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listen to my demons

Interview: Nottingham alternative electronic producer RICKY leads us through those era-defining Dark Places

Opening up a whole new brightly coloured tunnel and delving us deeper into a mysteriously illuminating venture to bury all demons inside forever, UK-based EDM producer RICKY slams the door shut rather brilliantly and tells us all about it with an interview all about his 7th of July scheduled 8-track release, Dark Places.

Llewelyn: Welcome to A&R Factory and thank you for taking the time to chat with us today RICKY. Let’s start off with this. You were known previously for your work with the 2 piece electro-punk indie rave band called Battlecat! What’s the progression been like in your life to now being an alternative EDM producer?

RICKY: Thanks for having me! I’ve always been passionate about music having previously grown up living in an independent family-run music venue and watching and prompting hundreds of bands every year and then came Battlecat! Who was made up of me plus the sound man from our venue (we were very close friends and had been talking about trying to write some test icicles-inspired tunes for a while.

Battlecat’s sound mixed elements of techno, EDM and drum and bass with punk guitars and distorted vocals and was heavily influenced by the ‘Nu rave scene’ of the early 00s. Working on that particular project gave me an opportunity to explore a different side of music production (as I only really played guitar prior) and is where I cut my teeth using Daw’s and Vst’s and hardware units. I kept exploring and learning more about arrangement and production and it became my passion and so transitioning to alternative Electronic production felt like a natural progression.

Llewelyn: You rep Nottingham in the UK. What’s the scene like there (good and bad things) and where are the best spots to watch underground music in your area?

RICKY: The scene in the early 00s consisted of a lot of indie, punk and metal but it seems to have broadened over the years and it’s literally a melting pot of unique artists of every genre you can think of. Nottingham is home to many great venues but JT SOAR, The Chameleon and Bodega are great venues to catch upcoming artists.

Llewelyn: Dark Places. Goodness me. This will wake up anyone who has been sleeping. We love the high-tempo energy. What was the main motivation behind the project and are there any tracks in particular you’re most proud of? Also, was there anyone else involved in the creation?

RICKY: Dark Places is a follow-up to my ‘bedroom-produced Ep’ Pushing Buttons. I was fairly proud of Pushing Buttons but it was definitely a genre-hopping piece of work where as this next record feels a bit more coherent and uniform in terms of tone. I’m particularly proud of the debut single ‘Don’t say anything’ (which is released on 23rd June) and ‘Wreck’ which I suppose is my answer to Hudson Mohawke’s distorted brass, fidgety loveliness. The whole record was written, mixed and mastered by myself and the only contribution being that of ‘PLAEDO’ who is an activist, rapper and altogether great guy from Portland Oregon that pit some great lyrics to ‘I’m talking to you’

Llewelyn: 2020 was mad. Did you feel super refreshed after your hiatus and do you sense your creative process or sound changed at all?

RICKY: 2020 was definitely mad and full of negatives the only plus for me personally was the free time it gave me due to being furloughed and getting the last ep finished. When you have a family and full-time job it can be very difficult to find the time to work on your passion project because let’s face it family comes first.

Llewelyn: Do you have any funny stories about the music business you’re allowed to share? Perhaps an interaction with a fan, or a wild moment at a party/festival or a realisation which made you laugh?

RICKY: I can remember when the Eighties Matchbox B line disaster played our venue and after they played we had a lock-in with around 50 folks where we drank the bar dry to lots of The Cramps and QOTSA blasting out the PA and then around 3 am we took the party to their tour bus (they came it a massive double-decker tour bus complete with leather sofas and flat screens tvs) and invited a few of us on to indulge in some mushrooms and various other ‘vegetables’ that was a very epic and hilarious night. It wasn’t hilarious when I woke up with my head in a pizza box covered in filth and vomit though.

Llewelyn: Who are the OG’s of your local scene and who do you look up to the most?

RICKY: There’s always been Lots of great Nottingham bands but back in the day for me, it was probably ‘Late of the pier’ ‘I was a Cub Scout’ and Swound! There’s obviously been a good few Notts acts break in the last decade such as Sleaford mods and Jake Bugg.

Llewelyn: Lastly, where can we catch you live over the summer?

RICKY: I’m looking at getting the live show up and running for late August and I’m hoping to gig as much as physically possible (in between work and family commitments) through the back end of this year through next year onwards so hit me up if you’re a promoter and have any slots going free. I’ll sweat and make noise for beers and fuel.

Listen up to Don’t Say Anything on Spotify.

Find out more on IG.

Interviewed by Llewelyn Screen

Didn’t Care: David Johnson Kim tells us how the game chose him on Journey Begins

Taken off the brand new 18-track album called The Butterfly Island, David Johnson Kim tries to defeat the demons and rise from the underground no matter the challenges that await his every move on Journey Begins.

David Johnson Kim is a Los Angeles, California-based indie hip-hop artist and music producer who helps us all find a real place to be in this seemingly complicated world.

I draw from my own personal journey and influences of my upbringing/culture with my faith being the center of the heart behind this album. It explores styles of music that I grew up with while connecting it to topics of nature, adventure, nostalgia, and a deeper longing for an eternal purpose in life.” ~ David Johnson Kim

Reminding us of a classic Beastie Boys sound, David Johnson Kim ushes in a new era of an old-school sound which will surely never die. This is tremendous stuff and shall rocket delightfully enhanced energy to make everything better again.

Journey Begins from the Los Angeles, California-based indie hip-hop artist and music producer David Johnson Kim is an ear-healing kind of memorable experience to dust off the hard knocks forever. Pouncing like a ravenous cat who is eager for a snack, we find a purring song to turn on no matter the mood of the world.

Surging through with so much venomous energy, this is a delicious single for all those who love proper lyrics and a flow to munch on happily.

Listen up further on Spotify.

See more vibes on IG.

Reviewed by Llewelyn Screen

Bring The Party: ACTHEKIDFROMSPACE drops from the sky to sends us into a new galaxy with an enlightning interview

Teaching us much about the music scene, fearless self-taught artist/sound engineer ACTHEKIDFROMSPACE tells us all about his hot new party-all-night new single Earthquake and about life as a Canadian musician plus an in-depth look into what his ideal Maserati looks like while kindly letting us ride shotgun with him.

Llewelyn: Thanks so much for joining us ACTHEKIDFROMSPACE as we appreciate you taking the time. Firstly, what is your ideal night out and who is joining you?

ACTHEKIDFROMSPACE: Hi, thank you very much for having me. It’s an honor to have a chance to be interviewed by such a respected music blog as yourselves. My ideal night out would definitely have to be hitting a club or bar downtown with my people and having many drinks. I love seeing where the night takes us and being able to create great memories to inspire future music. If I’m not going out, I love spending long nights in the studio creating music. That’s where I truly find inner peace.

Llewelyn: Let’s chat about your latest sizzler. Earthquake might have stunned our speakers awake and we like it a lot. What was the vision behind the track and please tell us who was involved in the creation.

ACTHEKIDFROMSPACE: Very glad to hear that you guys loved it. I appreciate the kind words. When talking about the vision of this song, it starts with me and my brother from Nigeria, Pupa Tee. Now with this being our third release together, we knew we had to make it as good as our first two. I had asked him if he wanted to try something smoother this time since our last two were party songs. However, he insisted that we should keep the party going even stronger. That’s when I knew that I had to make something harder than we ever have so far. This is what inspired me to write the first two lines of the song as soon as I heard the beat; “So they say they wanna party, so you know I’ll bring the party,” & the rest of it kind of just followed effortlessly.

I am fortunate to be able to work alongside such a talented artist as Pupa Tee because he’s always able to match my energy on whatever curve ball I throw his way. I had asked him to find another artist that would be able to do the same cause I figured this song needed a third artist to make it even more compelling. This is when he brought on his friend Rhaffy who usually sticks to his producing / sound engineering side. However this time, Rhaffy clearly demonstrated how effortless it is for him to sing and flow just as well. This is how it all came together and we genuinely hope it can light up the summer for everyone.

Llewelyn: What is your favourite kind of Maserati and what colour is it? Also, would you let us ride shotgun with you (even for a little while)?

ACTHEKIDFROMSPACE: Hahaha, I’d definitely let you guys ride shotgun any time you’d like. If I’m lucky maybe our next interview can take place inside a Maserati. The funny part of the Maserati lyric in the song, is that Maserati isn’t even my favourite sports car. A Rolls Royce would probably have to be. The lyric was supposed to represent that as two girls are fighting over me, like the historic battles between Ford and Ferrari, that I had already moved on to another girl. I’m not a fan of drama. However, if I was fortunate enough to own a Maserati, I would definitely black out the entire car and rims.

Llewelyn: Montreal, Canada is your home. What is the local music scene like at the moment and where are the best spots to find the next great artists who are on the rise?

ACTHEKIDFROMSPACE: Montreal is actually so culturally diverse, which is one of my favourite parts of living here. You have food, music & art from all around the world at your disposal at any time. There are so many talented artists in the city, many of which I’m lucky to call friends. If you’re looking to find upcoming artists, the best way is to go downtown and there are many bars and clubs that host live shows and you’ll surely find some dope artists that are still under the radar.

Llewelyn: You love making midnight songs. Is that who you make music for? Those who love to live a little and get away from real life for a few hours?

ACTHEKIDFROMSPACE: Yes, I describe my sound as midnight music. The reason behind the name is because every chance I get, I’m usually awake till 5-6 am in the studio. It’s when the world is the quietest and I can feel the most. I like to keep my music as realistic as possible & I believe the listener can tell if you’re faking it. So if I’m trying to make music for those who love the nightlife then I have to ensure that I’m making music at night time. I believe my sound carries a darkness to it and I can credit the smooth feelings I feel at night as the reason behind it.

Llewelyn: What’s the best piece of advice you’ve ever received in life and has there been a specific moment when you went..wow…that is actually so true?

ACTHEKIDFROMSPACE: Wow, that’s a tough question. I have definitely been fortunate enough to have many mentors outside of the music industry and trying to narrow one down isn’t easy. Off the top of my head, I remember hearing that being grateful is the key to happiness and long-term success. The more I stopped looking at what I don’t have and started appreciating what I do have, each day became easier to live. I truly believe that if you take the time to be grateful each day, for even the smallest things, it helps you stay grounded and allows you to focus on moving towards a positive direction instead of dwelling on the things that aren’t going as well. We all are struggling, some worse than others, but instead of looking at things we can’t control, we can take a step forward each day to focus on bettering ourselves and our surroundings through the things that we actually have control of, such as being grateful.

Llewelyn: Last question. What is the end goal? Where do you want to be in 5 years and do you see your sound changing at all?

ACTHEKIDFROMSPACE: My true end goal is to find happiness. I believe that is what we are all searching for. Making music every day truly allows me to feel inner peace and takes me one step closer to that goal every day. I truly just want to make enough money off of my music to be able to do it for a living. I also want to touch as many people around the globe as possible and allow them to feel the feelings I feel while creating the music. My sound is always growing since I started making music and whichever direction my sound takes me in the future, my goal is just to stay true to myself and maintain that ACTHEKIDFROMSPACE sound that I’ve always had.

Turn up this up louder on Spotify and get the party started.

Follow the vibes and upcoming show news on IG.

Interviewed by Llewelyn Screen

Vinyl Sales Aren’t Just Reigning Supreme; They Are Keeping Indie Artists Afloat

Vinyl Sales

A new study by Components has revealed that high vinyl sales are synonymous with a healthy music industry, especially for independent artists operating at a grassroots level with no backing from labels.

While the findings from the study may seem like they are stating the obvious because, of course, more sales = a sturdier economy, there are a few revelations for independent artists looking for the best ways to recoup the expenses of recording their music and funding other ventures. One of the main takeaways is that vinyl records offer a “disproportionately important channel of spending”.

Furthermore, in addition to being the most profitable physical medium, the format also drives further engagement, as vinyl buyers tend to spend more cash supporting the industry due to the heightened involvement of the vinyl purchasing and playing process.

The tactility of spinning a vinyl record and the aesthetics of the experience are a clear contrast against the impersonal and underwhelming process of streaming on platforms such as Spotify. Every step of setting a vinyl record on the table, adjusting the RPM, and letting the needle hit adds to the value of the listening experience, which is how record collectors can justify spending so much cash on their collection.

Vinyl Sales Have the Strongest Association with High Earnings

Components discovered that of all the physical items sold on Bandcamp, vinyl records had the strongest positive association with the amount of money earned, above all other items such as CDs, cassettes, and wearable merch. So, for independent artists wondering which physical formats to invest in, now there is a clear answer.

In 2021, Rolling Stone revealed there were two million vinyl sales in 2020; double the number sold in 2019, a consumer habit that was undoubtedly caused by the pandemic stripping the power from music fans to support their favourite artists by purchasing gig tickets. However, in 2020, only 12% of releases on the platform had a vinyl option.

Bandcamp Has Stepped Up to the Mark with A Vinyl Pressing Service

To boost the number of independent artists with vinyl records available to purchase via their platform, Bandcamp has launched its own vinyl pressing service, which offers a low-risk and hassle-free way for artists to press vinyl. The Bandcamp Pressing service puts artists in complete control of the usual aesthetic options in addition to vinyl weight.

To get started, all you need is your album published on Bandcamp and enough fans to kickstart a pre-order campaign. If your campaign is successful, Bandcamp will take care of all the shipping, customer service and other logistics, meaning that artists won’t need to rock up to their local post office and clock the look of absolute contempt from the person behind the desk.

Bandcamp Vinyl Pressing Service is Here, and It Works | Bandcamp Daily

Hopefully, Bandcamp’s spin on a Kickstarter-esque service fares infinitely better than Pledge Music, which went into bankruptcy in the midst of artist’s campaigns and the money pledged by the fans was swallowed by the company going into administration.

Clearly, Bandcamp’s first-of-its-kind service will benefit the platform, as they will get to take their cut from the increase in vinyl sales; nevertheless, it appears to be a great way for the site to level the playing field between trust fund artists and the artists out there with the talent and fanbase to drive a successful campaign but none of the upfront cash to invest in vinyl pressing.

Will the Hype of Vinyl Collecting End?

While many believed the trend of vinyl resurgence had seen its heyday after Urban Outfitters started stocking Fleetwood Mac vinyl records and God-awful Crosley integrated amp and speakers record players, which will absolutely obliterate your LPs if you give them half a chance, the vinyl hype isn’t going anywhere soon. Its integral influence on the music industry as a whole is demonstrating that vinyl collecting is so much more than a hipster fad.

Crosley Voyager Record Player review | Livingetc

Especially after Pitchfork announced in September 2020 that, for the first time in decades, vinyl sales outnumbered CD sales when the format accounted for 62% of physical sales revenue.

While touring remains the bread and butter for mainstream artists, this is far from the case for independent musicians, who are lucky to break even when they are hitting the road and showcasing their live sound. In many instances, the only way to make touring financially worth it is by hawking merch during the show, and more often than not, vinyl records inspire music fans to part with the most cash. As noted by the research study, the vinyl record format is disproportionately important.

So, for independent artists wondering if getting in touch with a vinyl pressing service is worth it, the answer is a resounding yes – if you have the fanbase to justify it, of course! Start small with short or limited runs of 50 or 100 before you can work up to the bigger pressing orders, which will allow you to rake in more profit.

 

Article by Amelia Vandergast

More Than Your Friend: Sincerely Him feels dead already on CEMETERY (prod. Nextime)

https://www.anrfactory.com/drugs-all-the-time-sincerelyhim-attemps-to-run-away-from-the-demons-on-wasting-my-time-prod-schmooney/

Known best for his previous single called Wasting My Time, Sincerely Him shows us his hugely exhilarating skillset to its best possible format on the broken heart anthem for anyone who wanted more, CEMETERY (prod. Nextime).

Sincerely Him is a Connecticut-based underground rock musician who likes to blend the boundaries between punk and alternative music to awaken fatigued souls.

Delightfully direct and opening up the door to the barren feeling of frustration, Sincerely Him has created a modern-day gem of a soundtrack. This is raw. This is powerful. This is an awakening single of magnetic proportions. Ears will be sparked up here as we find so much pain intertwined into every sinew of this worrying storyline.

CEMETERY (prod. Nextime) from the mesmerising Connecticut-based rock artist/former pro soccer player Sincerely Him is such a relevant song in this lost love kind of world. Launched with honesty on a striking beat, this is a real soul-opener of a song for those who have loved someone who didn’t feel the same.

Listen up on SoundCloud. View more on IG.

Reviewed by Llewelyn Screen

Interview: Vincent Tesoro processes and accepts the traumas on Too Close For Comfort

Sounding in rejuvenated form and showing such gutsy openness throughout, the A&R Factory Team sat down with the likeable Massachusetts local Vincent Tesoro. He manages to somehow help us through the trauma, telling us where the best underground music is, while also explaining what the latest release Too Close For Comfort is all about.

Too Close For Comfort” is a follow-up EP from my last Album Shooting Stars & Broken Halos.” ~ Vincent Tesoro

Good day Vincent. We truly appreciate your time today. Please let us know which city we find you in as we speak and what is your favourite meal/recipe of all time.

Vincent: Hey, It’s a pleasure! Currently, I reside in the town of Middleboro Massachusetts. When I was a child nothing was better than a plate of my grandmother’s city and homemade meatballs but if you eat 15 plates of it a week you tend to get overweight (which I did). I try my best to take a healthier alternative and it’s a toss-up between 2 appetizer dishes: jalapeno poppers and low-carb buffalo chicken dip (extra spicy).

How is the local underground music scene in your local area doing after the horrific lockdown and which venues would you recommend we check out?

Vincent: There is a bittersweet answer to that question. I think the underground scene is thriving in some respects due to new promoters grabbing the torch for independent artists as others went into early retirement. Also, I have noticed sold-out shows on a large scale with very expensive tickets. That can be good for the venues and artist management but obviously not so much for the fans. I’ve found myself turning down events to watch because it’s difficult to justify the prices even as a serious music consumer and influencer. I try to look at the bright side but the truth is that the scene has taken a significant loss but it’s in a transition period and some of the most creative music is being made.

The middle east in Cambridge has been a staple in the Boston area but it is rumoured to be closing down unfortunately. I personally like The Paradise Rock Club and The House Of Blues in Boston. The Jungle in Somerville Ma is a cool underground spot and The Met, Fete Music Hall and The Alchemy are good choices. On a larger scale, any of the major stadiums that hold sporting events are always incredible.

You have fused many different genres in the upcoming 3-track release Too Close For Comfort. Please lead us into the vision and creative process.

Vincent: 4 Songs: the world hates me, numb, broken hearts and silent treatment. The songs were executed as a solo project except for the opener “ The World Hates Me”. The song features Dying Star, Hate Incarnate, and Natalie Abigail on backing vocals with additional production by Nick Lovn. This song stands out to me because it’s about the stigma of mental health and struggling with self-love. The word “love” is thrown around by friends and family often but without acceptance of your own self worth your only hiding in the shadows of your own ignorance. The energy on this song is thrashing and hardcore but also very nostalgic. It feels like something to play at a party in the early 2000s.

