If we still believed that exceptional artists sold their soul to the devil in exchange for their talent, we’d be making that very same accusation about up and coming singer-songwriter and instrumentalist Nathan Fox.
“Trouble” is their forthcoming intoxicating feat of Alt-Pop which puts Alex Turner’s attempt to be bluesy and cool to shame.
The atmospheric alchemy which comes from the collision between the funk-led arrangement and Nathan Fox’s harmonically raspy vocals is unparalleled from anything else I’ve heard before. I’m pretty sure it will be the same for anyone else that hits play on this trailblazingly ingenious record.
Trouble will be available to stream via all major streaming platforms from October 9th. In the meantime, you can check out their former tracks on their website and keep up to date with news of the release via Facebook.
NYC has spawned an innumerable number of sensational artists, another act which can be added to that list is the smoother than smooth up and coming Electronic Blues Pop act The Meta4 Revue.
May 2020 saw the virtuosos of stylistic soul drop their debut album “Magnum Opera”, the perfect introduction to their ambiently entrancing funk-soaked style is undoubtedly “Maltese”. It doesn’t take long for the magnetic grooves to pull you into the Bluesy feat of Electronically crafted Art Pop which you’ll undoubtedly want to give repeat attention.
I never thought I’d see the day where I’d get to hear an artist offering more sensual evocativeness than Cigarettes After Sex, but here we are.
You can check out the debut album from The Meta4 Revue by heading over to Spotify.
Rising Indie Pop act Alexandra Ayoob has unleashed an alluring earworm onto the airwaves with her darkly atmospheric debut hit “Something’s Missing”.
If you could imagine what a Hozier, Bjork and Billie Eilish mash-up would sound like, you’ll have a good idea of the kind of aural alchemy which Something’s Missing will throw your way.
Similarities aside, the almost overwhelmingly resounding distinction found in Something’s Missing. Through the style, performance and passion, Alexandra Ayoob set herself from any other artist around in 2020. She’s definitely one for the radar, no other artist parallels her ability to ooze sensuality and soul simultaneously.
Something’s Missing is due for release on October 3rd. You can pre-save or pre-purchase the track via this link.
Keep up to date with news of the release via Instagram.
Hailing from the Southside of Chicago with its history of steel mills and factories, singer/songwriter Travie Austin follows up 2019’s ‘Scrapbook’ with ‘Black and Blues’, nine tracks and 32 minutes of laid-back blues-inspired bops.
Like his hometown, “Black and Blues” is a melting-pot of influences. Infectious, soulful, and downright funky at times, Austin crosses genres with ease; as the title suggests, there’s a definite bluesy feel across the album, but this is interspersed with some tasty fusion piano breaks a la Brad Mehldau or Austin’s inspiration John Legend, and the Gary Clarke Jr. and Julian Lage-influenced guitar lines peppered between the electronic beats and breaks.
Austin showcases his versatility with some heavier riffage on ‘I Earned It’ and the Rodgers-style syncopation across ‘Funk Take Over’ and album closer ‘Final Get Down’. Overall, “Black and Blues” is classy and accomplished, uplifting and funky; you can hear the album on Spotify and check out Travie on his official website.
When love songs are as inventively titled as Leo Howse’s latest single “A (nother Fucking) Heartfelt Love Song” featuring Suzi Jodie, we were always going to pay attention.
From the first hint of sardonic wit in Leo Howse’s playfully bitter-sweet Indie Folk Pop single we instantly warmed to their sarcastic style which was perfectly complemented by Suzi Jodie’s ardently accordant vocals.
Anyone who appreciated the Fratellis’ off the cuff songwriting style will definitely want this melodic psychedelically-infused feat of Pop in their ears.
We can’t wait to hear what comes from the up and coming eccentric artist. Maybe, by the date of the next release, the earworm which this single left us with may have wriggled out.
You can check out A (nother Fucking) Heartfelt Love Song for yourselves by heading over to SoundCloud.
If there’s any Alt Pop artist we’re stoked to hear more from this year, it’s the sultrily sublime newcomer Mama Yaya.
Her fans were treated to yet another infectiously Funk-riddled hit with the release of her single “Devil” which dropped on May 29th. In Devil, grooving Neo-Soul meets roots-deep Blues Rock and Pop. Despite the levels of distinction which are impossible to miss, Devil is an incredibly accessible radio-ready hit which stays with you long after the track has faded to a close.
The driving snappy beats paired with bendy basslines and bluesy guitar licks form the perfect platform for the bewitching vocal style which consistently evolves through the dynamic earworm.
You can check out the official lyric video to Devil by heading over to YouTube.
After an absorbing spoken-word prelude, Dom Reynolds’ latest single “Jealousy” kicks off as a cathartically indulgent Blues Pop soundscape which will enamour fans of John Cooper Clarke and RnB Soul alike.
That may be a slightly unexpected pairing of styles. Yet Dom Reynolds’ experimental Funk-addled style is all the more captivating for the fact that he’s aurally ripped up the rulebook.
Charlotte Neal’s strong, yet smooth harmonic vocals work alongside the deadpan spoken-word delivery throughout the track. Which not only creates a potent amount of collaborative chemistry but also ensures that the lyrics resonate with maximum impact.
The ambient slow jam comes with a nuanced infusion of Psych. When Jealousy is in full flow, you’ll be suitably mesmerised by the colourfully warm tones.
You can listen to Jealousy by heading over to SoundCloud now
I’ve been hooked on Josh Rosenblum’s nuanced euphoria-inducing Blues guitar style ever since hearing their standout single “Stormy” from their sensational 2018 album “Outlier”.
Their elevated, punchy, porously passionate Funk-soaked Blues Pop offers an unparalleled amount of energy which sugars the airwaves, making it practically impossible to feel bitter when you’re ingesting it. It also helps that their ability to craft infectiously happy melodies is practically arcane.
As someone who finds themselves predominantly drawn to music on the more pensive side through fear of encountering vacuously plasticised feel-good tracks, I’ve even surprised myself with how much adoration I have for their latest single “Hangin’ On”.
The raw human emotion projected into the single wasn’t hindered by the phenomenal production which ensured that Hangin’ On would become a radio-ready hit. It simply amplified the resonance which pours from the track which boasts an insane amount of commercial appeal. I’m fairly adamant there never has, and never will be Blues Pop riffs on the airwaves which share a stark reminiscence to Josh Rosenblum’s. His ability to humbly demonstrate his virtuosic prowess at the same time as creating such accessible music is tragically rare, but the shortfall has more than been made up for through Hangin’ On.
After signing with Pacific Records, we’re fairly convinced that massive things are in store for the Josh Rosenblum Band in 2020.
You can check out Hangin’ On which was released on February 7th along with all of the artist’s earlier releases via Spotify.
Keep up to date with the latest releases and tour dates via Facebook.
Ashley Singh has made their debut with their catchy pensive Indie Pop single “Through the Pain”. If you’re always keen to check out ahead of the curve hits, Through the Pain will undoubtedly make a welcome addition to your playlists.
By mixing bluesy, gritty pensive guitar progressions and snappy electronic percussion, Through the Pain has plenty of distinction to offer. It’s not all too often that we come across earworms which also offer plenty of lyrical depth. But you’ll be able to expect plenty of deep melodic hooks alongside bitter-sweet emotion which definitely doesn’t fail to resonate.
The production had a slightly Lo-Fi feel, yet, this only served to amplify the potency of the raw expression which had been poured into Through the Pain which feels like a natural progression on from bands such as Arctic Monkeys. It’s going to be exciting to see where Ashley Singh takes their sound next.
Check out Through the Pain for yourselves by heading over to Spotify.
Every now and again, I get a stark reminder of just how powerful a soundscape can be. The most recent single to leave me floored was the stunningly composed piano-led Folk Blues single “Red” from Bahrain-based artist Ala Ghawas.
There may be waves of melancholia in the poised melodic ebbs and flows which are more than capable of pulling you under. But there’s plenty of comfort to be found in the sublime pensive semi-orchestral arrangement along with Ala Ghawas’s magnetically warm vocals joined by ethereal choir backing vocals
Any fans of Nick Cave, Tom Waits, Nadine Shah are definitely going to want to check out Red along with the other virtuosic singles released by the deftly talented artist.
You can check out Ala Ghawas’s recently released single Red for yourselves by heading over to SoundCloud now.