Browsing Tag

progressive rock

Immerse yourself in the artfully metamorphic instrumentals in Blinded By Hope’s seminal prog-rock release, All We Know

Posted on 5 December 2023
Blinded by Hope

Emotion charters the path through the artfully metamorphic instrumental arrangement in one of the standout singles from Blinded by Hope’s debut LP, The Darkness That Surrounds Us.

The Australian innovators found their signature sound between the landscapes of prog-rock, melodic rock, and art rock to allow the seminal single, All We Know, which unravels as an emotionally resonant and sonically complex piece which takes you through the dark depths of human emotion via a backdrop of artfully progressive instrumentation.

From the opening notes, All We Know draws the listener into its profoundly reflective aura which swells around the alt-metal roots in the complexity of musical structures. But don’t let the gravitas in the release fool you, the track is as accessible as it is resonant as it vies for your attention through technical prowess and the emotional odyssey it represents.

The vocals echo the tender yet powerful style of Incubus, adding a soulful depth to the track. This vocal gravity anchors the song’s tumultuous ebb and flow, creating a captivating tension that is both stirring and poignant. The band’s focus on crafting a meaningful song, rather than just showcasing technical skill, shines through every note and lyric, making All We Know a superlatively compelling listen.

Stream Blinded by Hope’s music on Spotify, and keep up to date with news of the release via Facebook.

Review by Amelia Vandergast

Confusion Field spoke to the outliers with their interstellar synth and guitar-driven rock opera, Atom Child

Posted on 19 November 2023

‘Atom Child’ is the latest seismic shift in synth-rock from the prodigies of sonic futurism, who banded together to forge Confusion Field. If you ever wondered what Sisters of Mercy would sound like if they assembled lightyears in the future, hit play and wonder no more as you experience the quintessence of the Finnish progressive rock outfit, which was formed in 2017 by the seasoned musician and composer, Tomi Kankainen.

After embarking on a solo path following decades of playing bass and exploring various genres in local bands, Kankainen’s project blossomed into Confusion Field. The band’s debut, “Disconnection Complete,” emerged in 2021, which delved into the shadowy realms of depression.

Their upcoming second album, “Future Impact of Past Diversions,” which will be hot on the heels of Atom Child, promises a rich tapestry of musical escapism. I don’t know about you, but I’ll jump in any vessel I can take away from our blighted and imbittered social tapestry; their presentation of a progressively interstellar synth and guitar-driven rock opera is the perfect ticket.

Confusion Field’s dynamic fusion of progressive, pop, and metal influences, which harmonises the old with the new and the bright with the heavy, all underscored by a distinctive touch of Nordic melancholy will undoubtedly resonate with a broad spectrum of salvation-seeking alternatively inclined music fans. For your own sake, hit play.

Atom Child was officially released on October 6; stream it on YouTube.

Review by Amelia Vandergast

Space out with the rock-licked soul in Church Burglars’ kaleidoscope of psychedelic shoegaze, Fairy Tale Ending

Posted on 1 November 2023

If you take your rock classically cut with a twist of spacey psychedelia, explore the riff-carved cosmos in the standout single, Fairy Tale Ending, from Church Burglars’ debut album, Subconsciously Conscious.

With soaring riffs as strident as the licks orchestrated by Slash’s fair hands fused with the soul-lavished euphonic sensibilities of the Flaming Lips and Pink Floyd, Fairy Tale Ending is a prog-rock meditation on the highs and lows of diehard romanticism. The endlessly caressing vocal lines which have more in common with the Shoegaze pioneers than your average rock outfit draw you right into the gravity of the bitter-sweet release, which stands as a testament to the LA-based outfit’s determination to make real music for real people.

After the founding members met at Berklee College of Music in Boston shortly before the COVID pandemic, frontman Mike Foltz used the international live music breather to travel to LA to record the debut LP independently with the exception of a few lead guitar parts laid down by Alec Grugel. With the full line-up finalised, Church Burglars are making waves in the live circuit; grab any opportunity to see them in an intimate setting before you have to join legions of fans filing into arenas to witness the virtuosity of Foltz.

Fairy Tale Ending is available to stream on Spotify.

Review by Amelia Vandergast

Nullor has arrived with his compelling prog rock Tour De Force,  Here

Posted on 26 October 2023

The Fort Worth, Texas-hailing solo artist, Dan Crawford, operating under the moniker Nullor has made his long-awaited debut; it came in the form of his dynamic LP, Finalform. The dusky, doomy and artfully captivating lead single, Here, envelops you in an atmosphere you will never want to come up for air from.

The progressive 6-minute Tour De Force won’t fail to evoke contemplation; the grungy vocal lines which run in the veins of Alice in Chains allow the melodic ambience in the orchestrally cut instrumental arrangement to resonate as a sonically sweet sedative before the monolithic build and burst into intricately electric groove metal.

In the following single, Overdrive, Nullor gives you a taste of classic thrash metal, proving that there are few alternative genres outside of his repertoire. Rather than being a jack of all genres, the versatility of his talent is just as impressive as the degree of it.

Here was officially released with the Finalform LP on September 29; stream it on Spotify and follow the artist on Facebook.

Review by Amelia Vandergast

Gain a lesson in virtue with Cagri Raydemir’s Absence of Patience

Posted on 25 October 2023

Taken from the four-track EP, Absence, which extolls the virtues of patience, candour, courtesy and tolerance, the opening single, Absence of Patience, featuring Julian Hesse on trumpet, is some of the Munich-based singer-songwriter and producer, Cagri Raydemir’s finest work to date.

After teasing a post-punk atmosphere in the intro, exotic folk nuances begin to weave their way into the progressively avant-garde production before Cagri Raydemir’s vocals become a magnetic centrepiece in the sonic pool of beguile. Imagine Serj Tankian turning his talents to folkish prog rock, and you will get an idea of the organic alchemy caged within this exemplary feat of artistry.

12 LPs and 7 EPs down, it is safe to say the qualified recording engineer and artist has honed his sound and his ability to bring lyrical concepts which explore the human condition to life within his soundscapes. We can’t wait to hear what he conjures next.

The Absence EP was officially released on October 16th; stream it on Spotify.

Review by Amelia Vandergast

Embrace the Dark Symphony: Euphorium’s ‘This Thing’ Review

Posted on 5 June 2023
https://soundcloud.com/johnlistermusic/this-thing?in=johnlistermusic/sets/euphorium

Euphorium, the Canadian indie band known for their progressive rock roots, takes a bold step forward with their latest release, “This Thing.” Infusing black metal elements with intriguing “Phantom of the Opera” sounds, the band showcases their evolution into a symphonic metal powerhouse. Led by the captivating vocals of Anni, Euphorium delves into a darker, harder-edged sound while maintaining the melodic sweetness that defines their music.

“This Thing” opens with a haunting orchestral arrangement, setting the stage for the sonic journey that lies ahead. The fusion of gothic rock and progressive hard-edged rock creates a unique musical tapestry, enveloping the listener in a realm of both darkness and beauty. The juxtaposition of heavy guitars and symphonic elements adds depth and intensity to the overall composition.

Anni’s vocal performance is nothing short of mesmerizing. Her voice possesses a delicate sweetness that beautifully contrasts with the aggressive instrumentation. With impressive range and control, she effortlessly navigates through the song, captivating the listener’s attention and infusing each lyric with raw emotion.

The lyrics of “This Thing” delve into themes of inner turmoil, personal growth, and the struggle to overcome one’s demons. Euphorium’s songwriting shines through, as they craft thought-provoking verses that resonate with authenticity. The lyrics, combined with the powerful instrumentation, create a deeply immersive experience for the listener.

Euphorium’s ability to seamlessly blend orchestral and operatic sounds with their progressive metal influences is commendable. The production quality is top-notch, allowing each instrument to shine while maintaining a cohesive sonic landscape. The dynamic shifts throughout the song add an extra layer of excitement, keeping the listener engaged from start to finish.

With “This Thing,” Euphorium showcases their growth as a band, embracing a darker and heavier sound without losing the essence of their melodic charm. Fans of Evanescence, Nightwish, and Epica will find solace in the band’s ability to weave together genres seamlessly. Euphorium’s exploration of symphonic metal territory is a testament to their musical versatility and creative vision.

The Cinematic with Soul Alt-Rock Originators, Underblue, Will Wrench Your Heart Strings with ‘Hold On’

Posted on 9 May 2023
https://soundcloud.com/officialunderblue/hold-on-1/s-559ighovA93?in=officialunderblue/sets/maybe-now/s-BpdS4Ok66Bd&si=8916f5a5546a4993b9827910ab17ed9c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

‘Hold On’ is the latest slice of filmic funk born from the ingenuity and superlative talent possessed by the NYC alt-rock outfit, Underblue, who have been creating inner-city waves since 2016.

This seminal release is an undeniable testament that it is their time. The soulfully smoky siren-ESQUE vocal lines from Kimberly Torres, the devilishly jazzy basslines from Simon Luk, and the ornate flourishes from keyboardist Ilvi Calderon is almost too much alchemy to handle – almost. Entwined with the guitars that straddle the timbres of the Cramps and My Bloody Valentine and the drums that punctuate the soundscape with flair, Hold On is a progressively interstellar triumph.

With heavy, hopeful, happy, and heart-wrenching being the cornerstones of the ethos behind the upcoming LP, you’re damn right you should save space on your radar for the powerhouse, which has enough innovation between them to rival Mars Volta – not an overstatement.

Hold On will officially release on May 19th followed by the full album on June 9th. Hear it on SoundCloud.

Review by Amelia Vandergast

THE PALE HORSES rolled with the punches in their soulfully heavy progressive blues single, Shallow Dive

Posted on 28 April 2023

THE PALE HORSES raucously reimagined blues with their latest feat of heavy progressive blues, Shallow Dive. The shimmering tones spilling from the Hammond organ remain definitively bluesy, as do the harmonised backing vocals, but everything else in the innovated hit came straight from the Toronto-hailing artist’s very own heavy rock n roll drawing board.

Even if you can take or leave blues and heavy progressive rock, there’s enough exhilarant substance in the release to affirm THE PALE HORSES are one of the most original acts on any scene. The jazz-inspired drums and vocal lines from Dane Hartsell transform this ode to 70s vintage tones into a riot of rock renovation, which may make traditionalists itch, but anyone who appreciates experimentalism will want to bask in the heat of this scorching sonically salacious release.

Shallow Dive is now available to stream on YouTube.

Review by Amelia Vandergast

Psychosomatik showed their psych-rock ‘Roots’ in their progressively electric single.

Posted on 19 March 2023
Psychosomatik by Psychosomatik

Miami psych rock pioneers Psychosomatik warmed up the vintage overdriven tones to match their sun-bleached climate in their latest progressively surfy single, Roots.

If Pavement saw a little more sun, I’m entirely convinced that Brighten the Corners would have emanated the same colourful radiance of Roots, which hit the airwaves on March 13th. The influences of The Doors and The Beatles are also easy to note in the kaleidoscopic grooves of the release from the independent duo, which amalgamates influences from a wide range of artists and genres to orchestrate a sound that couldn’t be more authentic.

Experimentalism and accessibility don’t always come hand in hand; it stands as a testament to Psychosomatik’s songwriting chops that Roots is a hit that you’ll want to dig deep to immerse yourselves in from the first hit. The vibe couldn’t be sweeter.

Roots is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

The Immaculate Crows honoured the memory of a family lost to domestic violence with deep solemnity in ‘For Hannah’

Posted on 25 December 2022
For Hannah by The Immaculate Crows

In their latest single, For Hannah, The Immaculate Crows mourned the senseless loss of Hannah Clarke and her three children, Aaliyah, Laianah, and Trey, murdered by Hannah’s ex-partner in February 2020.

After a compassionately sombre instrumental prelude, deep in its solemnity, the lyrics are at a loss with the cruelty of trapping the family in a car and burning them to death. Passers-by who attempted to intervene were prevented from saving the family from the act of domestic violence that has scarred the history of humanity.

“If this is life, I’d rather go away to where angels call out my name” is an all too efficacious exposition of the feelings that plague the people horrified by battered children and wives and broken lives. The soulful reprise “don’t let this happen again” reminds us that we all have a role to play in society to fill perpetrators with shame.

There is plenty to separate the culture of where I am in the UK and where the Immaculate Crows are in Australia. Yet, the statistic of one in four women being victims of domestic violence remains the same. Culturally stigmatising the prevalent phenomenon, as The Immaculate Crows did so gracefully in For Hannah, may save lives as mirrors are held to the insidious reflections of monsters who parade themselves as ordinary upstanding citizens. The single is one that I won’t get over easily. So, it is safe to say that The Immaculate Crows succeeded in what they set out to achieve.

For Hannah is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast