Browsing Tag

Metal

Ramener exhibited the agony of empathy in their debut music video for their seminal single, In Her Hands

Posted on 18 January 2024
https://www.youtube.com/watch?v=C6EbjJ0eEyw

With the unveiling of Ramener’s debut album drawing closer, the grungy alt-rock evocators unleashed their first music video to complement their ensnaring lead single, In Her Hands, and draw fans a little closer into their tumultuously provocative world, which is redefining the contemporary nu-metal arena.

With a similar atmosphere and aesthetic to Nirvana’s iconic Smells Like Teen Spirit music video, Ramener succeeded in amplifying the visceralism within their seminal single. The rhythmics of the track mimic a fraught with anxious torment heartbeat in the intro until the single breaks into its first cascade of instrumental candour to complement the complete rejection of inhibition from the vocals, which harmonically tease you into the cacophonous outpour.

If you are yet to see Ramener live, the music video will give you an accurate view of what you can expect from the instrumentally tight outfit which becomes the sum of all parts when they’re using their agony, volition and razor-sharp songwriting chops to seduce you into soundscapes which transcend sound to become immersive expositions into the dark side of empathy. Keep Ramener on your radar. What follows will undoubtedly be just as groundbreaking.

Stream the debut music video from Ramener for their In Her Hands hit single via YouTube.

Review by Amelia Vandergast

Porter – Behind the Banlieu: A Disparaging Sign of Our Digital Disconnected Epoch

Posted on 16 January 2024

Germany’s most tuned-into-the-harrow-of-our-digitised-material-reality progressive alt-rock outfit, Porter, leaned into the disconnect and isolation our instant connectivity has brought us in their aptly dark single, Behind the Banlieu. While no one is living under the illusion that we’re living in the healthiest epoch, Porter’s single is efficacious in its attestation to the damage that is being inflicted on us with each passing day.

This track is a testament to Porter’s ability to fuse various musical influences, from the raw energy of metal and punk to the nuanced storytelling of indie and singer-songwriter styles. The result is a sound that’s uniquely theirs, mature yet vibrant, complex yet accessible.

Raimund, the band’s new frontman, brings an electrifying presence to the track. His vocals resonate, echoing the power of the pounding drums and the deep growls of the basslines. This combination creates a sound that’s as dark as it is energising, a perfect canvas for the song’s powerful message.

With raw rock riffs which tear through the alchemised atmosphere, there’s plenty of room for contemplation, when you’re not locked into the tumultuous volition of the single that carries all of the elements of an electrifying rock anthem. Consider the single as the first stone cast in a sonic revolution and a fierce declaration from a band that knows its power.

In a world where oppressive ideas are gaining ground, Porter uses their music as a tool for resistance and inspiration. The chorus is not just memorable; it’s a call to arms for those who crave a shift towards democracy and freedom.

Behind the Banlieu is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Denacus delivered a trap metal manifesto of mental disquietness with ‘Dark Days’

Posted on 3 January 2024

‘Dark Days’ is the latest nefariously infectious trap metal track from the up-and-coming artist and enigma Denacus, who is set to snarl his way up from the underground with his darkly domineering edge. With a sound as scintillating as Wage War and $uicideboy$, Denacus emerges as a pioneer in the burgeoning trap metal genre, one capable of crafting a visceral, haunting experience that encapsulates the essence of raw emotional turmoil.

The artist, hailing from a humble farm near Moree, NSW, Australia, brings a unique blend of Ragecore and Horrorcore to the table, elevating the track beyond mere musical expression.

What sets Dark Days apart is its ability to resonate deeply with listeners who have experienced the suffocating grip of mental anguish. Denacus delves into the depths of his troubled past, marked by depression, bullying, and recurrent admissions to psychiatric wards. His journey from a struggling teenager to an experimental recording artist is palpable in every beat and lyric of the song.

The track is a short but intense journey through the darkest corridors of the human mind. It’s a macabre piece that clings to your consciousness long after the last note fades. The lyrics, focusing on themes like nihilism, vengeance, and existential dread, are not just words but a window into the artist’s soul.

Dark Days will be available to stream from January 3rd; stream it on SoundCloud.

Review by Amelia Vandergast

Master Splinter took their stoner rock sound into an arcane new realm in ‘Dragon’s Blood’

Posted on 30 December 2023

Master Splinter, the Portland-based hard rock powerhouse, has unleashed a storming renegade of a track with Dragon’s Blood, which opens the gateway into the realms of arcane fantasy and fiction, a territory where bands like Gwar and Nekrogoblikon have previously ventured, but Master Splinter carves out their own unique path with an anthem of escapism and empowerment.

The powerful and melodic vocals tie the whole ensemble together, creating a sound that is both classic and refreshingly innovative. Songwriters, Mick Arrell and Jason Schauer, have a knack for weaving epic stories, using metaphorical characters and scenarios to express complex emotions and experiences in a way that is both clever and subtle – perfectly exemplified in Dragon’s Blood.

The track itself is a journey through a fantastical landscape, where the tales of prevailing against adversity are enough to psyche up any listener to smite their challenges. It is stoner rock perfection from a band that continues to adorn our radar with riff-charged insanity, and we eagerly anticipate what they will conjure up next.

Dragon’s Blood dripped onto the airwaves on December 15; stream it on Spotify.

Review by Amelia Vandergast

Sunset Cobra replenished their venom for their latest feat of hard rock nihilism, I Remain

Posted on 26 December 2023

Sunset Cobra is back with even more hard rock venom than before with their latest single, I Remain. By contorting genres and influences into a ferociously unique high-octane ride through the landscape of rock and metal, the monolith easily sets itself apart in the contemporary music scene.

From the opening notes, I Remain grabs the listener with a relentless intensity. The band channels the spirit of Velvet Revolver, updating it with a serpentine electro-rock edge. The influence of Drowning Pool is evident in the rancorous energy that permeates the track, while the breakdowns echo the tightly controlled chaos reminiscent of Mushroomhead. Yet, amidst this sonic maelstrom, Sunset Cobra finds room for technical, frenetic riffs and fragments of sunset sleaze.

The dynamism is not just in its instrumentation but also in its lyrical depth. The song delves into the darker aspects of the human condition with nihilistic poetry that is as compelling as it is confronting. The lyrics hold no prisoners, expressing contempt with a rawness that is both brutal and beautifully articulated.

As listeners eagerly anticipate what Sunset Cobra will unleash next, I Remain is a testament to their potential. It’s a song that will not only resonate with fans of rock and metal but with anyone who appreciates music that pushes boundaries and defies expectations.

I Remain was released via Reclusive Audio Ltd on December 1st; stream the single on Spotify.

Review by Amelia Vandergast

Post-Hardcore goes Pop (Punk) in Secular Era & Drexl Bowie’s single, Master Morality

Posted on 8 December 2023

Two juggnautical entities in their own sonic right, Secular Era and Drexl Bowie, converged to show mere mortals what ‘Master Morality’ sounds like with their latest release. With guitars augmented in the same vein as the hooks in MCR’s I’m Not Okay fused with Slipknot-esque nu-metal percussive proclivities and synthy melodies to keep the down and gutturally dirty track upbeat, Master Morality is an adrenalizing slice of ingenuity that will swallow you whole and spit you out drenched in rancorous euphoria.

While many heavier outfits turn their nose up at the tones of pop-punk, Secular Era & Drexl Bowie saw the potential within it. By using the stickiest and sweetest elements and infusing them into a tumultuously electrifying sequence, they made it impossible to find a track that hits harder while simultaneously keeping their finger on the guilty pleasure pulse. Putting Master Morality into words is no easy feat, but if you can imagine Nena’s 99 Red Balloons fused with Sugar We’re Goin Down and tasked Static X to pay ode to the cross-genre synthesis, you’d get an idea of the engrossing, ingenious, uninhibited insanity delivered via Master Morality.

Master Morality was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Shrapnel unleashed the meta(l)morphosis of the year with their latest single, In Gravity ft Scott Kennedy

Posted on 8 December 2023

In collaboration with Scott Kennedy (Bleed from Within), the eclectically inspired metal monoliths Shrapnel unleashed the meta(l)morphosis of the year with their latest single, In Gravity.

