No matter what anyone tells you about current musical fashions, what the zeitgeist might happen to be blowing in from cooler taste making circles, what the papers say is the next big thing or any of that sort of rhetoric, one thing never changes. The underground, the outside, the left field, the other…call it what you will, is always a far more interesting place.
It eschews common consent, public opinion and the approval of the masses and just makes music for itself. How great is that? And proof that it remains the case to this day is Okho’s arty, electro-punk, down tempo, doom disco, dirge, Hellstone. It is electronica dancing a sultry and sensual tango with industrial electro-pop across a shaded and empty dance floor, it is primal urges caressing modern technology, old school experimentation getting frisky with future possibilities. How great does that sound?