Browsing Tag

RnB Vibes

Starfire in the Scar Tissue: Stephan Leroy Folkes Transcends Temporal Turmoil in ‘It’s All Within Time (Travelling Through the Stars)’

Stephan Leroy Folkes

After launching Say It Like You Mean It with an insistent demand for honesty, Stephan Leroy Folkes has returned to eclipse every surface-level sentiment in It’s All Within Time (Travelling Through the Stars). Where the debut came with sharp confrontation, the sophomore single is steeped in cosmic introspection and scorched-soul sonics that unravel through alt-soul-pop with funk-slicked edges and ethereal atmospherics.

Folkes has dialled up the soul, beguile, and eccentric electricity up to 11, welcoming his ever-growing fan following into the epitome of impassioned visceralism. With the cosmic underpinnings to the alt-soul-pop serenade and Folkes’ falsetto vocal timbre surpassing the scintillation of Michael Jackson with the aching vibrato that hits in the chorus, the single is a lesson on what it means to truly go beyond surface level with emotions.

From the first synth-streaked beat to the last breathy note, the track tests the tensile strength of resilience, using star-bound metaphors to map the personal collisions that shake us into shape. The Leytonstone-born artist never plays it safe—nor should he. Born from brushes with death, his sound is living proof that survival can sound transcendent. With nods to Prince, Stevie Wonder, and Billie Eilish woven into his genre-defiant fingerprint, Stephan sidesteps imitation and plants himself firmly in the present moment of music with a sound entirely his own.

It’s All Within Time (Travelling Through the Stars) is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Richie Gathu & PrimRose’s ‘Toxic’ Dances on the Razor’s Edge of Destruction

Following a wavy prelude laced with saturated disquietude, Toxic by Richie Gathu featuring PrimRose ensues with an artfully moody, reverberant beat, trip-hop-esque syncopation, and neo-classical keys that add an ornate touch of grace. PrimRose’s seraphically affecting vocals become the centrefold of the alt-RnB vignette as they pull all the thematically aesthetic layers together in this exhibition of how deep toxic dynamics cut.

When Gathu’s vocals come into the mix, the dramatic stylistic shift veers into a far more soulful pantheon, sharpening the track’s emotional depth. The cinematic narrative that unfolds between the two collaborators proves that nothing is fair in love and war, and nothing is ever black and white in matters of the heart.

Toxic doesn’t romanticise toxicity; it lays it bare, making every reverberation feel like an echo of something unresolved. You’ll be thrown across the entire emotional spectrum while the RnB revelation is in session and come away with the affirmation that the only right that matters in games of the heart is doing what’s right for you.

Toxic is available to stream on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Demo in The Flesh has released their sonorously smooth RnB Trap hit ‘First Contact’

After making their 2019 debut, Demo in the Flesh made a 2020 return with their sensually soulful RnB Trap hit ‘First Contact’.With their sonorously smooth single, Demo in the Flesh delivers refreshing romanticism which only the lucky find outside of soundscapes. With the repetition of ‘I just wanna be direct’, the artist points out how simple love can be and sends a nuanced invitation to reject inaccessible and undependable love which appears through smoke and mirrors.

The slow tempo single is as perception-shifting as it is indulgent to listen to. Here’s to hoping we’ll hear plenty more from Demo in The Flesh in 2021 and beyond.

You can check out First Contact for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

Jaron Smalls – Vibes Only: Amorously Arrestive RnB Soul

https://music.youtube.com/watch?v=CD07ynzzf_Y&list=OLAK5uy_me7VZtv8cbc6L_K9COPqInykNP8E27Tms

Jaron Smalls’ standout release ‘Vibes Only’ may be a short, sweet and succinct hit, but the weight of emotion allows the modern mix of RnB, Trap, Pop and Soul to hit harder than any archetypal stylistically-uninspired RnB track ever could.

The boundlessly dynamic artist has proven himself to be the vibe alchemist that everyone needs on the airwaves and their playlists in 2021 and beyond. If Jaron Smalls isn’t already on your radar, with his ability to offer arrestive escapism as you fall into his soundscapes, your sanity may ultimately depend on their amorously accessible sound.

You can check out Vibes Only for yourselves by heading over to YouTube.

Review by Amelia Vandergast

Cam Be – Right Now (Feat. Neak and Sam Trump)

https://soundcloud.com/cam-be/06-cam-be-right-now-master?in=cam-be/sets/summer-in-september-masters

If a trio of well-regarded collaborative albums (2007’s ‘Wake Up’, ‘Rebirth’ in 2010, and ‘Be Free’ in 2015), and a first solo album (2018’s ‘7 Steps To 7’) as an accompaniment to your own photographic exhibition isn’t achievement enough, how about being an Emmy Award-winning director? Well, it seems world domination isn’t enough for Nu-Soul artist Cam Be, now returning with his second solo album ‘Summer In September’, from which new single ‘Right Now’ is taken.

‘Jazzy soulful hip-hop funk’ isn’t really a genre in itself, but with Cam Be’s groove and the collaborative input of Neak and Sam Trump (including some absolutely salacious trumpet work liberally sprinkled across the beats), it really should be.

Trump’s horn adds some vibrant, jazzy colour to the piano and funk bass, while the collaboration of Neak (son of one-quarter of R&B/Soul/Gospel legends The Kelly Brothers’ Robert Kelly) adds some additional hip hop grind and flow to Cam Be’s already smooth and soulful rap.

‘Right Now’ really is top drawer soulful hip hop with some serious jazz-funk undertones, and a perfect introduction to the just-released ‘Summer In September’. Check out ‘Right Now’ on Soundcloud now, and follow Cam Be, and find ‘Summer In September’, on Facebook or here.

Review by Alex Holmes

Lea Keeley has released her mindfully meta RnB single ‘Who You Are’

Lea Keeley has released her self-produced soul-infused RnB Pop hit ‘Who You Are’, it’s an irrefutable invitation to find some perspective and get to know yourself while you get acquainted with an inspiringly meta singer-songwriter.

We’ve all had plenty more time for introspection lately, one major drawback is the increased amount of time to find doubts and fear. Lea Keeley’s succinctly mindful single is powerful enough to wrangle stray strings of sanity while it persuasively affirms that any trust you place within your own mind, desire and determination is well invested if you look for signs of synchronicity.

You can check out Who You Are for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

Jeremy Sullivan offers a flash of Frisco cool with their latest release ‘Holiday’

Take one part old-school crooner, one part gospel choir, and ten parts blazing hip hop anthem, mix liberally, sprinkle with some poetic lyrical magic, and add a dash of summery pop, and you end up – after liberally baking, of course – with Jeremy Sullivan’s ‘Holiday’.

San Francisco based, and definitively adding a flash of Frisco cool, with ‘Holiday’ Sullivan mixes rap and hip hop with some gospel choir soul and a little bit of old fashioned R&B to produce a track which – like his hometown – effortlessly crosses over boundaries, mixing and merging and enticing everyone in in true San Francisco inclusive style.

Hear ‘Holiday’ on Spotify, or simply hit up Jeremyrsullivan.com.

Review by Alex Holmes

Get lost in the fierce flow of 2ODIAC’s Hip Hop drop ‘TUT’

Up and coming Hip Hop artist 2ODIAC dropped one of the hottest tracks of 2020 with TUT, if you missed it, it is our pleasure to introduce you to the fierce instrumental flow and Rap verses which may as well have been spat by a viper.

TUT runs through as a visceral offering of Old School Hip Hop and New Wave Trap, with plenty of theatrical touches to the mix, 2ODIAC brings the vitality which the airwaves have been crying out for.

If the future of Hip Hop was placed in his hands, it would be more than safe. His tracks evoke emotion and arrest rhythmic pulses simultaneously. What more could you possibly ask for?

You can check out the official video to TUT for yourselves by heading over to YouTube.

Review by Amelia Vandergast

JEF P – Pull Up: An Ardently Intoxicating Jazz Infusion

If you think that the artwork to JEF P’s single Pull Up is archaic, just wait until you hear the ardently intoxicating levels of old-school soul in the RnB track.

Pull Up resonates as more than music, you can tell that the Washington-based artist’s audiophilic tendencies heavily influenced the soundscape, but there’s sticky-sweet meta poetry breathing through the melodic verses which swing in perfect tempo with the Jazz-laden instrumentals.

I don’t bound the term ‘masterful’ around lightly, but with Pull Up, it’s impossible to find a more apt adjective for the dreamy, hazy, contemporary vibes.

Pull Up is available to stream via all major platforms through this link.

Review by Amelia Vandergast

Kayshawn takes us to the Heartbreak Hotel in their hot new Pop single

After their 2018 debut, there’s been no stopping the trailblazing Pop artist Kayshawn. Their latest single “Heartbreak Hotel” alchemically finds the perfect balance of compassion and romanticism.

You just can’t help but be drawn into the almost Neo-noir imagery as you listen to the stylistically moody EDM beats carve lush, seductive and atmospheric melodies.

Abrupt endings in tracks are usually a sign on sloppy production, but the way Kayshawn chooses to close Heartbreak Hotel is ingeniously subversive. It is easy to feel that they’ll have plenty more surprises in store throughout their career. Watch this space.

You can check out Kayshawn’s single Heartbreak Hotel via Spotify.

Review by Amelia Vandergast