Browsing Tag

producer

Get it on with Zight’s latest EDM hit, Work it Harder, featuring Chris Willis & Maximals

Posted on 24 July 2022

Since the official music video to Zight’s latest single, Work It Harder, premiered on July 1st on YouTube, it has racked up over 200k streams, and traction continues to amass around the track featuring Chris Willis, whose previous collaborations include EDM icons, such as David Guetta.

Either I’ve had too much exposure to Ru Paul’s You Better Work, or the upbeat motivational EDM track carries ample reminiscence to the glamorously upraising signature flair of the self-declared supermodel of the world. If you’re falling short of dopamine, Work It Harder will give you an ample fix. For you own sake, hit play.

Check out Work It Harder for yourselves via YouTube.

Review by Amelia Vandergast

Glitchy art rock meets alt urban pop in Jacobi.e’s latest single, Rcv

Posted on 17 July 2022

Since his 2020 debut, experimentalism has been at the forefront of Jacobi.e’s alt bedroom pop sound. With his aptly dark, melodically off-kilter and tumultuously glitchy first single of 2022, Rcv, the Jamaican American artist and producer, currently residing in LA, fused his rock background with contemporary flavours of the originators, Dominic Fike, Kanye and Yeek.

While some artists manage to make exploring alternative sounds a contrived act of pretension, Jacobi.e instantly affirms that the alchemy came organically through his affinity for a plethora of genres. Pulling all of the contrasting textures together, his vocals are a sticky-sweet vocal point in the wavy track that stands as a testament to his flair as a producer that continues to amass gravitas.

RCV is now available to stream on Spotify.

Review by Amelia Vandergast

Elisa Winter – Summer Spent Dreaming: orchestrally apocalyptic post-grunge resonance

Posted on 9 July 2022

While many artists desperately wrestled with their creativity during the first lockdown only to reveal trite lyricism the performer, composer, multi-instrumentalist and baroquely phenomenal recording artist, Elisa Winter foresaw the new normal before the modern plague was on our door.

Finally, her debut album, Summer and Smoke, which was officially released on Summer Solstice 2022, is here to spill orchestrally apocalyptic post-grunge resonance. The LP tracks across the tensions between truth, reality and gaslighting, with the engrossingly stunning highlight, Summer Spent Dreaming.

Lush yet tumultuous. Visceral yet encompassing the detachment we all felt in some capacity, Summer Spent Dreaming is the most authentic aural depiction of the frustration and entropy I’ve heard yet.

Everything changed, in a way it is almost impossible to put in words. I say almost because Elisa Winter discernibly succeeded with “speak to me please, what has happened to you? Searching for you in your eyes, you won’t let me in.” There’s been a disconnect that we’ve kept our heads in the sand about. Thankfully, Elisa Winter is here to vindicate the confusion in our alien relationship with reality and each other.

Elisa Winter’s latest album, Summer and Smoke, is now available to stream via Spotify.

Review by Amelia Vandergast

 

Prepare to be torn from passive slumber with Cielo Pordomingo’s orchestral alt-electro feat of world music, Wake Up

Posted on 9 July 2022

Here to tear us from our jaded slumber with her spiritual synthetics is the alt-electro trailblazer, Cielo Pordomingo, with her latest single, Wake Up.

‘Enlivening’ scarcely cuts into the alchemy that the composer, singer, and producer used to reflect her soul in the orchestrally heightened single. It’s Europop meets Depeche Mode via Bond soundtrack with a classical chamber outro; need we say anymore? If we want to do Cielo Pordomingo justice as a lyricist, definitely.

Wake Up is far more than your average cry to people letting their lives pass them by. Pordomingo practically takes you by the hand to guide you through your awakening while addressing the problem of our tendency to waste existence by branding it as just another day. At this point, if she started a cult, I’d jump right into it.

Wake Up is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Andy Hobson brought ascending melodicism to sonic meditation with his latest single, Rise

Posted on 8 July 2022
https://soundcloud.com/andyhobsonmusic/rise/s-P1ghFdxlrW2?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The London, UK-based singer-songwriter, multi-instrumentalist, producer and spiritual teacher Andy Hobson is so much more than a diamond in the rough. With his latest single, Rise, he is the calm in the ever-calamitous storm that can’t seem to break away from our shores.

From the outro, you will feel some Nick Drake nostalgia. From there on out, the ethereal orchestral strings under the vibrantly ascending acoustic strings deliver heightened emotion exclusive to Hobson’s meditatively inventive take on alt-rock.

If you merged the plaintive sting of The Verve, the unrelenting compassionate tenacity of Nada Surf in their Let Go era with Radiohead-style gravitas and a burning sense of responsibility to spill the equanimity, the end result wouldn’t be too far away from the profound alchemy in Rise.

Here is what Andy Hobson had to say on his latest single:

“This is a bittersweet song about the passing of time and seeing the ups and downs of life as the same thing. Both can lead to new adventures. The song started as a dance track with big drums and a groovy bass line, but the emotion of the melody and lyrics didn’t really fit, so I stripped it back to acoustic guitar and wrote a haunting string section to give a final lift in the outro.”

Save a spot on your radar, as Hobson’s debut LP is due for release in 2023.

Rise, which was mastered by Stefano Ferracin and features Tom Meadows (Kylie/Will Young) on drums, is due for official release on July 8th, 2022. Check it out on Spotify & SoundCloud.

Review by Amelia Vandergast

 

Bedroom producer, J4RED transcended genre in his artfully reflective introspection slice, ‘hurt u’

Posted on 25 June 2022

Sometimes it is the emotion that grips you; sometimes, it is the musicality and originality; in his third single, hurt u, the bedroom producer, J4RED, proved that he is a triple threat. Perhaps even more impressively, hurt u transcends genre while carrying vast universal appeal.

The dark mellow pool of experimentalism created the perfect atmosphere for the fiery yet quiescent vocals to ooze into, allowing you to feel every ounce of the exhaustive frustration that breeds from dynamics where the mental scars tally our time together.

After launching his music career with his EP, UNCONSCIOUS, which debuted when he was 17 years old, he joined bands in the UK and Germany, and produced for other bands, such as the up-and-coming metalcore band, Half Me. If he keeps on at this level of momentum, it is only a matter of time before he breaks into the mainstream.

hurt u is now available to stream on Spotify.

Review by Amelia Vandergast

Graffiti Welfare tells his anxious coming of age story in the trippy meditative alt-electro album, Revolving Shores

Posted on 23 June 2022

Revolving Shores is the gravity-defyingly meditative debut album from the up-and-coming artist and producer Graffiti Welfare. After appearing on the airwave in 2018 through his EP, Into the Soul of Space, which has been extensively playlisted & lauded by critics, the Austin-born, Denver-based artist let the world in on his coming of age anxiety.

Regardless of your age, there is ample resonance in the LP that explores the profoundness of loss in context to perceptions of reality. As someone who has only recently lost their mum after a long illness, I’m pretty reasonably qualified to attest to the efficaciously comforting gentle tenacity in the 10-track release.

Revolving Shores gently eases you in through the minimalist melodic opening score, To Be It, which almost rings with neo-classic cinematic atmosphere, then cruises right on into my personal favourite, Just Follow, which reflects the feeling of unravelling as you lose direction.

DejaBlue picks up a little more melancholy through its genius titular metaphor for carbon copy ennui before Good News flirts with elements of coldwave EDM. What is easily the biggest experimental triumph the album, Synesthesia, dips into far more indie territory, with nuances of post-punk in the chilling, stabbing and distorted angular notes. SeaShell as the closing single was an all too efficaciously entrancing way of ensuring that Revolving Shores doesn’t leave you without sticking to your synapses first.

Graffiti Welfare Said

“Revolving Shores evolved from watching my childhood fade into the unknown as grandparents and friends passed away while I was coping with coming-of-age anxiety. By day, I was trying to finish my thesis and escape the clutches of graduate school with my sanity intact.

By night, I wanted to make sense of everything by creating something sincere, unique and tangible. Each track represents a lucid perspective that builds from the last, guiding a quiet meditation towards the unknown and back into waking life. Rinse, float, repeat – cause who knows where you will wake up next?”

Revolving Shores was officially released on June 17th. You can check it out for yourselves by heading over to Spotify and SoundCloud.

To keep up to date with the latest releases from Graffiti Welfare, follow him on Instagram, Twitter and TikTok.

Review by Amelia Vandergast

UK Hip Hop Got Hotter Through Dalts’ Latest Collab, ‘No Time’, featuring Jez, SK1NT and Charla Green

Posted on 21 June 2022
Dalts

Sheffield’s most infamous producer, DJ, events promoter, and label runner, Dalts, has contributed more than most to the UK music scene in the past five years. Now, he’s here with his latest single, No Time, featuring Jez, SK1NT and Charla Green.

The garagey hip-hop track uses old-school grooves, oscillating bass and skippy beats to keep the flow kicking under the clever vocal layering, which merges the originality of every featuring artist. From deadpan rap bars to distorted and transcending vocal samples, No Time is a hypnotic vibe tapestry which reminds you how great and gritty UK hip hop can be.

Check out Dalts on Facebook and Instagram.

Review by Amelia Vandergast

Renowned indie DJ and producer, Paul Allen Wright, went back to his rock roots with the arrestive rhythms in his EP, Voices

Posted on 17 June 2022

The indie DJ and music producer Paul Allen Wright returned to his rock roots with his riff-driven EP, Voices, featuring the standout single, I’m Walking, which has already racked up over 120k streams on SoundCloud alone. The hypnotically tribal guitar-led rhythms leave little room to wonder why I’m Walking has become a fan favourite.

His aversion to genre specificity gave I’m Walking a similar structural feel to a chilled indie leftfield electronica record. Instead of synths sitting prominently in the mix, Wright opted for acoustic strings to guide the desert-y and sporadically blues-y progressions. With the choice of the Stevie Nicks-ESQUE female vocals, I’m Walking was ethereally complete.

Hear I’m Walking for yourselves on SoundCloud.

Review by Amelia Vandergast

Astro Spectacular – He Has Risen: Witness the Deep House Resurrection.

Posted on 7 May 2022

Astro Spectacular brought the eccentricity of a renegade to their latest deep house track, He Has Risen, which was penned on Easter eve, and performed with a little help from The Conservative Pygmies.

80s synths, funk-riding grooves, and sporadic bursts of otherworldly influence make He Has Risen a deep house track like no other. The producer and songwriter, also known as Mooney Star, started his Astro Spectacular project as a result of the lockdown restrictions that prevented him from getting together with his band, Warm Leatherette. Going forward, Astro is set to take his cosmic take on deep house on tour across Long Beach, CA and release a string of new singles to follow He Has Risen.

You can witness the resurrection for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast