Browsing Tag

Mike Patton

The Elegant Chasers explored the trappings and torment of addiction with their maniacal alt-rock hit, The Hungry Ghost

The Elegant Chasers

You’d be forgiven for thinking that Mike Patton had formed a new side project after being exposed to the vocal dynamism and tightly controlled instrumental chaos in the latest single, The Hungry Ghost, from the London-based alt-rock originators, The Elegant Chasers.

The franticly alchemic production which echoes 90s Britpop and grunge entices you in through the urgency as the James Dean Bradfield-esque guitars shimmer and act as an anchor in the tumultuous storm brewed by the rhythm section. The lack of restraint is a conceptual sonic visualisation of the nefariousness of addiction, which the volatile lyrics explore influenced by the work of Gabor Mate.

There was no forgetting The Elegant Chasers after getting acquainted through their previous release, Running Around the Sun, but The Hungry Ghost is a million maniacal miles away from the mash-up of indie, Britpop and Psych Rock. It’s safe to say The Elegant Chasers can stop running because they’ve arrived at exactly where they need to be with The Hungry Ghost.

The Hungry Ghost will be officially released on March 15; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast

Play That Funk Metal Music and Hit Play on Master Splinter’s Latest Installation of Clamorous Rancour, Wednesday Night

For their latest release, Wednesday Night, the trailblazing outfit, Master Splinter, which is hell-bent on being the breakthrough outfit out of the year funked up a sludgy and clamorous alt-rock aesthetic reminiscent of Mudhoney, Melvins and Soundgarden while proving once again that Mike Patton isn’t the only one capable of delivering the Mr Bungle effect.

If you’ve ever wondered what it would sound like if a 70s funk rock ensemble had a violent acid trip with instruments in hand while being caught in the throes of lust, indulge in the Portland, Oregon-hailing troubadours of rhythmically tight, face-melting aggression’s latest offering, which punches through hip-hop-inspired drums and uses the devil may ensnare vocal lines to rile up the energy from the searing hot guitars and prowling basslines.

The 2023 Remaster of Wednesday Night hit the airwaves on October 26; stream it on Spotify.

Review by Amelia Vandergast

Joshua. orchestrated the ultimate Lynchian love song with ‘WALK BY LOVE’

https://www.youtube.com/watch?v=A-CwO_7iXLo

Mike Patton walked so the ethereally scintillating alt-folk artist Joshua. could ‘WALK BY LOVE’ in his latest music video.

Only an artist as iconic as he could get away with a mononym *and* allowing haunting tones to creep out of a ukulele in the production that wouldn’t be out of place in the Eraserhead soundtrack. He could never be accused of writing ‘just another love song’.

The disconcertingly cinematic single allows his sonically ephemeral vocals to drift atop the minimalist instrumentals that envelop you in their wistfully nostalgic sepia tones. In the space of just two minutes, the originator made an ever-lasting impression that definitively proves everyone’s interpretation of love is as individualistic as they are.

The official music video for WALK BY LOVE is now available to stream on YouTube.

Review by Amelia Vandergast

The Elegant Chasers went off-kilter with the grungy panache in their sophomore single, Sunshine Mourning.

The Elegant Chasers

The Elegant Chasers brought their grungy panache back to the airwaves with the release of their sophomore single, Sunshine Mourning. We’d scarcely lost the earworm that was implanted through their debut single, Lets Ride, but we found ourselves gripped by Sunshine Mourning in a completely different capacity.

This time, the post-punk tinged track is as caustic as one of Sonic Youth’s most discordant releases in the verses and hooky enough in the choruses to give that stadium-filling effect that resonates as volatile gravitas once you get caught up within it.

The one-man powerhouse is taking full advantage of his independent artist freedom. Instead of attempting to appease moguls by pandering to the mediocrity in their tastes, he opted for an off-kilter track that splices together Nirvana-reminiscent drums, cleverly distorted vocals (we are talking Mike Patton level clever here) and guitars that are pliant enough to make your head spin. It is the epitome of an alt 90s aural riot. We can’t wait to hear what follows in his debut album.

Sunshine Mourning will officially release on February 11th. You can check it out for yourselves via SoundCloud and Bandcamp.

Review by Amelia Vandergast

 

Francis Botcherby brought the Seattle sound to morally bankrupt British shores with ‘Parliament of Wolves’

Francis Botcherby

Cambridge, UK-based alt solo artist, Francis Botcherby, has been honing in on his sound for over a decade; his music has featured on BBC Cambridgeshire amongst many stations. His most popular music video to date has racked up over 100,000 streams, and he has counted plenty of other successes in between.

His latest single, Parliament of Wolves, carries the same protestive lyrical edge as Billy Bragg, but stylistically, Botcherby brought the sound of Seattle to UK shores. With bassline growls that will evoke nostalgia for Soundgarden’s grungy licks and enigmatic vocals that carry a touch of the Mike Patton magic, there’s a fair amount of nostalgia but there is something incredibly refreshing about his shimmering guitars and grooving rhythms that throw further back to the days when Hendrix reigned supreme.

Francis Botcherby’s single Parliament of Wolves was officially released on December 3rd. You can check it out for yourselves via SoundCloud.

Review by Amelia Vandergast

Julian Fulco Perron lays the sludgy despondent psychedelia on thick with “Swamp Stomp”

If your playlists are lacking in swampy bluesy despondent psychedelia, and let’s face it, they probably are, hit play on the gorgeously sludgy latest single Swamp Stomp by Julian Fulco Perron.

There’s a Mike Patton-level of experimentalism on offer, and Julian Fulco Perron’s vocals may just be as versatile. From sinister snarls which could rival Marilyn Manson’s to endearing playfulness which gives the track a Frank Zappa feel, it’s all on offer. Even more impressively, Julian Fulco Perron was boundless with their creativity and eccentricity and still orchestrated a stylistic feat of Alt-Rock that even the snobbiest of musos couldn’t turn their noses up at.

It’s practically a polyphonic wet dream mid-way through as the eccentric synth lines ensure that Swamp Stomp is a track you’ll never forget.

You can check out the official video to Swamp Stomp by heading over to YouTube.

Review by Amelia Vandergast

Shifting Jack – Exit: Progressively Cinematic, Ominously Arrestive Alt Rock

https://open.spotify.com/track/0YjIr7Aa9rAEgbo1aDRZM9

Shifting Jack have recently dropped their darkly progressive 2020 album “Valentine”. Anyone with a penchant for artists who audibly push against every genre boundary and constraint to serve you pure unbridled ingenuity will definitely want to indulge.

Each of the nine tracks stand a testament to Shifting Jack’s deft skills when it comes to creating cinematically ominous music. Yet, the perfect introduction to their sound is the epic 7-minute feat of intricate aural disconcertment “Exit”.

With a prelude which shares reminiscences with Faith No More’s “Motherfucker” followed by a seamless progression into a soundscape which is sure to win over fans of Nine Inch Nails, Exit is the Alternative Progressive track we never knew that we needed. At that point, you’re not even close to knowing just how much Exit has to offer. There’s a myriad of stylistic turns to encounter in Exit. Expect blistering crescendos, iron-wrought tension, and an unparalleled dosing of emotional magnetism.

If you could imagine a melange of all the Alt Rock tracks which appeared on the Saw 3 soundtrack, you’ll be left with an idea of what to expect from the Norwegian studio artist.

You can check out Exit along with the rest of Shifting Jack’s album via Spotify.

Keep up to date with their latest releases via Facebook.

Review by Amelia Vandergast