Browsing Tag

Doom Disco

Hemlock for Socrates put purgatory on a higher plateau with ‘Iridescent – Come Over Here Variant’

Doom-disco, Industrial blues, math-wave, call it what you will, but words can scarcely capture the alchemic aural experience of the latest installation of experimentalism, Iridescent – Come Over Here Variant, by Hemlock for Socrates.

With vocal lines so phantasmal in their arcane magnetism they put Bjork in the same league as Dua Lipa and a soundscore that allows the cinematic alt-electronica progressions to carve out a cage of tormented motifs, the sonics plunge you to the murky depths of despair to bring you back up from it, using resonance and the frenetic polyphonic keys in the outro as an inexplicably ingenious knotted rope ladder.

Even with the dramatic touches to the score, nothing about Iridescent – Come Over Here Variant feels theatrical. Instead, Hemlock for Socrates turned the fabric of reality inside out to put purgatory on a higher plateau.

Iridescent – Come Over Here Variant will officially be released on August 4th. Hear it on SoundCloud.

Review by Amelia Vandergast

 

The Return Of The Down Tempo, Doom Disco, Dirge!

PhoneGripp by o k h o

No matter what anyone tells you about current musical fashions, what the zeitgeist might happen to be blowing in from cooler taste making circles, what the papers say is the next big thing or any of that sort of rhetoric, one thing never changes. The underground, the outside, the left field, the other…call it what you will, is always a far more interesting place.

It eschews common consent, public opinion and the approval of the masses and just makes music for itself. How great is that? And proof that it remains the case to this day is Okho’s arty, electro-punk, down tempo, doom disco, dirge, Hellstone. It is electronica dancing a sultry and sensual tango with industrial electro-pop across a shaded and empty dance floor, it is primal urges caressing modern technology, old school experimentation getting frisky with future possibilities. How great does that sound?