Browsing Tag

Jazz Pop

Spotlight Feature: ‘Find Out’ and Fall in Love with Dilly Dally Alley’s Indietronic Jazz Infused Earworm

As lightness meets lyrical depth, Dilly Dally Alley’s latest feel-good earworm, Find Out, opens a doorway to rhapsodic bliss with a juxtaposing key of edgy off-beat style and an all-consuming sense of jazz-collective-next-door soul.

Straight out of Minneapolis, the ensemble, led by Sophia Spiegel, spun every-day awkward moments into sonic sugar for the soul; the single pulsates at the crossroads of indie-pop and jazz-inflected alchemy and unravels as the ultimate affirmation that you’ll always be free to shed your inhibitions and embrace your idiosyncrasies in front of the people who matter.

If there was any definitive formula for indietronica pop perfection, Dilly Dally Alley found it with Find Out; the kinetically weightless rhythms pull together to form a dance-worthy anthem that is equally as liberating for the mind and soul.

With Find Out, Dilly Dally Alley doesn’t just step into the limelight—they grab it, twist it, and weave it into a tapestry of infectious grooves and raw, emotive energy. The track is a testament to their journey from late-night jam sessions to becoming the heartbeat of Minneapolis’ vibrant music scene.

Dilly Dally Alley Said:

“Find Out is about the silly, clumsy moments in a relationship that grow to be the very reasons why you fall in love. It’s a song about running into your crush when you’re too drunk at a bar, or the grocery store without your makeup on or being completely tongue-tied trying to ask them out.

It’s about the love that nevertheless persists between two people because it’s meant to work out. This tune is to dance to – maybe a bit clumsily – so long as you’re doing it with someone you’re crushing on.”

Find Out will be available to stream on all major platforms, including Spotify, from July 19; shortly followed by the next single in Dilly Dally Alley’s line of sonic succession, This Just In, on August 23.

Review by Amelia Vandergast

Kelsey Blackstone is a stylistically expansive sensation in her latest single, Willow

Kelsey Blackstone’s latest stylistically expansive single, Willow, proves there is no definitive sound of the summer. Away from the plastic pop fray, Blackstone submerged the sonic palette of this imagination-sparking release into the ephemeral bliss of the sun-soaked season which quickly passes, long before the memories we cling to, and keep ourselves warm with in the colder months

With a jazzy pop chorus, filled with smooth horn stabs and mellifluous grooves, and an electro-folk middle eight nestled into the synthesis of pop, rock, soul, and award-winning songwriting that puts Kelsey Blackstone up there with the greats, Willow brims with incomparable quintessence.

It’s impossible not to get swept up in the dreamy reverie of her transcendent vocal lines as they bring swathes of colour and soul to the lyrics which yearn for consistency in an ever-changing world and nestle into the single that delivers a quintessentially old-school live sound.

Whenever you feel the need to touch grass, tune into this single instead; your connection to nature will be far greater. Better yet, never miss a chance to witness the Boston-born artist’s live performances; whether she’s playing solo or with her six-piece band, she’s renowned for raising the roof and allowing her audience to taste tonal utopia.

Willow was officially released on June 14; stream the single on Spotify now.

Review by Amelia Vandergast

Michel Héroux Orchestrated Synesthetic Euphoria in the Serenity of His Jazz Fusion Installation, Folk Song

Michel Heroux

Montreal-based guitarist, composer, arranger, and educator, Michel Héroux allowed his latest instrumental piece, Folk Song, to become a paragon of his fusionist prestige. His ability to translate technical skill, while balancing jazz, blues, rock, pop, rock, classical and experimental elements, into profoundly evocative sensory experiences which transcend auditory bliss is superlative – to say the least.

With each progression an explosion of vibrant, almost tropical, soul, you can’t help but be enveloped by the synesthesia-bestowed hues which blossom around the complex layers of the creatively uninhibited melodies which serenade you away from the mundanity of material reality and implant you in a sonic scene of utopia. If you need to be reminded of the capacity for fret-carved beauty, hit play.

Folk Song will be available to stream on all major platforms from May 24th. Discover Michel Héroux via his official website and Facebook.

Review by Amelia Vandergast

Harmony Serenaded Hope in Camille Rose’s Jazz Pop Installation of Optimism, Be Alright

Camille Rose’s recently released EP, Be Alright, is a sojourn of warmth in the murky waters of early adult life. The title track encapsulates a journey of inner reflection, set against a backdrop of jazz-pop reverence. As Rose navigates through themes of self-development, her soulful voice serves as a comforting guide through the turbulent tides of coming to age in an imperfect world.

Released on the 18th of April 2024, the three-track EP is a blend of introspective lyricism and lush musical arrangements, kicking off with the title single which sees the sax elevating the listening experience with its vibrant and cinematic presence that pierces the soul with serotonin and pull listeners into the very core of the music’s optimistic spirit.

The title single weaves together the complexities of life’s challenges with a narrative that reassures us, in Rose’s tender timbre, that everything will “be alright”, which becomes a soulful reprise throughout the release, which follows the high bars set by previous releases which showcase Rose’s growth as an artist who not only understands her musical roots but also knows how to enthral her audience. Her ability to blend jazz, soul, and R&B into a sonic experience that resonates with authenticity and emotional depth is a testament to her evolving, and increasingly honed artistry.

In essence, Be Alright is a therapy session wrapped in melody and harmony, promising solace and a sunny-side-up disposition for anyone needing a moment of musical catharsis.

Be Alright is now available to stream on Spotify.

Review by Amelia Vandergast

Move Over Amanda Palmer, Naomi Castellano is the New Girl Anachronism in Her Debut, Hide and Seek

Naomi Castellano’s debut single ‘Hide and Seek‘ reveals an artist who has been seemingly playing hide and seek with her own vast talents. Her debut resonates with the essence of Tom Waits, Stevie Nicks, Kate Bush, The Last Dinner Party, and Mitski, showcasing a high-fidelity cultivation of these influences that will leave listeners in awe. Castellano’s music, entrenched in a genre-fluid nostalgic reverence, promises to captivate this generation’s penchant for artful expressionism.

Her quirky anachronistic tendencies lend ‘Hide and Seek’ a timeless depth, where nothing feels antiquated—from the smoky jazz grooves that billow between the robust pillars of chamber pop swells, to her Joni Mitchell-esque vocal range comfortably sitting in the alto, and not to forget the baroque flourishes that tint her artistic sensibilities.

With a background in classical music and a love for jazz, indie, alternative, and folk-pop, Castellano’s songwriting echoes the influences of Ani DiFranco, Fiona Apple, Norah Jones, and Sia. Utilising strings and keys, she created hypnotic transportation into a daydream, making ‘Hide and Seek’ not just a song, but a sublime sonic journey.

Naomi Castellano is undeniably holding the future of alternative music in her deft hands, and with such a compelling start, it’s clear she has exactly what it takes to stand at the vanguard of a new era of musical innovation.

Hide and Seek was officially released on April 17th, stream the single on Spotify.

Review by Amelia Vandergast

Robert Prester & Adriana Samargia gave jazz a sophisticated edge with ‘Altar Ego’

Two major talents collided for the creation of the superlatively cultivated jazz-pop score, Altar Ego; with Robert Prester in deft charge of composition, lyrics and piano & Adriana Samargia lending her cinematic vocal timbre to the number, it unravelled as a standing ovation-worthy triumph.

Sophistication spills from every note in the sublime, bordering on baroque, score which exhibits Robert Prester’s virtuosic flair when his hands find harmony over piano keys while Adriana Samargia’s vibrant-with-zeal contribution to the single infuses Altar Ego with swathes of commercial appeal. With a voice which wouldn’t be out of place on Broadway, Adriana was the perfect fit to add even more vigour to this exhilaratingly distinctive number.

Stream the official music video for Altar Ego on YouTube.

Review by Amelia Vandergast

Charlotte Forman opened a gateway to the golden era of soul with ‘Make Me Your Girl’

Charlotte Forman opened a gateway to the golden era of soul with the superlatively timbered harmonies in her seminal single, Make Me Your Girl. It’s one of the few instances in the landscape of contemporary music where authenticity doesn’t play second fiddle to commercial appeal.

The UK songstress always puts her intricate imprint on her blends of soul, pop, jazz, and RnB. Make Me Your Girl, which unfolds as a compelling journey through the nuances of old-school soul is no exception. Forman’s voice, a potent blend of power and vulnerability, carries the song with an effortless grace reminiscent of the genre’s legends. The single’s cinematic quality is undeniable. Each crescendo and harmony is crafted with precision, enveloping the listener in a hauntingly warm tapestry of sound.

The lyrics, a poignant reflection of Forman’s personal experiences, speak of love and longing with an honesty that is both rare and relatable – despite our contemporary fear of rejection getting in the way of candour.

With Make Me Your Girl, Charlotte Forman not only cements her place as a rising star in the British music scene but also as a voice for the modern romantic. Her journey from the stages of amateur dramatic groups to headlining sold-out shows is a narrative of perseverance and passion. We can’t wait to see the heights she reaches as one of the most magnetic artists of our era.

Stream Make Me Your Girl on Spotify.

Review by Amelia Vandergast

J reshaped the landscape of protest music with his jazzy guitar score, Shame on You

Busting the myth that protest songs need to antagonise in the same vein as Rage Against the Machine or Black Flag, the Brighton-based artist, J, exhibited how mellow sonic political activism can be with his latest release, Shame on You.

Paired with an aptly endearing official music video, the ‘oppressed version’ of the single, sans the snippets of dystopian diatribes from Trump and Bush, allows you to embrace the absurdity of our tumultuous political waters while rising above them as the lighter-than-air guitar lines seemingly defy gravity.

J’s guitar work is nothing short of phenomenal – his strings sing with a life of their own in the genre-fluid fusion of jazz, pop, and classical guitar, but notably, the secret ingredient is his unflinching sense of humour and his lack of artistic ego. It’s a rarity for an artist to be so talented and not locked into the singular vision of rock stardom; J always endeavours to create sonic experiences that resonate with his soul; in doing so, he opens up cathartic worlds with his virtuosic tongue-in-jazz-groove flare.

Shame on You will be available to stream from January 26th; stream the official music video on YouTube.

Review by Amelia Vandergast

The Enchanting Chanteuse Annabel Hailey Reached New Celestial Heights in Her Single, Perfect for this World

Annabel Hailey

After introducing us to The City That Never Sleeps, the enchanting Nordic pop chanteuse Annabel Hailey enticed us into a new session of jazzy easy listening mesmerism with her latest single, Perfect for this World.

“You have to be broken for the light to get through” may be one of the most affecting lyrical epiphanies I’ve ever had the pleasure of soaking in. The conceptual luminosity of the classic pop score and Annabel Hailey’s ethereally pure vocal timbre which echoes vulnerability and power in the same breath makes it all the more enlightening.

In her own words:

“The song talks about how we carry a burden that no one knows about. We put on a brave face and carry on like we’re okay. We often think that being brave is about not showing we are hurting, although being vulnerable is the most courageous thing to do. We are all broken in some ways; it’s a part of this journey. Perfection is not the goal and doesn’t exist; we are perfect for this world as we are, humans in progress. We define who we are with our thoughts and actions; let your light shine bright.

I end with a quote Anais Nin made famous ‘We don’t see things as they are; we see them as we are’; making assumptions and judgments on others is misguided and unnecessary.”

The Finland-born singer-songwriter, who spends her time between Amsterdam, the Netherlands and NYC, hit the one million streams mark with her EP, Phases, which debuted in February 2020. We’re unequivocally sure she can do the same again in her next EP, which is due for release in 2024.

Perfect for this World will officially be released on the 20th of October; stream it on Spotify.

Review by Amelia Vandergast

Tylar Smith dropped a nostalgia atom bomb with his retro jazz-pop hit, ONE MORE CHANCE

Get in the Doo Wop swing with Tylar Smith’s jazz-pop nostalgia atom bomb of a single, ONE MORE CHANCE. The award-winning Australian-born singer’s reverence for retro pop and old-fashioned soul, powerful vocal lines that could start a Rockabilly riot and his ability to spin a powerful narrative over his melodies that will hit your ears like candy has put him on the right path towards his dream of becoming an international recording artist.

With the timeless appeal of ONE MORE CHANCE and music fans increasing their proclivities towards nostalgia, the young artist, who started cutting his teeth in the music industry before his teens, is sure to make an ever-lasting impression with his debut EP, REMINISCENT, which has been crafted over the last 12 months in collaboration with a US Grammy-Nominated producer and songwriter.

ONE MORE CHANCE will reach the airwaves on September 29; hear it on SoundCloud.

Review by Amelia Vandergast