Browsing Tag

Hip-Hop

FLIPPIN’ GOTHIC FABP unleashed urban surrealism with ‘JUST HOW OPEN MIC’

FLIPPIN’ GOTHIC FABP’s latest single, ‘JUST HOW OPEN MIC‘, is a feat of unorthodox brilliance. Hailing from, New York, this artist, formerly known as Fabp aka Fabpz the Freelancer, makes a habit of defying convention by merging the gritty essence of urban life with surreal, almost otherworldly dimensions.

The track is an audacious leap into the avant-garde, where spacey, experimental beats collide with a hypnotic rap cadence. FLIPPIN’ GOTHIC FABP’s lyrical prowess is akin to a cosmic navigator, guiding listeners through a sci-fi cinematic universe, yet firmly rooted in the raw, undiluted essence that has been his hallmark. His voice, a blend of rhythmic precision and melodic undertones, weaves through the beats with an almost ethereal quality.

This is not your typical hip-hop fare. ‘JUST HOW OPEN MIC’ challenges the listener, demanding attention and contemplation. It’s a bold statement from an artist who has worked over 2,000 tracks into his discography; a testament to his relentless creativity and dedication to his craft.

Watch the official music video for JUST HOW OPEN MIC by heading over to YouTube.

Review by Amelia Vandergast

Tom Hutchcraft illuminated the stains on our systematically oppressive social fabric with ‘Venting’, featuring Dizzy Wright

Tom Hutchcraft’s entry into the hip-hop sphere with his single ‘Venting‘, featuring the accoladed flow king Dizzy Wright, is nothing short of a revelation. The Cambridge-based artist, previously known for his piano covers and classical prowess, has taken a bold leap, landing squarely in the realm of rap with a track that resonates with both rhyme and reason.

‘Venting’ is a striking blend of Hutchcraft’s sharpened with acerbic wit spoken word cadence and Wright’s seasoned Blackalicious-esque flow. The track stands out not just for its musicality but for its socially conscious heartbeat. Hutchcraft’s lyricism delves deep into themes of racial prejudice and systematic oppression, offering a narrative that’s as observationally astute as it is emotionally charged.

The beats in ‘Venting’ are a rhythmic catalyst, inducing listeners into a heightened state of awareness. It’s a call to consciousness that will stick with you for long after the outro. For a first venture into hip-hop, this track sets a high bar, not just for Hutchcraft but for the genre as a whole. It’s a testament to the power of music as a tool for reflection and change, and a sign that Hutchcraft is an artist to watch in the evolving landscape of rap music.

Venting will reach the airwaves on March 23rd; stream it here.

Review by Amelia Vandergast

Lost Gold grooved soul into old-school hip-hop instrumentals in ‘FILE.0016’

lostgold.file.0016 by lost gold

With ‘FILE.0016′, Lost Gold, the moniker of Minneapolis-based multi-instrumentalist Dylan Heidt, crafted an instrumental odyssey that resonates with the warmth and soul of old-school hip-hop. This track, part of Heidt’s ambitious solo project, is a testament to his versatility and deep-rooted appreciation for diverse musical genres.

The track opens with a beat that could easily be mistaken for an Alabama Shakes number, immediately setting a tone of nostalgic familiarity. It’s a rich, soulful foundation that harks back to the golden era of hip-hop, yet feels refreshingly contemporary. The warmth of the beat is palpable as the track progresses and the impossible-to-resist grooves take centre stage.

The keys cascade with a melodiousness that’s both playful and profound, while the guitars add a shimmering layer of complexity around the robustly funk-infused basslines that are meticulous when carving pockets of rhythm.

As Lost Gold continues to release more music through Bandcamp, ‘FILE.0016’ stands as a shining example of his talent and vision. It’s a piece that connects with listeners globally, proving that true artistry lies in the ability to blend the familiar with the new, creating something uniquely resonant and timeless.

FILE.0016 was officially released on January 3rd; stream or purchase the single on Bandcamp.

Review by Amelia Vandergast

SmokeFace Player – The Best Food In the World: Grab an Old School Hip-Hop Bite

SmokeFace Player’s latest single, ‘The Best Food in the World‘, is a gritty homage to old-school hip-hop, infused with a modern twist that is resonating with the new generation of rap fans.

The track, a standout from his LP ‘Whatever Happened to Making Demos’, showcases the artist’s deep-rooted connection to the genre’s golden era, while simultaneously sharpening his sound with a contemporary edge. With a voice that echoes the depth of Biggie, the rawness of DMX, and the uniqueness of Tyler, The Creator, SmokeFace Player’s conviction is only matched by the volition of his rhythmic precision.

The track is a lyrical journey through popular culture references and pains, delivered with a salacious wit that has compelled thousands of rap fans to continue turning to SmokeFace Player’s untraditional approach to lyricism. Eschewing the typical thematic constraints, he opts for a stream-of-consciousness style, weaving together disparate elements with an ingenious coherence. This lyrical tapestry is not just a display of his skill as a wordsmith, but also a nod to the improvisational roots of hip-hop. He’s clearly an artist on the rise; watch this space as he continues to make his indomitable mark on it.

Stream The Best Food in the World on SoundCloud now.

Review by Amelia Vandergast

IzzyG spits fire with irresistible swagger in her RnB Hip-Hop hit, All My Heart

IzzyG, the 24-year-old firebrand from Gateshead, now dominating West London’s music scene, has dropped her latest single ‘All My Heart‘ – a track that doesn’t just push boundaries; it obliterates them. This isn’t your run-of-the-mill RnB track; it’s a gritty, raw, and unapologetic anthem that resonates with the pulse of the streets and anyone who has suffered through the fuckboy era of dating.

From busking the cold corners of Newcastle with sultry covers to crafting this audacious blend of RnB, hip-hop, and soul, IzzyG’s journey is etched into every beat of ‘All My Heart’. Her vocals which spit fire with irresistible swagger, are a fierce mix of rap verses and pop harmonies, are a testament to her versatility.

The track itself is a sonic powerhouse, a slick fusion of snappy trap beats and RnB melodies that hit hard enough to leave a mark. IzzyG’s lyrics are a no-holds-barred exploration of love’s battleground, where vulnerability and strength collide. She’s not playing the game; she’s rewriting the rules, with a voice that carries the echoes of jazz legends and the bite of Nicki Minaj and Cardi B.

Drawing inspiration from the likes of Amy Winehouse and Ella Fitzgerald, IzzyG adds a touch of vintage seduction to her sound. But make no mistake, ‘All My Heart’ is fiercely contemporary. It’s a track that doesn’t just get under your skin; it courses through your veins.

Stream the official music video for All My Heart via YouTube.

Review by Amelia Vandergast

Ola Beto flowed right back to ‘Old School’ with his latest rhythmically rendered hip-hop release

Ola Beto has dropped a track that’s nothing short of a rhythmic revelation. ‘Old School’ is a melodious trip through the annals of hip-hop via a route never taken. This single firmly establishes Ola Beto as the undisputed king of retro luxe flows in the modern hip-hop scene.

From the get-go, ‘Old School’ commands attention. The cadence in Ola Beto’s bars makes it impossible to remain indifferent. His flow is a rhythmic force that demands your rhythmic pulses to stand to attention while the use of nostalgic samples adds a layer of authenticity. Yet, it’s in the beats and analogue synths where Ola Beto truly shines, offering a contemporary twist that you’ll want to relentlessly ride the waves of.

Ola Beto’s emotional lyrics, combined with his rhythmic production and catchy flows, create a sonic vision that’s beyond measure.  ‘Old School’ is a statement of Ola Beto’s trajectory that’s set to redefine the West Coast hip-hop domain. If he continues on his grind, it won’t be long before he’s revered as a major player in the genre. For fans of retro pop and hip-hop alike, ‘Old School’ is a track that resonates with the past, thrives in the present, and hints at a future where Ola Beto holds the keys to the kingdom.

Stream the official music video for Old School by heading over to YouTube now.

Review by Amelia Vandergast

Ride the waves in Caleb X’s latest flood of experimentalism, Kick Start ft Zay-OH

Since blasting off his career with his 2019 debut single, Space, the Atlanta-born, Virginia-based rapper Caleb X has honed his sonic signature to become one of the most authentic names in the hip-hop domain. His latest single, Kick Start, featuring Zay-OH takes motivational hip-hop to the next inspirational level while epitomising his ethos to ensure his music is as versatile as his own identity. Sonically spitting in the face of conventional constraints, Kick Start is a declaration of his ability to transplant humanism within catchy distinction.

By grounding the lyrics and bars in realism and the relatability of ennui with the era we’re all enduring and allowing the kaleidoscopically spacy instrumentals to ebb and flow in trippy trap-esque waves, Kick Start is a cohesively convictive juxtaposition that exhibits Caleb X as a promising luminary who has exactly what it takes to become one of the biggest new urban experimentalists.

