Browsing Tag

Moody Pop

The Camus of Pop: Katie Noir’s ‘Only Us’ Turned Kinetically-Charged Pop into an Existential Inquiry

Spiritually meta symbolism eclipses the entire debut LP, What Is Unseen Still Exists, by Katie Noir, a pop artist who has revolutionised the moody pop zeitgeist in her first sonic strike. The standout single, Only Us, fuses introspective cerebralism and razor-sharp social commentary with kinetic beats that shift your perceptions as they lock into the rhythm of the spicy lyrical poetry.

The visceral electricity of the high-energy dance pop production sinks teeth of juxtaposition into the existential thematic core of the release as it rips the façade of meaning from everything except connection and the present moment. In doing so, Only Us coaxes listeners out of complacency, away from distraction and towards mindfulness, without ever sacrificing the addictive force of its pop architecture.

What Is Unseen Still Exists began as something deeply private for Noir, an apology to her closest friends that gradually became a 23-song debut album shaped by diary-like confession, recurring symbols, emotional callbacks and the number 23. That backstory gives Only Us even more gravity.

It would have been a tragedy if Katie Noir kept her debut LP away from the airwaves; she has the kind of voice and mind that outliers, creatives and listeners craving more than superficial hooks from pop will instantly gravitate towards. She has gone leagues beyond the spicy disinhibition that shot Chappell Roan and Lola Young to fame; she is the Camus of pop.

Only Us is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Tori Lord exposed the rawest aches of lost possibility in her cinematic pop debut ‘Never Be’

Capturing the incessant spiral of questions, spikes of regret, and the whiplash of self-flagellation when you come to terms with the impossibility of a relationship your mind has already put your heart on, the debut single, Never Be, by Tori Lord, is a hauntingly poignant allegory of the grief that reverberates through the pain of lost possibility. The moody synth pop keeps the tempo low, reflecting the thematic weight of the contemporary ballad, which keys into the aesthetic of 90s pop while delivering an exposition anyone contending with heartbreak this side of the millennium can find themselves within.

The open confession of cascading emotion and feeling sees Lord standing bare in the lyrics, which make no attempt at masking the wound. It’s a fleshwound in pure, unadulterated form. There’s no distancing, no soft filter, just the harrowing clarity of knowing something sacred could have existed, had life written it differently.

Canadian-born and now New York-based, Lord’s path into pop has been paved by a lifetime of creative expression. From performing with the Canadian Children’s Opera Company and alongside Celine Dion, to building Top Knot Inc. into a patented, women-led brand, she’s always had a singular ability to forge emotional resonance.

In Never Be, that clarity of voice and purpose bleeds into her sonic expression. She’s not romanticising heartbreak; she’s chronicling it from the front line, with a gaze as sharp as it is devastated. This is cinematic pop sharpened by lived experience, alchemised with the same unflinching honesty that shaped her success beyond the music scene.

Never Be is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Megan Wheeler Leaves the Monotonous Plastic Pop Mould in Ruins with ‘Now That I’m Gone’

Megan Wheeler

Megan Wheeler has long since blown the doors to the pop pantheon open, but with her new single, Now That I’m Gone, she’s taken the throne within it. Moodily fiery and enveloped in ethereal textures that swirl around the four-to-the-floor beat, the single is a blast beyond the contemporary curve. New wave synth pop motifs inject a touch of nostalgia into the future-forward production, while glitchy vocal distortions and constant tonal shifts round out the emotionally charged anthem of self-reclamation.

Since the release of Replaced at just 16, Wheeler has distinguished herself as a pop phenomenon with songwriting that cuts through the noise. Compared to Taylor Swift, Avril Lavigne, and Dolores O’Riordan, she’s built a reputation for songs that walk the fine line between relatability and raw emotional depth. With Now That I’m Gone, she leans into confidence rather than heartbreak, proving she’s just as potent when asserting independence as she is when pouring vulnerability into her verses.

