‘Messenger’ is the latest dusky feat of roots-deep rock n roll from the Nashville artist Don Pedigo. From an intro of surfy, swaggy, Gretschy tones, the single opens up through narrative lyrics, which follow the same revelatory path as the likes of Dylan & Tom Petty, reeling you into the depths of Pedigo’s candour and originality.
Each new verse is a testament to the solo artist’s proclivity to pour out his heart lyrically instead of dotting together the usual rock cliches, and there is just as much distinction in the dark production, which puts Messenger on the same level as Nick Cave’s Red Right Hand.
Messenger will officially release on August 5th. You can hear it for yourselves by heading over to SoundCloud.
Katie Wellenberg did more than show her hand in her latest alt-country single, Gambler, which will be an instant hit with fans of the April March and Hillbilly Moon Explosion-Esque femme fatale allure.
Lyrically, Wellenberg shows us the epitome of humanity through visually striking poetry. Instrumentally, her roots-deep melodic hooks draw you further into the single, which shows how above the charade of superficial charm she is. Needless to say, we should all be at the same level as the stunningly unf*ckwithable Munich-based singer-songwriter. She well and truly came into her swampy roots rock own with Gambler; we can’t wait to hear what follows.
There is your average indie rock nostalgic peddler, and then there’s the Boston-based originator, The Viennese School, with their hauntingly archaic reinventions of American roots, folk, and gospel.
Their self-titled debut LP, featuring the standout single, Dr. Irving, tells the parallel stories of an army doctor, their brother soldier and the demise of a student found beneath a frozen river. You’re pulled into the narrative as much as the Avant Garde soundscape, featuring spacey psychedelic synthetics, old-school crooned vocals, blues rock solos and almost pornographically warm saturated analog tones.
Something is evidently in the Bostonian water if it bred The Viennese School as well as Amanda Palmer, who runs in the same histrionic direction as the artful innovator. What Ryan Murphy is to the small screen, The Viennese School evidently is to the airwaves. We’re officially obsessed.
Austin’s scuzz rock troubadours Dr Todd got intoxicatingly punch drunk in their latest off-kilter hit, Give Me a Shot. The riotously clever cocktail of no wave and blues-rock is potent enough to rival the frenetic fever of the Cramps and the Legendary Shack Shakers, but all reminiscences are extremely fleeting in the hedonistic anthem, which unravels to the tune of heavy distortion, resonator guitars, rock n roll attitude and whiskey fumes.
Based on Give Me a Shot alone, if you have the chance to see Dr Todd live; take it. Or at the very least, imbibe in the high energy catharsis.
Give Me a Shot hit the airwaves in May 2022 through Romgod Records. It is now available to stream on SoundCloud.
Ahead of his fourth album, Revival, the NYC roots-rocker, Brian Lindsay, teased the modernity-weary, whiskey-soaked soul within it by giving us a sneak peek of the title single, which throws you right back to the time when lighters were held in the air instead of iPhones.
His virtuosic yet humble approach to songwriting is one of the best escapes from the 21st-century that you could possibly ask for. Between the deep yearning romanticism and the swoon-worthy soaring guitar licks, you get the affirmation that Brian Lindsay is the real revival deal. As much as he taps into Springsteen and Ryan Adams-Esque high energy melodicism, he leans into his signature rugged yet smooth intoxicating aural juxtaposition style.
Revival was officially released on May 20th. You can check it out for yourselves by heading over to Spotify or via his official website.
The Minnesota-based producer, singer-songwriter and prodigal son of rock n roll, Alexander Craig, has teased what’s to come in his upcoming album by giving us a sneak peek of the standout single, Atmosphere We’re Under. You’d be hard-pressed to find a scuzzier bop-worthy feat of blues-rock.
Atmosphere We’re Under is wild with its cheeky, punch-drunk energy that contains the same bite as your average ego-fuelled track. Yet, after stepping out from behind his successful aural alter-ego, Crankshaft, Alexander Craig made a positive stylistic move that radiates through his up-beat lyrics and gasoline-soaked high-energy grooves. The standout track is every bit as hooky and infectious as any of Josh Homme’s many endeavours, but with Alexander Craig, there’s roots-deep respect for rock n roll.
Alexander Craig is going old-school with his debut blues-rock album; it will only be available via CD and Vinyl. After being teased by the roots-rich soul in Atmosphere We’re Under, he can definitely take my money.
Sydney-based singer-songwriter, Chuck Solo, has released his roots-deep country pop-rock single, Only time remains, which runs through as a bitter-sweet effigy to love lost and unrelenting emotion to the tune of bluesy, choppy guitar chords and shimmering reverb.
Each note is plucked on his Strat by hand to boost the folky twang in the minimalist roots-rock track that allows his soulful yearning vocals to resound. Chris Isaak and Neil Diamond fans will instantly feel familiar with Only time remains through the stridently candid delivery of the sharp lyrics. Yet, Chuck Solo didn’t fall short on experimentalism with the sublime sonic layering of Only time remains. Which is accompanied by the equally as psychedelically sweet B-side single, Holding on (too tight). The crooned vocals and just as affectionate choral chords are enough to test your soul capacity’s to feel.
Only time remains is now available to stream and purchase via Bandcamp.
With a smoothly salted Roots-Rock flow to empty all of our doubts into the dusty drain, this is a melodic daydream that is about that sweet love-love that was so perfect-but changed so suddenly. Australian singer-songwriter Jack Bratt is back with a new style for our thirsty ears, and he is on top form with his latest release ‘Will You Ever‘.
His voice is so calming and you feel totally at ease right away, the mellow soundscapes are like a summers day on the beach by yourself. I feel like a feeling of relief but also doubt, you miss that vibrant and happy love that consumed you life. The song shivers throughout, the sonic waves of a sad story is constant all the way through as you gaze out the window.
With a style that keeps you in the edge of your seat all the way, his voice is hauntingly honest and the cosmic creation here is so intricately formatted, to tell us a story of heartbreak, that so many of us will relate to. A love that was going so well you thought they were the one, so many memories stored up on the hard-drive in your brain. To delete these will so very hard to accomplish, so you will have to store them elsewhere for now, as you know you need to move on. That is the only way to grow and blossom again.
Brisbane musician Jack Bratt has changed direction with his music career and his voice simmers so sweetly here on ‘Will You Ever‘. This is the message of sadness when there was something so beautiful, and the journey to replenish your heart again has started. You know you need to fly free again, and unshackle those regrets to open yourself to new love.
Hear this song with a real story to tell on Spotify.