Kick Start was officially released on January 26th; stream the single on Spotify and follow Caleb X on Instagram.

Review by Amelia Vandergast

I AM Cricchi shared how he became a conduit of hope through his eclectically authentic discography in an exclusive interview with A&R Factory

Born in southern Maryland and now based in Texas, Tyler Cricchi, known as I AM Cricchi, presents a compelling narrative in the music world. His journey, transitioning from a typical suburban childhood to grappling with substance abuse in his teenage years, underscores the stark realities that shape his music.

With his vast, eclectic and always raw discography, Cricchi has independently charted multiple times, showcasing his ability to blend genres from hip-hop to country. His music is characterised by its authentic lyrics and versatile delivery, resonating with a wide audience.  In this interview with A&R Factory, we delve into the world of I AM Cricchi, exploring his journey from personal struggles to musical achievements.

I AM Cricchi, welcome to A&R Factory! We’d love to know a little more about your most recent release, Weighted To Breathe featuring Caskey. What’s the story behind the single?

“Weighted To Breathe was written at a time when I wasn’t sure if I was doing the right thing chasing my dream in music, most regular people usually call it or consider a dream as such, ‘crazy’. The purpose behind this record was to remind myself and anyone else in a similar spot that if we waited or chose to give up, we’d be right back where we were, at a place where most wouldn’t want to be. Some might say at rock bottom. It quickly became one of the biggest solo songs of my career and shortly after I was blessed with the opportunity of having Caskey feature on it. That really proved my point and made everything come full circle because an artist with a much bigger influence and resume thought it was as dope as I did! NEVER GIVE UP!!”

Your upcoming project, The Road Back, talks about overcoming addiction; can you tell us more about the project and the inspiration behind the release?

“Addiction is a topic I hold close to my heart. I personally have been through the depths of hell while abusing drugs and running through the streets. This was my first project with The Lotto Tribe, and I wanted to make sure it was very special because I recognized that they believed in me, similar to the way I believe in myself. I reached out to a hometown producer Tilli Mack and told him I needed something to spill my pain on and thus this record was birthed. The writing aspect of it for me was just a matter of putting myself in the mindset of not ever wanting to go back to my old life. That’s why I’m so inspired after breaking away from it because I never want to go back to that life I used to be, stuck, in. In other words, I wanted it to be the music I wished I had when I was broken and hopeless

More than anything I wanted to create something that could save someone’s life or make a change for someone in a dark time and for me that’s what all this is about. The road back is never easy, but I hope this record gives someone, anyone, hope. It releases on May 3rd, 2024, worldwide, on the first Friday of National Mental Health Awareness month and is supported by the organization, To Write Love On Her Arms which supports mental health.”

How do your most recent releases compare to your past projects like; No Time, Runnin A Lot, I Gotta Grow, and Say Less Do More?

“I definitely don’t fit in any box. I make a variety of genres and I’m always exploring new sounds. The music I write is always dependent on the moment I’m in. Sometimes I’m happy and sometimes I’m not but that’s life and that’s what I put in my music. I don’t over-exaggerate or attempt to portray anything, I’m just me. If there is one thing that ties every song to the next it’s the authenticity of my story. Every song and every word was lived, meant and felt by me. In the end though, all my music is for everyone and anyone. I just want to bring awareness to my story, and my life and give others hope.”

How did you get into music, and where has your creative journey taken you?

“I got into music before I can even remember. My father is what I would call a “beast” on the guitar and loves to play. My dad worked a 9 to 5 for more years than I had been alive, and I never saw the same happiness he had when he was holding that guitar. That put a spark in me. It made me feel that maybe music was where he belonged, but he never tried or never could take the chance to be truly one with.

The ability to write started with my love for poetry in 2nd grade and continued through middle school. It wasn’t until I was in a juvenile youth center that I started to experiment with trying to rap on beats or write with a specific sound in mind. After that, writing music kept me alive through years and years of addiction and depression, almost daily wondering if I should live. It wasn’t until 5 years ago when I got sober that I started to clearly see the vision. Since then, I have hit the iTunes Charts twice independently. I’ve accumulated over a quarter million streams in 2023. I’ve done songs with legends such as Blind Fury, Caskey, Merkules, and many other amazing artists. Most of all I’ve been finding myself along the way and that’s something special to my heart.”

What role has the indie label The Lotto Tribe played in your career?

“That’s a chapter of my life that is just getting started, but something I’m really looking forward to. So far, it’s been nothing but love and solid continuous guidance from them. They continue to bring me confidence and opportunity. They have helped me align contracts with many industry partners and continue to put my name in the right places for growth. I genuinely appreciate them for their work so far and again, I’m very excited to see what the future holds with The Lotto Tribe!”

Which artists inspire you the most, and is there anything else that inspires you to create?

“Artist-wise, I’d say Caskey, Jelly Roll and LaRussell give me the most inspiration currently. The hustle and the constant innovation are something I respect and appreciate from all of them.

I’m inspired by different people at different times, but I often pull my inspiration from my own life. Whatever I’m feeling or whatever I’m dealing with at that moment is what I write about. Music is a way to cope and a safe space for me, so emotions often drive it. I’ll often base the lyrics, beat cadence and melodies off of just how I feel in the moment. Music is something that makes me feel alive and through it, I’ll continue to try my best to be my best.”

Can you tell us a little about your global distribution deal with Memphis’ Select-O-Hits? and being attached to The Orchard?

“This is another chapter of my journey that’s just getting started! Johnny Phillips has been extremely helpful in getting me set up over there at Select-O-Hits and I genuinely look forward to our future years together. They’re very well known from the days of his father Tom and uncle, Sam who founded Sun Records. They’ve also been influential in distributing Memphis hip-hop legends Three 6 Mafia and Lil Wyte. Even Jellyroll had projects through them in his early career. I’m just happy to be here in the now and be a part of something with such a history!”

What else is in the pipeline for you?

“This year will be my greatest yet. My biggest news so far this year will be the full rollout release for the single project with The Lotto Tribe, “The Road Back”. It’s one of my most meaningful pieces to date and I can’t wait to share it with the world. We also have shows lined up across the country including a SXSW visit here in Austin, Texas. I plan on dropping multiple singles and a possible full album once the vibe and timing feels right! There will also be more collaborations, big features and visuals but you’ll just have to follow me and wait to see what things I have in store! This is just the start for me.”

Stream I AM Cricchi on Spotify and discover more about the artist here.

Interview by Amelia Vandergast

Pop Stunna twisted trap with tropic heat and soul in his standout track, Good Talk

Pop Stunna’s standout single, Good Talk, from his fourth album, Youth, is a vibrant rebellion against the conventional trap narrative. The Austin, TX artist unleashed a spectrum of sonic vibrancy with Good Talk, turning the trap genre into a canvas of tropical hues and soulful rhythms.

Good Talk radiates with a warmth that’s as rare as it is captivating in the trap arena. His bars, fervent and full of life, impale the track with energy so tangible that listeners are instantly locked into its impassioned groove as Stunna runs through lyrics which pay ode to the complexities you find in the people you fall for and find connection within.

Distinct from his contemporaries, Pop Stunna’s persona is a blend of cool composure and aspirational verve. His American-Nigerian heritage, extensive global travels, and academic achievements lend a unique depth to his music. This track is not just a listening experience; it’s a journey through Pop Stunna’s richly textured worldview.

The single stands out for its masterful fusion of high-energy raps and catchy hooks, a signature style of Pop Stunna. Influences from Jay Z to Nina Simone echo through the beats, creating a sound that’s both a nod to the greats and a bold stride into new territories.

Stream Good Talk on Spotify and YouTube.

Review by Amelia Vandergast

dom ultra – DAYSINBOSTON: From the Streets to the Studio via the Boulevard of Soul

DAYSINBOSTON by the NYC luminary, dom ultra, is a masterful blend of soul and innovation, marking a significant moment in his musical journey, which is about to reach a major milestone with the drop of his upcoming debut project, PRESENTING: ROY HUNTER, which is due for release in March 2024.

The wavy, luxe production transports listeners from the gritty streets of Boston to the heart of his fervently hypnotic creativity. The use of ethereally distorted backing vocals adds an artful, gospel-esque layer to the track, creating a rich, multi-dimensional sound while dom ultra ensnares with the versatility in the lead vox, as he effortlessly shifts from a spoken word cadence to dancehall-ready vox.

The hypnotic distortion around the sample towards the outro amplifies the Bon Iver influence, a nod to dom ultra’s diverse musical inspirations. This element adds a textured, almost dreamlike quality to the track, blending seamlessly with the soulful undercurrents.

Since his early days with Oblivius Music, dom ultra has evolved into an artist who defies genre constraints. DAYSINBOSTON is proof that he’s still riding high on the fumes of his distinctively pioneering flare.

DAYSINBOSTON was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast