Browsing Tag

neo-soul

Not the “Last Time” I’ll Listen to this Song

Sandra-Mae Lux’s latest single “The Last Time” is a stunning display of her immense talent as a neo-soul singer and songwriter. The song is a beautifully crafted ballad that combines emotive lyrics with a richly textured and groovy melody to create a powerful and soulful experience for the listener.

Lux’s voice is simply mesmerizing, with a depth and warmth that captures the heart and soul of the listener. Her vocal performance on “The Last Time” is filled with raw emotion and nuance, perfectly conveying the song’s themes of love and loss. The instrumentation is equally impressive, with a fusion of neo-soul, R&B, and jazz elements that create a unique and captivating sound.

The song’s lyrics are heartfelt and poignant, exploring the complexities of a failed relationship. Lux’s ability to convey such deep emotions with honesty and vulnerability is a testament to her talent as a neo-soul songwriter.

Overall, “The Last Time” is a remarkable achievement and a testament to Sandra-Mae Lux’s incredible musical talent as a neo-soul artist. This single is sure to resonate with fans of the genre who appreciate the blend of soulful vocals, groovy rhythms, and emotionally resonant lyrics. If you’re looking for a soulful ballad that speaks to the heart, then be sure to check out Sandra-Mae Lux’s “The Last Time.”

Stole My Heart: Glancy Kelly senses this special moment will change everything on Take Me Away

Feeling like he is on a whole new planet as the love is so surreal, Glancy Kelly is treasuring each moment with a supreme beauty who has a vibe and aura like no other on Take Me Away.

Glancy Kelly is a Texas, USA-based indie RnB/neo-soul singer-songwriter who is best known for his outstanding vocals and bravery to mix other genres into his sound.

He has a unique way of expressing his views and emotions through the eloquent storytelling of his music.” ~ Glancy Kelly

Recalling that incredible kiss and yearning for two hearts to combine as one forever, Glancy Kelly is in a whole new world of desire and shall sway our souls into a slow dance for the ages.

Take Me Away from Texas, USA-based indie RnB/neo-soul artist Glancy Kelly is one of the more strikingly enticing singles likely for release in 2023. There is a ravenous appetite on offer which might get chefs knocking on the door, on this rather magnificent soundtrack made for all the lovers in the world.

When you know you want to be with, the world seems like a better place.

Hear more on Spotify.

Reviewed by Llewelyn Screen

Anesia Renee is riding on an opulent high in her debut RnB single, New Money

African American RnB singer-songwriter, Anesia Renee, is fresh from the release of her debut single, New Money. The rich in neo-soul glamour single exhibits evocatively jazzy melodies, sharp beats, and a vocal timbre powerful enough to heal hearts torn asunder.

The elevated sophistication, the humble confidence in her presence and the tranquillity spilling from the mellow accordance orchestrate a sublime listening experience that will leave you feeling on an equally as opulent high.

Since entering the music industry, Anesia Renee has opened for the RnB icon Avant, provided backing vocals for many major artists, including Tye Tribbett and DeWayne Woods, featured in Voyage Dallas Magazine and keeps her gig diary constantly booked. After the launch of her debut single, Anesia Renee is preparing her debut album, which promises more euphonious soulful vibes.

Delve into New Money on YouTube.

Follow Anesia Renee on Instagram, Facebook, and Twitter.

Review by Amelia Vandergast

 

Ride the new wave of UK RnB with L’Rockett’s ‘Ain’t My Love Story

Cambridge, UK-hailing singer-songwriter and producer L’Rockett has pushed the envelope of RnB by writing his antithesis of a love letter, Ain’t My Love Story.

Fully owning up to the recklessly dumb assumptions that spring to mind every time someone causes our hearts to skip a beat, the RnB pioneer ripped up all of the fantastical tropes and refused to sell even more unrealistic romantic expectations to his listeners. In his track which melds elements of synth wave, alt-pop and neo-soul into the instrumentals that cradle his vulnerably inviting vocals, L’Rockett stands by his word of taking you to places you’ve never been before.

After making his debut, the exceptionally promising artist has been on heavy rotation on BBC Introducing, with his music being selected for ‘Track of the Day’. Perceptibly, the best is yet to come for the up-and-coming artist as he continues to say the unspoken and breaks boundaries with his sultry electro-pop RnB flavour.

Ain’t My Love Story is now available to stream on Spotify.

Review by Amelia Vandergast

Uriel J. Winfree III brought in the future of RnB with the cinematically sensuous ‘Stranger of Mine’

Uriel J. Winfree III’s latest genre-fluid single, Stranger of Mine, will school you in sensuality. The Brooklyn-based artist takes influence from Chino (Deftones), Black Dante, Sam Cook and Hendrix for his hypnotically seductive amalgams of R&B, Indie, Rap, Hip Hop and Soul.

Stranger of Mine starts with a futuristic hyper-pop prelude before the smooth demure energy starts to flood the intricately layered electronica instrumentals, which push RnB beyond the contemporary curve. He single-handedly created a new trajectory in the evolution of the genre while keeping the impassioned soul and romanticism that the genre’s roots will always be implanted.

The tattooist, actor, filmmaker, singer-songwriter and performer seems to have cinematic multi-faceted talent from every pore. The best part? None of his elevated and artful creations feels too stylised to resonate as inaccessible.

Stranger of Mine is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Gothenburg singer-songwriter The Moniker painted a future we all want to embrace in his celestially soulful single, Someday

https://soundcloud.com/the-moniker/someday/s-ZRC2WdxLgEa?si=6ec15790cef14465bc77dab09efd5b97&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Gothenburg, Sweden singer-songwriter, The Moniker, used his optimism to look to a brighter future, where pure souls such as the one pertaining to his single, Someday, can experience more than just ephemeral bliss from fleeting connections.

He’s been elevating the Scandinavian music scene for the past decade since the launch of his debut album, Oh My God! It is more than about time that he started illuminating the airwaves in the UK with his secular gospel soundscapes and vocal range that rings with celestial beguile. If Purple Rain by Prince has the capacity to drive you to the brink of tears, Someday, with its resonant longing for meaning, will tip you right over the emotional brink.

The reverb-swathed production oozes class as it sweeps through the cinematic crescendos, leaving you more immersed in the shimmering orchestration with every progression.

Someday will officially release on December 2nd. You can hear it on SoundCloud.

Review by Amelia Vandergast

It’s all in the soul of Laura Vida’s timeless seminal single, Thank You for Sayin’ Goodbye

In anticipation of her in-production upcoming music, we delved into the redemption-soaked RnB album, Healin’ Love, from the Southern California-born singer-songwriter Laura Vida, who has spent the past thirty years working with some of Nashville’s finest.

After recording with Giant Records and being produced by James Stroud, Laura Vida turned her talents away from country to RnB to give us one of the most impassioned RnB records of the last few decades.

The standout single, Thank You for Sayin’ Goodbye, is definitive proof that even on the darkest days, there’s always a silver lining – if you are prepared to look for it. The smooth rhythm and blues release soulfully testifies to the strength that can be found in the wake of the most bitter goodbyes which follow infidelity. It’s a timelessly powerful playlist staple for everyone who wants the reminder that with enough faith, in anything, you can always brighten the next corner you turn. We can’t wait to hear what follows.

Stream Thank You for Sayin’ Goodbye on Apple Music and YouTube.

Review by Amelia Vandergast

Lia J sips bitter memories in her ground-breaking indie-RnB-pop single, Chardonnay

Indie RnB pop sensation, Lia J, oozed sophistication in the jazz-tinged melodies of her latest single, Chardonnay, which melancholically reflects on how a shift in dynamic can sour the sweetest of memories.

The soft bluesy instrumental layers cushion the blow of the bruisingly honest accounts of her new-found loneliness in the wake of heartbreak. We’ve all been there, bravely attempting to figure out how to find new meaning in our surrounds when all we can feel is the ghost of our former selves.

There’s a beautiful idea that we don’t really miss people; we miss the person we were with that person. Chardonnay reflects that sentiment with overwhelming soul. But even if Lia J was singing her shopping list, the effortless class in her semi-vibrato vocals would awaken your senses with the invigorating stir of her vocal timbre.

Chardonnay is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Alejandra sells sonic sanctuary in her ethereal RnB house single, the people look like flowers (at last)

Inspired by identity issues imposed by her Mexican-American heritage, the Atlanta, Georgia-blossoming artist, Alejandra is here to affirm that identity is a construct and prove the collective power in raising our individual vibrations.

Her third single, the people look like flowers (at last), dropped on November 11th to create a safe and sensuous space for her listeners to explore their identities while basking in the soul that radiates from the feat of ethereal house. After an almost ambient Avant-Garde intro, the lush layers kick into downbeat house grooves while Alejandra lays her arrestingly dreamy vocal lines over the mellifluous melodies that effortlessly transplant you into a more peaceful state of mind.

“This is the latest instalment in my genre-bending discography, which aims to bridge communities together through the perspectives of a bicultural lens. The song is a lush, ethereal house track that explores the interconnectedness of this world and the power that can be harnessed through raising individual vibration.

The song uplifts the listener in love and freedom by curating a dream world for people to experience the sensations of the divine forces circulating through their physical environments. The track infuses disco, soul house, chillwave, hip hop and RnB to deliver a meditative blend that invites the listener to dance, play, and breathe deeply.”

Her commitment to reversing polarity while exploring the complexities of identity with her already awe-inspiring body of work is a sure sign of even greater things to come from the socially aware icon in the making.

Listen to the people look like flowers (at last) on Spotify.

Follow Alejandra to stay up to date with her latest releases via Facebook and Instagram.

Review by Amelia Vandergast

Alicia Michilli revived the soul of Detroit Motown in her latest single, Full Moon

With a voice that saw her go far on America’s Got Talent, a timeless lyrical style, and a compelling spin on soul, America should be upholding the Detroit-based Alicia Michilli as a national treasure.

Her latest single, Full Moon, eases you into the smooth, smoky late-night atmosphere where perpetual love lights up the twilight. Her influence of Detroit Motown sounds is easily legible in the consoling timbre of the release that serenades you from the first vocal note. For non-believers in true love, you only need to tap into the demure soul of this caressively sincere release, which celebrates the unconditional love we all yearn for.

So far in her career, Alicia Michilli has opened for Andra Day, Nelly and her long-time hero, Keb’ Mo’, and provided background vocals for Taj Mahal and Keb’ Mo’ during their TaiMo tour. Although, based on Full Moon, she always deserves to be on front and centre stage.

Full Moon is now available to stream on Spotify.

Review by Amelia Vandergast