Browsing Tag

Synth Pop

Wavy Tranquillity and Cinematic Vocals Carry ‘Only You’ by Srujanika Beyond Pop Convention

Srujanika

Srujanika’s standout single, Only You, breezed onto the airwaves as a salve for the senses. The atmospherically emotive earworm is lush with the reverb of an 80s pop ballad and just as sultry as a 90s alt-indie-pop smoking gun of a single, polished off with the kind of wavy tranquillity that strips the weight right off your soul. It is a hit that leaves all the right marks, stretching itself across six minutes of slow-blooming intimacy with the confidence of an artist fully aware of the world she is building.

Her creative command is so clear that it shimmers through the extended single. Refusing to fall in line with past and present trends, Srujanika uses her vocals to drive the single forward, the trip-hop and leftfield-electronica-adjacent instrumentals following behind, swaying in the breeze of temperate soul, intimate lyricism and oceanic passion.

There is a rare kind of patience in Only You, the kind that lets desire breathe until it starts to feel elemental. The production glides, allowing her voice to hold the centre as synth-washed textures, shadowed percussion and glacial romanticism gather around it. Srujanika gives the track its emotional weather, pulling 80s gloss, 90s alt-pop smoke and future-facing electronic soul into a release that feels weightlessly immersive.

Stream Only You here.

Review by Amelia Vandergast

Rayrick’s ‘Orbit’ Sends Tenderness Through Cosmically Spaced Electronica and Neon New Wave Desire

On June 5th, Rayrick launched his most intimately interstellar release yet with Orbit. With his unique talent in bringing tenderness into expansive sound design, the Taiwan-born, NYC-based electronica artist has been making all the right waves since his debut; he approaches retro-futurist soundscapes with reverence for past and present, keeping the soul of 80s synth pop alive while exhibiting how attuned he is to the fervour that falls over contemporary dancefloors.

Passion finds its propulsion through the strobing synths, snares, cosmically spacious motifs and vocals, delivered by a guest vocalist whose emotive depth rivals the Grand Canyon, pulling you into a black hole of sticky-sweet progressive pop romanticism glossed with the neon strobe lights of new wave synth pop. Orbit carries melodic dubstep, bass, and progressive house through a clean-lined, emotionally heightened production style that’s built for headphones and rooms where bodies move under ultraviolet light.

As a producer, DJ, and audio engineer, Rayrick brought his technical chops to the single without sterilising its sentiment. His attention to structure, pacing, and atmosphere gives Orbit its sense of lift, letting the track feel expansive, intimate, and ready for late-night surrender.

Orbit is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Everything Costs Pulls Red Rowanne’s DIY Dream-Pop World into Inflation Anxiety and Analogue Despair

Red Rowanne refuses to allow her sound to shrink into conformity with her latest single, Everything Costs, an exposition of what it means to live in a capitalist dystopia as a soul that craves what cannot be bought. There is a sense of claustrophobia within the cosmic expanse of the analog synth-driven release, visualising how impossible it feels to escape the ennui gifted by contemporary reality.

Sirening synths reverberate through the avant-garde release as a spoken-word narrative relays the frustration and sense of failure that comes with attempting to claw towards enlightenment while price tags keep appearing on survival, stability, desire, and memory. The production moves through dream-pop cloud rap with hazy guitars, warm synth glow, and bedroom-pop intimacy, giving Everything Costs the texture of a late-night spiral under the fluorescent lights of capitalism.

As an independent DIY artist, Red Rowanne writes from lived experience, identity, liberation, love, memory, and the need to reimagine the future before the present drains all possibility from it. After Fire and Sparks and the indie-rock gem Match (Made in Heaven), Everything Costs feels like her sharpest meditation on collective anxiety and our subsequent obsession with nostalgia for the times happiness didn’t seem to come with a receipt.

Everything Costs is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Luka Sol’s Killin’ It Floods the Soul with Neon Strobes and Synth-Heavy Self-Belief

Luka Sol’s second single, Killin’ It, from his sophomore LP, Mirrors, paints him as an unreckonable alt-pop force who will never be caught bringing a knife to a gunfight. As a master of bridging the gaps between new wave synth pop, RnB, and dream pop with pure, iridescent emotion, he has gone beyond attempting to stay ahead of the curve; his synth-heavy sonic signature sits in a whole other stratosphere from the nostalgia-clingers.

Like a synthesis of all the most affecting aspects of The Midnight, The Human League, Kraftwerk, and The Weeknd, Killin’ It is an earworm that endears its way into your soul and floods your rhythmic circuitry with neon-lit strobes of interstellar kinetic energy. Co-produced with Courtney Ballard and Jared Poythress, the single carries the raw force of drowning out external noise and internal doubt, turning defiance into an atmospheric anthem for late-night reckoning.

Behind Luka Sol is Shawn Day, an artist, DJ, and producer shaped between Los Angeles and Sheridan, Wyoming. After Stargaze charted on Spotify and reached 120,000 streams within its first two weeks, Killin’ It affirms his ability to build cinematic alt-pop around isolation, ambition, and hard-won self-belief.

Killin’ It is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Giselle – YOUNG: A Reckoning of Indie Synth Pop Inner-Child Healing

Brooklyn-born, LA-based independent artist Giselle reaches straight into the tender electricity of youth with YOUNG, a new wave indie pop single that melodically cascades as a retro-futuristic sonic fountain of youth. Wrapped in incandescent soul and 80s nostalgia, the track feels lit from within as she turns towards her inner child, retrospectively looking back on the lessons learned while fusing passion with tender compassion.

The production gleams with synth lines, polished percussion, and a dreamy pop radiance that gives the single its bittersweet cinematic lift. Giselle’s vocal presence carries the weight of memory and the thrill of self-recognition, letting each hook feel emotionally open without surrendering its sleek pop architecture. There are touches of pop icons in the vein of Laura Branigan embedded within the production, while the softer, glossy dream-pop atmosphere recalls the emotional ease popularised by Sabrina Carpenter.

YOUNG lands as a lush, emotionally dualistic triumph from an artist who has been cutting her teeth as a songwriter from an early age. It carries the feeling of a feel-good blockbuster reaching its most heart-swollen scene, where the past finally speaks with affection rather than regret. Giselle’s inbox should be flooded with sync opportunities after this.

YOUNG is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

When Xander Corbett Tuned the Night Sky into Signal Lost, an Interview

Xander Corbett has broken his hiatus with a project that feels like a late-night broadcast sent from somewhere just beyond the atmosphere, and in this interview, he unpacks the inner world behind it. SIGNAL LOST pulls from a decade of shaping his sound, reaching back to teenage files while stepping into a new phase of self-knowledge. He reflects on using PROOF FM as a dreamy framing device, the strange comfort of transmissions, and the hazy headspace that shaped the album’s static-soaked mood. We also explore why performing new material live before the announcement feels like its own kind of thrill, how older songs found a second life, and what he hopes listeners finally catch about the man behind the synth pop haze.

You’ve teased that SIGNAL LOST plays out like a late night confessional transmitted through PROOF FM. When did the idea of framing the whole album as a radio show first spark for you, and what feeling were you chasing with that format?

Honestly, the original album title I penned when I first started this project about two years ago was ‘PROOF OF THE AFFAIR’, and as much as I liked the title, I felt as though I’d outgrown it. That’s where PROOF FM comes in. I wanted a subtle nod to what used fo be my intention with the record, but in a way that feels nostalgic and whimsical. This whole record has been set with the intention of giving listeners an escape from the chaos of the world around us. Take you into an alternate dimension, perhaps space, for a forty-six-minute journey.

You have said this record marks ten years of shaping your sound. When you reached back to those early projects you made at thirteen and sixteen, what surprised you most about the younger version of yourself hiding in those files?

I have a habit of judging my younger self. I started looking back at these older projects and thinking more critically and in depth as to what was I trying to make happen here and there and what I would do today with the more refined skill set that I have to make it happen.

There is something incredibly raw about building an album around transmissions. What does the phrase signal lost mean to you right now on a personal level, especially as you step into a new era of your career?

Signal lost itself kind of represents how I was feeling while making the record. To me, when I hear the phrase, I envision a radio floating in the ether. Just kind of there. I was so engulfed in the chaos around me, my brain felt like static at all times, and this record was my reprieve from it all.

You are holding off on announcing the album until your April show. What does performing new material live before anyone knows an album is on the horizon do for your confidence and the overall energy of the rollout?

To be fully honest, I just love to see the crowd reaction. I announced my previous record, ‘The Red Album,’ at a show in 2024 before I fully started my set, and the crowd went wild. I also just want to give them a more stripped-down sneak peek of some of the music, the acoustic versions they started as in my bedroom.

Synth pop comes with so much history and nostalgia. When you approached this record, what textures or moods shaped the late-night atmosphere you wanted listeners to feel from the first few seconds?

The intro to the record starts with flipping through channels and static on a radio. I wanted the journey to truly begin with an ease into another dimension, and I feel that the way I structured it really does well at bringing you into that with me before we kick off the first proper song.

Looking back across a decade of making music, what kept you going through the awkward years, the breakthroughs, and the inevitable moments where progress felt slow?

Truly just my love for songwriting. It became such an ingrained part of my everyday life that I had no brakes to apply to the train.

You are bringing a track from your first full album back into the spotlight. What made you decide it deserved a second life on SIGNAL LOST, and how did revisiting it change your relationship with it?

On my previous record, I’d revamped a song from the same album to make it more lively. I went into this album thinking “there has to be a section dedicated to the tender love I find myself occasionally writing about” and that song had always been a fan favorite as well as a personal favorite, so it kind of felt like an obvious choice to me.

When fans finally hear the full project on 15 May, what do you hope they understand about you that they might not have pieced together from your previous releases?

That I am a man of multitudes. And I like to get scrappy from time to time.

Stream Xander Corbett’s discography on Spotify & connect with the artist via Instagram.

Interview by Amelia Vandergast

Disco-Drenched Euphoria and Rose-Tinted Gratitude Light Up Kevin Smeltzer’s Synth Pop Rush, Unsurvivable

Kevin Smeltzer

The euphonia of retro synth pop euphoria surges through Kevin Smeltzer’s Unsurvivable, a riotously uplifting disco-drenched earworm from the instantly magnetic pop breakthrough artist. The independent singer-songwriter from Thunder Bay, Ontario, has moulded his pop chops around the signature sounds of George Michael and Sting, while incorporating the sonic complexity of The Beatles into his arrangements. If John Lennon wrote 80s pop floorfillers, they’d land with the same infectiously zealous soul and scintillation that runs right through Unsurvivable.

Designed to give lusts for life their bite back, Unsurvivable is the ultimate reminder of what it means to live, to put on the rose-tinted glasses and find the gratitude and beauty ready to be perceived from a fresh perspective.

It’s practically enough to give you a spiritually kinetic awakening. Beneath the glossy lift of the synth-driven momentum, there’s existential weight in the writing. Kevin Smeltzer channels mortality into movement, letting urgency and emotional directness hit at full force while keeping the whole thing gloriously light on its feet.

That balance runs through the wider world around his debut album, a 16-track reckoning with ego, fear, desire and identity. Built alongside a full-time career outside music, it marks him as a songwriter with plenty to say, and the nerve to say it louder than most.

Unsurvivable is now available on all major streaming platforms. Find your preferred way to listen on the artist’s official website. 

Review by Amelia Vandergast

Link Strummer Transfused Satin-Slick Electropop Desire into a Radio-Ready Earworm with ‘Victoria’s Secret’

The pop sensation, Link Strummer, has struck again, and this time he’s strumming the sound of seduction with his latest single, Victoria’s Secret.

Nile Rodgers-style staccato funk-racked guitar chops cut against the jazzy horn stabs as the new wave synth lines strobe in the vein of The Midnight, while the vocals remain locked and loaded with libido that seems to have a lifeforce of its own, resulting in an infectious hot-under-the-collar anthem that deserves to slam through speaker systems worldwide this summer. It’s in the orbit of the contemporary pop cultural zeitgeist, while refusing the limitations of the electropop mould; it smoulders in its own lane, amplifying the lingerie-draped heat of the radio-ready earworm.

There are flashes of Prince in the satin-slick sensuality, The Weeknd in the neon-night pulse of the atmosphere, and George Michael in the teasing confidence of the delivery of the lyrics, which carry a psychological sharpness that cuts like razor wire.

After stepping away from music for five years, the Toronto artist returned in 2025 with a clearer sense of identity and a debut album shaped around obsession, desire, guilt, accountability, and emotional fallout. Victoria’s Secret lands as another glimpse into that world, where retro-pop textures and self-aware storytelling move in close formation.

Victoria’s Secret is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Bushwick Princess – Dead/Basic: A Darkwave Synth-Pop Sanctuary for Those on the Edge of Acceptability

Darkwave synth pop got its swagger back in the enigmatic single and debut music video, Dead/Basic by the alt-indie trio, Bushwick Princess, who may not hide their influences, in this case, it’s a mash-up of Thriller-era Michael Jackson and Depeche Mode, but originality still slithers from the single, which gyrates through the shadows of 80s pop and the strobe lights of electronic post-punk.

As an earworm guaranteed to give you hard enough kinetic kicks you’ll be left with bruises, Bushwick Princess, with their deadpan debonair panache, left nothing to be desired. There’s no trace of irony in the mantra “I’d rather be dead than basic”, which could be read as pretentious, but those in the know will resonate with the refrain that highlights the insufferable nature of a world which rejects culture and individuality for hegemony.

It’s the kind of single you could imagine Joe Keery releasing, if he were daring enough to be contrarian in a bid to comfort the other disturbed outliers looking for anthems to dance to on the edge of acceptability; the cinematic music video is effortlessly in that vein. Just don’t ask where they got that coffin.

Based in Brooklyn and led by Matt Francini, Bushwick Princess is setting Dead/Basic up as the opening statement from an EP due later this year, channelling a love for indie dance and post-punk through a sound that also tips its hat to LCD Soundsystem and Hot Chip. If you’re tired of banal and superficial alt-electronica, you’ll want to save a space on your radar for the forthcoming hits from Bushwick Princess, who have more than earned their royal status with their debauched approach to adding a touch of class to the airwaves.

Dead/Basic is now available to stream on all major platforms. For the full experience, stream the official music video on YouTube.

Review by Amelia Vandergast

MODISTE Turned Synth-Pop into a Strobe-Lit Fever of Longing in Shadows

MODISTE injected the intensity back into synth-pop with their sophomore single, Shadows; a strobe-lit spell of longing, hunger, and surrender, which rejects the cloying trend of saccharine etherealism by adopting the visceral spellbinding veracity of Siouxsie Sioux while maintaining an irrefutable mainstream crossover appeal.

The Louisville trio pulled from the dark glamour of cold, cavernous 80s post-punk aesthetics and the seductive tension of 80s analogue pop to inject into the monolith of a production, all the while allowing the single to feel fiercely alive in the present, as though the track has been dragged from some midnight theatre of obsession and wired straight into the bloodstream.

In the same way that White Lies take the conventions of the darker, synth-heavy corners of aural history to write the future of alt-pop, MODISTE has a distinctly infectious way of drawing you into the thematic core of their evocatively heightened sound, helmed by Sydney Sleadd’s vocals, which command the centre with a magnetic intensity. There is desire in the delivery, but also steel, poise, and a cinematic sense of scale that turns the single into something far bigger than a stylish throwback. Beneath that, the synth work seethes and glows with tactile depth, while the guitar cuts through with surgical precision.

There is also a Lynchian streak running through Shadows, not as aesthetic window dressing, but as a feverish undercurrent in the pulsing swirl of longing, forbidden love, and surrender. Industrial tones tighten the tension, while the analogue instrumentation gives the single a living, breathing voltage. With Sydney Sleadd’s award-winning presence at the helm, Dennis Stein’s decades-deep synth obsession, and Kyle Stallings’ psych-punk and left-field electronics pedigree sharpening the edges, MODISTE feel built for obsession.

Shadows is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast