Browsing Tag

Metal

Get ready to rock (opera) with the standout single from Solemn Pledge’s latest concept EP, Hollywood Dreams

A starlet sleeps in ‘Hollywood Dreams’ in the standout rock opera number from Solemn Pledge’s latest concept EP, Anna May Wong: A Screen Icon Story.

There are few things as visceral as the passion that drives us to reach the heights we are born to ascend to; the anthemic orchestration which emanates determination by the cinematic smorgasbord is one of the few exceptions as the NY outfit pays a fittingly strident ode to Hollywood’s first Chinese-American star.

Right from the opening instrumental sequence, you will be catapulted in the captivating hit which puts the guitars in overdrive to give them a fighting chance to dominate the soundscape with Maria Genevieve Elia’s commanding vocal lines which will blindside you with their three-and-a-half octave range.

After the previous EP, which touched on the history of Joan of Arc, we can’t wait to hear the ground Solemn Pledge choose to storm across with their next.

Stream Hollywood Dreams with the rest of the concept EP which dropped on October 20 by heading to Spotify.

Review by Amelia Vandergast

Nullor has arrived with his compelling prog rock Tour De Force,  Here

The Fort Worth, Texas-hailing solo artist, Dan Crawford, operating under the moniker Nullor has made his long-awaited debut; it came in the form of his dynamic LP, Finalform. The dusky, doomy and artfully captivating lead single, Here, envelops you in an atmosphere you will never want to come up for air from.

The progressive 6-minute Tour De Force won’t fail to evoke contemplation; the grungy vocal lines which run in the veins of Alice in Chains allow the melodic ambience in the orchestrally cut instrumental arrangement to resonate as a sonically sweet sedative before the monolithic build and burst into intricately electric groove metal.

In the following single, Overdrive, Nullor gives you a taste of classic thrash metal, proving that there are few alternative genres outside of his repertoire. Rather than being a jack of all genres, the versatility of his talent is just as impressive as the degree of it.

Here was officially released with the Finalform LP on September 29; stream it on Spotify and follow the artist on Facebook.

Review by Amelia Vandergast

Abyssal Voyage – Step: Nu-Metal As You’ve Never Known It Before

After swinging onto the airwaves with their debut single, Time, in June the Floridian five-piece, Abyssal Voyage, has amplified their eclecticism by unveiling their multifaceted beast of a sophomore rock-metal mash-up, Step.

With angularly cold lead guitars that throw you all the way back to when Korn held dominion over the alternative scene around the Pantera reminiscent aggression in the verses, the choruses were the perfect opportunity to impale the track with razor-sharp hooks that give the track infinite earworm appeal. In the same way Grohl can orchestrate melodic vocal hooks that will stick to your synapses like superglue, Abyssal Voyage know just how to infuse addictive fixtures to their furore-driven sound.

The resurgence of nu-metal is becoming increasingly impossible to ignore; if any powerhouse has what it takes to turn the new generation of metal fans onto it, it is Abyssal Voyage with their unique take on nu-metal motifs.

Step was officially released on September 16; stream it on Spotify.

Review by Amelia Vandergast

Ramener took over the NY metal scene with their explosively experimental single, In Her Hand

The melodic metal monoliths, Ramener, started to take the NY Metal scene by the force of their heavy riffs and thrashing solos with the release of their debut single Dogs, in 2022. In 2023, they’re reigning rancorously supreme, especially after the release of their seminal single, In Her Hand.

With the melodic lines which bear reminiscences to Brian Molko’s twisting into classic metal volition on a whim and the instrumentals which veer from melodic hooks to thunderous power metal breakdowns sharing the same explosive propensities, In Her Hand is a lesson in high-octane authentic experimentalism.

Any fans of the 00s metal sound will want to kneel at the altar of this adrenalized masterpiece, which encompasses the visceral agony of empathy when it comes to the inner turmoil of the person whose soul most feels at home, regardless of how their afflictions afflict us.

In Her Hand was officially released on September 8th; stream it on Spotify.

Review by Amelia Vandergast

Norway’s most experimental post-hardcore outfit, trueandtrue, is viciously rapturous in  ‘This is the Last Time’

To orchestrate their latest installation of intellectually crafted post-hardcore visceralism, the Norway-residing four-piece, trueandtrue, enlisted vocalist Tobias Osland (HAMMOK / SLØTFACE) to drive up the decibels in their heaviest single to date.

After a rancorous prelude that delivers all the frenetic chaos you would expect from any self-respecting post-hardcore release, This is the Last Time utilises stripped-back melodic increments with spoken with vindicating words verses to make the cataclysmic crescendos all the more viciously rapturous.

By finding the perfect balance between evocative lyrical triggers and experimental explorations that stamp down their ensnaring sonic signature that has more teeth than a whale shark, trueandtrue stayed true to the form of their moniker in their third release. We can’t wait to hear what follows.

This is the Last Time hit the airwaves on August 18th; stream it on Spotify.

Review by Amelia Vandergast

From Vinyl Dreams to Metal Realities: A Conversation with IMMORTALIZER, the Master of One-Man Heavy Metal

Today, we have the privilege of sitting down with the musical powerhouse behind IMMORTALIZER, a one-man heavy metal force that has been turning heads with his classic heavy metal sound and relentless dedication. From early vinyl inspirations to a DIY recording journey, IMMORTALIZER’s story is one of passion, perseverance, and a steadfast commitment to the art of music, lets dive in!

You credit your father’s Rock & Metal vinyl collection as a catalyst for your musical journey. Could you share a few of those iconic artists that left a lasting impression on you as a musician?

When I heard Black Sabbath’s Paranoid for the first time at 7 years old it truly changed my life. I was immediately drawn in and learned a great deal from Black Sabbath records. Alice Cooper was another artist that greatly influenced me. Same with Van Halen. I was mesmerized by Eddie Van Halen’s guitar playing in particular. Some of the others early on were Deep Purple, Nazareth, Pink Floyd and Led Zeppelin. I spent countless hours playing those records over and over. I knew without a doubt that music was going to be my path in life.

Your journey began with a modest drum kit, and now you handle guitar, bass, drums, keyboards, and vocals. How did you master these diverse instruments, and what drove you to become a one-person powerhouse?

Immortalizer | I was very driven as a young kid and I wanted more than anything to become a professional musician and tour the world. I was determined to make it happen. I got my first drum kit for my 9th birthday and played that thing into the ground. I would play until my hands blistered and bled. I’d stop to bandage my hands up and then I’d continue playing haha. I just couldn’t get enough. I was so obsessed with music that I wanted to learn other instruments as well, so I started learning guitar on my father’s old acoustic guitar. My parents had an upright piano downstairs, so I would mess around on that as well. I learned to play everything by ear. I played along to my favourite records and started writing my own songs. Over the course of 28 years I slowly developed each instrument by practicing all of them as much as I could. I never took music lessons but I learned lots of tips and tricks from family and friends. A big shift was my journey into recording. Home recording started being more affordable when I was a teenager, so multi-track recording was a total game changer for me.

My solo career was a bit unexpected. My best friend Jay and I started our first band when I was 9 and we went on to form 13 bands together. We both loved music and practiced in his parents basement every single day after school and even more on weekends. They were so nice to let us jam full volume during our formative years. It was considerably raw at first and always very loud. A few years later we started performing all over our home city and outside it as well. It’s not an easy business however, and after years of effort Jay decided to return to school. I couldn’t picture myself doing anything other than music however, so I decided to continue solo. I had already begun recording full demos at that point, so I just dedicated all my time and energy to my new project Immortalizer. 

Creating a DIY recording setup in your basement is a testament to your determination. Could you elaborate on the challenges and rewards of producing your music independently?

 I have improvised quite a bit in my home studio. For example, my vocal booth is made of a foam mattress wrapped in moving blankets and propped up with fence posts. It doesn’t get much more DIY than that haha. Though funny enough it does work quite well. I couldn’t properly record acoustic drums with the gear and space I had, so I decided to go with electric drums instead. I’ve spent the last 28 years slowly beefing up my studio and equipment, trying to get a decent set up for each instrument.

I think the main advantage is creative control over my work. I can create exactly what I hear in my mind and what I envision for the song. I also feel you can’t rush creativity, so I enjoy being able to decide when an album or song is ready. However doing everything myself means a lot more pressure and a lot more time. The biggest disadvantage of all is not being able to perform, tour and write with other musicians. That’s why I’m planning to find full time band members to be able to bring Immortalizer to the stage and tour around the world.   

How did you develop your signature sound, and what were some of the influences that guided you?

When I started Immortalizer I envisioned fusing classic style Heavy Metal with contemporary Metal. I thought it would be fun to create something a little different. I only realized after my first tracks that I had pulled from other sources as well like Thrash, Prog Metal, Heavy Rock etc. I also realized that I wouldn’t really fit into any one category which complicated things a bit, but my focus has always been to just make the best music I can.

I’ve been greatly influenced by those first bands like Black Sabbath and Alice Cooper and many others along the way. Ozzy’s solo records were incredibly impactful on me since childhood. Another life altering band for me was Megadeth. I found out about them when I was about 12. I bought Countdown To Extinction and it completely blew my mind. Metallica, Pantera, Kiss, Symphony X and Black Label Society were all big influences as well. A year or so later I learned of bands from the New Wave Of British Heavy Metal like Motörhead, Judas Priest, Saxon and Iron Maiden and once again my life was forever changed! German Metal was an equally impactful influence on my evolution as an artist. Specifically Primal Fear and Helloween. I was blown away by their talent, powerful melodies, incredible performances and production quality. I began digging into more German and European Metal bands and found so many new favourites like Yngwie Malmsteen, Accept and Michael Schenker.     

Collaborating with Ralf Scheepers of Primal Fear sounds like a dream come true. Could you share how this partnership came about and what it meant to have his involvement?

Absolutely! I’ve been a huge fan of Ralf’s and Primal Fear since I was a teenager. I consider Ralf to be one of the greatest Metal vocalists out there. I first reached out to him for help to further develop my vocal abilities and recording knowledge. I’d been singing for over 20 years but had no formal training of any kind. I felt I had hit a wall and wanted to expand my vocal range and learn from someone I greatly admire. We both live for music and got along really well, so we started becoming friends. Ralf has been very supportive and helped me in so many ways. He graciously created my new vocal sound, helped me with gear and shared all kinds of info and advice. Ralf kindly offered to mix and master one of my first singles (I’m Gone) and afterwards we began working on the entire album together. When I showed him We Were Born For Metal he really liked the song and volunteered to do some guest vocals on it. I was beyond thrilled! He did such an incredible job on the single and the album production. It’s especially impressive when you consider that he was working from home recordings. It’s been such an honour to become friends and work directly with one of my heroes. I’ll forever be grateful to him.

As an indie artist, gaining recognition and building a fan base can be a challenge. How has the response been to your music, and how do you feel about the support you’ve received from your fans?

The response from critics and fans so far has been incredibly positive! It’s been very encouraging and humbling to see so many people enjoying my music. I’ve received a lot of kind messages from fans. Their support has been really great as well, people from all over the world have reached out for CD’s, vinyls and merchandise. Digital downloads and streams being the most significant. I’m extremely grateful to all Immortalizer fans for their support! It’s definitely a challenge for indie artists though. I’ve tried to keep costs as low as possible for fans but the manufacturing and shipping costs have gotten so high that it’s hard to get albums pressed and released independently. 

Finally, your dedication to music for nearly three decades is truly remarkable. If you could send a message to your younger self, just starting out on this journey, what advice would you give based on your experiences?

That’s a very good question. I think I’d say: never give up on yourself or your dream. Incredible things can happen when you work hard and stay true to yourself. Don’t let other people’s negativity discourage you and never stop reaching beyond your grasp.

Check out this fine new single on YouTube.

See more of this journey on IG.

Interviewed by Stefan Toren

Falling Below tore through the façade of fallacy-weavers in their alt-metal debut, Liar

Falling Below

The Nottingham alt-metal emissaries in the freshly constructed powerhouse Falling Below are set to storm the local scene and beyond with their ground-breaking debut single, Liar.

Following a dissonant prelude, the tight and technical instrumentals start to breed an electrifying disquiet atmosphere for the evocative alt-metal vocal lines to charge into. Building on the iconic 00s metal sound, the amalgam of melodicism and furore that lies within Liar will leave you eating out of the palm of the five-piece’s hand.

There hasn’t been this much contempt thrown at living and breathing fallacies since Godsmack tore them to shreds with their single, I Fucking Hate You. With the guitars sharing as much vitriol as the lyrics and the sweet release of catharsis in the anthemic chorus, Liar is one of the strongest (in every conceivable way) debuts we’ve heard this year.

We can’t wait for the forthcoming eponymous debut EP, which promises to indomitably find the perfect balance between despair and hope to provide a soundtrack of resilience.

The debut single will be available to stream everywhere from August 18th; check out Falling Below on their website, Facebook, and Instagram.

Review by Amelia Vandergast

IMMORTALIZER unified a legion of metal fans with ‘We Were Born for Metal’, featuring Ralf Scheepers

The one-man metal powerhouse Dave D.R. has been storming through the Ontario rock and metal scene with his project, IMMORTALIZER, especially after the release of his debut LP, Born for Metal, produced by none other than Ralf Scheepers of Primal Fear fame.

The standout single, We Were Born for Metal, sees IMMORTALIZER wear their influences on their sleeve, but there was plenty of room for the originality engineered by their determination to bring something new to the metal genre. Giving Black Sabbath and Metallica fans a reason to turn away from their favourite records is no easy feat. By breeding something devilishly distinctive in the atmosphere of his seminal single, attention was soon piqued by the tune of fresh blood entering the territory.

The phenomenon that We Were Born for Metal became after its debut earlier this year goes to show how intrinsically linked identity and music are. Scenes are more than tribes; they’re lifeblood, and if anyone can mainline metal into your veins, it is IMMORTALIZER with their classic metal riffs and vocals that galvanise as they unify and defy expectation.

The official music video has garnered over 321k streams. Indulge in the furore by heading to YouTube.

Review by Amelia Vandergast

She Burns Red are set to unveil their monolithic magnum opus of a debut LP, Out of Darkness

After a wildly successful Kickstarter campaign that proved just how many rock fans were keen to see the debut LP, Out of Darkness, come to fruition following a series of performances at Call of the Wild, Winter Rocks and Love Rocks Festival, She Burns Red are almost ready to unveil their monolithic magnum opus.

If you Punk n Rolled Jimmy Eat World, threw in a few Slash-esque guitar lashings, the ferocious heart-in-throat ear candy melodicism of Foo Fighters and the grungy salacity of Deftones, you still wouldn’t come close to the superlatively amalgamated triumph that ticks all the right rock boxes while evading every rock cliché.

Pairing melodic-hooked instrumentals that are richer than Musk in their era-spanning influence with sentiments that couldn’t be closer to home, the sonics scintillate through the addition of visceral emotion that is mainlined into each of the releases.

With the sticky-sweet pseudo-emo trappings juxtaposed by the juggernautical manicured immensity, it’s no surprise that Out of Darkness has rendered even the most consummate rock journos speechless. To be fair, even the most superfluous verbiage couldn’t scratch the surface of the cavernous depth of Out of Darkness.

“There is something incredibly uplifting about truth and honesty and having the means to express that, to share it with other people. We’re all drained and drowning in our own thoughts but our songs allow us to feel liberated and free to express, hold our heads above the water for a moment and remember we’re all in this together, not divided at all. This is what we hope ‘Out Of Darkness’ will do for people. Enable them to realise… they are not alone. All of these songs come from a place of looking for hope within the darkness.” – She Burns Red

Out of Darkness will be independently released on September 15th; pre-order a vinyl or CD copy here & and grab the last remaining tickets to the launch show on September 9th via Fatsoma.

Review by Amelia Vandergast

 

The maters of monolithic metal, Bridging Oceans, are back with vengeance in their sophomore single

After the success of their debut single, Not Lost, the up-and-coming monoliths of the metal scene, Bridging Oceans, unleashed their rancorously rabid eponymous sophomore single.

After the intro threw us right back to when Job for a Cowboy dominated the death metal scene in the early 00s, a more melodic side to the international outfit started to break through the blast beats and technically frenetic grooves laid down by the crunchily distorted guitars.

For the same reasons I can’t help but return to acts such as SCUMFUCK for the highest-possible-octane catharsis, I’ll want to sink my teeth into the blisteringly hot ingenuity in this release, which promises even greater things in the international pipeline.

With the drummer and lyricist, Stuart, hailing from Brisbane and the vocalist and guitarist, Stanis, residing in Kyiv, Ukraine, Bridging Oceans stay true to their moniker by being the first-ever Ukrainian and Australian metal band. When the war is over, Bridging Oceans will be prepared to celebrate.

Stream Bridging Oceans’ latest single on Spotify.

Review by Amelia Vandergast