All the precision, power and prowess that catapulted Shrapnel to acclaim is ensnaringly evident in the fervently cathartic juggernaut, which sonically and thematically moved with the times to acknowledge the pain, tragedy, and isolation collectively endured in recent years and to place the powerhouse at the pinnacle of modern metal.

After breaking through the chains of expectation and obligation to confine themselves to assimilating thrash antiquities, In Gravity is an adrenalized statement of intent. There’s no understating the riled euphoric energy which insurgently courses through the veins of the anthem for optimism where demons are exercised, and the past is forsaken for the present.

Between the exhilarating earworm propensities in the melodically cataclysmic choruses, the brutality of the breakdowns, the relentless dynamism of the guitars, and the flawless production by Jens Bogren (Sepultura, Kreator, Devin Townsend), the new maturity of Shrapnel is priming them to become the orchestrators of the album of the year in 2024.

In Gravity was released on December 7. Add it to your metal playlists on Spotify or stream the official music video on YouTube.

Follow Shrapnel on Facebook and Instagram.

Review by Amelia Vandergast

Play That Funk Metal Music and Hit Play on Master Splinter’s Latest Installation of Clamorous Rancour, Wednesday Night

Posted on 28 November 2023

For their latest release, Wednesday Night, the trailblazing outfit, Master Splinter, which is hell-bent on being the breakthrough outfit out of the year funked up a sludgy and clamorous alt-rock aesthetic reminiscent of Mudhoney, Melvins and Soundgarden while proving once again that Mike Patton isn’t the only one capable of delivering the Mr Bungle effect.

If you’ve ever wondered what it would sound like if a 70s funk rock ensemble had a violent acid trip with instruments in hand while being caught in the throes of lust, indulge in the Portland, Oregon-hailing troubadours of rhythmically tight, face-melting aggression’s latest offering, which punches through hip-hop-inspired drums and uses the devil may ensnare vocal lines to rile up the energy from the searing hot guitars and prowling basslines.

The 2023 Remaster of Wednesday Night hit the airwaves on October 26; stream it on Spotify.

Review by Amelia Vandergast

heaven // alone seared their striking alt-metal aesthetic into the airwaves with their sophomore release, cognitive decline

Posted on 14 November 2023

With melodic grooves as rhythmically seductive as the White Pony LP fused with an early 00s metal aesthetic in the same vein as Mudvayne, complete with white-hot searing riffs and cataclysmically all-consuming breakdowns, heaven // alone asserted themselves as one to watch via the unveiling of their sophomore single, cognitive decline.

The vocals effortlessly keep pace with the seamless sonic transgressions as they veer from atmospheric harmonies that draw you into the ennui to guttural cries that will throw you right back to when Mushroomhead held dominion over the alternative scene.

The Perth-hailing five-piece may be fresh from their debut, but through their stylistic authenticity, alchemic song crafting and polished production, you can consider them a triple threat as you lose yourself in their evocatively compelling ingenuity.

cognitive decline was officially released on November 3rd; stream it on YouTube.

Review by Amelia Vandergast

Nu World Order exposed the secrets of ‘Area 51’ in the surrealism of their Alt-Metal debut

Posted on 13 November 2023

Who ordered an installation of thrash metal insanity? One has just arrived in the form of the debut single, Area 51, from the Brighton-based prodigal sons, Nu World Order, which forged in response to the surrealism of the modern age, where extra-terrestrial signs of life are in essence the new Schrodinger’s cat. Are they real or fake? We won’t know until we look inside Area 51, but it seems Nu World Order has the inside scoop.

With groove metal breakdowns following insurgencies of thrash and heavy metal in the progressive track, which also exhibits the dynamism in the vocals as they switch from soaring hair metal high notes to guttural laments, Nu World Order knew just how to keep listeners hooked into their orchestration of rhythmically tight subversion.

If riffs got bands to the top of the charts, Nu World Order would be overlooking everyone from a seat of supremacy; the outfit isn’t lacking in the lyrical ingenuity department either. We can’t wait to hear what is lingering in the pipeline.

Area 51 was released on November 3rd; stream it on Spotify or purchase the track by heading over to iTunes.

Review by Amelia Vandergast