Browsing Tag

pop punk

She Burns Red are set to unveil their monolithic magnum opus of a debut LP, Out of Darkness

After a wildly successful Kickstarter campaign that proved just how many rock fans were keen to see the debut LP, Out of Darkness, come to fruition following a series of performances at Call of the Wild, Winter Rocks and Love Rocks Festival, She Burns Red are almost ready to unveil their monolithic magnum opus.

If you Punk n Rolled Jimmy Eat World, threw in a few Slash-esque guitar lashings, the ferocious heart-in-throat ear candy melodicism of Foo Fighters and the grungy salacity of Deftones, you still wouldn’t come close to the superlatively amalgamated triumph that ticks all the right rock boxes while evading every rock cliché.

Pairing melodic-hooked instrumentals that are richer than Musk in their era-spanning influence with sentiments that couldn’t be closer to home, the sonics scintillate through the addition of visceral emotion that is mainlined into each of the releases.

With the sticky-sweet pseudo-emo trappings juxtaposed by the juggernautical manicured immensity, it’s no surprise that Out of Darkness has rendered even the most consummate rock journos speechless. To be fair, even the most superfluous verbiage couldn’t scratch the surface of the cavernous depth of Out of Darkness.

“There is something incredibly uplifting about truth and honesty and having the means to express that, to share it with other people. We’re all drained and drowning in our own thoughts but our songs allow us to feel liberated and free to express, hold our heads above the water for a moment and remember we’re all in this together, not divided at all. This is what we hope ‘Out Of Darkness’ will do for people. Enable them to realise… they are not alone. All of these songs come from a place of looking for hope within the darkness.” – She Burns Red

Out of Darkness will be independently released on September 15th; pre-order a vinyl or CD copy here & and grab the last remaining tickets to the launch show on September 9th via Fatsoma.

Review by Amelia Vandergast

 

Gemma Felicity ignited 00s pop nostalgia with ‘Come Back to Me’

Gemma Felicity

Gemma Felicity ignited early 00s pop nostalgia with her latest single, Come Back to Me, which is set to drop on the 4th of August.The muted and choked-up guitars at the start of the single set the tone for a hair-raising feat of pop-punk. But the London-based singer-songwriter chose to run through with a moody slice of synth-pop with reverb-heavy keys and a danceable melody beneath her viscerally soulful vocal lines that will spark an evocative fire between your synapses as you lose yourself in the adrenalizingly progressive single that will leave you simultaneously wanting to hit the dance floor and wanting to drunk text your ex.

Following a mystery illness that left her physically and mentally drained, the songwriter studied for her Masters in Music Performance in Leeds before dropping her first singles, This Place and Better Without You, in 2022. Her upcoming EP was penned to explore her unhealthy romantic relationships and her journey back to herself and self-sourced peace. Keep tuned for it.

Check out Come Back to Me on Spotify and iTunes via this link.

Review by Amelia Vandergast

Eguie5 turned up the heat in the Latin American alternative scene with his solo project debut, One Last Dance

Eguie5 became a conduit of post-rock and pop-punk alchemy in his anthemically hooked debut single, One Last Dance, which efficaciously captures the bitter-sweetness of goodbyes before bringing in the cacophonous drums that pay homage to the superlative skin-beating style of Taylor Hawkins.

After spending two decades cutting his teeth as one half of the alternative duo, TUNNL19, the Puerto Rico singer-songwriter reconnected with his artistic roots via his solo venture, which keeps expressive experimentalism at its core.

The emotively melodic structures in One Last Dance made the heart-in-throat choruses all the more riotous, in the same way Linkin Park allowed their audience to feel the sense of resonant vindication while screaming the reprise of “I’ve given up”, One Last Dance became the silver lining of heartbreak. The atmospherically intuitive hit struck all the right chords to affirm that Eguie5 is a one-man monolith of innovation.

One Last Dance hit the airwaves on June 14th; stream it on Spotify.

Review by Amelia Vandergast

Tune into Rebels in Stereo’s riotous punk rock anthem, Lace of Steel

CoVault by Rebels in Stereo

‘Lace of Steel’ is the riotously hooky seminal single from Chicago’s premier pop-punk-influenced outfit, Rebels in Stereo. Taken from their EP, CoVault, the overdriven to the nth degree hit reels you in with the edged and tight anthemics, but it is the vignette weaved through the high-octane release that keeps you immersed.

With a similar narrative to Thrash Unreal by Against Me! any female-identifying outliers that are looking for resonance will get more than they have bargained for when they delve into the punk rock anthem, which gains momentum through the modernist melodic power metal licks and the songwriting chops that are as sharp as a butcher’s cleaver.

With a new LP in the pipeline, there’s little doubt that 2023 will be the year of Rebels in Stereo. It takes far more than a powerful set of pipes to become an arresting frontwoman; thankfully, Cassidy’s vocal range is as wide-spanning as her talents in weaving soul into her superlative harmonies.

Stream and purchase Lace of Steel by heading over to Bandcamp.

Review by Amelia Vandergast

Lunacy Commission created a a riff-roaring ride of hard-hitting euphoria with their debut single, Shadow of a Doubt

With touches of Stone Sour and Foo Fighters around the razor-sharp post-hardcore/pop punk hybrid hooks, the debut single, Shadow of a Doubt, from New York’s freshest outfit, Lunacy Commission, is a riff-roaring ride of hard-hitting euphoria.

Any fans of Downstrait, Papercut Massacre, and the Veer Union won’t want to hang around before implanting Shadow of a Doubt on their playlists and saving a spot on their radar for Lunacy Commission.

Their juggernautically strong debut may have set the bar high, but we have no doubt that the best is yet to come from the instrumentally stitched tight outfit, which finished cutting their teeth while playing in the punk band The Show-Offs during middle school before remerging on the airwaves in their new outfit formed during lockdown.

Shadow of a Doubt hit the airwaves on the 2nd of June; hear it on Spotify.

Review by Amelia Vandergast

Shift your perceptions in a brighter direction with ORCHAD’s riotously synthy call to arms, DAMAGED GOODS

‘DAMAGED GOODS’ is the latest hyper-cosmic feat of synth-driven alt-rock from Montreal’s most monolithic powerhouse, ORCHAD.

With pinches of pop-punk making the hooks even sharper, this riotous call to arms to everyone who knows how it feels to disregard themselves as broken and too idiosyncratic to love is enough to shift self-perception in a far brighter direction.

The riffs that will make you reminisce about Dragonforce are just a fraction of the hard-hitting impact of DAMAGED GOODS. With an entire generation at risk of being lost to entropy and apathy, ORCHAD delivered an upbeat anthem, fierce enough in its exhilaration to affirm that it is society that is royally fucked, not the people living through the fallout.

If you could imagine what it would sound like if the Black Parade was written today, you will get an idea of the heart-in-throat resonance you will sink your teeth into when you hit play.

“The song is about the struggles and challenges of life and mental illness, including the pressure to conform and fit in with societal norms. It encourages the listener to let go of the expectations that society places on them and to accept themselves for who they are, flaws and all.

We should all focus instead on finding solace through healthy forms of self-expression. Everyone is going through their own struggles and we really are all “damaged goods.” If we focus on loving ourselves first and “dance in the rain” you might just be able to ease the pain.”

DAMAGED GOODS will hit the airwaves on June 9th. Hear it on SoundCloud.

Review by Amelia Vandergast

Get down with the cognitive sickness with Sarah Sunday’s hypersonic pop-punk hit, all the world is crazy

‘all the world is crazy’ is ironically a sentiment that no one of sane mind could disagree with. When Sarah Sunday used it as the proclamation in her latest hyper pop-punk anthem, she made it impossible for her audience not to get down with the endemic of cognitive sickness.

The future-pop elements around the pop-punk guitar-driven hooks created the EDM evolution that the genre has never known it needed but has silently been crying out for. If any track has what it takes to make the masses shake off the depressing presumption that they’re outliers for feeling suffocated by entropy, it’s the anthemically sticky-sweet triumph.

Her uplifting vocal energy augmenting the lyrics, which cut right to the core of the madness we’ve tried to put our heads in the sand and ignore, ensured all the world is crazy is one of the most seminal anthems of the summer. We utterly adore her.

all the world is crazy was officially released on the 1st of May; stream the aptly zany official music video via YouTube.

Review by Amelia Vandergast

Harri Larkin mainlined affectionate adrenaline into their pop-punk-hooked summer anthem, Dopamine

After discovering the immense talent that lingers in the larynx (it is a powerhouse in itself) of Harri Larkin through her Christmas collaboration with Sam Scherdel, we couldn’t wait to get stuck into her three-piece band’s latest single, Dopamine.

Drunk on affection-derived highs and vexed by the subsequent aftermath of anxious uncertainty, Sheffield’s hottest DIY alternative outfit pierced the funk-grooved rhythms with catchy enough to be cosmic pop-punk hooks. The summer staple that achieves elevated status through the infusion of indie guitars and demurely jazzy vocal lines that sultrily lead you into the choruses would be paralysing if they weren’t so galvanising.

After John Kennedy (Radio X) chose Harri Larkin out of 1578 other applicants to headline the BBC Introducing Library Stage at Tramlines, recording their single, Bonfire Toffee, for BBC Introducing Live in 2022 and the track was included in BBC Introducing Sheffield’s Top 50 Tracks of the Year countdown, there is no doubt in our minds that Harri Larkin will be moving on to even greater things.

Stream Dopamine, which hit the airwaves on May 26 on Spotify.

Review by Amelia Vandergast

 

Chandra’s Lighters to the Sky is a pop punk-hooked hit for the dreamers

https://soundcloud.com/listentochandra/lighters-to-the-sky/s-JjGxeKmioBv?si=ee8aab36962d40619a6fa6a62f049fe9&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Holding your lighters in the air at rock shows might be a slightly nostalgic way to signify how much a hit has touched your soul, but it’s a pretty fitting parable for the vintage rock aesthetics in Chandra’s latest single, Lighters to the Sky, which will throw you right back to the early 00s.

If you can imagine what Glen Hansard’s single, Falling Slowly, would sound like if it was boldly augmented with pop-punk hooks, you’ll get a great idea of the songwriting chops the Bristol, UK-based solo artist possesses.

Lyrically, Lighters to the Sky is an ode to the big dreamers whose visions are often met with cynicism from people with smaller ambitions. It is a stunning reminder that no one will ever be able to see the future you’re painting in your mind until you reach your respective top and exhibit it all for all to see.

Lighters to the Sky will officially release on April 28. Stream it on SoundCloud.

Review by Amelia Vandergast

Pop-Punk trailblazer, Brooklyn Belton, unveiled the ultimate adversity aftercare anthem, Just Fine

Starting with an instant hook that sounds like it came straight out of the Bowling for Soup arsenal, the debut single, Just Fine, from the Ohio pop-punk trailblazer, Brooklyn Belton, effortlessly became one of our favourite alt-rock earworms of 2023 so far.

With an instrumental arrangement so tight it is practically corseted, Brooklyn Belton polished the punk rock genre with her anthemic slice of stellar songwriting, which won’t fail to leave you galvanised for the way the exhilarant guitars wrap around her lyrics that compel you to pick yourself up, dust yourself off and deal with the cards of adversity your autonomy has dealt you.

When the chorus comes around, you’ll lose yourselves in the euphoric energy while simultaneously finding yourself in the candid introspection that perceptibly oozes from the wounds of a personal battle.

Just Fine hit the airwaves on April 14. Check it out on YouTube.

Review by Amelia Vandergast