Browsing Tag

Jazz Pop

World music goes pop in Paul Melia’s explosively artful single, Doctor in the Sky

Posted on 16 September 2022

Taken from the sophomore album, Moons Over Mountains, by the experimental artist Paul Melia, the standout single, Doctor in the Sky, is a fiery explosion of Avant Garde pop that breaks the monocultural mould with the exotic rhythms and jazz-derived world music synthetics.

Despite being in a strident league of his own, Paul Melia created the most visceral earworm of the year, complete with the capacity to allow you to transcend the drudgery of modernity. As for the music video, short of dropping acid, there is no better means of escapism as you explore a psychedelic world, complete with appearances from internet-famous cats riffing on keyboards and guitars and cringey moments from political pop culture. It is like the condensed version of Adam Curtis’ Hypernormalisation, with a soundscape that keeps on giving with every repeat hit.

The official music video for Doctor in the Sky will premiere on September 16th. Check it out on YouTube.

Review by Amelia Vandergast

Maysun reveals the dark side of the ‘Friends with Benefits’ arrangement in her latest jazz-pop serenade.

Posted on 16 August 2022

With a single as heart-wrenchingly stunning as Winehouse’s You Know I’m No Good, the LA sultry songstress, Maysun, has left us floored with her latest single, Friends with Benefits.

‘Who cares the least is the winner’ is straight-up lyrical gold; it carries as much wordsmith wit as it does harrowingly candid introspection. The friends with benefits arrangements are often synonymous with ‘fun’, but Maysun exposes the very real dark side with this jazzy pop jam.

Countering the sombre concept is the sweeter than honey instrumental arrangement, which gently sends soul carousing through this unforgettable triumph; produced by Arthur Pingrey.

Friends with Benefits will officially release on August 12th. Check it out for yourselves via SoundCloud.

Review by Amelia Vandergast

Ozzie Aguilera is fresh from his seductively unapologetic Latin Jazz-Pop single, Nasty Boy

Posted on 15 August 2022

Here to prove there is little more awe-inspiring than someone completely embracing their autonomy is the Mexican American singer-songwriter, MUA and entrepreneur Ozzie Aguilera and his latest Latin Jazz-Pop single, Nasty Boy.

The soulfully unapologetic single delivers the eloquent reminder that everyone you meet will have their own narrative of you, but yours is the only one that is true and that carries any weight. The light year colour-seeped melodies give Nasty Boy an almost dream-like feel, while Ozzie Aguilera wraps his sultry vocal dynamism around the well-metered swoon-some canter of the lyrics.

Nasty Boy was officially released on August 12th. Check it out on Spotify.

Review by Amelia Vandergast

The Violet Nines brought the heat in their fiery soul-pop jam, Dancing with Fire

Posted on 12 August 2022

Seemingly, no genre was off-limits in The Violet Nines’ latest single, Dancing with Fire, which melds angular indie guitars with fiery soul-pop vocals, disco grooves, jazzy sax stabs and funk-to-the-core basslines.

It is rare to find an outfit that oozes talent and euphoria in equal measure; the rhythm-led Minneapolis-hailing ensemble is a dynamic exception to that rule. The record is rampant with that irreplicable live music feel; we can only imagine the energy when they are bringing their collaborative alchemy to life. It feels purely accidental that their sonic signature is so commercial, but that strips none of the gloss from their enlivening distinction.

The official video for Dancing with Fire will premiere on August 12th. Sample the funk for yourselves by heading over to YouTube.

Review by Amelia Vandergast

Spotlight Feature: rise and shine with the soul in Laraland’s latest single, In the Morning

Posted on 20 June 2022
Laraland

Ahead of the release of her third LP, the Melbourne-based singer-songwriter, multi-instrumentalist and producer, Laraland has unveiled the soul in her latest seductive jazz-pop serenade, In the Morning, featuring bassist Nama.

They say a picture is worth a thousand words. ‘They’ have never succumbed to the succinctly revelatory lyrical style of Laraland. “In the morning you won’t know my name but I’m the same” perfectly encapsulates the hangover from the cocktail of alcohol, fleeting affection and amicable rejection. At least the love affair with this loungey jazz revival is built to stand the test of time.

With all the timeless class of Ella Fitzgerald nestled up against the modernist resonance in the groove-deep production, easy listening just became infinitely more arrestive. Voices like this don’t emerge every day; Laraland is notably a golden souled diamond in the superficial rough. Get her on your radar.

In her own words, here is what Laraland had to say about her latest single,

“In the Morning was written during another long lockdown in Melbourne in late 2021. It reminisces on the idea of being able to go out and meet new people at a bar, club or anywhere the night takes you. I am drawing on the idea that sometimes you form a connection with a stranger in a bar and want it to last longer than its bitter-sweet one-night expiry.”

In the Morning will officially release on June 20th. You can hear it for yourselves via Spotify.

Follow Laraland on Facebook and Instagram.

Review by Amelia Vandergast

Basia Bartz has released her feverishly pure piano-pop score, All Your Pages (Read Like Mine)

Posted on 6 June 2022
Basia Bartz

After an outtake-y intro which strips any air of pretension from the soundscape from the outset, the Poland-born and raised, London-residing singer-songwriter Basia Bartz careers into a smooth experimental jazz-pop ensemble with her latest single, All Your Pages (Read Like Mine).

Even though it’s scarcely imaginable that a contemporary artist can conjure as much soulfully demure alchemy as Peggy Lee did with Fever, that is exactly what Basia Bartz beguiles with.

Her name as a solo artist may be relatively unheard. As a violinist, she’s worked alongside Boxer Rebellion, Maisha, Ben Walker and Josienne Clarke, Dan Raza, The Penny Black Remedy, Cherise Adams-Burnett, Tankus The Henge, Trent Miller, Ian Prowse, Tom McRae, Jamie Lenman, Ferries & Sylvester, Catherine Rudie and the Kisses, Jason McNiff, The Clientele, ESE & The Vooduu People, Gabriel Moreno, Adam Beattie and many more.

Inspired by those very same artists, she started training as a vocalist and composer before releasing her debut single, A Girl at Dusk, in 2022. Her third single, All Your Pages, is her soulful take on a groove-led feat of piano pop which unravels as an honest expression of female sensuality. God knows we needed someone to put the innocence back into affection after Nikki Minaj defiled all that was sacred about those moments that are just as tenderly captivating as the swinging piano riffs in All Your Pages.

All Your Pages will launch on Bandcamp on June 3rd before releasing across all other platforms on June 21st.

Review by Amelia Vandergast

Gemma Danielle is the Chanteuse of 2022 in Her Latest Cinematic Jazz Pop Single, End Game

Posted on 6 March 2022

With all the class and gravitas of a 1920s Chanteuse, the Nottingham-based singer-songwriter Gemma Danielle filled her latest single, End Game, with a wicked sense of soul. The stormily cinematic single starts as a sultry ballad; it’s the aural equivalent of doe eyes, but as it progresses, Gemma Danielle delivers the parting shot in a relationship that has reached the death roll stage of dissatisfaction and despair.

To parallel her timeless style, Gemma Danielle brought a potent serving of lyrical vindication to the table in the track that hits its sonic sweet spot in the ingeniously jazzy pop-soul-rock interlude, which allows the single to groove to an unforgettable close. If any pop artist deserves to climb the charts in 2022, it is the best chanteuse we could have possibly asked for.

End Game is now available via Spotify.

Review by Amelia Vandergast

Tel Aviv’s latest luminary, ViRa has released her jazzy soul-pop debut EP, Non-Fiction.

Posted on 31 January 2022

The Tel Aviv-based singer-songwriter ViRa has released her highly anticipated debut EP, Non-Fiction; a collection of songs composed to become unmistakably yours. The jazzy nuances in the soulful pop textures retain their elegance right the way through her raw soundscapes, especially in the standout single, Traveling Face, which she uses to confess that home is not a place to her. The sonic signature in Traveling Face almost finds the middle ground between Phoebe Bridgers, Amy Winehouse, Nora Jones and Adele but all reminiscences are extremely fleeting in the presence of the artist’s distinction.

The singer-songwriter has been writing songs since the age of 8, along with the influence of her musical parents; she also took influence from the likes of King Crimson (that would explain the artfully entrancing elements) and Coldplay for her authentically ambitious sound.

Traveling Face is now available to stream on Spotify along with ViRa’s debut EP.

Review by Amelia Vandergast
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Scott Cook – No Bones: Heart-warmingly morose jazzy-indie-pop

Posted on 2 November 2021

Montreal-based guitarist and songwriter Scott Cook launched his jazzy, spacey debut EP, Topics, on October 22nd. Beyond the perceptible Bowie reminiscences, the flair in the guitar flourishes and the panoramic orchestration of the heart-warmingly morose singles bring Scott Cook into a league of his own.

In the standout single, No Bones, the magnetically deadpan vocals that will be a hit with fans of Pavement refuse to leave you anything but endeared by the delivery of the elegantly poetic lyrics. I think I officially fell in love at the line “There’s no bones in here, “I’m just a sad sack of skin”.

Scott Cook’s PhD in classical music theory and time spent performing in jazz and rock ensembles discernibly paid off when writing, performing, recording and producing his debut EP. We can’t wait to hear what comes next.

No Bones is available to stream on Spotify.

Review by Amelia Vandergast

Cooper Walker gives us a 60s soul ‘Fix’ in his standout release.

Posted on 19 October 2021

Pop, jazz and blues entwine in the debut album from LA singer-songwriter and multi-instrumental artist Cooper Walker. His intoxicating mash of vintage guitars,  crooned vocals and uplifting piano chords will send you right back to the 60s while providing the ultimate proof that music contemporary music *can* hold a candle to music from iconic eras.

His modernist spin on sounds of the 60s is best enjoyed in the standout single, Fix, which is just as instantly cathartic as The Zombies, as sultry as John Mayall, and carries the sonic power of the Rolling Stones.

Walker’s infallible talent is one thing, the soul that is spilt in his debut album is quite another. You couldn’t ask for a better playlist staple in these dystopic times.

Fix, along with his debut 15-track album, is now available to stream on Spotify.

Review by Amelia Vandergast