In their latest single, For Hannah,The Immaculate Crows mourned the senseless loss of Hannah Clarke and her three children, Aaliyah, Laianah, and Trey, murdered by Hannah’s ex-partner in February 2020.
After a compassionately sombre instrumental prelude, deep in its solemnity, the lyrics are at a loss with the cruelty of trapping the family in a car and burning them to death. Passers-by who attempted to intervene were prevented from saving the family from the act of domestic violence that has scarred the history of humanity.
“If this is life, I’d rather go away to where angels call out my name” is an all too efficacious exposition of the feelings that plague the people horrified by battered children and wives and broken lives. The soulful reprise “don’t let this happen again” reminds us that we all have a role to play in society to fill perpetrators with shame.
There is plenty to separate the culture of where I am in the UK and where the Immaculate Crows are in Australia. Yet, the statistic of one in four women being victims of domestic violence remains the same. Culturally stigmatising the prevalent phenomenon, as The Immaculate Crows did so gracefully in For Hannah, may save lives as mirrors are held to the insidious reflections of monsters who parade themselves as ordinary upstanding citizens. The single is one that I won’t get over easily. So, it is safe to say that The Immaculate Crows succeeded in what they set out to achieve.
For Hannah is now available to stream and purchase via Bandcamp.
After dropping their raunchy funk-sliced prog rock debut single, Promises, the Upstate SC outfit Cash Machine subverted our expectations entirely with the sophomore follow-up, Digital Zeus.
The seamlessly progressive single starts as a smoky, lounge-y feat of late-night bluesy soul before progressing into a riff-led prog rock epic that would leave any Genesis fans kneeling at Cash Machine’s unholy alter.
The screeching guitar riffs to the almost thrashy percussion builds an immersive 70s prog-tinted crescendo before the timbre temporarily winds back down to a Jeff Buckley-style serenade. Naturally, we can’t wait to hear what follows this solid feat of ingenuity and technical ability.
Digital Zeus officially released on September 28th; check it out on all major platforms via this link.
Too Big to Kill is the latest mythologically-inspired monolithic hard rock single to be released from the progressive four-piece outfit Hunting Giants’ upcoming album, Mythos.
With vocals as gnarled as the salaciously ferocious guitar riffs, Too Big to Kill makes no apology before it ravages your attention with the lyrics relayed to instrumentals which refuse to pigeonhole themselves into just one genre. The complexity easily matches the ferocity in this melting pot of grunge, groove metal and prog rock.
Not many tracks could warrant a comparison to Static X’s no Submission, but Hunting Giants easily match the intensity and cataclysmic etherealism between the melodic Godsmack-Esque increments.
Too Big to Kill was officially released on September 9th. Check it out on Spotify, and await the arrival of Mythos, which is set to be unleashed on September 30th.
Starting with a melodic rock prelude, Mission Undertaken is a masterfully progressive exhibition of Nick Campbell’s ability to construct an immersive instrumental rock track. Mission Undertaken drives through tension-fraught build-ups and monolithic breakdowns to put you psychologically at the centre of his world-building doomy lead guitar work and the arrestive furore of his buzzsaw riffs.
Much more than just a technically talented instrumentalist, Nick Campbell is clearly also gifted when constructing an atmosphere that you will want to get lost in time and time again. Mission Undertaken is somewhat of a departure from the rest of his electronically composed works but whatever sonic tools are at hand, he’s deftly fluent in speaking to the rhythmic senses.
Mission Undertaken is available to stream on YouTube.
If the past few decades have taught us anything, its that there is no better breeding ground for hard-hitting rock than LA – case in point, the solo project of multi-instrumentalist and songwriter Ali Rizvi.
The latest single from Control Shift, Awake, exudes a Velvet Revolver & Stone Sour-Esque seductive angst while asserting its originality via its progressive nature that runs in the same energetic vein of A Perfect Circle, Tool & NIN. It isn’t every day that we find commercial potential against complete authenticity, but notably, Control Shift is unapologetically the full package.
Awake will officially release on May 20th; you can check it out by heading over to SoundCloud.
The coven, Birdeatsbaby, has reconvened to conjure the witchy alchemy found in the first single released from their occultist album, HEX. While I probably haven’t heard them all, it is still safe to say that ‘Ribbons’ is one of the most cinematic dark progressive lullabies ever scored.
By the time the outro hits, it’s hard not to feel desperation to hear what else is in store from the forthcoming LP. Whatever they’ve poured into their unique transfusions of baroque rock and metal is sure to beguile just as much as anything that In This Moment has produced. Notably, they’ve got a talent for balancing gravitas with catharsis.
Reminding us that love and understanding are actually the way forward to healing from anything which is breaking down your soul, Robbie Vonn shows us where we should be headed on the new single, ‘La La Life‘.
Robbie Vonn is a USA-based progressive rock/electro-pop/bossa nova indie music project that has loveable energy that shall set you free from any previous worries.
”Merging the purity of analog instruments with a variety of electronic sounds, Robbie Vonn’s music is an exploration of art, sound, and evocative lyricism.” ~ Robbie Vonn
Gliding fantastically with a beautiful single that shall have you sensing that life can indeed be better, Robbie Vonn brings the world a truly lovely single that is calming and natural that will bring you some much-needed comfort.
”Robbie released his well-received debut EP Hopeless Memories in October 2021, a collaborative project that brought together artists from eight countries to create an evocative and cinematic production.” ~ Robbie Vonn
‘La La Life‘ from the USA-based progressive rock/electro-pop/bossa nova music project Robbie Vonn, is a stunning song that guides us all through anything that is holding us back in our lives. Forgiveness is key to everything really, as it leads us into a happier place that isn’t loaded with bad energies that can suffocate all your good vibes that needs to be free. Soaring like a bird looking for a comfortable resting place is the key to everything that helps us be content in our souls.
Hear this new single on Spotify and see more news on the IG page.
Ahead of the release of his 2022 EP, Canadian songwriter and experimentalist, Sandro Cuzzetto, released the boundary-breaking title single, Sign of the Times. I’m rarely left stuck for words, but this consistently evolving melting pot of contrasting texture and tone that lets traditional time signatures fall by the wayside left me speechless.
With the dirty disco grooves, polyphonic scores, indie psych melodies, uplifting Enya vibes, effect-laden vocals and general obscurity, Sign of the Times walks a thin line between insanity and ingenuity but we’re here for it. This bop-worthy track succeeds where so many fail when it comes to offering inimitably vibrant soul.
Check out Sandro Cuzzetto for yourselves via SoundCloud.
With all the atmosphere of Porcupine Tree’s Fear of a Blank Planet album and the glitchy post-rock progressions, Abandon the Fall’s stormer of a single, Exhale, featuring Dayshell, is a phenomenal resurgence of the alt-rock ingenuity that faded away after the turn of the century.
The white-hot wailing guitars, emotionally-charged vocals and stormy transitions right the way through the tumultuous emo-tinged track all pull together to create a soundscape that leaves you more adrenalized with each deftly contorted evolution of sonic finesse. Exhale has become Abandon the Fall’s most popular track to date shortly after the release; the power trio will be unstoppable from here on out.
Scotland’s most melodic alt-rock outfit, Vulpine, has released their genre-spanning debut EP, Ventures, which brings a rare sense of accessibility to math rock and plenty of solemnity and poise to emo pop-rock.
The best introduction to their atmospheric, progressively gripping songwriting style is the title track, which carries the evocative weight of Frightened Rabbit combined with the instrumental furore of Mogwai.
From an ambient prelude, an intricately immense storm kicks up in the instrumentals, taking you through gripping breakdowns and even sweeter crescendos that hit the climactic spot every time. As the consistently in-flux sonic palette switches up through the progressions, vocalist, Pete Fox, demonstrates the provoking range of his vocal power.
The Ventures EP released on October 1st. It is now available to stream and purchase on all major platforms via this link.