Sinkin Down is just one of the singles from the Söur Bruthers latest album. If you’re a fan of classically styled roots deep Rock, you’re going to find yourself in heaven with the slightly nostalgic mix which throws you back to the time when Rock was still celebrated as a genre.
Whilst there was very little to fault about Söur Bruthers latest single, I couldn’t help thinking that Sinkin Down would have benefitted from being steered in a slightly more prodigal direction. Having said that, listening to Sinkin Down is as easy as breathing, the anthemically raucous production was packed with plenty of soul and raw emotion which allowed the lyrics to truly resonate, especially in the choruses. Because no one can deny that the lyrical hooks were catchy.
You can check out Söur Bruthers’ latest Rock anthem Sinkin Down for yourselves by heading over to SoundCloud now.
If you are someone who enjoys a good blend of reflective lyrics, a driving steady beat and some really juicy guitar lines and backgrounds, then this is the song for you.
Upon first pressing play the first few intro drum beats immediately grabbed my attention, but as the lyrics started floating above the swelling guitar riffs and the pulsing beat, I was completely immersed in this song, and soon sent into a reflective state. Rand Bowman’s ability to write lyrics which clearly question our behaviour and experience of peace proves what a brilliant songwriter he truly is. But needless to say, this is not all that this clever song has to offer.
With a hint of inspiration from some of the greats such as the Beatles and David Bowie, and a strong sense of artistic creativity, together with a clear determination to deliver a message, Rand Bowman has released a true gem. Apart from all of this, and a juicy guitar solo right in the middle of the tune, this song is particularly ear friendly and faithful to its tonality, allowing space for the message to resonate right through.
Oh and one more thing .. Bowman’s music is all self-produced, making it an even better showcase of his multitude of skills. Definitely worth a listen. Check it out now on Soundcloud!
Woman You Stole have recently released their first ever single ‘Excuse My French’, and my God, what a debut. Any fans of B52’s, The Cramps and Squeeze really shouldn’t hang around in checking out the anthemically rhythmic single. They’ve taken their soundscape further than any of the founders of the rhythmic, psychedelically inclined artists by incorporating French and English vocals, the dynamic that the multi-lingual vocals adds is almost beyond words – It’s definitely a soundscape that you’re going to have to check out for yourselves. Expect sticky-sweet melodies, and cataclysmically intricate yet raucous instrumental breakdowns.
If you’re a fan of culturally-inspired, raucously enthralling soundscapes, why not head over to Spotify where you can check out Woman You Stole’s latest single Excuse My French. You’re in for a treat. I can’t wait to hear what Woman You Stole cooks up next.
There’s a little bit of the Zappa quintessentially experimental chaos to Nathan Degner’s latest track 1969. Whether you love or hate the Lo Fi style of production, there’s no denying that the raw energy that bleeds through adds swathes of resonance to the mix.
Nathan Degner’s unique vocals don’t carry a reminiscence to any other, there’s a playful biting of antagonism with an Indie Rock styling. He certainly isn’t a recording artist who takes himself seriously, and you shouldn’t either. Let the lyrically inventive narrative of 1969 unfold to bring you the weirdest sense of nostalgia you’ve ever had and find yourself slap bang in the middle of the eclecticism of the psychedelic era, the instrumentals will also play their part in sending you on your way. Yet, 1969 is no mere revival, thanks to the Ska bass and guitar rhythm around concordant crashing of the cymbals, not forgetting the waves of popping reverb which leads you seamlessly through the progression.
You can check out 1969 for yourself by heading over to Nathan Degner’s website. Where you will also find the other tracks from the ‘Rock n Roll Songs’ EP
As a massive InMe fan, how could I not fall in love with the latest single from the up and coming recording artists Echoes from Ashes?
Down is a cataclysmically deep, almost harrowing Rock anthem which almost veers to the ballad arena. The riled energy behind the vocals makes Down one of the most piercingly emotive Rock tracks I’ve checked out recently. The vocals pair to the flawless progression of the instruments an almost overwhelming sense of remorseful melancholy hits you.
The thunderous reverb from the guitar carries the perfect amount of swampy Grunge synergy, against the tight drum rolls and relentless smashing of the cymbals are almost enough to leave you with palpitations. The progressive styling of the instrumentals is surely enough to satisfy even the most hard to please of Rock snobs, the solo’s and the intricacy of the breakdowns should be enough to leave the rest of the underground Rock artists audibly shaking.
You can check out Down for yourself by heading over to YouTube, or you can purchase their 5-track self-titled EP by visiting Echoes from the Ashes website.