Another heartfelt single that inspired the cover art is “ Broken Hearts”. It talks about having a deep empathy for mankind, a type of love that most lack in this world. Experiencing others’ pain as if it were your own is a burden and a gift. I always feel misunderstood and it’s a terrible feeling so I would hate for others to feel the same. We never know what people are going through and if we remain compassionate through active listening we evolve emotionally and educate ourselves intellectually.

The theme of this record is to simply accept your feelings, work through your trauma and celebrate the gift of life no matter how chaotic and dark it can be sometimes. Too close for comfort was written as I was trying to find myself as an artist and a person. Honestly, I found a greater awareness of who I am where the two intersected. These songs were organized in a state of isolation, reminiscing over all the tears and heartbreak that I’ve allowed to build up overtime. Clocking in under 15 minutes it’s not even a therapy session, closer to a meditation, either way the same results apply. This record is the behind the scenes insider look of how I view my own identity and process my thoughts and emotions. Too Close For Comfort was produced by Balloon Beats and engineered by Don Ziglioni and Loud House Audio.

How would you describe your sound to a novice listener?

Vincent: I would label myself an emo/ alternative/ pop punk and hip-hop artist. My music can be dark & aggressive, melodic and unique and energetic and hyped. When I create art I become multi-dimensional and if you go through my discography you might recognize my wild personality. I structure songs that spill from my heart, real, meaningful and beyond the darkness typically very uplifting. I have a heightened awareness of the world and tend to portray an uplifting message through heartbreaking circumstances. The majority of my music revolves around the cycle of addiction, mental health and damaged relationships.

If you could perform anywhere in the world, where would it be and why?

Vincent: I’m sure this answer has changed throughout my career. It used to be Warped Tour (RIP), today it would be the “When We Were Young” festival in Las Vegas Nevada surrounded by my favorite punk bands.

What’s the most valuable advice you’ve ever received before?

Vincent: If you want to stay original be yourself because there will never be another you. Reflect on artists you have always cherished and follow in their footsteps, take it a step further and steal their next generations fans.

Last, do you have any live shows/tours lined up or a new release on the cards later this year?

Vincent: I plan to release new music every 2-3 months this year of variations of the different genres I fall under. One of my main goals is to start a band and show my versatility. I have been on hiatus for the past year but I have 2 shows as of now both hosted by Bars Over Bars. Friday, January 27th 8 PM @ Revibed 15 N Main st Middleboro Ma 02346 ($10 admission) all ages & Friday, February 24th for Demons Disciples headliner show ($10 admission) 18+ @ Selfie In HD 101 Kingston Collection Way Plymouth Ma 02360.

Thank you so much for having me! Hope you enjoy the new record and are anxious to hear more!

Listen up to this fine track on Spotify. Find Vincent on Facebook.

Interview by Llewelyn Screen

Peaks and Valleys Interview: Staying authentic despite the noise

Thrilling us with an interview packed with festival hopes, their new release How Far We Fell and showing gratitude, UK band Peaks and Valleys guides into their fascinating lives.

Hello there Peaks & Valleys. Thank you for sitting down with us. Where in the world can we find you today and what is your normal breakfast to get each day started?
Hello! Thanks for having us. Today, you can find us in Edinburgh, Scotland. Although, we tend to jump around quite a lot. Sometimes, we randomly go to Paris. Sometimes, we celebrate Midsommar with hedgehogs in Sweden. Sometimes, it’s hard to even get out of bed.

“Speaking of getting out of bed, what is your normal breakfast, Cammy?”
Meet Cammy. He plays acoustic guitar, sings, and cooks a mean bolognese.
Cammy: “Coffee and cigarettes.”
Meet Sylvie. She plays violin, steals flowers, and hangs out in train stations even when she’s not going anywhere.
Sylvie: “I don’t usually wake up in time for breakfast but when I do I eat whatever I feel like, or more realistically, whatever I can find in my fridge.”
Meet Kelly. She plays piano, harmonizes with car alarms, and, in her free time, plays catch with her inner demons.
Kelly: “I put this awful green powder into my smoothie and hope for the best.”

Please tell us more about your exciting new release?
Kelly: “How Far We Fell is a four song EP available on all streaming platforms now. We’ve put our hearts and souls into these songs, and I know everyone says that, but like, we really have. These songs stemmed from close proximity and Mexican food nights, impromptu songwriting sessions in graveyards, soggy BBQs, and dissonant daydreams hastily jotted amongst phone note grocery lists and IOUs.”

What are your goals for 2023?
Cammy: “My goal for 2023 is to keep living like I might get hit by a bus at some point. Helps me to enjoy everything that’s going on right now.”

Kelly: “In addition to Cammy not getting hit by a bus, I would say our biggest band goal is to record a full-length album. With over an album’s worth of original songs, we’re a bit backlogged having written so much music during the pandemic. Other 2023 goals include: building our fanbase, getting signed or represented, and really just performing as much as humanly possible.”

Sylvie: “I’d add that we are really hoping to find (or create!) our musical ‘home’– we feel we have not yet played at the ideal venue for our music and we want to keep honing in on what that is and where we can find it. We have recently talked about planning our own intimate gigs in venues conducive to truly listening and connecting, and bringing in like-minded artists.”

Where did the band meet, and how did everything start?
Cammy: “Kelly and I met busking in a tunnel that never used to smell like pee, but now it often does. The good old days.”

Kelly: “It’s such a shame because it’s such a magical tunnel. But yeah, I was on holiday in Scotland and heard him singing in said pee tunnel, and I asked if we could sing together. Afterwards, I had this strange premonition that we were meant to be in a band together, so I told him as much. Fast forward a few months, I’m back in Scotland again, I meet Sylvie playing a gig in the basement of a pub, a few weeks later COVID hits, now I’m stuck in Scotland, and Cammy, who was in France at the time, gets sent back to Scotland. So now, during the UK lockdown, we all join forces and inadvertently create a band. We started out by sending each other sound clips and ideas remotely, and started rehearsing in person as soon as we could.”

Sylvie: “After we met at one of the last live gigs before lockdown, Kelly asked me if I wanted to come up with a violin part for a song she and Cammy had written. I was immediately drawn to these people who didn’t see a global pandemic as a reason not to start a band. I think a big reason the band worked right away was our shared love of not only getting around difficulties that others might see as obstacles, but actually using them to our advantage. That beginning impetus continues to drive so many of our adventures, like the soggy BBQ mentioned earlier. We decided to go ahead and have a 4th of July barbecue even though the forecast said torrential rain– that day ended with hot dogs sticking out of Cammy’s pockets and a new song.”

Pros and cons of being a musician?
Cammy: “The upside of being a musician is giving ourselves a place where we can invent something. The downside is trying to figure out how to make the noise.”

Sylvie: “When someone comes up to us and says they were having a hard day and our music gave them a lift, or gave meaning and dignity to their sadness, that’s when I’m most grateful to be a musician. We do important work in realms where words can’t reach. As for cons– every performance could have been better.”

Kelly: “One pro of being a musician is getting paid in drinks & tipped in loaves of bread while busking. A match made in heaven really. A con would be coming up with a band name we all like. Maybe we should change our name to ‘Pros & Cons.’ What do you think guys?”

I love how you all enjoy blending genres. Do you feel more free to create whatever you feel like?
Cammy: “I’d say we feel as free as we feel like depending on the day. We’re always boxed in in some way or another. Just on good days we notice it a lot less.”

Sylvie: “Our genre-blending is very exciting for me as a violinist with a classical background– I never realized how much freedom was possible, and all without renouncing my origins. To really access that freedom I sometimes think it’s best to not even think about genre– as a wise homeless man once told me in a dark alley in Lisbon, ‘music is music.’”

Last, where can we find you all live next or do you have tours planned for the new year?
Kelly: “Having just had our EP release in Glasgow, we are taking a bit of a break for Christmas and New Years. But keep an eye on our socials (@peaksvalleysband) for gigs if you are local to Edinburgh or Glasgow. We are also submitting to a bunch of festivals for 2023, so we will be posting about that as well as soon as we hear back.”

Listen up on Spotify. See more news on IG.

Interview by Llewelyn Screen

McCullyCullen Interview: Dropping heat with Slippery Situations lurking

We had the chance to speak to McCullyCullen, and this was a special chat. Showing us the progression in the production department and demonstrating love for Minnesota, we find out what makes this vibrant artist tick.

Thanks so much for your time today, McCullyCullen. Where in the world do we find you?

McCullyCullen: Thank you for taking the time to do this, I really appreciate it. I am based out of Minneapolis, Minnesota!

Slippery Situations is your new 10-track release. Please slide us into the vision behind the release and what the project means to you?

McCullyCullen: I was making all kinds of songs from 2015 to 2018 and a lot of the songs came naturally. In late 2020, when I started to really focus on this, I had all these great ideas for this album about the ups and downs of a relationship, but it was hard to actually make the songs this time around. It took a while, but I am glad with how the album turned out and hopefully some people can find happiness in hearing some of these songs when they are going through something similar.

When you close your eyes and imagine being back in middle school with your band, what does it feel like?

McCullyCullen: Ha, we weren’t very productive at all! We had written a handful of songs in about a year, but I think if we could have continued to work together, we could have made it bigger (at least in the area). Maybe one day we can get together to re-record our old songs.

Do you feel you’ve progressed as a creative since 2018’s Culinary Arts?

McCullyCullen: I definitely do. More so in the production department. A perfect example is my song “top hat”. That is available on both Culinary Arts and Slippery Situations. The song structure is the same but the vocal production is much better so the song is easier to listen to. Other than that, I have a lot of ideas all the time, so I think my next project will be more all over the place, similar to Culinary Arts.

Who or what inspires you most in the world?

McCullyCullen: I don’t have anything in particular that inspires me but sometimes just hearing other music or talking with people inspires me.

What are your personal goals for 2023 and beyond?

McCullyCullen: I am always working on something music wise and I have plans for another project to be released next summer. Going to be experimenting with more genres as well.

To end off, how would you change the music industry for the better if given the opportunity?

McCullyCullen: I want to say that the past decade has made it so easy to get your music on platforms to listen to, so that is a big, positive change already. I think that it’s time to let new artists shine though. The big acts touring and that you hear on the radio have been music’s biggest artists for 10+ years. Some of them, even 40+ years. There’s nothing wrong with that, but at some point, there is going to be a need for new artists to take their spots.

Listen up to this emerging artist on Spotify.

Interview by Llewelyn Screen

Slizzy K Interview: Dropping new single Gone Head with impressive poise and determined focus

The A&R Factory Team had the pleasure of chatting with the rising Little Rock-based underground rapper Slizzy K recently. This curtain opening interview shows us how a young 12-year-old took charge of his own destiny with that instinctive grind needed to stand out from the noisy snake-ridden crowd.

We’re super excited to chat with you, Slizzy K. Thank you for squeezing us in today. How have you been and do you feel like your local music scene is returning to normal?

Slizzy K: I’m good, I’m good. I’ve been promoting my newest single “Gone Head” while working toward graduating. While accomplishing new things, I’ve been taking life day by day and making new plays. Since the pandemic, I can confidently say the music scene has been getting as close as possible to normalcy. Being able to participate in more concerts, in-person interviews, and interactions with my supporters is something I’m grateful for.

Please tell us more about your latest single Gone Head?

Slizzy K: To sum things up, “Gone Head” is an anthem. I wrote it after releasing “Girls Love Slizz” which was a bit slower. I wanted a record that could catch anyone’s attention. Over the Summer, I heard “FNF” by Glorilla which made me realize that my next record needed to give off that same turn-up vibe. After seeing a beat in my email by SK The Plug, I fell in love with it and sent it over to my engineer. The beat alone could speak for itself, so I knew with my compelling lyrics it’d be an anthem. After recording the song, me and my engineer came up with the idea to replace my voice on the “Gone Head” part with a group of girls instead. After hearing the final product, I still wasn’t 100% confident in the record, but listening to it with my friends and seeing their reactions made me excited to share it with everyone else. I soon fell in love with the record, but I wanted to make one more play before releasing it. I knew “Gone Head” was a hit and that a music video would set it over the top. Once October came, I sent my videographer the song and it gave him house party vibes. We took his idea and put it into action. All of my friends came over to the set location. Creating the video as if it were an actual house party, gave an authentic feel.

You released your first mixtape when you were just 14 years old? How has your creative process changed from the beginning of your career?

Slizzy K: Yes, at 14 years old, I released the first mixtape from my Slizz Season series. My creative process has grown while some aspects have remained the same. I’ve been able to incorporate life experiences throughout my music which led to showing a more vulnerable side of me. During the creative process, I often ask myself what I can do to be a more diverse artist. One thing that has remained the same is the storytelling through my music. I’ve always made sure to take in the conversations and events from my surroundings and turn them into art. Another aspect that I’ve always been big on is quality over quantity. I would rather have 8 of my best records on a project than 16 songs, where only 8 are up to my standards.

Do you have other hobbies and interests outside of music?

Slizzy K: I’m a member of Phi Beta Sigma Fraternity, Incorporated which is a historically African American fraternity that focuses on the principles of brotherhood, scholarship, and service. We participate in several community activities like food drives, roadside cleanups, and engaging with students from local schools. I can honestly say, I enjoy being a light and a positive representation in my community. I also enjoy watching tv and movies because of my love for cinematography and acting. To me, acting is similar to making music because of the vocal and visual elements used. Lastly, ever since I can remember, I’ve been a Boston Celtics fan. You can always catch me going over their statistics on ESPN or watching the games. Go Celtics!

Claflin – what’s it like there and what’re you studying?

Slizzy K: I attend Claflin University, which is an HBCU in Orangeburg, SC. During my senior year of high school, the George Floyd case made me look into attending a Historically Black College/ University. The desire to be around goal-oriented people that looked like me also played a major role. I also heard about how supportive the students were at Claflin, which would be beneficial for me as an artist. I’ll be graduating in 2024 with a Bachelor of Arts in Mass Communications. I’ve been able to create several lifelong connections and memories that I’ll always cherish. I’m appreciative of the connection I’ve made with photographers, videographers & content influencers on campus. I’ve had the opportunity to network to make the check work, as I like to say. As I pursue genuine relationships with my peers, I’ll continue to be grateful for all of the support I receive from my fellow Claflinites.

Who are your role models in the music industry and why do they grab your attention?

Slizzy K: Overall, I have 3 artists that I consider role models. Drake’s not only a diverse artist, but he was able to take over and dominate throughout multiple decades. He’s an artist that doesn’t care about sticking to the rap game because he’s able to sing while getting in his feelings too, which is something I truly admire. Another artist I look up to is 2 Chainz. He made me realize that it’s okay to include humor in my music. Although several artists focus on creating a tough persona, 2 Chainz demonstrated that adding jokes was an easy way to guarantee a smile. I also like his background story because it shows where his rawness and authenticity come from. Last, but not least, I’m a firm believer that you’re only as good as the people that you’ve helped develop, which leads me to my last role model, Lil Wayne. Lil Wayne has introduced us to artists like Drake and Nicki Minaj who are dominating the industry more each year. After achieving several of his goals, he didn’t stop with himself. Instead, he chose to work with upcoming artists and guide them along the path he paved. Drake, 2 Chainz, and Lil Wayne have success outside of their music, such as being in commercials and having large brand endorsements. They taught me that it’s not just about being a rapper, but about making a name for yourself outside of the industry too. All 3 of them not only talk about giving back to their community in their music, but they actually go back and donate, host drives, and build up where they started.

To end off, what do you have planned for 2023?

Slizzy K: Throughout 2023, I plan on focusing on my artistry and personal growth. I can also say that my supporters can expect new merch and many more performances. There are a couple of secrets I have up my sleeve that I’m waiting to announce, so be on the lookout for some surprises in the upcoming year.

Hear this fine single on Spotify. See more of the journey on IG.

Interview by Llewelyn Screen

Sapphire/Sapphire Faded Genes Band Interview: Surging deeply into Remember When

We were lucky enough to speak with Sapphire/Sapphire Faded Genes Band recently and had one of the most intriguing interviews yet. Thriving with complete honesty and leading many local musicians to a better place, this is a must-read for anyone who cares about their music scene:

We are super enthusiastic to dice it up with you music-wise today, Sapphire/Sapphire Faded Genes Band and big love right at ya for giving us a few minutes of your time. Remember When is your latest release. Please let us into why you made this excellent song and what it means for you?

Sapphire: Remember When is a song that reflects on my childhood and the fun I had with my friends growing up. I decided to create a song that people could relate too, especially during the times when children could play outdoors and not worry about getting hurt by gunfire. My friends and I would dress up alike and skate for hours. This song is very dear to me and I pray that it touches someone in a special way.

Philadelphia, Pennsylvania. What’s it like living there and do you find the scene vibrant and diverse?

Sapphire: Born and raised Philadedelphia Pa. Most of my life I must say, it was very enjoyable living in Philadedelphia. This is where I learned how to become an amazing teacher, entertainer, and model. In fact, I went to John Robert Powers Modeling School and learned how to be graceful and poise, which helped me later on with my performance abilities. Philadedelphia has paved the way for many established musicians and I am extremely blessed to be one of them. I have adopted vocal skills such as jazz, RnB, rap, pop and blues and this is what makes Philadedelphia dear to my heart. Although Philadedelphia has its challenges and it seems to have lacked in the support department. I tend to struggle figuring out the reasons, especially since we have such an over abundance of talent and a wide variety of styles which makes us that much stronger.

What does the music scene need to do better or become to help indie artists succeed?

Sapphire: Although I’m a firm believer that you have to grind from the muscle and give it all you got. I also believe that opportunities need to be offered to artists who have demonstrated that they can produce if given a chance.

If a new musician came up to you after this interview and asked for advice on how to survive this fickle industry, what would you tell them?

Sapphire: I would advise new musicians to make sure their presentation is on point. I have seen unprofessional videos, music is not mixed properly and their content is dated. Website and social media platforms are unprofessional. Even if the artist can sing. It is very important to create material that will draw your audience to you. In other words, write songs that can help people reflect and relate. Also, stay focused and do not allow social media or someone else’s success to distract or intimidate you. There is plenty room for you and the world will accept you too. If you can accomplish the following, that would be the start of something special.

Do you remember the first time you were on stage, and what it felt like?

Sapphire: I have been performing on stage ever since I was in elementary school. Each time is different and I still get a little nervous. I have learned different techniques to help me perform without the anxiety.

Can we catch you live before 2022 ends or do you have some events slowly brewing for 2023?

Sapphire: Because I am in several projects, I will be performing on stage with The First Ladies of Rock and Soul at The Broadway Theatre Dec.30, Dec. 31 and Jan.1. The new year Sapphire FadedGenes Band will be performing with updates coming soon. Also Sapphire will be performing for the second time a stage play “The Shoeshine Box” April 15 and April 16. So stay tuned for updates.

Listen up to the vibration on Spotify. See more vibes on IG.

Interview by Llewelyn Screen