Her time at Belmont University in Nashville sharpened her talent, but it was the return home to St. Petersburg, Florida, that crystallised her resolve. Now That I’m Gone is the sound of that clarity, shattering any lingering doubt about her direction. As a dual citizen of Ireland and the U.S., a Philadelphia Eagles devotee, and someone unafraid to engage with social issues, Wheeler refuses to settle in life or music. Now That I’m Gone is just further proof that she’s pushing forward without hesitation.

Now That I’m Gone is now available on all major streaming platforms. Find your preferred way to listen via this link.

Review by Amelia Vandergast

CARLOTTA answered existential questions with etherealism in her debut single, Angel

Fans of The Neighbourhood, Lana Del Ray, and boygenius have a brand-new emissary of ethereally-hued indie pop to affix to their radar after CARLOTTA, an openly avowed poetic symphonist to the dreamers and lovers, released her debut single, Angel.

Her artful approach to poignantly reflecting on how love, faith, and self-discovery often intersect as we try to comprehend our intrinsic identity while grappling with external factors capable of knocking our authenticity out of kilter tracks the highs and lows through the juxtaposing transcendent and turbulent tones.

The singer-songwriter’s vocal register is rendered with the same raw evocative power as Angel Olsen as she pours her heartbroken candour on the instrumentals that allow Angel to become so much more than your average lovelorn hit. CARLOTTA existentially questions what it means to believe in something that has dematerialised and how possible it is to find hope in desolation.

“The message behind ‘Angel’ is that even when love is hard or fails to last, it’s important to believe that it exists in the world and most importantly, that you remain a believer in the goodness of people despite your heartbreak. It’s a song about faith and holding onto nothing except this exact moment.”

Angel was officially released on June 6th; stream the single on Spotify.

Review by Amelia Vandergast

Excavate yourself away from anxiety with Jennifer Jess’ alt-pop tour de force, Evergreen

After hitting the 1 million Spotify streams mark with her debut single, Blue, in 2019 and building a loyal 18,000+-strong fanbase, Jennifer Jess has always been dangerous to underestimate. Yet, there was no anticipating what the Atlanta singer, songwriter and producer would bring with her latest single, Evergreen, which digs deep into how fear is the ultimate inhibitor, especially when it plasters a façade on our authenticity and locks us into the stagnation of paralysis.

The lyrical centrepiece, “I’ve been afraid before but more afraid of fear itself”, is all the more resounding when projected through the visceral soul of Jennifer Jess’ striking delivery which cuts as sharp as the orchestral strings which quiver over the dark and moody electronica aesthetic which sonically visualises the metaphorical storm Jess is breaking free from.

Strident, striking and artfully intense, Evergreen is far more than an aurally powerful alt-pop release; it forces you to accept that no one can help you break away from fear or keep your dog in the fight for you. The hurricane force of the production is formidable enough to convince you to create a defining point in your reality by excavating yourself away from anxiety, and that is exactly why Jess has a legion of fans behind her.

Evergreen will be available to stream on all platforms, including SoundCloud, from May 17th.

Discover more ways to connect with Jennifer Jess through her official website.

Review by Amelia Vandergast

Lana Oniel reached the pinnacle of cerebral electro-pop with her darkly ensnaring sophomore single, hypothalamus

After finding her fire in the City of Angels, Lana Oniel put the devil on her shoulder to release her darkly ensnaring sophomore single, hypothalamus, which reaches the pinnacle of cerebral electro-pop.

The moodily spectral release seductively defies the pop mould with a vocal delivery which finds a way to stylise histrionic eccentricity and a beat that consistently switches, never allowing you to feel complacent in the aesthetic. hypothalamus wasn’t orchestrated to entice you into comfort; Oniel efficaciously used her early years in musical theatre to confront her rapidly growing audience with an earworm which makes no bones about using its claws to sink into your synapses.

If you can imagine meeting Lady Gaga in a dark and nefarious dream soundtracked by Melleefresh and Chelsea Wolfe, you’ll get an idea of what awaits when you delve into this perfect follow-up to Oniel’s debut, Hard Just to Be.

Hypothalamus was officially released on November 2nd. Stream it on Spotify.

Review by Amelia Vandergast

Hell hath no fury like YME scorned in her moody alt-electro pop hit, ENEMY

If you like your electro-pop dark, moody, and Avant-Garde, YME’s latest vindicating artful earworm, ENEMY, is a viciously hooked hit that will reel you in hook, line and scintillating sinker.

Never one to mince her lyrics, the Netherlands-based songstress who exudes the experimental spirituality of Bjork and a sense of conviction that leaves her in a hell hath no fury league of her own, is in the habit of cutting right to the core of vulnerable emotion and proving just how much power resides within the protagonists who wear their hearts on their sleeves. All too often, abusers mistake their ability to beat people down as a sign of strength; YME dispels that insipid myth with her highly originated demure style and candour.

ENEMY is now available to stream on Spotify.

Review by Amelia Vandergast

Hila reclaimed her autonomy with her trailblazingly moody twist on bubblegum pop, Sorry?

After thriving through 2022 with her extensively playlisted singles, Easy to Lose Control and Thoughts Out Loud, the alt-pop sensation, Hila is delivering vindication hand over inexplicably talented fist in her latest single, Sorry?

The moody pop instrumentals following the staccato guitar prelude contrastingly illuminate the shimmering soul that spills from her dreamily pitch-perfect vocal timbre to the nth degree as the lyrics capture the evocative complexity of relationships that leave you doubting your self-worth before you arrive at the epiphany that people beneath you will always drag you down to their depraved depths.

With both of Hila’s previous 2022 singles reaching the 300k+ stream mark on Spotify alone, if any breakthrough artist is going to make 2023 their own, it’s Hila. The strength of her sonic palettes could carry her alone; with her proclivity to dig deep lyrically to help her growing fanbase grapple with their own anxiety and heartbreak, she’s worth her weight in gold. What Gwen Stefani was to the 90s, Lila is to the 21st century.

Sorry? Officially released on December 27th, it is now available to stream on Spotify.

Review by Amelia Vandergast

Shayla Hamady – LMWYC V2 featuring KnovaT27: horror trap pop has never been hotter

With a music video that could rival American Horror Story and the way that Shayla Hamady entwines horror with moody trap melody, her latest release, LMWYC V2, featuring KnovaT27, is a work of scintillating multi-media art.

The sultry timbre of her dark pop vocals brings a transfixing edge to the track that gets even sharper when KnovaT27 brings his cutting rap bars to break up the accordance that lingers after Shayla Hamady’s ultra-vivid lyricism, which plays with dark themes and romanticism. We didn’t need the Detroit born and raised artist’s bio to tell us that she’s inspired by Eilish. Yet, Hamady still came into her authentic own in LMWYC which stands as a testament to her commitment to expressive art.

The official music video for LMWYC is available to stream on YouTube.

Review by Amelia Vandergast

West London singer-songwriter and producer Kai Justine released the ultimate break-up playlist staple with Don’t Worry.

In her latest single, Don’t Worry, the West London singer, songwriter and producer Kai Justine proved that she has got exactly what it takes to be the next alt-pop icon.

The moody yet energetic beats may not be a sonic signature that you’re familiar with. Yet, with the RnB pop vocals super-charging the self-produced mix with emboldening soul, it is all too easy to get in the dancey groove with Don’t Worry. The chorus of “don’t worry about me, I ain’t thinking about you” bites into the liberation that sparks when a toxic dynamic finally becomes obsolete.

Destiny’s Child, Whitney Houston and Mariah Carey are three muses that inspired Kai to tap into her talent; even though that influence rings through in Don’t Worry, it doesn’t override Kai’s autonomy. She is definitely one to watch.

Don’t Worry was officially released on February 25th. It is now available to stream on Spotify.

Review by Amelia Vandergast