When the prelude to a track has you bouncing, you know you’ve just stumbled across an absolutely stellar single. It makes the review part quite hard, but the energy behind Yogi Bairlines latest single Keep on Partying is as infectious as it is intoxicating.
The lyrics are exactly what you’d come to expect from a Garage Punk Rock party anthem. Keep on Partying came together as an infusion of Anti Nowhere League and Andrew WK. Yet, what really sold Yogi Bairlines for me was the fact that it was actually tangible that they were having fun whilst the track was recorded. The recording quality may not be the best you’ve ever heard, yet this just amplifies the raw energy that the band have mustered through the heavy instruments and even heavier vocals.
You can check out Yogi Bairlines single from their latest album Cracked Out by heading over to YouTube now.
Keep up to date with the band’s latest releases by following them on Facebook
Review by Amelia Vandergast – who has officially been inspired to grab a beer after listening to that track!
When’s the last time you checked out an emerging artist and their guitar riffs made your jaw drop? I know, I know, it doesn’t happen all that often. Which is why you probably can’t afford not to listen to Dar.Ra’s single Heart Shaped Pill from their 2018 EP ‘Dirty Lil Secrets’.
The standout single in part had me wondering if Mike Patton had anything to do with the chaotically alive composition of the track. It’s cataclysmic, it’s amplified and it’s everything Alt Rock Should be. The constant rolling heavy rhythms are almost too fast to keep up with as your attention gets caught up between the unpredictable bassline, the relentless riffs and tight thrashing of the drums. Yet, whatever is happening instrumentally Da.Ra brings the perfect amount of soul and feeling through his vocals to make the track almost too easy to slip into.
I seriously can’t recommend Heart Shaped Pill to Alt Rock fans of all persuasions. Their prodigal approach to sound won’t fail to restore your faith in the genre. Head on over to Spotify where you can check out the track along with the rest of the tracks from his EP.
When it comes to Forty Feet North, you don’t really know what to expect when you hit play. Their sound bounces between Rock, to Funk, to Blues, to everything else in between. The only thing for certain is that with the Californian band’s genre-boundless style you’re going to be treated to something prodigally conceptual which won’t leave you hesitant to hit play on the rest of the tracks on their latest album Time Flies.
Meltdown is a polyphonic fuelled Electro Pop Rock hit with Ska basslines around infectious Pop Rock melodies. The pure lack of restraint when it comes to the vocals gives the track that bouncing, antagonistically sweet vibe which every self-respecting rock anthem should harness. In just a short 3:14 minute track they create one of the most progressive tracks I’ve heard from the genre in the years. There’s almost a nostalgic Pop Punk feeling, yet their ability to weave together so many elements of sound is nothing short of prodigal. Oh, and just wait until you get to the concluding guitar riff if you need any evidence of their instrumental prowess.
You can check out Forty Feet North’s latest single Meltdown for yourselves by heading over to BandCamp.
Yes, the title is a little phallic, but rest assured the soundscape created by the up and coming artist Now is anything but quiescently sweet. Now is a New York City based instrumental powerhouse headed up by the insanely talented vocalist, songwriter and guitarist Allen Childs who brought together a synergetic line up to help him bring his inventive soundscapes to life.
Big Dick throws off every archetypal aural restraint as the Rock trio flow through free form extended, intricate breakdowns and melodies which pack in plenty of hooks that are sure to keep you coming back for another taste of their organically blinding instrumental style. Yet, the ultimate cherry to the cake has to be the Beatles style playfulness around the vocals, although I’m sure you would never hear John Lennon or Paul McCartney bragging about their endowment, in fact, the iconic Pop act’s style seems a little stale after I’ve checked out Now in all of their experimental glory.
You can check out Now’s crassly named yet, ethereally beguiling latest single Big Dick which was released July 2018 on SoundCloud now along with the rest of their six-track EP ‘Now or Never’.
Fans of David Bowie and ELO; we’ve found one of the best emerging Alt Rock artists on the scene to date. The reminiscence to the iconic acts is beyond stark. Matt Glennon’s playfully sweet vocal range tackles the quintessential lyricism within the track to create a poignant narrative of life in the 21st century. We all know it’s a bit rubbish and confusing, but considering our modern disparity inspired this sensational track, we can’t complain too much. Whilst I absolutely adored the concept behind Illusion, the simplicity behind the end rhymes stood out a little too much for me and registered as a little forced and exaggerated. Beyond that Illusion is a viscerally stunning track which has a timeless, iconic feel stamped all over it. With a Lo Fi Folk feel to the track it’s hard not to fall in love with Matt Glennon’s deftly candied style which carries a hint of Country and a layering of Pop for the perfect polish.
You can check out Matt Glennon’s single Illusion from his latest album Lost and Found over on SoundCloud now.