Browsing Tag

pop punk

Pop-Punk trailblazer, Brooklyn Belton, unveiled the ultimate adversity aftercare anthem, Just Fine

Posted on 27 April 2023

Starting with an instant hook that sounds like it came straight out of the Bowling for Soup arsenal, the debut single, Just Fine, from the Ohio pop-punk trailblazer, Brooklyn Belton, effortlessly became one of our favourite alt-rock earworms of 2023 so far.

With an instrumental arrangement so tight it is practically corseted, Brooklyn Belton polished the punk rock genre with her anthemic slice of stellar songwriting, which won’t fail to leave you galvanised for the way the exhilarant guitars wrap around her lyrics that compel you to pick yourself up, dust yourself off and deal with the cards of adversity your autonomy has dealt you.

When the chorus comes around, you’ll lose yourselves in the euphoric energy while simultaneously finding yourself in the candid introspection that perceptibly oozes from the wounds of a personal battle.

Just Fine hit the airwaves on April 14. Check it out on YouTube.

Review by Amelia Vandergast

Donny Meowz concocted a cocktail of cats, pop-punk and entropy in his latest single, Kitty Crushed

Posted on 21 April 2023

After spinning a charming pop-punk tale about a cat and its psych ward-frequenting owner, Donny Meowz will be irresistible to crazy cat ladies the world over after the launch of his latest music video, Kitty Crushed. You can probably count me among those enamoured masses.

No longer is Plea from a Cat Named Virtue the best track that traverses themes of mental health and feline affection. Donny Meowz hit all the right notes with his insanity-encompassing hit that rolls with all the entropic punches. Keep your next mental break at bay with the stellar ode to 00s emo.

Check out the official video for Kitty Crushed by heading over to YouTube.

Review by Amelia Vandergast

Pharsalia defied physics in their pop-punk revamp, Gravity Killer

Posted on 26 February 2023

Here to prove that emo was anything but a phase is the Delaware-hailing pop-punk revampers, Pharsalia, with their latest physics-defying single, Gravity Killer.

The catchy heart-in-throat choruses have kept their original form, and there’s plenty of punch in the dynamically bouncy guitar riffs, which keep you palpitatingly sweet in the lead up to the euphoric chaos in the pit-worthy choruses. The 5-piece has made a name for itself in the local scene and beyond with its fan-first lyrical relatability and approachability. This track is only going to take their renown to the next level.

If any single has what it takes to tear your attention away from the new album material from Fall Out Boy it is this scintillatingly scorned anthem for the disenfranchised that is super-charged with earworm-y energy.

Gravity Killer hit the airwaves with the force of a hadron collider on January 27th. Hear it on Spotify.

Review by Amelia Vandergast

Urban Cafe Crew launched a riotous pop-rock attack on society’s most blindly entitled generation with ‘Hey There Boomer, It’s Not OK’

Posted on 19 January 2023

Australia’s wittiest pop-rock outfit Urban Cafe Crew launched a riotous attack on the generation that set every subsequent one up for failure with their latest single, Hey There Boomer, It’s Not OK.

Every millennial and Gen Z can derive vindicating catharsis from the playfully scathing track that finds an antagonistically hooky way of relaying every boomer sin that has left the earth scorched and financial security out of reach for the majority.

But hey, the boomers had it the worst, right? Their determination to make the world worse for their offspring is warranted, right? They have a right to see any signs of social progression and drag it back with their knuckles that have scarcely been lifted off the floor since 1989, right?

Hey There Boomer, It’s Not OK was officially released on January 14th; check it out on SoundCloud.

Review by Amelia Vandergast

UK Trio The Horizons Brought in a New Wave of Punk with ‘Just Friends.’

Posted on 4 January 2023

The Plymouth UK indie punk-rock trio, The Horizons, single-handedly brought in a new wave of punk with their latest hit, Just Friends. The sweeping choruses are as animating as Reel Big Fish’s cover of Take On Me, while nuances of 90s pop-punk bite away in the same vein as The Offspring’s Hit That in the backbeat. The frenzied grungy instrumentals are dusted with a sugar-coated post-punk snarl that immediately arrests you in the intro before they bring in the silky pop harmonies. Some bands need an entire LP or discography to establish their dynamism, not The Horizons.

Once the fear subsided that this wasn’t an incel-y track bemoaning the friend zone, the euphoria in the upbeat indie punk hit quickly became infectious. The hit becomes infinitely sweeter when you register the self-awareness that allows them to traverse around commitment issues while pertaining to a roguishly modern brand of romanticism.

Just Friends. was officially released on December 28th. Check it out on Spotify.

Review by Amelia Vandergast

 

Drive By Cinema wrapped their hooks around toxic party culture in the 00s pop-punk hit, Drink On

Posted on 30 December 2022

The Palmdale, CA pop-punk outfit Drive By Cinema launched a scathingly hooky attack on party culture in their latest single, Drink On, featuring the NY pop-punk band, Ronx.

In their own nihilistically hedonist words, “Drive By Cinema makes pop punk for when you want to party, but you also want to die”. On that basis alone, we adore the five-piece that is bringing back the sound of Fall Out Boy, Blink-182 and Hawthorne Heights with a modern twist.

While the lyrics cut you deep in Drink On, the choruses will wrap you up in their boisterous momentum before the verses melodically wind it back down to ensure every lyric makes maximum impact. The independent outfit might wear their heart on their sleeves but there’s plenty of room in the hit to brand their sonic signature through the contrasts in tempo, which encapsulate the rollercoaster life when you’re always chasing the highs, numbing the pain and crashing right back down with less serotonin than when you started.

Following Drink On, Drive By Cinema is priming their album release with Johnathan Mireles (audio engineer for Travis Barker & Machine Gun Kelly). Stay tuned.

Drink On will officially release just in time for New Year’s Eve revelry on December 30th. You might want to rethink your plans after hearing it. Spin it on Spotify. 

Review by Amelia Vandergast

Disco grooves through Jessup’s electronic alt-rock deadpan gem, Amusing

Posted on 25 December 2022

Alt-rock icon-in-the-making Jessup is on sardonically deadpan stellar form in his electro-rock hit, Amusing. The histrionic flair around the 90s/early 00s alt-rock energy and shimmering disco-pop grooves is an enlivening testament to his ability in orchestrating a distinctively expressive sonic score while making no bones about spilling plenty of authentic personality,

If the Offspring were a little more daring and tonally experimentalist in their heyday, the reminiscences between Amusing and Self Esteem would have been even more tangible. After an orchestral rock outro from the St. Louis, US-residing artist and producer, you can’t help delving right back into the snappy indie rock hit that absolutely sets the bar for other up-and-coming artists.

Amusing was officially released on December 16th. You can check it out for yourselves by heading over to Spotify.

Follow Jessup via Instagram.

Review by Amelia Vandergast

dogbeach stuck it to the facade-preferring masses in his progressive melting pot of genre, Fake It

Posted on 24 December 2022

Traversing people’s proclivity to convince others to plaster a fake smile over valid emotions, the solo artist dogbeach (Bob Maschio) created a sardonically protestive hit out of his latest single, Fake It.

To stick it to the façade-preferring masses who wouldn’t know what hit them if a drop of empathy crawled between their synapses, dogbeach released a sun-soaked progressive alt-rock lament to their selfish ineptitude with compassion.

Switching between post-hardcore vocals and melodic pop choruses and playing with punk and alt-90s pop tones, he efficaciously encompassed the bemused rage that comes to fruition in the face of the audacity that adds to the stigma around mental health.

It is a sure-fire hit of vindication for anyone that knows the frustration of other people’s expectations. The playful reprise of “why would I do anything for you” hits the nail on the head with satisfying precision.

Stream Fake It on Spotify now.

Review by Amelia Vandergast

Spotlight Feature: Pop-Punk’s Fiercest Lyricist, Juliette Irons, Advocated for the Heartbroken in her Latest Anthem, Skydive

Posted on 18 November 2022

After a brush with disorientating heartbreak, the Toronto-born, LA-based artist, producer, and dancer Juliette Irons picked herself up, dusted herself off and released the stormer of a pop-punk anthem, Skydive, as an act of solidarity with anyone feeling the same anxious dejection.

Skydive follows on from her evocative whirlwind, Prisoner of My Mind, which introduced the airwaves to the claustrophobia of anxiety. Still on stellar lyrical form, Skydive ensnaringly traverses the euphoric highs and dark and despondent lows of a situation-ship to prove even if you’re the one broken and bruised, you’re not the loser.

No heartbreak can survive the flood of dopamine that surges from Skydive. The rap verses are the vindicating cherry on the hook-sprinkled pop-punk cake, which tastes like 00s nostalgia, but Juliette Irons always brings her own signature emboldening flavour to the mix.

“Skydive was inspired by the confusion that comes from whirlwind heartbreak. I had just come out of a brief rollercoaster situation-ship that ended abruptly without much explanation. I felt like I had been thrown from a moving plane, woke up on the ground, and I was the only one who jumped.

I had given everything to this person, only to end up a shell of myself as I picked up the pieces during a realisation that everything was over. I hope this song can help other people going through a similar ungrounding shock to the system, and we can be empowered through it together.”

The official music video for Skydive will officially premiere on November 18th. Catch it on YouTube, and stay tuned on Facebook & Instagram, as Skydive is only the first part of the story. The concluding chapter will be told through her follow-up single, The Fear of Flying.

Review by Amelia Vandergast

The Outside Kids call for salvation in their grungy pop-punk visceral earworm, Hey God

Posted on 15 November 2022

With their Sub Pop record deal-worthy dynamic edge, The Outside Kids made us suckers for their cutting-edge nostalgic kicks through the lead single, Hey God, from their debut LP, Dirty Faces.

By implanting Green Day-style pop-punk hooks and a little RHCP melodicism in the 90s Seattle sound, the alt-rock duo found the perfect formula for earwormy infectious appeal in the contemporary rock scene. Sparked by a shared influence of Against Me! and Frank Turner, the duo’s symbiotically tight propensities entwine with their socially conscious edge to make their sound that little bit more soulfully gripping. The original icons of pop-punk got plenty right, but with evasive morality, the records will always resonate as bitterly juvenile; The Outside Kids brought the maturity the scene has always been deprived of.

The loud reprise of “can you hear me now” paired with the title of Hey God is a powerful allusion to the frustration we all feel when we forget that the world isn’t happening to us, we just happen to be here for the ride. Embrace the chaos with this perfect hit.

Hey God is now available to stream on Spotify with the rest of The Outside Kids’ album, Dirty Faces.

Review by Amelia Vandergast