The latest single “Bad Name” from up and coming Indie artist Rya Park isn’t to be missed. Especially for fans of Amy Winehouse, Garbage, Arctic Monkeys, Lily Allen, and The Black Keys.
The Australian artist mixes the soul of Winehouse, the magnetic attitude of Shirley Manson, and absorbing Blues Rock riffs similar to The Black Keys. All wrapped up in a polished, pulsing, visceral massive sound which Arctic Monkeys used to offer before Alex Turner tried to assimilate Bowie.
It’s quite a potent mix. And it leaves us with no question about how much potential lingers in Rya Park’s resounding approach to Indie. Another thing it leaves us with is an all too welcome Indie Pop earworm which means that Bad Name will require repeat attention.
If you’re ready for that much aural commitment, you can check out Bad Name for yourselves by heading over to SoundCloud now.
Weary Pilgrim starts with a preserved introduction that doesn’t allow you to anticipate what’s going to follow throughout the sweet duration of this Soul-full rock track. Whack up the volume and indulge in the Old School funk of The Zombies and the contemporary shine of The Black Keys. As you’d expect from a band of this genre they graciously indulge you in on point guitar styling with bone rattling riffs and chord progression so heavy that your head will spin.
Even after I’d listened to the track ten times I couldn’t get over the monstrous instrumental arrangements. When Weary Pilgrim crashed to its ending I was quite literally left with Goosebumps. The Banisters are a 5-piece cohort from Austin, Texas, the true home to soulful American Rock.
The vocalist invokes some sweet lyrical nostalgia as he reals through his devil dancing lyrics to create that ultimate American Rock sound. It’s hard to believe they’ve been around since 2015 and still linger on the underground scene when they can orchestrate such a nostalgic contemporary sound!
Check out the official YouTube video to Weary Pilgrim via the link below:
First impressions? This track wouldn’t be out of place on a Disney soundtrack. But beyond that, even as one with more raucous tastes, I became enthralled under the charm that US based Pop Rock artist Kurtis Simmons created with his debut angelic hit ‘Safe Place’.
With a backing track that kind of reminded me of the Lion King, it took a lot for his vocals to win me over, yet ultimately, they did. He leaves the window wide open to his soul, inviting you to come inside with his poetically lyrical fixings which are a constant feature throughout his work. With better direction, as a vocalist Kurtis could be unstoppable. Yet with such sickly melodies the sound hinders his true musical talent, I was waiting for the passion, the anger, the real feeling. But sadly, the cacophony never came. His influences include Steve Perry, Paul McCartney and David Bowie, if only their attitude was more evident throughout his back catalogue.
Safe Place is available to listen to now! Check it out using Soundcloud via the link below:
River Lynch and The Spiritmakers have dropped their brand-new track ‘Straight Through’ complete with a stunningly visual video that’s a serendipitous dream for all of my fellow rock revivalists. Their combination of Rock n’ roll, blues, and folk rock is insatiably delectable combined with the charisma of one of the most charming front men that’s graced the rock genre.
Originating from Rochester, New York; Lynch has his work cut out for himself contending with a drift of musicians that are all as heavy as the snow fall. Fans all across NY who have had the pleasure to witness this enigmatic foursome live, all know that they transcend the typical Rochester noise.
The band exude the same style of The Black Keys, Black Rebel Motorcyle Club & The Jim Jones Review, but with so much soul and modern energy behind their music the comparison hardly seems fair. Their debut track is packed full of resonant reverb from the effortless talent of lyricist, vocalist and guitarist River Lynch. There’s not many guitarists that are blessed with the ability to create the jingle of Johnny Marr, the guitar solo is everything you’d expect from a band that exudes vibrantly vintage nostalgic sound.
From start to finish the track is a true audiophiles delight. Undoubtedly by far my favourite element of this track was the lyrical diversity from Lynch as he transgressed from graunching gravelly vocals to hitting the resonant highs, whilst drenching you in gloriously riff heavy ensembles combined with piercing drum rolls and a uniquely delectable organ infused sound.