‘Anyway’is the latest orchestrally scored single from the Italian singer-songwriter, Flame. With a vocal timbre that more than justifies Flame being put in the same league as Amy Winehouse and the stunning instrumentals that bring a cinematic edge to the release, you’re left with little option when it comes to surrendering to the artistic intensity. It is enough to make Adele sound pedestrian.
Anyway unravels as a candid open letter to the sorrow imparted through torrid passion; it runs through relatable and witty notions that are rarely voiced, but Flame’s boldness lends itself to her sonic style as much as her lyricism.
The official video for Anyway premiered on November 26th; you can check it out for yourselves via YouTube.
Cambridge, UK-based alt solo artist, Francis Botcherby, has been honing in on his sound for over a decade; his music has featured on BBC Cambridgeshire amongst many stations. His most popular music video to date has racked up over 100,000 streams, and he has counted plenty of other successes in between.
His latest single, Parliament of Wolves, carries the same protestive lyrical edge as Billy Bragg, but stylistically, Botcherby brought the sound of Seattle to UK shores. With bassline growls that will evoke nostalgia for Soundgarden’s grungy licks and enigmatic vocals that carry a touch of the Mike Patton magic, there’s a fair amount of nostalgia but there is something incredibly refreshing about his shimmering guitars and grooving rhythms that throw further back to the days when Hendrix reigned supreme.
Francis Botcherby’s single Parliament of Wolves was officially released on December 3rd. You can check it out for yourselves via SoundCloud.
If the Beach Boys made their debut in 2021 and picked up some Midwest Emo tendencies, their bright and instantly infectious melodies would have plenty in common with the ones found in singer-songwriter, billion daily’s triumph of a debut single, Pull on My Heartstrings.
The intricately and anthemically layered single breezes through the whole tonal spectrum as it runs through the frenetic choruses and verses where you can drink in the lush accordance of shimmering notes. It is anything but your average debut, which has plenty to do with the artist cutting his teeth as a songwriter under the moniker, iamsleepless, for years. After turning away from music to explore faith, having an existential crisis from that decision and returning to music armed with weed and a guitar, he started work on his debut release; we’re beyond glad that he did.
Pull on My Heartstrings is available to stream from December 3rd 2021. You can catch it for yourself on SoundCloud.
For her latest single, singer-songwriter Alyssa Keen teamed up with Nickay to create the ultimate emboldening ‘over you’ track “thanks but no thanks”
Alyssa Keen’s natural, elysian and airy vocals make it all too easy to succumb to the soul in the romantically scorned track that reminds the listener how sweet it is to take back emotional power over yourself.
Around the easy acoustic guitar chords are stunning nuances of shoegazey indie and elements of style that fans of Kurt Wilde will instantly want to melt into. The single is so much more than your average bitter and coming age of single. Alyssa Keen’s motivation to pull optimistic perspectives out of the bad to enlighten the world is enough to restore your faith in humanity.
thanks but no thanks is now available to stream on Spotify.
On November 26th, Idaho indie singer-songwriter Castle KYD brought accountability in trend with his artfully expressive single, The Mess You Left Behind. In the Waitsy intro, there is little but solemn vocal notes and the quiescent murmurs from the acoustic guitar; as the track builds up to the pre-chorus, that’s when the sharp hook digs in and pulls you deeper into the intrinsically melodic work.
The Mess You Left Behind truly is the pinnacle of contemporary indie-folk pop. His innocently sweet scorned vocals, the celestial accordance in the choruses and lyrics that prove the extent of his determination to transfuse raw emotion into art makes Castle KYD one of the most gifted artists of his generation.
We didn’t need the self-taught artist’s bio to tell us that his music is an amalgamation of desire for connection, a means to cope and a way to turn banality into something meaningful. You can hear it in every ounce of passion poured into this evocatively bruising seminal release.
Here is what Castle Kyd had to say about his latest release:
“Mess You Left Behind was written on a sleepless night, thinking about someone I lived with and had to leave because it was so toxic. In 15 minutes, every feeling, anger and blame poured out of me and formed a poem which became a song in those minutes. After months, I still miss and crave them despite their emotional abuse; I blame myself for craving that, the person who instilled a lot of hurt in me. After struggling to get over it, I’ve become paradoxical; I am the mess this person left behind.”
The Mess You Left Behind is now available to stream via Spotify.
Copenhagen’s most prodigal up and coming singer-songwriter, Vince Chinaski, has released his debut album, Never Painted Black, which opens on the title single and instantly arrests you in the Avant-Garde neo-classically inclined feat of psych, jazz and folk.
Without any hint of hyperbole, Vince Chinaski deserves to be just as revered as Tom Waits for the way he pulls new sonic intrigue from a timeless sound. With Louis Armstrong reminiscences in the cinematic jazzy score that flows at a teasingly mellow pace that leaves you desperately eager for the next note, Never Painted Black is beyond absorbing.
Its mind-meltingly artful gravitas becomes even more visceral towards the outro as the Chinaski’s crooning timbre starts turning dark and scuzzy vintage rock guitars feed kaleidoscopic discord into the release.
Chinaski’s debut album will be available to stream on all major platforms from November 26th, 2021.
Samuel Ashton’s latest single, Breathe Easy, is definitive proof that people who say they don’t make music like they used to are as ignorant as they are apathetic in their searches for diamonds in the commercial rough.
Breathe Easy is the ultimate soul-blues serenade between the jazzy, mellifluous ambience in the instrumentals and the timeless vocal panache. Ashton’s vocal notes effervesce with passion while trying to instil tranquillity; his sound is practically ASMR. In our disquiet reality, he really is a breath of fresh air (pun semi-intended).
Breathe Easy is due for official release on November 25th. You can check it out for yourselves on SoundCloud.
Some artists try to portray themselves as icons, and some become iconic through their instant accessibility; Zach Butler safely and funkily falls into the latter camp. His debut single, Selfish, is a soulfully rendered feat of experimentalism that finds its vibrancy by grasping at the roots of blues and ripping them out in grooves that are almost technical enough to resonate as avant-garde.
Even though there’s plenty of distinction to grasp through the lyrics and vocals that carry the charisma of a cult leader, the guitars are on a whole other level. As soon as he starts to play in the progressively choppy despite being smooth single, you get the sense that he carries a deep passion for the technicalities of expression. The up and coming Atlanta-based artist takes influence from the guitar styles of Stevie Ray Vaughan and John Mayer. For songwriting influence, he looks to the likes of Stephen Day and Jordy Searcy.
Selfish is now available to stream on all major platforms via this link.
Atlanta-based alt-folk singer-songwriter, Maq has made her debut with the experimentally blissful RnB track, Kaleidoscope. Her producer, Yoko, notably shared her vision of disrupting aural norms; by taking the majority of the focus away from the smoothly layered vocals, Kaleidoscope became a soundscape that you can’t help melting into.
We hope there’s plenty more soul-infused catharsis in the pipeline from this ambiently Avant singer-songwriter & producer duo who peruse art over perfection and narratives over hooks; they’re the ultimate indie power couple.
Adult contemporary singer-songwriter and musician Sunny has released her soul-laden acoustic jazz infusion single, Bones, which would fall into the easy listening category if it wasn’t for the breezy melodic alchemy that flows through the affectionately provoking release.
The Californian artist was born into a musical family; she picked up an acoustic guitar at age 15 and devoted her life to music and songwriting from there on out. Based on Bones, every second of dedication paid off in this tranquilly mellifluous soundscape that exhibits the ethereal nature of her innocently expressive vocal timbre.