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Georgina White became Trip-Hop’s most arresting chanteuse in ‘LOVE’

Georgina White’s recently re-released single, LOVE, is an aching reflection on the darker shades of affection. As the PJ Harvey-esque trip-hop aesthetics mirror the turbulence of a mind gaslit into accepting abuse by nefarious actions running under the guise of passion, the indie alt-pop framework ensures that White is doing far more than simply following in the footsteps of trip-hop pioneers, she’s synthesising a sound that is irreplicably her own.

The sepia-tinged production by the hand of Dan Myers brings an aura of old-school spectral soul to the soundscape which harnesses the haunting vocal delivery. Delicate yet commanding, White’s voice embodies the complexities of maleficent love, delivering each verse with a chanteuse’s grace and an insurgence of empowerment. Angel Olsen herself couldn’t have performed LOVE better.

Penned after drawing inspiration from the Cruel Intentions soundtrack, LOVE lends from the melancholic depths of the OST; despair pulsates throughout the progressions in the luxuriantly arcane production that melds gritty guitars with syncopated beats that mimic the frenetic rhythms of a heart beating out of sync.

Whatever the Brit-Austrian artist and actress turns her talents to next, it is going to be the epitome of iconic.

Stream LOVE on Spotify now.

Review by Amelia Vandergast

Spotlight Feature: London’s Princess Wonda continues to hold dominion over Afro-Fusion with the sensuously soul-awakening rhythms in Shooby Doo’

London’s Princess Wonda reached the pinnacle of luxuriant radiance with her latest installation of Afro-Fusion, Shooby Doo. With melodies which wash over you with sublime elegance, harmonious harmonies and rhythmically kinetic grooves, you’d be hard-pressed to find a more elevated release than this.

The sensuous, sun-kissed, and sublime on the senses single fuses traditional African instrumentation with elements of modern dancehall and an aura of lush transcendence to envelop the listener in a sense of soul-awakening serenity. The UK-born Nigerian Afro-Fusion icon’s radiant presence shines through, making it an emotionally euphonious experience that surpasses sound.

Recorded at Pirate Studio, with engineering by Dami Bones and production by Mofizzay and Mr Marz, Shooby Doo is set to be the rhapsodic sound of the summer. It’s a testament to Princess Wonda’s artistry, celebrating Afrobeat’s rich cultural heritage while inviting listeners to rekindle their zest for life.

Princess Wonda, known as the “Queen of Afro-Fusion,” continues to push the boundaries of Afrobeat with this release, shattering stereotypes and championing the role of women in African music. With multiple UK chart entries, including two number ones on the UK World Music Chart and a sold-out headline show in London, she has established herself as a formidable force.

Following her successful debut album, Fantasy Fair, and her hit singles, Bust My Mind, and My Body, Shooby Doo adds another sublime layer to her impressive repertoire. As we look forward to her upcoming EP in 2024, Princess Wonda’s journey remains as promising as ever.

Princess Wonda Said

“The inspiration behind ‘Shooby Doo’ stems from a deep appreciation for the rich cultural heritage of Afrobeat and the dynamic energy of contemporary music. The lyrics resonate with themes of love, passion, and pleasure, inviting listeners to embrace the positive energy as the pulsating beats and sultry vocals capture the aura of joy and celebration.” 

Shooby Doo was officially released on July 5th, stream the single on Spotify and Soundcloud now.

To ensure you never miss a release, follow Princess Wonda on Instagram.

Review by Amelia Vandergast

Emotions Crescendo in Nocebo’s Introspective Indie Debut, Miles Away

Inspired by his icons of evocative introspection, Jeff Buckley, Fabrizio De Andrè and Thom York, singer-songwriter, Mario Ciardiello, traced the reflectively candid echoes of his idols through the debut single, Miles Away, from his newly initiated solo project. Under the moniker, Nocebo, Mario is carrying the legacy of intimate songwriting on his guitar strings.

In the production of his debut, raw unfiltered emotion rushes to the surface of the soul-bearing sonic escapade, which ensues from a stripped-back indie folk acoustic performance before a subtly striking Radiohead-esque crescendo delivers a rush of momentum and visceral emotion, visualising how affections ebb and flow through us, culminating in explosions of rumination.

The versing of abstract consolation to an enigmatically tortured protagonist seeking sanctuary grips you through its compassionate intensity; even if you can’t find a piece of yourself within the narrative, you’ll find yourself in awe of Nocebo’s proficiency in hitting raw nerves with his arrestingly unique sonic signature.

Miles Away is now available to stream on Spotify.

Review by Amelia Vandergast

Shegogg & Mariah Jae blossomed in their serene odyssey of lush RnB, ‘Garden II’

Shegogg’s latest lush with serene soul single, ‘Flower II’, created in collaboration with Mariah Jae, is a revisitation of the 00s RnB era via an unchartered path paved with striking authenticity.

The track’s unique ability to rekindle the genre’s former glory is amplified through the vibrant infusion of contemporary RnB elements while Mariah Jae adds a profound dimension with her ethereal and diaphanously sweet vocals, creating hypnotic harmonies that drift above the solid, trap-infused beats.

At 33, Shegogg, originally from Little Rock, Arkansas and now based in Atlanta, Georgia, stands as a cultivated originator. His style—a skilful meld of RnB and Pop-Funk—brings to mind the smoothness of artists like Justin Timberlake and Usher, yet, rather than letting influence overshadow his sense-awakening sonic signature, he plays to his strengths by blending soulful rhythms and melodies with a warmth that resonates deeply, evoking feelings of comfort and connection.

Unlike his deadest on mimicking RnB icons contemporaries, Shegogg innovative spirit turns everything he touches to sonic gold, and Flower II was far from the exception. The release harnesses the power of metaphoric parables to encourage listeners to nurture their relationships as his and Mariah Jae’s synergy becomes undeniable. Their vocal interplay weaves through the hazy Latin guitar-flavoured backdrop and the intermittently dominant trap beats, efficaciously capturing the bliss of being locked in love.

Garden II was officially released on June 19th; stream the single on Spotify.

Review by Amelia Vandergast

Midnight Affairs unleashed their infectiously erratic alt-indie earworm, Blame It on You

For their sophomore release, Blame It on You, the Auckland pop/rock trio, Midnight Affairs, launched a hyper-frenetic hit that affronts the senses with a glitchwavey saturated in delay electro-pop intro before bringing in sticky-sweet neon-lit synth carved melodies which transcend the new wave indie pop trends to implant the independent artist’s sound in unchartered territory few would be bold enough to sonically roam in.

The lamentation of how memories of infatuation can become unescapable haunting spectres which could lead the sanest of minds to the brink of madness anchors the high-octane anthem of mental disquietude in visceral resonance to vindicate the romantically scorned and attest to the independent artist’s ability to render raw emotions into their superlative sound.

The intensity of the production, how deep the hooks sink in, and the infectiously erratic earworm appeal of Blame It on You will undoubtedly see Midnight Affairs go far. With a 5-track EP due for release later this year, Midnight Affairs becoming New Zealand’s premier indie pop rock band isn’t out of the realm of possibility.

Blame It on You is now available to stream on Spotify.

Review by Amelia Vandergast

Lose yourself in a labyrinth of arresting unconventionality with Christine Tarquinio’s indie pop single, New Year’s Day

The 21st of June may seem a strange time to release a single titled New Year’s Day, but the internet phenomenon singer-songwriter Christine Tarquinio knew exactly what she was doing with this quintessentially eccentric indie-pop release which brings to mind the futility of allowing the calendar to dictate the date of your transformations and resolutions.

The twee in all the right places installation of indie bedroom pop carries a touch of art pop expressionism in its quirky authenticity which allows the recording artist to emerge as an unrestrained icon of creative freedom and heartfelt individuality.

With dustings of 90s pop aesthetics in the release which wears Kate Bush influences on the vocal harmonies, there’s just enough nostalgia and familiarity within New Year’s Day for listeners to find their footing in the labyrinth of arresting unconventionality.

New Year’s Day is now available to stream on Spotify.

Review by Amelia Vandergast

Interview with Keilene: Unveiling the Multitalented Artist Behind ‘Lips’

Keilene’s artistic journey is nothing short of extraordinary. From her roots in Rio Piedras, Puerto Rico, to her current status as a rising star, Keilene has continually pushed the envelope in music, dance, modelling, and acting. Her latest single ‘Lips’ is a culmination of her unique blend of cultural influences and creative passion. In this exclusive interview, she bares her inspirations, and exposes what ignites her unflinching passion for the arts. Prepare to explore the mind of a true creative powerhouse and discover what makes Keilene a force to be reckoned with in the industry.

Welcome to A&R Factory, Keilene! We are thrilled to have such a multifaceted and dynamic artist join us. With your latest single Lips freshly released, we can’t wait to dive into your creative universe.  First off, can you tell us about your early life in Rio Piedras, Puerto Rico, and how it has influenced your artistic journey?

Wow, where do I start?! Well, I was born at San Juan Municipal Hospital Rio Piedras, Puerto Rico. My mom is Taino-Puerto Rican and my biological father Afro-Puerto Rican, but my dad who raised me is Jamaican. I moved to Coral Springs, Florida when I was quite young, however, my culture is invariably embedded in me through family, food, and of course, music. Music has always been at the forefront of every moment in my life, whether it be on family holidays with us dancing bachata in the living room, or turning up the volume to Alicia Keys while we clean house on a Sunday morning. At every turn, I am fascinated by how music can put color in the air.

You’ve built a diverse career spanning music, dance, modelling, and acting. What motivated you to explore so many different creative fields?

To others, it might seem overwhelming, but I see them all having the same common denominator, creating through expression. My motivation stems from my experiences of anxiety and depression during my adolescence, but throughout the years, I’ve learned to transmute those heavy emotions into divine inspiration as a result of the arts. Creating became a space for devotion.

Which of your creative endeavours do you find the most gratifying, and why?

That’s an easy answer. It’d have to be singing. I find myself reaching into the deepest depths of my soul and giving my all when my voice fills the room. It’s such a powerful feeling.

What was the inspiration behind your new single, Lips, and what message do you hope it conveys to your listeners?

I love this question! At my core, I am sentimental. I become enchanted by tender emotions in matters of love. I wanted to write an ode for that special someone in their life and embrace what it means to feel that, given the soft jazz tones. This song I hold dearly to my heart.

Working with notable artists like Beth Cohen must be an incredible experience. How has her mentorship influenced your music career?

Great question! First off, Beth is a phenomenal coach! Her teachings have brought confidence and vigor to my vocals like no other. She is a distinct means that has honed my instrument as well as the guide for me to navigate the music industry.

You recently landed a role in the horror/thriller, Bloodline Killer; how does acting compare to your experiences in music and dance? 

Being part of a great crew on set for Bloodline Killer allowed me the insight to see variations of me in the world of acting. It was such a fun experience diving into an all-ears and tenacious character like “Sergeant Keily”. Though acting is new territory for me, the opportunity to convey through diverse outlets has expanded the possibilities within my career.

What drives you to continually push the boundaries in your artistic career?

Interesting question! I’ve come to realize I’m not the same me I was five years ago, or three months ago. Sure, my values and soul are the drivers of this vehicle, but I continue to amaze myself with how I unravel greater versions of who I am meant to be. That will be the fuel to my success.

How do you want to make your mark on the music industry, and what legacy do you hope to leave behind?

This is beautiful. I’ve thought about this a lot. I aim to empower women to spark a flame within their spirits and realize the power they hold. Any opposition you face is a step towards your greatest achievements!

Stream Lips on Spotify now.

Discover more about Keilene via her official website.

Interview by Amelia Vandergast

Bask in the euphoric rays of Ami Leigh’s 80s synth pop allegory of love, You Give Me Such a Feeling

Trying to predict Ami Leigh’s next move is as futile as mapping out a dreamscape; the County Durham-based singer, songwriter and multi-instrumentalist’s perpetually fluid sonic signature is always in flux. Her latest single, You Give Me Such a Feeling, captures the chameleonic songstress at her most unflinchingly amorous.

While her discography may already be an arsenal of hits that play with light and shade, with some tracks that linger in the darkness before locking into the warmth of heartfelt sentiment, You Give Me Such a Feeling swims in ethereal dream pop bliss, leaving you under no illusion of the sincerity of the release.

The Cure’s influence echoes in the opening guitar lines, before the lush with 80s synth-pop nostalgia melodies ebb and flow beneath Ami Leigh’s tender-to-the-heartstrings harmonies. As soon as you slip into the serene escapism of You Give Me Such a Feeling, it will be hard to know where your emotions end and Ami Leigh’s start.

Instead of relying on the British weather to bring sun-soaked serotonin, make this single a playlist staple and get your fill of iridescent euphoria.

You Give Me Such a Feeling was officially released on June 14; stream the single on Spotify and YouTube.

Review by Amelia Vandergast

Kelsey Blackstone is a stylistically expansive sensation in her latest single, Willow

Kelsey Blackstone’s latest stylistically expansive single, Willow, proves there is no definitive sound of the summer. Away from the plastic pop fray, Blackstone submerged the sonic palette of this imagination-sparking release into the ephemeral bliss of the sun-soaked season which quickly passes, long before the memories we cling to, and keep ourselves warm with in the colder months

With a jazzy pop chorus, filled with smooth horn stabs and mellifluous grooves, and an electro-folk middle eight nestled into the synthesis of pop, rock, soul, and award-winning songwriting that puts Kelsey Blackstone up there with the greats, Willow brims with incomparable quintessence.

It’s impossible not to get swept up in the dreamy reverie of her transcendent vocal lines as they bring swathes of colour and soul to the lyrics which yearn for consistency in an ever-changing world and nestle into the single that delivers a quintessentially old-school live sound.

Whenever you feel the need to touch grass, tune into this single instead; your connection to nature will be far greater. Better yet, never miss a chance to witness the Boston-born artist’s live performances; whether she’s playing solo or with her six-piece band, she’s renowned for raising the roof and allowing her audience to taste tonal utopia.

Willow was officially released on June 14; stream the single on Spotify now.

Review by Amelia Vandergast

Interview with ARCTISKY: Exploring Love, Sound Evolution, and Musical Heritage

This week, ARCTISKY sat down with A&R Factory to discuss his latest single, “Unreal Love,” a narrative about the complexity of chemical romance and the importance of self-awareness in relationships. In this interview, ARCTISKY delves into his creative process, the instrumental choices that evoke euphoria, and the evolution of his music since his debut. He also shares insights into his journey from the Maldives to Melbourne, the influences behind his genre-fluid sound, and his ultimate artistic goals.

ARCTISKY, welcome to A&R Factory! Thanks for sitting down with us to discuss your latest single, Unreal Love. What does the single, which narrates a tale of chemical romance, mean to you personally?

Thank you for having me! ‘Unreal Love’ happens to be a confusing tale about an intense romance being ignited while two people find love in a super-charged ‘situationship’. The message is like, “Make sure you both know there could be other factors driving the whole interaction.” It’s about being aware of yourself and taking time away from other influences before wasting anyone’s time.

How did you manage to capture the euphoria of love in the instrumentals and production? 

This track is one of those tracks that stayed in the cocoon stage until I was ready skill-wise to bring it up to speed. Ever since my last release, I really took the time to come up with a sound that truly captures all of my core musical influences. With this one, I believe the live upright piano sounds did the final bit of work in bringing this song to the finish line. Initially, I had a very thin-sounding piano sound, which was fine when I was just writing other instrumentation around it, but it still didn’t give that fuller feel I was looking for. So, later on, I decided to record an upright piano with a pair of AKG c414s, with the help of a couple of my peers. That was the final ingredient to this sound I’d say.

I had written the synth parts years ago, in the early stages of the song, so those spacey-arpeggiator sounds at the back were another factor in capturing that euphoric feeling. I tried to stay true to the sounds that evoked euphoria in me as well. It’s still got that core element of rock & roll, but then those influences from other areas weave through. So this song evolved through quite a few stages to achieve the sounds I was after. I’d say it also had a lot to do with being surrounded by the right people who helped nurture my craft.

How do you want your fans to feel when they hear the single and what do you want them to take away from the lyrics? 

Well, the song is kind of like an unspoken conversation between you and that person you found some sort of crazy love with in the heat of a moment. It doesn’t have to be anyone specific either. It’s just one of those tracks that will help people come to terms with the fact that it’s better to let go by connecting to a song, rather than trying to reach out to an old flame. Never a good idea!

It’s been a while since you made your debut with Losing My Control in 2022; how has the break influenced your music? 

I think I realised I had a bit of work to do to bring my writing to something I was happy with. So, for me, it was more about going back to the sounds that felt most natural to me. That’s actually the main reason why I named this album ‘Roots Vol. 1’ – due to it paying homage to my musical heritage, being the classic rock & roll I grew up with. Unreal Love is the first track from this album and showcases this new sound I’ve been working with the best.

All the songs that will be on this album are what I call “journal songs” – they’re songs that hold more to the lyrical content, and have something listeners can take away and project onto their own experiences. It’s nothing more than a bit of art you may or may not be able to relate to. This stuff is written for the introverted side of people. I know I’ve heard those songs, where I listened to it and the music just helped me come to terms with things I had no idea was bugging me in the first place. Music does such a good job of healing people. I wanted to write some music that could help my audience shed light on some of the things they may be dealing with.

This new sound, with the foundation of rock & roll and the blend of fresh sub-genres, is what I got out of my creative break. This project just feels very fun for me! I’m not taking myself too seriously I’d say. I put a lot of trust into giving this another go, knowing I’m writing and releasing music that I loved writing and enjoy listening to.

You gained a fair amount of notoriety in the Maldives, has establishing yourself in Melbourne been a daunting experience?

I’ve been very lucky to learn and work with some extremely cool people since moving to Melbourne in 2019. I got here and realised I had neglected a lot of important theory, growing up as a drummer, so I had a lot to catch up on. I wanted to make sure I understood music to a certain level before trying to enter the live scene here. I’ve certainly had a bit of work to do to polish my craft before starting live gigs. Melbourne’s already got such a vibrant live music scene, so I want to make sure that what I’m bringing to the table here is going to be something a bit different and adds value. I needed to know that if I were to do live gigs, there were no loose ends in the songs. I want my live performances to bring a high level of energy to the venues here, and I needed time to develop my live-act. Live gigs are something I’ve really had to physically and mentally prepare myself for.

How did your genre-fluid sonic signature come about? 

I grew up with brothers who loved rock music, so it was playing around the house most of the time as a kid. I always heard a lot of Bob Dylan, Santana, Bon Jovi, Bob Marley and all that. Then I discovered Pink Floyd around the age of 18. They have the kind of music that helps you open doors in the back of your mind. Around the time I started this project, I was listening to a lot of Bob Dylan and the ‘Exodus’ record by Bob Marley & the Wailers. They inspired me to get my own messages of love, peace and freedom out with my music – to the individual and to societies. Especially ever since the wars have become a lot more frequent on the news, I wanted to get my message out with these songs. It turned out that when I was writing these “journal songs”, I always wrote music that I felt reflected love, peace and togetherness – “Lead with love and respect,” being the core message. It’s come with trying to strike that chord which resonates with our innate instinct to come together, and to work together and learn from each other.

What is your ultimate goal as an artist? 

My ultimate goal as an artist is to bring my work and artistry to a stage where I can start collaborating with more artists, and to just keep writing and recording music I’m proud of. I want to have songs that my audience can listen to and connect deeply to. I feel like a lot of what I’m hoping to get out of this ‘Roots Vol. 1’ record is to find a true audience that I can take on a new musical journey away from my current sonic blend. Music is such a subjective experience just like any art form. I feel like creating the best art you can do with your abilities and putting it out there is necessary if you have a message that’s greater than what you want to achieve sound-wise. I feel like I’ve been fiddling around with this sound for a while now, but I’m happy knowing this blend was authentic to who I was throughout the writing and recording process. My goal is to story-tell and share some of my crazy experiences with my listeners so that they too can feel and experience those moments. I feel like all my music will have that unique element of ‘me’ in it.

My message is to stay true to yourself no matter what kind of inner demons you may be battling. If you’re still in the thick of that period of your life, I hope some of these tracks I’m putting out can lend a hand.

Listen to Unreal Love now on SoundCloud; find more ways to connect with ARCTISKY via his official website.

Interview by Amelia Vandergast