Browsing Tag

No Wave

The Magnapinna brought in the new wave of no-wave with ‘Party Rumours’

Party Rumours by The Magnapinna

With riotous vocal reminiscence to Against Me paired with their scuzzily volatile new wave energy, The Magnapinna’s single, Party Rumours, is just a few voltages short of taking a bath with a toaster.

The Magnapinna started as an online international outfit before evolving into an Ireland-hailing collective that has garnered positive press across the board. They have been lauded by Kerrang, who rightly observed the maniacally eccentric band are like no other.

The title single from their 2022 LP has all the party rock energy of Andrew WK’s Party Hard paired with the discordant punk edge of Dead Kennedys and lofty nuances of surf punk in the gorgeously layered backing vocals. The LP itself scales the entirety of the alt-rock spectrum in absorbingly visceral fashion and lets The Magnapinna’s Mike Patton influence shine through.

Party Rumours is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Peach Giraffe has released the angst-rife industrial earworm of the year with ‘NUMB!’

NUMB! is the latest scuzzy industrial pop track from the caustically indulgent alternative artist, Peach Giraffe; it is a no-wave league ahead of the current garage punk trend and easily one of the most authentic alt-rock hits to have hit the airwaves so far in 2022

If any track has what it takes to unite fans of Fidlar, $uicideboy$, and Skinny Puppy, it is the angst-rife earworm, NUMB! The tumultuous triumph of a single succeeds in lyrically and sonically depicting the frenetic and fraught emotions that broil to the surface when a relationship delipidates. The clever touches to the production and the vocal FX stand as a testament to Peach Giraffe’s ingenuity. They have exactly what it takes to go viral. Watch this space.

NUMB! is now available to stream via Spotify

Review by Amelia Vandergast

djamesk13 has released his sludgy stargazing alt-indie hit, Then We See Our Stars

Then We See Our Stars is the latest lo-fi feat of alt-indie from the London-based experimentalist, djamesk13, which will instantly instil alt-90s nostalgia in any self-respecting no-wave fan.

The hooky grungy track may be too harsh and discordant to be everyone’s cup of tea, but for anyone who wants to revel in cathartic sludge fed through plenty of wobbly and echoey tape delay; Then We See Our Stars will hit the sludgy spot. Its Half-Man Half-Biscuit meets Pavement meets Swans. What more could you possibly ask for?

Then We See Our Stars is now available to stream via SoundCloud.

Review by Amelia Vandergast

The Elegant Chasers went off-kilter with the grungy panache in their sophomore single, Sunshine Mourning.

The Elegant Chasers

The Elegant Chasers brought their grungy panache back to the airwaves with the release of their sophomore single, Sunshine Mourning. We’d scarcely lost the earworm that was implanted through their debut single, Lets Ride, but we found ourselves gripped by Sunshine Mourning in a completely different capacity.

This time, the post-punk tinged track is as caustic as one of Sonic Youth’s most discordant releases in the verses and hooky enough in the choruses to give that stadium-filling effect that resonates as volatile gravitas once you get caught up within it.

The one-man powerhouse is taking full advantage of his independent artist freedom. Instead of attempting to appease moguls by pandering to the mediocrity in their tastes, he opted for an off-kilter track that splices together Nirvana-reminiscent drums, cleverly distorted vocals (we are talking Mike Patton level clever here) and guitars that are pliant enough to make your head spin. It is the epitome of an alt 90s aural riot. We can’t wait to hear what follows in his debut album.

Sunshine Mourning will officially release on February 11th. You can check it out for yourselves via SoundCloud and Bandcamp.

Review by Amelia Vandergast

 

Shoegaze thrashes against No-Wave in Mild Horses’ standout single Failing Upwards.

Ignorance To Enlightenment And Back Again by Mild Horses

If your 90s Shoegaze records aren’t quite hitting the same these days, introduce yourselves to Slowdive’s noisier cousin, the London-based solo artist, Mild Horses.

The standout single, Failing Upwards, from their debut album, Ignorance to Enlightenment and Back Again, is comparable to a cocktail of the most indulgent elements of the Pixies, My Bloody Valentine and Interpol.

Listen intently, and you will get to keep hold of the sway-worthy bitter-sweet melodies that resound around the harsher no-wave elements that adrenalize the mix without ever chipping away at the ethereal soul of the release. Towards the outro, Mild Horses builds a wall of noise in his own psychedelically sonic style, making Failing Upwards all but impossible to forget.

Failing Upwards is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

The Narcissists have made their psychedelically jarring post-punk debut with their EP, Conflict.

The Narcissists claim to be the best thing to have come out of Australia’s Capital City’; based on their debut EP, Conflict, it is safe to say that many noise-rock fans would be inclined to agree.

The lead single, Alcohol, creates a jarring introduction to The Narcissists’ sound that is just as nefarious as their moniker. The extended prelude finds itself on the darker and dingier side of no-wave as the 3-piece weaves in elements of post-punk and psych-rock. While the remaining duration of the 7-minute single toys with your rhythmic pulses as you’re shunted through unpredictable progressions and left at the mercy of The Narcissists tumultuous furore.

Their debut EP was released on September 10th; you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Rouse the Boroughs have released their blissfully provocative no-wave single, Tighter is the Rope

Cosmic Creatures - Part 2 by Rouse the Boroughs

With their melodic themes that vary from no-wave to folk, Rouse the Boroughs is an exceptionally rare kind of outfit that can parallel the evocative output from nostalgia-inducing artists such as Mazzy Star, Elliott Smith and Neutral Milk Hotel. Those aren’t comparisons that I make lightly. The lead single, Tighter is the Rope, from their latest release, Cosmic Creatures – Part 2, is the perfect introduction to the Montreal-based art and music cooperative.

Instead of the cleverness of the soundscape capturing you through its vibrant dreamy -sporadically over-driven and sludgy, tones – it’s the emotion that the cooperative can express with their sound that leaves you affably hooked.  The vocals allow you to imagine what Sonic Youth would have sounded like if Thurston Moore was as vocally sweet as Matthew Caws. You’d be seriously hard-pressed to find a more blissfully provocative single released in 2021.

Check out Tighter is the Rope on Bandcamp.

Review by Amelia Vandergast

Chicken Man and the Bad Eggs attack the gentrified in their scuzzy new wave punk hit, Indian Pale Fale.

Merseyside’s new wave punk outfit Chicken Man and the Bad Eggs is set to release their most frenetic single to date, Indian Pale Fale, which delivers a ferocious attack on gentrification and the gentrified.

With the same high-octane sonic force as Oh Sees and Cabbage, serious virtuosic stripes in the scuzzy over-driven guitars, and the infectiously antagonistic vocals, the 5-piece powerhouse’s signature sound pierces through the drudgery on the airwaves. They’ve already been accoladed by Huw Stephens, Dave Monks and John Kennedy from the BBC and ripped up plenty of stages in the Northwest with their blistering hot sound. Something tells us the accolades won’t stop there; they are the ultimate aural force to be reckoned with.

Their playful approach to lyricism is exactly what the music scene needs. It is beyond refreshing to hear a band giving punk fans the escapism they turn to music for.

Indian Pale Fale is due for release on August 13th; pre-save the single on Spotify.

Check out the band on Facebook and Instagram.

Review by Amelia Vandergast

 

Fauxchisels do HG Wells proud with their 2021 noise rock album, ‘Education or Catastrophe’

Education or Catastrophe by Fauxchisels

In 1921, HG Wells observed that “human history becomes more and more a race between education and catastrophe”. In 2021, Birmingham-based noise-rock artist Fauxchisels brought forth their artfully caustic album, Education or Catastrophe, demonstrating that little has changed in the presiding century aside from the widening of inequity.

Education or Catastrophe kicks off with the Fugazi-Esque fervent single, Get Over Yrself, before the despondent Northern roots start to really pull through in Badges and Ideals instrumentally and lyrically through lines such as “You bring the Daily Mail, I’ll bring the matches”; proving that Fauxchisels are just as adept at witty protestive soundbites as any of the contemporary punk-chart toppers.

Track five, Family Friendly, is a meditatively harrowing single that will feel familiar to any fans of Arab Strap as the imploring sermonic vocals act as a candid invitation into the dourness of the thankless domesticity we’ve all wrestled with during lockown.

Constant Ghost is one of those engorging aural oddities that reels you in hook, bassline and sinker, the tumultuous chaos of the breakdowns against the steady canter of the poetic lyrics is art-punk at its finest.

The album is far cheaper and probably far more effective in giving you a cathartic outlet for your rage than therapy. Fauxchisels went above the usual austere indignance in the 12-track release that never gives you the chance to feel comfortable or complacent with the versatility in styling, emotion and volatility.

Head over to Bandcamp to hear the album yourselves or purchase in physical format. Check out Fauxchisels’ on Facebook.

Review by Amelia Vandergast

Nightbird Casino has released their hotly-anticipated sweetly psychotropic earworm, ‘The Town’.

If you’ve found yourself wondering if you will ever hear an alternative track that holds any authenticity ever again, find yourselves pleasantly surprised with the sweetly psychotropic earworm, ‘The Town’, by art-rock Oakland-residing duo, Nightbird Casino.

With elements of artfully composed jazz, grunge, space rock, psych-pop and classical all melting in the alchemically intoxicating pot, you will practically feel the rabbit hole opening beneath you as you listen to the descending cadence of the jazzy improv instrumentals.

The existentialist air to The Town paired with the playfully avant-garde approach to production allows the track to become the ‘everything is burning down around me, and I’m totally fine’ meme, personified. And something tells me that if Bukowski was still around, he would have Nightbird Casino on his playlists; they share the same downtrodden but subversively charismatic appeal.

On this track, you’ll hear dual harmonic vocals from the founding members, James Moore and Don Shepherd. Instrumentally, you’ll hear session musician Nicolas Ocampo (clarinets, flute, saxophone, oboe, bassoon), James on bass and ondes martenot and Don on guitars, piano, organ, and drums.

With their sophomore album, ‘Rusian Carpet‘, due for release this summer, any fans of Radiohead, Sonic Youth or Mr Bungle will want Nightbird Casino on their radar.

The Town officially released on April 23rd; you can check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast