Browsing Tag

Emo Trap

The Emotional Guillotine Falls with Hyper-Trap Pop Precision in Yung Blasian’s ‘I’m Sorry’

Posted on 30 March 2025

With every scathing line and serrated hook riff in I’m Sorry, Yung Blasian proves that vulnerability in hyper-trap pop doesn’t have to come wrapped in polished platitudes. Instead, it hits like a sledgehammer wielded by someone with nothing left to lose. The Philadelphia-based artist, who has been quietly sharpening his sonic edge on SoundCloud since 2017, goes in for the emotional kill in his breakthrough hit, which carves through the noise with Latin-laced guitars, delay-drenched choral hooks, and a beat that knows no mercy once it drops.

There’s no pretence in his lyrical candour—just a supercharged vignette of coming-of-age heartbreak told from the raw end of rejection. The Haitian-Japanese vocalist and producer doesn’t just wear his heart on his sleeve; he shreds it open to expose how quickly self-esteem can be reduced to rubble when left picking through the wreckage of fading affection. The emo-adjacent anguish isn’t self-indulgent. It’s methodical. Calculated. Intentional. Yung Blasian doesn’t give you space to pity him—he drags you into the chaos of every self-effacing lyric and leaves you reeling in the aftermath.

Yet somehow, through the storm of scorn and dejection, he keeps the energy high. It’s a whiplash-inducing contrast that’s fast becoming his signature. With his ahead-of-the-curve production style, sincerity at the core of every expression, and an authentic voice that cuts through the noise, he’s not just riding the hyperpop wave—he’s building the playground it thrives in.

I’m Sorry is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Xy Gala Wires Electricity into the Mundanity of Existence in ‘Lifeless Life’

Posted on 21 March 2025

‘Lifeless Life’ opens a pop-hooked Pandora’s box of a paradox, reflecting on how life often inhibits feeling alive, especially as we become numb to atrocities and the monotonies of daily existence. Between the diaphanous candour pouring from Xy Gala’s confessions and the beat that brings a pulse of resistance to the mediocrity of reality, it’s impossible not to lock into the track and feel that he has a gift for unifying those who aren’t content to go through the motions, who struggle to find meaning and pleasure within their autonomy.

It’s a haunting track, sure to vindicate anyone who knows how emotionally paralysing it is to keep your head above water. The electro-rock riff blazes through the mix before the hauntingly pensive, cinematically raw outro, affirming that Xy Gala never pours half measures into his alchemic cocktail of pop, rock, electronica, and trap. The soaring chorus and the Santana-esque guitar solo inject an unforgettable energy into the track, fusing genres into a sound that fans of Post Malone, Falling in Reverse, and The Kid LAROI will appreciate.

The London-based luminary, Xy Gala, has never sounded more authentic or essential. ‘Lifeless Life’ is out on 21st March 2025. Hear it on Soundcloud.

Review by Amelia Vandergast

Lil Dom reigned as trap royalty in his emotively heavy hit, ‘emo prince’

Posted on 8 January 2025

Lil Dom has staked his claim as emo trap royalty with emo prince, a dark, immersive plunge into raw vulnerability. The track’s opening minor-key Latin guitar strings set a deceptively tranquil tone before the instrumentals dissipate into wavy obscurity, amplifying the emotional weight carried by his confessional lyricism. Every beat and verse swells with unfiltered emotion, creating a soundscape where ennui and exhaustion echo with haunting relatability.

Known for reshaping contemporary music’s edges with his blend of emo rap, cloud rap, and hyperpop, Lil Dom’s artistry pushes boundaries without losing sight of raw authenticity. emo prince exemplifies his ability to bridge the sonic gap between introspective lyricism and cutting-edge production. The track’s cathartic undercurrent doesn’t just narrate the tortured psyche—it invites listeners to sit in its midst, offering a shared solace for those wrestling with the weight of burnout.

As the song builds, its brooding atmosphere fractures with the bite of a raw rock riff, giving a powerful, climactic release that anchors the listener within its emotive grasp.

emo prince dropped on December 27; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

EGO DEF struck only the rawest chords with the alt-indie trap hit, wings

Posted on 19 August 2024

Fans of Fijmar, Alixx, and LIL NYX won’t want to miss EGO DEF’s single, wings, which transports through the darker recesses of indie-licked electronic alchemy, merging emo’s raw emotional intensity with the rhythmic pulse of trap.

The track’s plaintively striking beats lock you in as you sink into the razor-sharp tendrils of melancholy, making it a deeply resonant experience that echoes the all-too-relatable growing pains of youth.

wings laments over feelings of inadequacy, the overwhelming uncertainties of life, and the reckless desires that often accompany them. With every beat and lyric, EGO DEF’s polished and magnetic melodicism pulls you deeper into his world, where vulnerability meets the danger of desire.

As EGO DEF inches closer to the coveted 1 million streams mark, it’s clear that his achingly resonant productions are striking a chord with listeners. His ability to channel raw emotion into agonised earworms suggests he’s destined for top chart positions.

wings is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

nasir mf. pushed the boundaries of sonic expression in his emotion-driven EDM hit, fuckin lonely

Posted on 22 December 2022

If the sub-genre emo EDM doesn’t already exist on some dark and despondent corner on the internet, the electronica producer, nasir mf. started it with his trappy trailblazer of a debut single, fuckin lonely.

After a wavy indie trap prelude, the hit blasts off with a high-fire boost of momentum that allows the track to transcend drum n bass before the candid vocals run through pioneeringly bold lyricism to shatter the stigma attached to admissions of loneliness.

To make such an honest track at any point in their career is a brave move; to choose this track to introduce himself to the world, nasir mf. is a total fucking icon. The Brooklyn-based electronica artist made his debut to carry on the legacy of the black artists before him while pushing the boundaries of sound and expression. In the process of succeeding across the board, he became an instant icon in our view.

Nothing compares to the high of hearing an artist speak the unspoken and fuckin lonely let the euphoric floodgates open. We can’t wait to hear what comes next.

fuckin lonely was officially released on December 2nd and is now available to stream on Spotify.

Review by Amelia Vandergast

Tea Sea takes us down ‘The River’ with the killer cadence in his latest trap track

Posted on 14 October 2022

Virginia Beach trap artist, Tea Sea, has been picking up momentous traction since his 2020 debut. Following the release of his latest single, The River, on October 14th, he’s set to deservedly break the 1 million streaming mark with the conviction-fuelled earworm.

By collaborating with the overseas producers placerbeatz and marni boy, The River is a blazing triumph of an electronic trap track, with Tea Sea’s ingenious rhyme schemes tearing through the discordant dystopian colossal tones.

With his killer cadence, dynamite vocal dynamism, and determination to connect with the disillusioned and disenfranchised with his music, Tea Sea’s music grips you with a rare veracity that makes it easy to see why he’s garnering so much hype. The River may just be his most viscerally fresh track to date.

We couldn’t be more stoked for him in this luminary chapter of his music career. We haven’t been able to forget him since his melodic earworm, Vitals, tore away at our sense of empathy and our love for slamming hip hop candour.

Here’s what Tea Sea had to say about his latest release:

“It is all about respect. It also explores the hunger for success and the determination to not take no for an answer when people stand in the way of your career goals and attempt to derail them.

I have been writing songs for over 12 years, and I have always had that mindset throughout my journey. This instrumental was made by two producers overseas who are at the grindstone endlessly trying to realize their full potential too.”

The River is set to release on October 14th. Catch it on Spotify & SoundCloud.

Follow Tea Sea on Instagram, Facebook and Twitter.

Review by Amelia Vandergast

EM$o went from trap life to trap star in his debut LP featuring the standout single, The $urvivor

Posted on 16 August 2022

From trap life to trap star, the Biel/Bienne-born rapper, EM$o, escaped one of the most dangerous places in Central Europe to share his story and show the world what resilience sounds like.

After getting into music in 2016, he homed in on his talent until July 2022, when he released his debut album, Differences, featuring the standout indie emo trap single, The $urvivor, which gives a candid view into his world and how music transformed it.

He is the antithesis of every trap artist who appropriates the lifestyle for sonic street cred. You can hear the imprint of the streets reverberating through his evocative bars, which leave no stone unturned in the melodic indie hip hop track, which is as impactful as it is mellow.

The track in EM$o’s words:

“The $urvivor is based on my experiences on the streets in Biel/Bienne in Switzerland, which is known as one of the most dangerous places in Central Europe. The single describes my mentality while living in that place and what it took to survive. Not many in my circle made it out alive without ending up in jail or hospital.

My parents did what they could to get me out. They taught me how to make smart moves and outsmart the dark mentality of the streets, which left me with a lust for money and power as a teenager. When my usual vices ceased working, I turned to music. I used my trap money to buy equipment, and in 2016 I started writing and recording my songs.”

The $urvivor is now available to stream along with EM$o’s debut album, Differences, on Spotify.

Review by Amelia Vandergast

uhforrest became one of the most original names in indie trap with ‘highrise’

Posted on 14 April 2022

‘highrise’ is the latest candidly sweet indie trap drop from the up-and-coming San Francisco based artist, uhforrest, who is setting himself apart from the rest by establishing himself as the Elliott Smith of the new wave trap scene.

Lyrically, highrise packs a pretty bruising punch as uhforrest runs through the cleverly morose wit; instrumentally, the intimate guitars bring the catharsis as they shimmer over the glitchy trip-hop meets trap beats.

To bring yet another addictive element into the prodigal mix, uhforrest is by far one of the most vocally original trap artists to appear on our radar in recent years. When you pair that with the indie tape-saturated warmth of the genre-defying guitars, highrise is as unforgettable as it is original. We can’t wait to hear what follows.

You can check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast

Sionis wants to take us ‘Swimming’

Posted on 10 April 2021

Sionis is a 21-year-old musician from Charlotte, North Carolina, with a back history of pop-punk mixed with hip hop and rap. ‘Swimming’ comes by way of artists like Mobb Deep, Havoc, Screwball, or Tyler The Creator. Lyrically, it’s all about a previous girlfriend, and it’s clear that that relationship didn’t always go as well as it might have, with lines like ‘if we fuck then you can scratch me ‘til I bleed/ then I’ll choke you out to gain more energy’ and ‘back and forth, back and forth/ the passive-aggressiveness, I’m sick of it’, but Sionis has some pretty smooth flow mixed with the classic T-Pain autotune vocal production. There’s a solid backing of beats, bass, and piano that bounces the track along in a chilled way, but there’s an underlying anger and aggression here too that fits the vocal message.

You can hear ‘Swimming’ on Soundcloud, and check out Sionis on Instagram.

Review by Alex Holmes

SadHappyRabbit – That’s Alright featuring Lil Ringey

Posted on 2 February 2021

Before we escaped 2020, SadHappyRabbit released their pessimistically-titled debut album ‘We’re Fucked’, which may flirt with nihilism, but the essence of the Portland-hailing artist’s sound unequivocally lies in their refreshing candid vulnerability.

The standout track, ‘That’s Alright’, which was created in collaboration with Lil Ringey is the perfect introduction to SadHappyRabbit’s unique marrying of Indie Hip Hop and Emo Rap. Anyone who has a proclivity for morosity – especially in the presence of romantic disparity will find plenty of resonance in the single.

Yes, the lyrics are dark, but darkness and romanticism have come hand in hand ever since Shakespeare started doing his thing, and this barbed depiction of painful romantic duality is just as efficacious at evoking strong emotion as Hamlet.

There’s no room to wonder why SadHappyRabbit has been able to amass so much hype since making their debut in 2020. Their fearlessness when it comes to lyrical honesty is practically unparalleled.

You can check out That’s Alright for yourselves by heading over to Spotify.

Review by Amelia Vandergast