Browsing Tag

Hip-Hop

LZee Walks the Razor’s Edge with Brutal Honesty in ‘3 am on LSD’

Posted on 16 January 2025

At just 16, Chicago-based rapper LZee proves he’s already a lyrical force to be reckoned with on 3 am on LSD. The brutally honest track exhibits the emotional turbulence of living on the edge as a coping mechanism. While many up-and-coming rappers lean on bravado, LZee flips the script with visceral candour, exposing raw vulnerability that resonates far beyond the surface.

The juxtaposition of the warm Latin guitar melody against the hard-hitting rattle of the 808s creates a magnetic dynamic, softening the blow of the heavy-hitting bars while keeping the track grounded in its gritty realism. LZee’s flow is flawless, with every syllable delivered in perfect rhythmic precision, amplifying the weight of his introspection.

Taken from his 2025 LP, Anti, 3 am on LSD demonstrates a prodigious level of polish in both its beats and lyricism, making it clear that LZee is not just another voice in the crowd. His ability to balance emotional depth with technical chops marks him as a standout in the hip-hop scene.

With his versatility and sharp wordplay, LZee is poised to climb to the heights his talent demands. If the industry has any sense, this single will be the spark that sets LZee’s career ablaze.

3 am on LSD is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

SAINT tgw – ‘in darkness,’; Hip-Hop’s Firestorm of Authenticity and Emotive Artillery

Posted on 14 January 2025

SAINT tgw is etching his way into the annals of hip-hop history with his raw authenticity and trademark emotively cinematic sound, and his latest single, in darkness, sets his reputation ablaze. Influenced by icons such as Tupac, Nas, and Biggie, while standing shoulder to shoulder with contemporaries like Kendrick Lamar, J. Cole, and Drake, the rapper is blazing his own trail to the top without missing a step.

in darkness doesn’t just hit hard; it hits in all the right places. The high-energy intensity is perfectly juxtaposed with the meticulously measured cadence of his bars, which command a layered track that transcends typical hip-hop beats. Bluesy guitars angularly cut through the polished production, while the rattle of the 808s and blasts of bass create a visceral foundation for his fervent lyricism and charismatic conviction.

The anthem is a soundscape that melts the mind into susceptibility, making it impossible not to lock into SAINT tgw’s unrelenting momentum. SAINT tgw isn’t merely riding a wave of hype—he is the hype. in darkness solidifies his place as an industry heavyweight in the making and confirms what fans of raw, unfiltered hip-hop already know: SAINT tgw isn’t just aiming for greatness—he’s claiming it.

‘in darkness,’ will be available to stream on all major platforms, including SoundCloud, from January 14th.

Review by Amelia Vandergast

Pampoo sang the gospel of gratitude in ‘Simple Days’

Posted on 14 January 2025

Pampoo’s seminal release, ‘Simple Days’, filters contentment through honeyed R&B harmonies, allowing euphoria to rise on rhythmic waves and cascade into soul crooning that gently yields to gospel-esque lyrical sermons. It’s the kind of track that doesn’t just feel good; it creates a comforting refuge from hectic modernity. Their message is simple—if you’re content with your lot in life, you’re on the only rich list that really matters.

This collaboration began as a spark of friendship between longtime confidants Jim Vincent and Chris Blatherwick, who reignited their creative synergy by swapping musical snippets between Albany, NY and Connecticut. When they drew producer and old friend Ted Swan back into the fold, they brought new textures to their sound. Balancing alternative rock, folk, Americana, hip-hop, and R&B influences, they shape something that transcends standard genre boundaries.

Within ‘Simple Days’, mindfully motivational rap verses brush shoulders with youthful backing vocals that lift innocence into the spotlight. This evolving embodiment of soul helps you see the beauty in your day-to-day existence, reminding you that even the quiet moments hold their own warmth.

Pampoo knows precisely how to let soundscapes shimmer with authenticity. ‘Simple Days’ isn’t a disposable good-vibes anthem; it’s a euphonic act of enlightenment that encourages you to find wealth in life’s simplest corners. With an EP in the making, there’s plenty more sonic serotonin to come from Pampoo.

Simple Days will be available to stream on all major platforms, including Spotify, from January 14th; find your preferred way to listen and connect with the artist via their official website.

Review by Amelia Vandergast

INFAMOUS C-4 Brings the Boom Back with ‘Hear Me Now’

Posted on 9 January 2025

Atlanta’s INFAMOUS C-4 doesn’t just live up to the explosive energy in his moniker; he defies expectations with every bar in his latest single, ‘Hear Me Now.’ Anchored in the golden era of hip-hop, the track’s nostalgic boom-bap beats and rattling 808s nod to the days when DJ Jazzy Jeff ruled the airwaves.

