Browsing Tag

Blues Rock

The prodigal sons of rock n roll Midnight Miles kicked up dust in their latest liberating hit, Coming On

Midnight Miles

Purveyors of road trip rock n roll, Midnight Miles kicked up plenty of dust in their latest single, Coming On. With vintage tones and crooning blues rock vocals that give The Black Keys a run for their money around the socially conscious lyrics that make no bones about documenting the depths we’ve descended to, getting caught up in this reverently electrifying feat of rock n roll is compulsory.

While the driving backbeat takes control of your rhythmic pulses, the vocals affirm that you’re not alone in thinking that everyone’s gone mad. Everyone’s down with the sickness, but there are few as sonically maniacal as these Montreal-hailing prodigal sons.

The fervidly hot guitar solos that definitively earn the Midnight Miles guitarist a spot in guitar hero history is the perfect remedy. It’s impossible to feel disillusioned while getting caught up in their liberating turbulence. The next time I need a shot of riff-driven serotonin, I know where I’m turning. No review of Coming On could be rave enough.

Coming On will officially release on January 19th. Check it out via Midnight Miles’ website.

Follow the artist on Facebook and Instagram.

Review by Amelia Vandergast

Derek Vaden – Eating My Words: Blisteringly Hot Indie Blues Rock

The sex appeal isn’t the only thing that’s visceral in the swaggering alt-rock single, Eating My Words, from Derek Vaden’s 2022 EP, The Recreational Experiment. The Chicago-based musician and songwriter salaciously straddles the line between blues rock and indie to deliver a hard and heavy rhythmic revival; if Velvet Revolver and Muse had an aural lovechild, it would undoubtedly go under the moniker, Derek Vaden.

The winding blues rock increments are overdriven to the nth degree to give the riotous release anthemic appeal, but none of the vintage blues rock tones lost their bluesy bite. If anything, teeth have been sharpened in this confrontationally volatile release, which was written, performed, and recorded by Derek Vaden’s reverently rock n roll hands in his own studio.

Check out Eating My Words on YouTube and SoundCloud.

Review by Amelia Vandergast

Square Pyramid sang the post-punk blues in their grungy hit, Run Down Dirty Soul

Taken from the eponymous debut album from Square Pyramid, the standout single, Run Down Dirty Soul, is a progressively exhilarating mash of era-spanning alternative culture. From post-punk to blues to grunge, it’s all on the table in this enlivening intrinsically originated hit that has what it takes to unite music scenes once and for all.

With atmospheric hints to Echo and the Bunnymen in the chorally cold rings of the guitars in the intro along with bluesy harmonica blasts before the track slams into a grungy revival of off-kilter alt-90s and college radio rock tones, clearly, each of the three members of Square Pyramid came to the outfit with their own influences and inclinations. And therein lies the blisteringly experimental alchemy within Run Down Dirty Soul. It is a sonic amalgamation that no other outfit has brought to the table.

There’s nothing quite like allowing multiple parts of your personality to meet each other in the space of one song, and that’s exactly what Run Down Dirty Soul achieved for me.

Check out Run Down Dirty Soul on Apple Music and YouTube.

Review by Amelia Vandergast

What it means to be lost: Jamos Blood – Flesh and Back to Bone

Jamos Blood sludged up blues-rock in the standout single, Flesh and Back to Bone, from his debut EP, Blood Brothers, which delivers swampy riffs, train track rhythms and a sense of ennui that cries out to the disenfranchised by uncertain futures masses.

Gonna walk my dog til he don’t walk no more” beautifully and sentimentally encompasses the notion that everything is fleeting in a cruel world which pulls away every anchor, eventually.

The EP was recorded with Blood’s late brother, Clayton, which puts even more context behind the titular disposition and the themes of love and loss that will wash with any Waits and Petty fans.

As someone who is no stranger to grief, it was all too easy to connect with Jamos Blood’s psyche in Flesh and Back to Bone. The sense of lost listlessness with splinters of optimism that can often feel naïve was captured with such finesse in the roots-driven rock hit it is easy to view Jamos Blood as one of the most important voices of our era.

Flesh and Back to Bone is available to stream on Spotify.

Review by Amelia Vandergast

OneSelf Featuring Mario Deschenes, orchestrated an electrifying rock n roll revival with “( Here ‘N’ There ) ‘N Anywhere”

OneSelf Featuring Mario Deschenes

“( Here ‘N’ There ) ‘N Anywhere” is the latest simmering feat of groove-heavy rock n roll from OneSelf Featuring Mario Deschenes. With the pop motifs beside the bluesy piano riffs and plenty of overdrive behind the raucous guitar lines, it is hard not to get swept up in the upraising momentum of the infectious earworm led by Mario Deschenes.

With touches of The Beatles written into the production and an element of 70s era Elton John in the frenetically galvanising hit, any true rock n roll fan won’t be able to resist the garagey electrifying energy within ( Here ‘N’ There ) ‘N Anywhere, which contains equal parts swagger and soul.

Listen to Here ‘N’ There ) ‘N Anywhere here.

Review by Amelia Vandergast

Cash Machine delivered 70s prog-rock perfection with their soul entwined single, Digital Zeus

After dropping their raunchy funk-sliced prog rock debut single, Promises, the Upstate SC outfit Cash Machine subverted our expectations entirely with the sophomore follow-up, Digital Zeus.

The seamlessly progressive single starts as a smoky, lounge-y feat of late-night bluesy soul before progressing into a riff-led prog rock epic that would leave any Genesis fans kneeling at Cash Machine’s unholy alter.

The screeching guitar riffs to the almost thrashy percussion builds an immersive 70s prog-tinted crescendo before the timbre temporarily winds back down to a Jeff Buckley-style serenade. Naturally, we can’t wait to hear what follows this solid feat of ingenuity and technical ability.

Digital Zeus officially released on September 28th; check it out on all major platforms via this link.

Review by Amelia Vandergast

Marc Ambrosia is over sentimentialism in his devilishly clever post-breakup single, Cold Shoulder

Born and raised New Jersey native Marc Ambrosia created the breakup track to end all others with his latest single, Cold Shoulder, which captures the sweetness of freedom in the spicey lyrics which go in the opposite direction of sentimentalising.

With resonantly devilish lines such as “Misery loves company, but I hate that you’re so close to me” and “too much of a good thing, was it any good at all? you can’t help but fall in love with his realist uninhibited candour.

With the same fiery energy of Pat Benatar’s Hit Me with Your Best Shot in the chorus, the intricately bluesy rock meets power pop single is a surefire way to pull anyone out of a self-pity pit. His lyricism is god-tier level, and his hooky instrumental loops aren’t far behind that celestial plateau.

Catch Cold Shoulder on SoundCloud and await the third LP, EDGE, which is set to drop on October 28th.

Review by Amelia Vandergast

Live Review: The Virginmarys mainlined blues through punk veins with rock & roll reverence on their tour of their EP, Devil Keeps Coming.

The UK live music scene may be on its knees. But on October 15th, a near-capacity crowd flocked to Gorilla in Manchester to kneel at the unholy alter of The Virginmarys as the Macclesfield-hailing band played the home leg on their tour of their critically acclaimed EP, Devil Keeps Coming.

With it being my first Virginmarys show amongst their devout fans, I was unsure of their ability to cut through the usual awkwardness of live music in the new normal. From the very first note of The Meds, any sense of cynicism slipped away. The crowd was instantaneously thrown into animation. Yet evidently, this was no average punk rock pit. Euphoria fuelled the momentum in place of the usual boozy weight-throwing aggravation. Something I’ve scarcely seen unless Riot Grrrl icons and their descendants are gracing the stage. As a testament to how much adoration The Virginmarys garner from their fans, one couple made the 3,000+ mile journey from Ohio to witness the deafening duo tearing up the turf in their hometown.

One thing I will never forget is how it wasn’t just the blues mainlined through punk veins with holy rock n roll reverence that gripped the crowd through the symbiotic dynamism between Ally’s guitars and Danny’s Bonham-Esque drum fills. In every direction, I saw how viscerally the lyricism resonated and psyched the crowd into a frenzy through the wit-deep lines that strip the alienation from political disillusion and mental precariousness.

The acoustic rendition of Sleep was also a tear-jerking memorable feat of the hit-after-hit setlist, which forwent the egocentric inclusion of an encore. I’m fairly convinced that in Ally’s past life, he was a tortured soul from Tennessee. His uninhibited songwriting skills are only matched by his ability to get to the crux of emotions that mostly go unspoken.

If you get a chance to catch them on the remaining legs of their UK tour, take it. You won’t regret it.

Artist Links: Facebook, Instagram, Spotify, Twitter.

Live Review by Amelia Vandergast

Arbor Creek gave us the Chicago blues in their old school rock n roll single, Make Your Mind Up

Keeping the wheels turning on rock n roll, deep from Chicago’s south suburbs, Arbor Creek is set to release their debut album, Thanks for Wading, featuring the nostalgically bluesy hit, Make Your Mind Up.

Immune to the allure of modern rock gimmicks, Arbor Creek is committed to keeping the warm overdriven vintage tones of rock n roll alive, and pouring soul into each of their tracks which are sure to appeal to any fans of The Rolling Stones, Muddy Waters, Freddie King and Buddy Guy. For the outro, Make Your Mind Up gives John Bonham a run for his legendary money; the nostalgically rich progressive single keeps on giving as it gradually builds in saturated analog momentum.

Thanks for Wading will officially release on August 26th. Check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

The Viennese School spins a histrionic tale in his roots revivalist triumph, Dr. Irving

There is your average indie rock nostalgic peddler, and then there’s the Boston-based originator, The Viennese School, with their hauntingly archaic reinventions of American roots, folk, and gospel.

Their self-titled debut LP, featuring the standout single, Dr. Irving, tells the parallel stories of an army doctor, their brother soldier and the demise of a student found beneath a frozen river. You’re pulled into the narrative as much as the Avant Garde soundscape, featuring spacey psychedelic synthetics, old-school crooned vocals, blues rock solos and almost pornographically warm saturated analog tones.

Something is evidently in the Bostonian water if it bred The Viennese School as well as Amanda Palmer, who runs in the same histrionic direction as the artful innovator. What Ryan Murphy is to the small screen, The Viennese School evidently is to the airwaves. We’re officially obsessed.

Dr. Irving is now available to stream on Spotify.

Review by Amelia Vandergast