit play.
You can check out Ambedo for yourselves by heading over to SoundCloud now.
Starting off with a subtle piano-and-drum part before the pulled back distorted vocals and mellow saxophone kick in, Yoni Mayraz’s ‘I used to think about God’ is a chilled-out, jazzy deep-cuts style wander through anger and acceptance, a cry to revisit a simpler, more peaceful time when the beauty of home and comfort had yet to be superseded by the fear and confusion of the last few months.
Noam Darvish’s vocal is pulled masterfully back in the mix, the track carried instead by Matan Vardi’s freeform jazzy sax, a three-minute paean to love and acceptance, the lead single from Mayraz’s new ‘Rough Cuts’ EP.