‘Free to Love‘ from Georgia singer LaShonda Schofield is Queen-like on a soulful beat that simmers down the tension in the world.
This is all about the good vibrations and this is such a pleasant listen. This is an R&B-Soul journey all about love and loving properly, all with that genuine energy that helps both of you.
You are so happy that you found each other, the love is so real and inspirational. The future is bright with you two together and you hope that it never stops. You are better together and this is the true bond right here. When you are together, nothing else matters and you feel like you are living in a dream.
LaShonda Schofield is an amazing singer-songwriter who has a joyful voice. Her Mom encouraged her to sing when she was 3 and this was a great decision. She writes with real meaning and you can tell that each word has been carefully written. ‘Free to Love‘ is a song about believing in love and doing what you can to keep the flame alive. Each moment is special and we need to be grateful and do what we can to keep the fire lit.
I don’t know what I was expecting when I hit play on Venezuelan singer-songwriter Nathasha Rumbos’ seminal Latino Pop single “Echate Pa Ya” but my mind was unequivocally blown within the first 10 seconds.
The viscerally anthemic infusion of Latino Pop and extremely nuanced Rock was like nothing I’ve ever heard before. You’d probably be hard-pressed to find more impressive guitar solos in any Rock song, but with Echate Pa Ya you’ve also got the rhythmically danceable beats which are transfixing beyond definition.
The cherry on the aural cake are the insanely cutting lyrics “Your name is not on his phone, you’re just an unknown number”. How could we not be excited about Natasha Rumbos’ trailblazing career after hearing Echate Pa Ya?
You can check Echate Pa Ya which was also co-written by John Stewart for yourselves by heading over to Spotify
Up and coming artist Jesenia has proven just how much feisty attitude can be thrown into RnB with her latest single Made It.
There’s nothing quite like succeeding despite the lack of faith from other people. With Made It, Jesenia perfectly captures that gratifying feeling of being able to say “Bitch I made it”.
Producer Harry Cuschieri AKA cuschicooks ensured that the smooth RnB Trap beats matched Jesenia’s fresh and strong approach to the genre. The soundscape may take some unconventional instrumental turns. But the exhibition of ingenuity will leave you transfixed by the track which drips with style, empowering conviction and magnetic energy which you’d be hard-pressed to find another track offering. Get her on your radar.
You can check out Jesenia’s single Made It for yourselves by heading over to SoundCloud now.
If you like your Pop artists unapologetically fierce, breaking artist Ella has all the empowering attitude you could possibly ask for in her latest release “Oops Oops”.
If you turn on the radio, you’ll hear plenty of artists offering lovelorn introspection and abrasively sweet love songs and little else in between. Ella took a very different approach to contemporary Pop. Her redemptive single is a powerful reminder to women that you don’t need to turn into a snappish dolt every time you’ve been romantically screwed over. While we can’t exactly condone financial exploitation, we make no bones about celebrating this stellar radio-ready feat of Pop.
You’d be hard-pressed to find Pop hooks which are sharper than the ones that will grab you in the 90s-inspired perennial Pop earworm.
You can check out Oops Oops for yourselves by heading over to SoundCloud now.
‘Are We Still Good?’ could be the story of 1,000,000 fledgeling lock-down romances, soon-to-be couples forced into isolation and unsure what, if anything, comes next. Catchy, bouncy, electronic pop perfectly backs singer Evadaze’s breathy delivery, guest vocalist Lachlan Andrews delivering a spicy counterpoint in this two-way conversation about love, life, and what might be.
It’s catchy and well-produced, the piano-led melody leaving plenty of space around Shortt’s vocals; the hook finds its way into your head, ear-worm like, and stays put around Lachlan and Shortt’s vocal interplay on the final chorus. A perfect summer antidote to lockdown blues.
You can check out Are We Still Good for yourselves by heading over to SoundCloud now.
To keep up with the artist’s new releases, head over to Evadaze Facebook page here
They told us smoking wasn’t cool; judging by Leire’s ‘Box Of Chesterfield’, ‘they’ were seriously wrong. This is a beautiful, haunting tale of anxiety, of existing rather than living, surviving whilst drowning; it’s a personal song, the sparse electronic music echoing behind Leire’s husky, plaintive vocal.
There’s a touch of Sia in the delivery, but the hushed verses give way to an emotive, soaring chorus which allows Leire to properly showcase her vocal talent. And that’s some serious talent, having already taken Leire from busking in Leicester Square to sharing stages with the likes of Tom Walker, Jake Bugg, and Rag’n’Bone Man,
‘Box Of Chesterfield’ is a slow-burn (no pun intended) beauty; Leire’s debut EP, telling ‘the truth about society’ and released later this year, can’t come soon enough. In the meantime, you can hear ‘Box Of Chesterfield’ here.
Hailing from the Southside of Chicago with its history of steel mills and factories, singer/songwriter Travie Austin follows up 2019’s ‘Scrapbook’ with ‘Black and Blues’, nine tracks and 32 minutes of laid-back blues-inspired bops.
Like his hometown, “Black and Blues” is a melting-pot of influences. Infectious, soulful, and downright funky at times, Austin crosses genres with ease; as the title suggests, there’s a definite bluesy feel across the album, but this is interspersed with some tasty fusion piano breaks a la Brad Mehldau or Austin’s inspiration John Legend, and the Gary Clarke Jr. and Julian Lage-influenced guitar lines peppered between the electronic beats and breaks.
Austin showcases his versatility with some heavier riffage on ‘I Earned It’ and the Rodgers-style syncopation across ‘Funk Take Over’ and album closer ‘Final Get Down’. Overall, “Black and Blues” is classy and accomplished, uplifting and funky; you can hear the album on Spotify and check out Travie on his official website.
Oakland, US Folk Singer-Songwriter Knox Bronson has recently released their latest single “I Want to Know (What You Told the Sun). If Cohen has a tendency to make you teary, so will this sublimely orchestrated release.
The delicately inviting semi-orchestral arrangement possesses plenty of choral depth and creates the perfect platform for Knox Bronson’s gravelly yet harmonic quiescent vocals. And the nostalgic feel of the release gives I Want to Know plenty of instant accessibility from the first hit. Yet, there’s plenty of distinction to be found within the atmospheric soundscape along with sheer amorous mesmerism.
You can listen to I Want to Know for yourselves by heading over to SoundCloud now.
Keep up to date with Knox Bronson’s latest releases via Facebook.
From the first few baroque notes in the award-winning composer and songwriter Alise Ashby’s latest semi-orchestral single “Gotta Learn to Love” featuring the vocals of Gabriela Martina, I was transfixed. The cinematic release is resounding in every possible way.
The pandemic and lockdown gave the world an opportunity to better themselves on a global scale. I was filled with naïve optimism that humans would start to act through empathy, love and compassion instead of hate and fear. Yet, we seem to be moving in the exact opposite direction. Alise Ashby’s latest single is a powerful (in more ways than one) reminder that we can only progress as a society if we learn to love, not just romantically, but to extend that love to the rest of the world. If they won’t listen to Gabriela Martina’s vocals, we may be doomed.
You can check out Gotta Learn to Love for yourselves by heading over to YouTube.
Breaking artist Nicole Leaskk has finally dropped her highly-anticipated RnB Pop single “Take You Back”. The morosely powerful downtempo single illustrates the intensity of the emotions which can arise from amorous indecision while the succinctly poised instrumentals provide captivatingly modernistic melodies.
Nicole Leaskk’s vocals ensure that you feel every ounce of emotion which was projected into the orchestration of the single. And perceptibly, she held nothing back when penning the candid lyrics.
Take You Back is far from your average lovelorn single. It’s striking, it’s stylish and it’s bound to offer plenty of resonance to anyone who knows the feeling of logic and emotions going head to head.
Take You Back is now available to stream on all major platforms via this link.