Browsing Tag

Punk Rock

Live Review: The Virginmarys mainlined blues through punk veins with rock & roll reverence on their tour of their EP, Devil Keeps Coming.

The UK live music scene may be on its knees. But on October 15th, a near-capacity crowd flocked to Gorilla in Manchester to kneel at the unholy alter of The Virginmarys as the Macclesfield-hailing band played the home leg on their tour of their critically acclaimed EP, Devil Keeps Coming.

With it being my first Virginmarys show amongst their devout fans, I was unsure of their ability to cut through the usual awkwardness of live music in the new normal. From the very first note of The Meds, any sense of cynicism slipped away. The crowd was instantaneously thrown into animation. Yet evidently, this was no average punk rock pit. Euphoria fuelled the momentum in place of the usual boozy weight-throwing aggravation. Something I’ve scarcely seen unless Riot Grrrl icons and their descendants are gracing the stage. As a testament to how much adoration The Virginmarys garner from their fans, one couple made the 3,000+ mile journey from Ohio to witness the deafening duo tearing up the turf in their hometown.

One thing I will never forget is how it wasn’t just the blues mainlined through punk veins with holy rock n roll reverence that gripped the crowd through the symbiotic dynamism between Ally’s guitars and Danny’s Bonham-Esque drum fills. In every direction, I saw how viscerally the lyricism resonated and psyched the crowd into a frenzy through the wit-deep lines that strip the alienation from political disillusion and mental precariousness.

The acoustic rendition of Sleep was also a tear-jerking memorable feat of the hit-after-hit setlist, which forwent the egocentric inclusion of an encore. I’m fairly convinced that in Ally’s past life, he was a tortured soul from Tennessee. His uninhibited songwriting skills are only matched by his ability to get to the crux of emotions that mostly go unspoken.

If you get a chance to catch them on the remaining legs of their UK tour, take it. You won’t regret it.

Artist Links: Facebook, Instagram, Spotify, Twitter.

Live Review by Amelia Vandergast

Lucifers Beard roll with the surf-rock punches in their latest punk-rock single, The Guy With A Black Eye

Frenetic alt-rock cavorts with the waves of surf-rock and rolls with the punches of punk rock in Lucifers Beard’s twisted spaghetti western single, The Guy with a Black Eye.

After hearing it, I’m not so sad about the disbanding of Eighties Matchbox B-Line Disaster. The dynamically tumultuous track was mastered by the deft touch of Ed Ripley, who has previously worked with NOFX, Frank Turner, and Goat Girl. If there is any justice left in the industry, Lucifers Beard will receive the same amount of acclaim as all of the aforementioned.

Short of sticking a fork in the toaster, you’d be hard-pressed to find a more electrifying sensory experience than this animated feat of ingenuity.

The Guy with A Black Eye is due for release on October 7th. Hear it on SoundCloud.

Review by Amelia Vandergast

Embrace Little Villains in all of their Machiavellian metal glory in their latest single, Spitfire

War, what is it good for? Influencing pit-worthy hard rock hits such as Spitfire from the UK’s loudest and heaviest outfit, Little Villains. Their Machiavellian nature is exhibited in all of its frenetic glory in the instrumentally Motorhead-Esque release, taken from their fourth studio album, BATTLE OF BRITAIN.

Spitfire is a rarity in its ability to offer the classic raw rock n roll production while enticing you with the fresh innovation exhibited by each member of the powerhouse. Even the staunchest hard rock fans won’t be able to eye roll to having heard this all before with the catchy cataclysmic furore in Spitfire, which compels you to catch it live. Luckily, Little Villains are touring their 10-track album through late 2022 and early 2023 – you won’t want to miss it.

The official music video for Spitfire premiered on September 16th; check it out on Youtube.

Review by Amelia Vandergast

 

AJ Elkins has released his indie folk meditation, Breathe In Breathe Out

With an acoustic guitar intro that rings with the same evocative timbre as Neutral Milk Hotel’s Two-Headed Boy before bursting into an art-rock arrangement, AJ Elkin’s indie folk single, Breathe In Breathe Out, is an emotionally-charged extension of sanctity.

The Nada Surf-Esque lyricism that sympathises with the trials and tribulations of the modern age becomes efficaciously consoling against the rugged progressions. The US singer-songwriter clearly has a knack for creating connective music; we can’t wait to see where his compassion and songwriting tenacity takes him – he is undoubtedly one to watch.

Breathe In Breathe Out is now available to stream on YouTube.

Review by Amelia Vandergast

British Quintessentialism meets riotous pop-punk and post-hardcore in DEFS’ latest single, No Worries If Not

DEFS is a one-man mission to create groove-saturated raucous pop bangers; based on the Sheffield, UK-based songwriter and producer’s latest riotously off-kilter single, No Worries If Not, his endeavour is a resounding success. If you could imagine how Liam Lynch’s United States of Whatever would have unfolded if he was quintessentially British, you’ll get an idea of the animated exuberance.

With his influences ranging from punk rock to nu-metal to 90s indie, DEFS constructed a genre-fluid rancorous mockery of our awkward over-polite tendencies. Through catchy pop-punk choruses, hammering post-hardcore breakdowns (literally and metaphorically), schizophrenic vocal transitions and psychedelically anthemic mayhem, No Worries If Not became the ultimate alt-indie playlist staple. Half-Man Half-Biscuit has nothing on DEFS.

No Worries If Not is now available to stream on Spotify.

Review by Amelia Vandergast

 

Trashy Power Pop Went Nuclear with Continental Lovers’ EP, Dale Arden Vs the World

Articulating thoughts on the UK provocateurs Continental Lovers with any degree of objectivity got shunted out of the realms of possibility with the release of their affably trashy power pop EP, Dale Arden Vs the World.

The dopamine rush is as sweet as the visceral vintage bursts of audiophilic guitars creating a nuclear reaction with the infectiously hooky lyrics. Amplifying the dynamic animation between the six tracks to the nth degree is the sheer vocal stridency that does away with the tired clichés and the banal sense of indifferent pretension that somehow ended up in trend.

Singer-songwriter and guitarist Joe Maddox is as intuitively clever with subverting his lyrics for resonance as he is with his guitar solos that bend your mind as much as the strings. As the perfect testament, the concluding single, Dale Arden, unfolds as a raucous whirlwind of empathetic affection for Flash Gordon’s love interest. The celebration of feminine strength, also evident in St. Joan, is enough to make anyone with a functioning soul emotional.

If there was any justice in our clusterfuck music industry, the Dale Arden Vs the World EP would be hot enough in the charts to make Prince Andrew sweat.

Snag it on Bandcamp or add it to your Spotify playlists.

Review by Amelia Vandergast

ATR pushed the boundaries of punk to its limits in It’s Not Enough, featuring Kellii Scott

For their latest volatile slice of off-kilter power-pop, It’s Not Enough, ATR borrowed the percussive flair of Kelli Scott (FAILURE) and used the extra set of hands to push the boundaries of punk further to its limits.

The unsated howl into the void is undoubtedly something that will resonate with many in our new normal, which notably has never known anything of normalcy. The noisy overdriven discord wrapped around the punchy melodies and modernist discontent of doom scrolling as a pacifier and other worrying symptoms of our times provided 3-minutes of the sweetest catharsis I’ve felt all day. We knew it was worth saving a space on our radar for ATR.

It’s Not Enough will officially release on July 7th. Check it out on SoundCloud.

Review by Amelia Vandergast

Achey feels the relentless demons roaring inside his trembling veins on ‘Beast Boy’

Inspired by XXXTENTACION, Duwap Kaine and Young Thug, Achey drops his latest single which is from his brand new 10-track release and this one is called, ‘Beast Boy‘.

Achey (pronounced AhKey) is a Harrisburg, Pennsylvania-born Hip hop artist who also fuses in punk rock and pop into many of his venomous productions that are crammed with honesty.

Achey did not find it difficult to stand out. Making music from a young age, having a unique fashion sense and a stand out personality.” ~ Achey

With his raw style that shall wrap you in a claw-clinging world that has evil eyes lurking at every corner, Achey has made a blood-soaked single which might have you feeling rather anxious and looking around to see if there is danger to deal with or if these thoughts shall soon pass.

Beast Boy‘ from Harrisburg, Pennsylvania-born Hip hop artist Achey is an underground experience that is loaded with much intrigue and slices into your mind like a ravenous chef who isn’t messing around. There is an actual sense of damage on offer here by someone who is battling to extinguish the fire-breathing evil demons that are threatening to jeopardise his very existence. Rapped with a heavy style, this is a street-filled track that will bewilder many, or fascinate others.

See this new music video on YouTube and check out his IG for more.

Reviewed by Llewelyn Screen

Crimson Catastrophe – Pocket Doughnut: hard, fast, and frosted punk rock

If you take your punk rock hard, fast, and frosted, take a bite out of the title single to the Baltimore-based outfit, Crimson Catastrophe’s latest album, Pocket Doughnut. Punk has always been about non-conformist defiance, which is exactly why Crimson Catastrophe went against the over-politicised punk grain with ‘Pocket Doughnut’.

Political punk will always have its place, but that doesn’t mean that there isn’t plenty of room on the airwaves for bands frenetically squeezing the joy of life’s simple pleasures. Pocket Doughnut is absolutely ridiculous, yet you can’t help getting swept up in the frenetic scuzzed-up sugar rush. We can’t wait for our next fix.

Pocket Doughnut is now available to stream in full on Spotify.

Review by Amelia Vandergast

ATR delivered sheer punk rock defiance in his no-wave stormer, A New Life, Featuring Kellii Scott

ATR served up another gnarled no-wave punk single with the release of the blisteringly sweet lo-fi anthem, A New Life, featuring Kellii Scott (Failure).

ATR was formed in 2014 after the founder, Jess, returned from his tour in Iraq as a combat medic with PTSD, a traumatic brain injury and other sustained injuries. With that context, the defiance within A New Life takes on a whole new meaning. If you have ever known how it feels for your mind to wage war on you, the lyrics in A New Life hit like mantras you’ll want to follow and turn to for resilience.

Before his time in the army, Jess was the lead singer and guitarist for an MCA Records-signed punk rock band in the 90s. Even though they were an underground outfit, they shared stages with the likes of The UK Subs, Anti-Flag, The Ataris, and At the Drive In; he never lost his discordant biting touch, but he did attune his sonic signature to the lo-fi alt-grunge style that will electrify you in A New Life.

A New Life will officially release on March 26th. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast