Browsing Tag

Alt-Pop

Urban Café Crew cruised through 80s nostalgia and became sonic heartthrobs in their latest single, Movin’ Down I39

It’s all gas and no brakes in Urban Café Crew’s latest single, ‘Movin’ Down I39’, which exudes a striking blend of 80s Hollywood glamour and heart-throb vocals that make the driving anthem impossible not to groove with.

With the opening sounds of engines revving against strident piano chords that are augmented by Blockbuster nostalgia, you’re instantly susceptible to the lyrics that compel you to seize the moment while the rhythmically magnetic progressions seize your pulses and evoke panoramic images of a guy driving to get the girl. The propulsion of the pulsating beats transcends auditory ingenuity to craft a visual masterpiece that you’ll never get tired of revisiting.

We didn’t need any more evidence of the Australian-based collective’s cultivated songwriting stripes after hearing their Christmas earworm and the eternally endearing single, Hey There Boomer, It’s Not OK. Yet, now that Movin’ Down I39 is here, it only cements their ability to produce hits that sweep you up in their infectiously soulful intensity; it’s the most syncable single I’ve heard this year.

Movin’ Down I39 was officially released on July 17; stream the single on SoundCloud now.

Review by Amelia Vandergast

Caitlin Lavagna prescribed an artfully amplified pop punk antidepressant with her latest single, Pretty Alright

As you crank up the volume in Caitlin Lavagna’s latest synthesis of art-pop and pop punk, Pretty Alright, the absolution amplifies to the nth degree as the singer-songwriter and multi-instrumentalist fervently strives to let loose the black dog and awaken her listener’s inner power.

The infectiously fiery reprise of “It will take time to feel pretty alright” in the electrifying riff-raw anthem attests to how patience is the ultimate virtue in the process of healing, yet everyone has an active role to play in the reclamation of their serotonin and self-esteem.

With a vocal presence that could rival any of the chart toppers, there’s no denying Caitlin Lavagna’s charisma which acts as a catalyst of resolution and salvation in Pretty Alright.

You just can’t help but succumb to enamourment when your senses are being stirred by her larger-than-material-reality energy and her songwriting stripes which are sliced with more hooks than a butcher’s shop.

Pretty Alright was officially released on July 11; stream the single on Spotify now.

Review by Amelia Vandergast

khokkosh. incited an industrial art-pop riot with ‘pelicaning’

Exhibiting the artistic freedom of a mind that knows no creative constraint, the 20-year-old dark electro-pop producer and visual artist khokkosh. used her seminal single, ‘pelicaning’, prised from her sophomore two-track release, ‘pelicaning./a duck, a bear, and I.’ to conjure a macabrely avant-garde aural installation that haunts the middle ground of Poppy and Billie Eilish.

By mainlining the harsh elements of industrial into a hypnotically warped earworm which sonically mimics the effects of a trance spiral, the Indian artist found her place at the vanguard of the art pop revolution.  The self-written, produced, mixed, and mastered computer-adjacent, thematically visceral synthesis of caustic beats and scathing synths explores the self-invented phenomenon of pelicaning; the act of caging words inside you until they are forced to erupt.

With this two-track release feeding into khokkosh.’s merciless agenda of piercing through the veil of inhibition, regardless of how ugly we may appear to others we expose our true unfettered autonomy, the revolutionary isn’t just one to watch, her fearless authenticity makes her an artist to admire and emulate.

Stream the official music video for pelicaning, which premiered on July 8th on YouTube now.

Review by Amelia Vandergast

London’s introspective indie pop icon, Gemma Felicity, struck again in ‘10 Million Dates’

Our adoration for Gemma Felicity remains unflinching after the release of her intimate indie pop single, 10 Million Dates. With her latest right-on-the-euphonic money release, the London-hailing singer-songwriter captured the collective frustration within the modern dating scene, detrimented by the illusion of endless choice.

The sense of disillusion in the lack of real, raw, and pure connection resounds throughout the artistically profound, poetically bitter-sweet lament which acts as the ultimate consolation to anyone who is losing the motivation to keep searching.

By delicately touching on themes of people pleasing, loneliness, fear of the future, emotional baggage, and the ennui which follows pinning hopes on a transient character in our lives before they disappear within the folky dream pop reverie of the polished production, Gemma Felicity delivered one of the most affecting singles of 2024.

As the introspectively candid icon gears towards the release of her 5-track EP, Baggage, there’s no doubt that she’s inching towards the zenith of her career.

10 Million Dates was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergas

Marc Ambrosia aurally embodied queer pride with his alt-pop anthem, You Can Tell Me

Pride month may be over, but the perpetual appeal in Marc Ambrosia’s queer pop anthem, You Can Tell Me, is infinite.

The luminously iridescent outpouring of euphoric emotion, inspired by a coming-out story which tore down a barrier in a friendship, explodes as a riotous affirmation that there are few things sweeter than tearing off a façade and tuning into the liberating freedom of living openly and proudly.

The tinged-country pop-rock hit is enveloped by the exhilarating joy that comes as a consequence of acceptance and self-expression while LGBTQ+ allies are celebrated for their profound ability to change worlds simply through understanding and accepting.

Whether the single acts as an inspiration to take that candid leap or you adopt Ambrosia as a confidant while you prepare to write your own coming-out story, there’s no denying that Ambrosia is well on his way to being crowned as a queer pop icon who will be impossible to usurp if the ecstasy in You Can Tell Me is a sign of what is to come.

With his fourth studio LP, Gay & Proud, due for release on August 30th, he’s a visionary you want on your sonic radar.

You Can Tell Me was officially released on July 5th; stream the single on SoundCloud now.

Review by Amelia Vandergast

Georgina White became Trip-Hop’s most arresting chanteuse in ‘LOVE’

Georgina White’s recently re-released single, LOVE, is an aching reflection on the darker shades of affection. As the PJ Harvey-esque trip-hop aesthetics mirror the turbulence of a mind gaslit into accepting abuse by nefarious actions running under the guise of passion, the indie alt-pop framework ensures that White is doing far more than simply following in the footsteps of trip-hop pioneers, she’s synthesising a sound that is irreplicably her own.

The sepia-tinged production by the hand of Dan Myers brings an aura of old-school spectral soul to the soundscape which harnesses the haunting vocal delivery. Delicate yet commanding, White’s voice embodies the complexities of maleficent love, delivering each verse with a chanteuse’s grace and an insurgence of empowerment. Angel Olsen herself couldn’t have performed LOVE better.

Penned after drawing inspiration from the Cruel Intentions soundtrack, LOVE lends from the melancholic depths of the OST; despair pulsates throughout the progressions in the luxuriantly arcane production that melds gritty guitars with syncopated beats that mimic the frenetic rhythms of a heart beating out of sync.

Whatever the Brit-Austrian artist and actress turns her talents to next, it is going to be the epitome of iconic.

Stream LOVE on Spotify now.

Review by Amelia Vandergast

Kaciny – Happy Thoughts: A Soulfully Sardonic Anthem for the Melancholic Soul

Kaciny’s debut single, Happy Thoughts, immediately strikes the senses with its pop-punk-esque staccato guitar chops before erupting into an anthem impaled by indie jangle pop hooks. The euphoric production is affectingly juxtaposed with bittersweet lyricism, offering a protest against the trite rhetoric often directed towards those with a natural proclivity for melancholy.

Kaciny’s soulfully sardonic grace in addressing this phenomenon sets her apart from her contemporaries. Her ability to capture the essence of ennui while simultaneously critiquing societal pressures to remain perpetually upbeat delivers a potent shot of vindication for listeners who struggle with their own black dog. The earworm is a visceral ride through the rage-fuelled frustrations of wanting acceptance as you are, pensive tendencies and all.

Brooklyn-born and Mississippi-based, Kaciny grew up surrounded by a musically accomplished family, which heavily influenced her artistic journey. Her background, combined with influences from bands like Bloc Party and Paramore, and artists such as Santigold and Dionne Farris, shapes her unique sound. By the age of 20, Kaciny had already made her mark as a songwriter for notable artists like Jordin Sparks and Chris Brown.

Happy Thoughts is a testament to Kaciny’s stripes as a storyteller and musician. This flawlessly fierce alt-indie pop-rock release is so much more than the sum of its sonic parts. It’s an opportunity for listeners to reclaim their true identity and celebrate the beauty in feeling deeply as an involuntary rejection of superficiality.

Happy Thoughts will be officially released on June 28; stream the single on SoundCloud.

Review by Amelia Vandergast

Spyndycyt entered the industry as a zany indie pop enigma with ‘MysteryBoy’.

Spyndycyt’s seminal single, ‘MysteryBoy‘, kicks off with a short sermonic acapella narration of abstract lyrical poetry before the beat and scintillatingly strobing synths consume the track in true electro-pop style.

Yet, ‘MysteryBoy’ is far from your average pop fare. It fuses Jack White-esque aesthetics with Suicide-reminiscent indietronica and an eccentricity scarcely heard in the contemporary music industry. If Lou Reed lost all sense of restraint and approached his sound with unadulterated expression, you’d undoubtedly be treated to an exhilarant zany hit in the same vein as ‘MysteryBoy’.

Even after this soul-baring release, Spyndycyt remains somewhat of an enigma behind his avant-garde production that’s rampant with infectious zeal. His approach to music is intriguingly unconventional, but don’t get it twisted, though he may blaze through his productions driven by fantasies that far exceed his abilities, the result is a mould-breaking riot of rhythmically-charged euphoria.

His raw, almost naive touch, brings a unique authenticity to his work that seekers of fresh and boundary-pushing hits will want to devour. Break away from the mundane and predictable and hit play.

MysteryBoy was officially released on June 12th; stream the single on SoundCloud now.

Review by Amelia Vandergast

USUALLY MODEST became the biggest free-from-vanity rockstar in pop with ‘Toothpick’

USUALLY MODEST came in red-hot with his latest rock-licked hypersonic pop hit, Toothpick, which blurs genre boundaries through an explosion of high-energy hooks and a sense of unfettered exuberance that becomes infectious from the first progression.

Unravelling like an accelerated sonic lovechild of the Weeknd and the 1975, Toothpick speeds past contemporary trends, arriving safely in the confines of the future of pop, inviting listeners in by laying out a doormat woven by innovation

Just as his moniker would lead you to believe the up-and-coming Switzerland-born-and-raised artist with Ukrainian roots, his free-from-vanity sensibility shines through in Toothpick. The sticky-sweet emotional underpinnings are the cherry on the hyper-augmented sonic cake, which will undoubtedly allow the self-taught singer, songwriter and producer to rack up even more streams.

Since his humble beginnings on SoundCloud in 2017, USUALLY MODEST is well on his way to becoming a viral sensation. In the last three years, he’s racked up over 350,000 streams on Spotify along with 50,000 total views on YouTube. His standout single, Soul Searching, has also been in regular rotation on one of the biggest Swiss urban radio stations, yet, we’re sure that there are far bigger accolades waiting to fall on the revolutionary.

Stream the official music video for Toothpick when it premieres on June 7th via YouTube.

Review by Amelia Vandergast

Candy Rush debuted with her quirky pop revelation, Don’t Even Wanna Know

Don’t Even Wanna Know is the satirically sweet quirky pop debut from the Romanian London-based artist, songwriter and producer, Candy Rush (Elena Ilie). Play it loud and amplify the voice of this generation that is becoming increasingly tired of plastic pop protagonists who shirk autonomy while rattling a begging bowl for commercial success.

The debut is stylistically saccharine enough to implant a voracious sweet tooth in anyone who swims in its honeyed tides of the single which allows idiosyncrasy and autonomy to ebb and flow throughout the avant-garde mix of alt-pop, neo-jazz, funk and soul.

“It feels like an infection to deal with your perfection” is just one of the introspectively enlightening lyrics which embody the lyricist’s ability to move far past the tired tropes and deliver lines that catch you off-guard with the resonant obscurity. Her playful approach to vocal arrangement and unorthodox grooves resulted in a ground-breaking debut which embodied her desire to exhibit the quirks and contradictions of modern life.

With the accessibility of the proverbial girl next door and a talent that could rival HONEYMOAN, Candy Rush will prove to be a force to be reckoned with as she rises up from the alt-pop underground.

Don’t Even Wanna Know was officially released on May 24; stream the single on Spotify.

Review by Amelia Vandergast