Browsing Tag


I’m Bodiless: Darrian Gerard has been missing for weeks on Powerless

As she wanders through her soulless town and sees nobody to truly connect with, Darrian Gerard drifts rather extraordinarily on a stunning single to hold on to when all seems lost with, Powerless.

Darrian Gerard is a Canadian pop-rock singer-songwriter, multi-instrumentalist and music producer who makes those stadium sounding classics to dance with all evening.

Hailing from a small town in British Columbia, Canada, she learned how to play guitar at 7 years old then quickly picked up bass, piano, drums, and vocals.” ~ Darrian Gerard

With her much-awaited debut EP Basement Stadium on the way in 2023, Darrian Gerard sings with so much passion and shall relate to so many who are so lonely right now. With pure vocals and so much to be intrigued inside, this is a rather eye-opening effort from a graceful spirit.

Powerless from Canadian pop-rock singer-songwriter and music producer Darrian Gerard is a fine song which shall make many stop in their tracks instantly. Thriving with honesty and baked into a lyrically aware soundtrack, we find an artist who needs to find a new home like many of us in this suffocating world.

When you feel you’re inside a grumpy town, you need to break free from its best to listen to your intuition.

Hear this new track on YouTube and see more via her IG.

Reviewed by Llewelyn Screen

Life Together: KC Sunshine opens up the envelope of reality with Hard Times for Dreamers

Emerging from a vivid dream and submerged in so much love, KC Sunshine shows us the truth in such a splendid way with the super debut solo single called Hard Times for Dreamers.

KC Sunshine aka KC Underwood is a UK-based indie alternative solo artist who is probably known best for his work with his former rock band, Big Deal (Mute).

The song came to him, like most of his others , in a dream. A song from a dream about fellow dreamers and what a particularly shit time it is to be one.” ~ KC Sunshine

Shining so brightly and showing us an example so many need to remember, KC Sunshine is on top form with a stunning single which the dreamers shall certainly relate to. Packed with honesty and a mellow ambience to slow dance with, this is a peaceful song to cherish forever.

Hard Times for Dreamers from UK-based indie alternative solo artist KC Sunshine is a lovely release that is so dreamy and might take all negative thoughts away in an instant. Vocally pure and a really enjoyable listen for all fans of genuine music, that shall float many away into a much better galaxy filled with hope.

Never stop dreaming, no matter what anyone says.

Listen up to this new single on Spotify and see more on IG.

Reviewed by Llewelyn Screen

The alt-rock originator, djamesk13, struck again with his grungy proto-punk single, And That’s Where It Ends, And So It All Begun

And That’s Where It Ends, And So It All Begun” is the latest tonally sublime single released by the London-based alt-rock originator djamesk13 (David Kemp).

If Dinosaur Jr veered away from grunge and towards proto-punk and made a pit stop at 90s Britpop to pick up a bit of extra guitar swagger, the sonic result would be in a similar vein to this nostalgically produced hit.

The distortedly and poetically orchestrated single provides a definitive discourse on the nature of our lives which runs through like pre-determined chapters of destiny. Lament it or live it to the max, but that’s the nature of being, captured in the lyrical hooks in this epitomisingly sludgy earworm.

And That’s Where It Ends, And So It All Begun was officially released on November 19th. Catch it on SoundCloud.

Review by Amelia Vandergast

In anticipation of OneSelf’s seventh album, we sat down with musician & producer Mario Deschenes to delve into the inspiration that led to his prolific ever-evolving creations.

Mario Deschenes

After delving into the nostalgically colourful haze of his former psych-pop albums, we were desperate to know the direction of Mario Deschenes’ new album that is currently in production, and how his journey as a multi-instrumentalist singer-songwriter and producer started.

Thanks for sitting down with us to discuss your latest album, Seven Eleven; what can your fans expect from your 7th LP?

First of all, let me thank you for this interview. What my fans can expect is, it’s gonna be more than expected; they will get 12 songs and 12 videos. I have to tell you this album is not completed yet; today, I almost finished the 11th one; if I can complete this song as I think it gonna be a great one.

Yes, 12 songs and 12 videos, with a deeper implication from the lyrics to the final mixing. I was more attentive to each step and I took my time to have the best songs I could get. I think my fans will be surprised; they will hear Rock songs for their pleasure. I’m sure they will hear an evolution in this album if they compare it with my other albums.

For your new fans, how did your venture into music begin, and where has the expressive venture taken you?

My musical journey into music began with Can’t Buy Me Love, a world of possibilities hit my mind, and that is what I tried to go with since that moment.

My biggest influence is The Beatles. I was 12 when I heard The Beatles for the very first time. I was a shy boy, a very shy one. When I was in Grade 6, someone in my class brought an LP, Hey Jude’s album from, of course, The Beatles.

When I heard the first song of this album, Can’t Buy Me Love, something happened in my mind, in my whole body and soul. Do you remember, I wrote I was a shy boy, I took all my courage to go to ask her if she could lend me this LP, and she said YES.

At home, I copied two songs; I found the rest of the album was too loud and heavy, It sounds funny, but it was the first time in my life I heard music like this. For days I listened to these two songs; again and again, I had never enough.

This souvenir is so clear in my mind. I remember How I felt, it was the first day of a long journey. Later I bought a cheap electric guitar, no amp; it came later; I read everything I could find about the Beatles. The more I find things about them, the more I discovered other groups like Rollings Stones; it was the beginning of my biggest influences.

From the moment I wanted to play music for a living, I don’t remember it so clearly as the first time I heard the Beatles. What I knew is I had to learn how to play the guitar. I learned how to write songs in English first and years later, in French. I learned how to sing, have learned how to record my music.

It was a passion; with every new chord I learned, I composed songs with them. I have written a song with one chord. I thought it was a good song, Oops. Not really … Believe me!

Years passed by, and I kept writing songs and music. Friends of mine found that my songs were very good, for me, I did not think so. Today I understand more about how it works, my songs are better, and I am proud of the time spent learning how to create my style; you can hear this in my songs.

What themes do the 12 original tracks explore lyrically?

Seven Eleven’ features 12 songs alongside music videos that represent my vision of life, relationships, and the plethora of thoughts that keep me preoccupied. As for my brothers, relatives, father, teacher, nephew, getting older, dating, authentic friends, and my mother.

We love the nostalgic psych-pop tones on your former releases; how do you achieve those?

Thank you for loving, as you mentioned, the nostalgic psych-pop tones on my former releases. How do I achieve those? I could tell with time and patience and the will to do better songs I have never done yet; I don’t want to write or play or record the same songs.

I like when my songs are different, I always try to do something new, things I did not try yet; if it works, fine; if it is not working, I look for something else, and I am to the service of the song. It is a matter of feeling.

What are your favourite pieces of gear to make your reinventive pop-rock sound with?

My favourite pieces of gear are my guitar, a GODIN model XTSA, my GR 55 by Roland and the Vocalist 4 by Digitech, and the DR 880 by Boss for the drum parts.

I don’t think I reinvent the Pop-Rock sound. I only try to do my best for every song; I am demanding a lot from myself for my songs. I try to have my own sound; for one song, you listen to there are a lot of songs I did not take for several reasons. From my point of view, I only keep the best songs for my albums.

Where did you pick up your production skills, and what would you say you do differently from other producers?

Where did I pick up my production skill? In my early days of learning to record music and songs, I began with a 4- track recorder, an 8-track cassette recorder, a Digi 001, and, most recently ProTools. It seems easy or obvious, but it takes time, only time; year after year, I have improved my production skill. It demands a lot, but it is a passion, you know.

What would I say I do differently from other producers? I don’t know, I don’t really know; I have the chance to have a little home studio, and then I can try a lot of things. I think they have a studio too. The only thing I see is since I began the musical journey, I mainly worked on my songs, increasing my music at the same time as my production skills. I like to learn new things or new ways to record songs. That’s what I like; I can learn as much as I want to.

What are your plans for the future?

Along my seven albums, I created my musical style, the way to play the guitar, the way I sing, the way to write, how I write, and how I record. All these are me. I’m as unique as my songs are authentic as my albums.

For every album, I followed my path; I went further and discovered myself with my albums.

What keeps me pursuing my music career? I think it is a kind of quest to leave traces of my journey on earth. This is a feeling that comes inside me, I don’t have any choices if I don’t do that, writing songs, recording them, singing them, I don’t feel fine; I have to let them out.

After a good day of work on my songs, I’m tired, my voice is so tired because I sang too much, and my soul is at peace. I’m proud of these kinds of days.

I cannot do anything to stop; as long as I can, I will make albums. I don’t want to stop recording music, especially my music. My 8th Rock album is almost written.

Discover OneSelf’s music on his official website.

Interview by Amelia Vandergast

Joe Astley sings the everyman blues in his world-class single, Suburbia

Joe Astley

Drawing parallels between Bitter Sweet Symphony, sans the bitterness, Joe Astley’s orchestral feat of folkish rock, Suburbia, taken from his forthcoming debut album, is for anyone who has ever felt the gravity of their hometown dragging them down more insidiously than anywhere else.

The opening lyric, “this city’s got it in for me, there’s a thousand other places that I wish to be”, delivered through harmonic lines that soak the record with sepia-tinged lament as they resound over the rugged acoustic guitar chords, orchestral strings and soaring electric guitar notes as they wind old school Americana into the release starts the single on a sombre note.

The profoundly uplifting release seamlessly progresses into a defiantly strident score through the refusal to fade away into the misery that soaks the streets of working-class towns and cities across the UK. The Wigan-based professional singer-songwriter and instrumentalist sonically attested to the bleakness scribed in Orwell’s The Road to Wigan Pier while simultaneously pulling beauty from the destitution that his accoladed career is pulling him from.

As some artists bemoan the current climate of the music industry, Joe Astley is thriving as definitive proof that with the right balance of tenacious songwriting, insurmountable talent and effortless charisma that immerses you into the emotional states he orchestrates, success is still in the sightline.

Between his residency at the Cavern Club, SKY TV streaming the live run-through of Suburbia, his debut EP on the shelves in HMV, and all his singles charting in the iTunes top ten, it’s impossible not to feel giddy when anticipating his next move.

The launch of his debut album, Twenty-First Century Times, on January 20th, 2023 will undoubtedly open up even more roads for Astley as he takes his boy-next-door resonance wherever he goes.

Purchase Suburbia on Apple Music or add it to your Spotify playlists.

Follow Joe Astley on Facebook & Instagram.

Review by Amelia Vandergast

WD-HAN matched the chaos of the universe in their raucously seductive feat of electrifying indie rock n roll, Straight Lines


Rock n’ Roll provocateurs WD-HAN are in lascivious form in their latest single, Straight Lines. After an Arctic Monkeys-Esque intro, Straight Lines quickly evolves into a blisteringly hot indie rock renegade of a track, full of raucous swagger, seductive vocal lines and riffs that will sucker-punch you into sonic submission.

WD-HAN has scintillated us with every release since they appeared on our radar in 2019 with their single, Spaceman. With a sound ever-evolving yet never veering from what makes them so viscerally raw yet tightly finessed, if you haven’t got them on your radars yet, what are you even doing with your lives?

Straight Lines throws away any sense of existentialism. While so many of us doomscroll on Twitter to justify living in fear and stagnation, WD-HAN proves that you can still be a force to be reckoned with and match the chaos of the universe.

After dominating the Floridian rock n roll scene, WD-HAN has recently relocated to LA, where they’re set to make their mark after opening for the likes of Paramore, Walk the Moon, Silversun Pickups and Kaleo.

Straight Lines will officially release on November 18th. Hear it on Spotify.

Review by Amelia Vandergast

Nestle into the safe chasm of alt-90s nostalgia with I’ve Tried Sleeping’s single, Without the Faintest Idea

With a moniker as defiantly dejected as I’ve Tried Sleeping, we knew we’d find ourselves head over heels when we dug into their eponymous debut album.

The standout single, Without the Faintest Idea, unravels as though Bob Dylan wrote The Truman show. Sonically, the single is an intersection between the college radio rock vibes of R.E.M., the striking viscerality of the Cranberries and to perfectly round off the single, there’s plenty of unadulteratedly classic rock riffs that drive the searing hot tones right into your synapses while they uplift you from the drudgery of the modern age into the safe chasm of alt-90s nostalgia.

If anyone has a chance of making it in the sorry state the music industry is in, it is the five-piece outfit fronted by Charlie Edwards. They’re a powerhouse, but that doesn’t get in the way of their effortless affability, which makes their tracks a pleasure to endlessly play on repeat. They get better with every listen.

Stream I’ve Tried Sleeping’s debut LP for yourselves on Spotify and Bandcamp.

Review by Amelia Vandergast

Swing back to the late 60s with Sarah Streitz’s dusky groove-led rock hit, Time Passes

Ahead of the release of her 2022 album, Different Space, we got stuck into the retro grooves of Santa Fe and Minneapolis singer-songwriter Sarah Streitz’s single Time Passes. While there’s no arguing with the titular statement, clearly, Streitz doesn’t conform to the linear passing of time if the tonal nostalgia that the dusky rock record spills is anything to go by. With just a few licks of the bass and her effortlessly cool vocal performance, you’re doused in late 60s synaesthesia.

After leaving Americana and country (mostly) behind her, Streitz teamed up with the Grammy-winning sound engineer Marc Whitmore to deliver soundscapes that would make Tarantino’s head spin. Evidently, Whitmore poured the same magic into Time Passes as he did with The Black Keys records – there’s something infinitely intoxicating about her demurely vintage vocal timbre colliding with the bass lines that roll around the shimmering organs and spacey sonic effects that bring a touch of modernism to the trippy swing of the single.

Time Passes is now available to stream on Spotify.

Review by Amelia Vandergast

ORCHAD Interview: Showing us deep inside the SKIN

Turning the volume up Canadian style and taking our hearts into a new galaxy, we sat down with ORCHAD to chat more about their heavy new release SKIN. Keeping it real and showing us the challenges of the current underground alternative scene in their hometown, this is an insightful look into how it started for the exciting Montreal band.

Hello there ORCHAD. Thanks for taking the time to slice it up with us and chat about your electrifying new single, SKIN. Firstly, please tell us who is in the band and how did things all start musically?

ORCHAD: Thanks for having us. We’re ORCHAD, a duo that’s made up of a singer and guitar player. On vocals we got Julian Della, and on guitars we got Justyn Vynn, and it’s been that way since 2018. ORCHAD started as the brainchild of Julian. After struggling to find members to complete a band, he decided to write and release the music on his own. He wanted to ground the music in rock, but be free to write anything he wanted regardless of the genre. He wrote and recorded a 6 song E.P. that ended up being ORCHAD’s first E.P. “Vices & Desires” of which he completely funded. During the recording process for that E.P. Julian called up good friend Justyn to add a few guitar solos to the tracks. Julian had wanted Justyn several times to join him, but he’d stopped playing in bands professionally. Through the process of writing and recording the solos, Julian asked again if Justyn would join, and after being floored by the level of quality with Julian’s songwriting, and his tenacity, he accepted. From there, it’s been both their goals to make you dance, and make your head bang.

Montreal, Canada is your hometown. What was it like growing up and is the local underground music scene thriving currently or not yet?

ORCHAD: Montreal is really an awesome place culturally. There’s no shortage of entertainment in the city, everything from Art shows and displays, comedy festivals & open mics, music events, so many restaurants, the nightlife is incredible. It’s brutally cold in the winter, humid as hell in the summer, and the city streets are always under construction, but we’re incredibly fortunate to be able to live in a city with so much culture, and personality. It really does inspire.

There are two ways to look at the underground music scene. On one hand, the music scenes are thriving in that there are so many acts with so much talent, and so much variety. On the other hand, there isn’t much visibility available to a lot of these acts, there’s not a ton of A&R around, especially for a metropolis like Montreal with such a diverse amount of music coming out of it. There are some very healthy scenes like the Metal scenes, Hip-Hop and Drum & Bass music scenes, but outside of those, there aren’t really any Music blogs, radio stations, etc. that are dedicated to Alternative or Rock music, especially ones that don’t fit neatly into those lines. Something we feel is important for a local scene to really thrive.

Your music seems to blur the line and is completely original. How would you describe your music style to someone who has never heard a song before?

ORCHAD: That’s our Achilles’ Heel. What is our music style? The only way we can describe it is that we make you dance, and make your head bang. It’s Rock N’ Roll with pop sensibilities, but there’s tasteful shred guitar, and electronic elements. We both love Guns N’ Roses, and Led Zeppelin, but we’re also huge fans of The Weekend, and Dua Lipa. We’ve had a hard time attempting to define our sound, and when we’ve asked members of the music industry, fans, family/friends, other artists, and those within the entertainment world, they also draw a blank to who we can compare ourselves to. If we’re to put something down, it’s adventurous Rock N’ Roll/Alternative, or Aggressive Pop!

Please name a few bands or role models who inspire you all to reach greater heights?

ORCHAD: There’s so many, and over the years the main artists we’re inspired by has changed, but right now The Weeknd, Dua Lipa, Fall Out Boy, Palaye Royale, Billie Eilish, LeBrock, Muse, Avenged Sevenfold, Guns N’ Roses, Queen, Elton John, David Bowie.

Ok, let’s dig deeper into your new release SKIN. What is the vision behind the track?

ORCHAD: SKIN deals with Toxic Hook-Up Culture, Passion, Non-Commitment, and Resentment. We’ve both had our fair share of these relationships, and we’ve both been active participants and fully aware of it. The song talks about a relationship based solely on sex and nothing more, the passion within it, the repeated cycles of attempting to end it and the eventual resentment of the other person who completely mirrors you who also doesn’t want to love you. The best description we’ve heard is that SKIN is an Anti-love song, that SKIN relates more to modern relationships than a ballad does.

Your debut album is set for release in the summer of 2023. What can new and old fans expect from this upcoming project?

ORCHAD: Expect to bang your head, expect to dance, expect for it to be fun, have some humor, be positive, and cynical, and expect that our sound will not fit into what we’ve already released before. No two ORCHAD songs sound alike, and we’re keeping it that way, but what we’ve got ready excites us so much and we can’t wait to share it with the world.

Last of all, do you have any tours or live shows on the horizon?

ORCHAD: We do! Our next show is on December 17th at Piranha Bar in Montreal, followed by some dates in Ontario in February (dates are still being settled now). From there, we’re still planning!

Hear this firecracker of a single on Spotify. See their socials on IG.

Interview by Llewelyn Screen

Skies Turned Red: Kaby Burton breaks down the gates of hell with Come out of the dark

With a spookily narrated intro to get our shocked hearts beating faster than ever, Kaby Burton is at her excellent best with a tremendously made single to get our spirits rocking with enchanting fascination on Come out of the dark.

Kaby Burton is a Scotland-based indie melodic rock artist who loves to fuse in her own Tim Burton-inspired music, which shall wake up any sleepy souls amongst us.

Showing us so much class and edgy intensity, Kaby Burton powers in with so much sublime skill it will stop anyone with a pulse in their tracks. The sensational Scottish rocker and tenacious pirate is spine-tinglingly outstanding and electrifies the fences inside our eardrums with tactful brilliance.

Come out of the dark from Scotland-based indie melodic rock artist Kaby Burton is a timeless sounding experience from a truly talented creative. Shredding the airwaves and belting out a superb single with gripping intensity, this is a foot tapping single which might make many think of those classic times again.

Dust off those cobwebs on Spotify. See more of her exciting missions on IG.

Reviewed by Llewelyn Screen