‘Hear Me Now’ doesn’t lean on the past; it reinvents it. INFAMOUS C-4’s smooth melodic flow rides the beat with an effortlessness that feels timeless, while his lyrics leave pretence at the door. Every verse, delivered with playfully witty charisma and undeniable determination, showcases his ability to craft tracks that build a vibe that’s impossible to ignore. The jazzy undertones in the production give the track a temperate warmth, hinting at the wide-ranging influences that shape his sound.

Already making waves with live performances across Atlanta, INFAMOUS C-4’s reputation is backed by good reviews and a hunger for greatness. His commitment to his craft – from top-tier rhyming to impeccable song-making – puts him in a league of his own. With the right push, the Grammy dreams feel less like ambition and more like inevitability.

Hear Me Now is available to stream on all major platforms, including Spotify, where you can also discover his sophomore LP, Traffic Jamz Da Mixtape.

Review by Amelia Vandergast

Le$Lie & Stevie the Vibe’s ‘Spend A Lil Sum’ – Hip-Hop Reimagined in a Kaleidoscope of Innovation

Posted on 7 January 2025
https://open.spotify.com/wrapped/share/share-6c57c85bdfe043e698553816c43fe457?si=aDLm-z6ARBOsQ02eQLSwpg&track-id=0Pj2z1QrWsCoakc3obi9ta

Stevie the Vibe and Le$Lie delivered a dark, trippy, bass-drenched experience with ‘Spend A Lil Sum’ while finding a pioneering way to pay tribute to the timeless appeal of old-school hip-hop.

The instrumentals oscillate in a mind-bending fusion of bass and sharply cinematic minor-key piano notes, and the relentless rhythmic precision underlines the bars as they bleed into the mix with seamless cohesion. RnB-esque vocals intensify the track’s immersive, urban kaleidoscope, giving the lyrics a spotlight that demands total attention. Then comes the sermon-esque outro, infused with shimmering gospel hues, branding this standout cut from the 2024 LP, Pressure, as a defining moment for both collaborators.

Prior to putting the Pressure LP into motion, Le$Lie honed his craft at the University of Michigan, earning a BFA in Musical Theatre while minoring in Performing Arts Management and Entrepreneurship. When the pandemic struck, he cut his teeth as a producer before unveiling his debut single, ‘In Too Deep’. Soon after, he reunited with his high school friend, Stevie the Vibe, to record the Pressure LP and co-founded Vibrascope Records—aimed at offering independent artists budget-friendly promotional opportunities.

Beyond his studio pursuits, Le$Lie is also a seasoned Broadway actor who spent two years on the First Broadway National Tour of Jagged Little Pill, appeared with the Toledo Symphony in A Gershwin Celebration, performed as Bamatabois in Les Misérables at The Muny, and took a lead role in a national Xbox commercial.

Spend A Lil Sum is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Manchester beatmaker Mankub broke the mould with his unbroken wave of immersion, ‘Fly in the Ointment’

Posted on 24 December 2024
Fly In The Ointment (GOTM062) by Mankub

Manchester-based beatsmith Mankub broke the mould with his bold decision to release ‘Fly in the Ointment’ as a single 30-minute track rather than chopping his mix into separate cuts. It’s an ingenious move to keep the album format alive, providing an unbroken wave of immersion for hip-hop fans craving a continuous flow of classic boom-bap, breakbeat, and lo-fi edges. Every sample and beat is meticulously placed to weave a narrative through echoes of hip-hop’s golden era, letting the vibes steer the momentum of this instrumental LP, which was put out by Gold on The Mixer Records, and is now available on cassette and digital download.

Compiled from fresh material and unreleased beats, it merges skits, loops, and fragments of gritty vocal samples to form a loose concept that resonates with cinematic force. Strings, piano, guitar, and jazz motifs drift alongside hard-hitting drums, illustrating Mankub’s skill for building sound constructions that land somewhere between laid-back downtempo and era-defining breakbeats.

Every progression is a revelation—be it a deep, resonant bassline or a mellow section of lo-fi bliss—the release is all hits and no misses.

Fly in the Ointment was officially released on November 18; stream and purchase the single on Bandcamp now.

Review by Amelia Vandergast

DAlcon threaded the resolve of resilience through his latest alt-hip-hop track, Keep Going

Posted on 22 December 2024

DAlcon, the London-based rapper who split his upbringing between the UK and Spain, isn’t waiting for permission to redefine expectations. After capturing headlines in May 2022 by setting a Guinness World Record for the Longest Rap Marathon (39 hours, 37 minutes, and 45 seconds) and drawing attention from outlets like the BBC and Sky News, he now turns adversity into artistry. Health struggles, home eviction, and mental conflict only sharpened his resolve, pushing him to blend natural ambience with hip-hop to form his own authentic signature.

His latest single, Keep Going, plays out as a collaboration with the raw textures of nature rather than another industry-dominating name. There’s almost a sliver of Crazy Town’s Butterfly threaded through the soundscape and a whisper of Linkin Park’s lyrical potency woven in, but don’t expect a simple homage. DAlcon channels these influences to deliver an anarchic twist of future-focused ingenuity. Amidst an era when so many wear victimhood like a safety net, his lyrical grit calls listeners to account, reminding them that self-responsibility trumps complacency.

Each note surges with resilience, each lyric challenges the culture of blame. The emotive orchestration consoles while the words ignite. It’s a bold testament to the idea that no matter how scorched the earth, new seeds can grow if you choose not to surrender.

Stream the official music video for Keep Going on YouTube now, or go further in your support for DAlcon by purchasing the single on Bandcamp.

Review by Amelia Vandergast

GiNN 諸葛靖 Darkened the Sphere of EDM Hip-Hop with His Seductively Entrancing Hit, Dizzy

Posted on 20 December 2024

One hit of Dizzy— GiNN 諸葛靖’s biggest single to date, which has racked up over 141k Spotify streams—slams you straight into a dark intersection between EDM & Hip-Hop.

Fans of both genres have had no trouble clocking the ingenuity behind this dark, reverberant, pulse-commandeering anthem that drags you into rhythmic submission.  GiNN’s bars become a magnetic focal point in the track as they wrestle the thick, pulsative progressions into line, a feat few could pull off without buckling under their own ambition.

Every progression is a juggernaut, hell-bent on stomping its influence onto the dancefloor and sinking into your synapses. It’s seductive but never salacious. Instead, it’s powered by the raw magnetism of GiNN’s enigmatic presence.

As a Los Angeles-born, Chinese American starving artist who grew up drifting between East and West, GiNN 諸葛靖 channels House, Techno, DNB, and ATL influences into his own Electro Hop blueprint. The lyrics may be indecipherable at times, but who cares when the vibe slaps this hard?

Stream Dizzy on all major platforms, including Spotify.

Review by Amelia Vandergast

Orizon waxed lyrical on the distorted gospel of twisted faith in ‘thanks/sorry/fuck you’

Posted on 20 December 2024
Orizon

With thanks/sorry/fuck you, a seminal single from Orizon’s sophomore album Unchrist, the Melbourne-based experimentalist crafted an Avant-Garde symphony of conflicted thoughts and chaotic cohesion.

It’s an invitation to stare into the sonic abyss of a mind wrestling with a triality of contradictions and witness how the track builds on drill foundations, brashy boom-bap beats, and jagged synth lines that buzz like electricity sparking between frayed nerves. The track mirrors the unrelenting tension as gospel vocal samples surface intermittently, a warped and distorted reminder of the artist’s roots in Catholicism, where sin and salvation continually collide.

As the track evolves, Orizon’s steady and scarred bars hold their ground amidst unpredictable turns. Breakbeats tear through the production like the rapture battering stained glass windows, while moments of erratic electronica ensure the listener never settles into comfort.  The crescendos may be cinematic, but there’s little resolve to be found here as Orizon stands as a Lynchian figure in the experimental hip-hop sphere.

While his previous projects—Stories of the Supreme and RADIO (INPINK)—toyed with loneliness and love, this final instalment tackles religion with raw introspection. Each note feels like an exorcism, but Orizon doesn’t stop at self-purging. He challenges listeners to confront their own faith and struggles with belief.

With thanks/sorry/fuck you, Orizon redefines what experimental hip-hop can achieve—not by neatly slotting into a niche, but by allowing unfiltered creativity to dominate. This is what happens when an artist lets the truth cut deep.

thanks/sorry/fuck you hit all major streaming platforms on December 20th; find your preferred way to listen and connect with Orizon via this link.

Review by Amelia Vandergast

RNA KayGii is a conduit of cosmic charisma in his debut hip-hop hit, Boost Mine

Posted on 17 December 2024

RNA KayGii’s debut single ‘Boost Mine’ arrives with a vibe-driven aesthetic that feels more like a surreal sonic habitat than a standard hip-hop cut. Picture André 3000’s charisma colliding with the experimental impulses of J Dilla and RZA, and you’re halfway there. Metric precision in the beats holds it all together, while the lush, wavy textures seem to hover in a trippy, almost cosmic dimension.

The metaphysical imagery threading through the psychedelic motifs creates an unusual sense of intimacy as the track redefines the contours of the contemporary urban love song. The artist wastes no time pulling you deeper into the soundscape, with words that seem to drift through your psyche, stripping away defences to lay bare the emotional core. It’s less about grandeur and more about the raw nerve endings of feeling, all underscored by soulful grooves that swing between grit and silk.

‘Boost Mine’ doesn’t pander to the predictable. In under a few minutes, RNA KayGii proves that even a debut can possess a distinct edge, one that can expand horizons without ever feeling contrived. It’s a track that sets an unmistakable tone, letting you know this artist has something different to say—and the skill to say it.

Boost Mine hit the airwaves on November 28; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast