“Farther” is the latest single released by up and coming Indie Pop artist Carly Opacic which perfectly fuses vintage tones with a contemporary vibrant appeal. But more importantly, Carly Opacic has created her latest single through the motivation to make the world a less alienating place.
Many people presume that their life experiences are individualistic, but it is tracks such as Farther which remind us that we have more in common than we realise. Along with the compassionate sentiment the track was orchestrated with, you’ll also be able to find a myriad of music styles. From Trap to Funk, to Jangle Pop, to Electronica. It’s all weaved into the experimentally rhythmic single to create the perfect track to slip into and feel the evocative catharsis.
You can check out Carly Opacic’s latest single Farther for yourselves by heading over to SoundCloud now.
Billie Eilish may be the poster girl of moody Pop right now. But up and coming Alt Pop artist Evenal is making some pretty dark waves of their own which are going to plash onto your radar sooner rather than later. It’s only a matter of time.
Their recently released Pop Trap single “Fatality” ft Wilfresh is as sultry is as it is ominous. And it’s not every day you can say that about a breaking artist’s work. But everything about Fatality comes together to offer an atmospheric allure which you’re more accustomed to hearing from more established artists.
The concordance of the beat is only matched by Evenal’s flawlessly magnetic vocals which run through the verses in a poised, deadpan style against the downtempo Trap beats. Fatality is as fresh as Pop gets,
You can check out Evenal’s single Fatality for yourselves by heading over to SoundCloud now.
With up and coming Alt Pop artist Nir Kay’s latest single “I Saw It Coming” there’s a sweet juxtaposition of Pop styles which allows Pop to undergo a brand-new evolution while immersing you in familiar vintage tones.
The instantly accessible single offers punchy modern Jangle Pop melodies alongside the nostalgia of 80s Power Pop ballads. Nir Kay teamed up with Nicole Swiecka to borrow her deft vocals, and they proved to be the perfect fit for the soulful instrumentals which served up plenty of Funk and groove in the Synth Pop hit. I Saw It Coming carries some reminiscences to 80s icons such as Madonna, but Nir Kay’s sound is well and truly their own.
You can check out Nir Kay’s single I Saw It Coming which was released on September 6th for yourselves by heading over to YouTube now.
If Otto Van Schirach ventured into Pop, I can imagine that it would sound a little like up and coming artist Short Sharp Scratch’s latest single “Shark Infested Waters”.
While it may take a little while for the melodic hooks to sink their teeth in, the experimental Synth Pop single grabs your attention right from the prelude through the power of the Funk alone. There aren’t many artists brave enough to go so bold with their sound, but perceptibly, Short Sharp Scratch isn’t your average artist.
Even though Shark Infested Waters contains plenty of progressions in sound, it was easy to feel that the four-minute duration was slightly overstretched. Aside from that Shark Infested Waters is a flawlessly eccentric hit. It may not be everyone’s cup of tea, but distinctive music never is.
You can check out Short Sharp Scratch’s latest single Shark Infested Waters for yourselves by heading over to SoundCloud. Just don’t be surprised if the choruses stick to your synapses like superglue.
Any fans of Daft Punk and Funk-laced Pop are going to want to check out the latest single from up and coming artist The Revel. “Hit The Moon” is a danceable contemporary Pop mix packed with groove and effective instrumental hooks which draw you into the sticky-sweet choruses.
There’s plenty to love about Hit the Moon, but The Revel’s sound is one which you will find in countless tracks which are already on the airwaves. They’ve obviously got the talent; they’d be unstoppable if they poured in their unrestrained creative soul into the soundscapes instead of pandering to the contemporary Pop trends. Having said that, Hit the Moon is still an incredibly catchy earworm.
You can check out The Revel’s latest single which was released on September 20th for yourselves by heading over to YouTube now.
Up and coming Indie artist Haven has demonstrated their powers of aural transfixion with their debut single “Somewhere Brighter”.
With the Jangle Pop guitar progressions, a Post-Punk tone creeping in through the basslines, and Haven’s instantly magnetic vocals, debut singles don’t come much more exciting than this.
Around the Pop sensibilities of the soundscape, there is also layers of soft Alt 90s Grunge sound combined with melodies which aren’t too dissimilar from bands as Blink 182. There may be a slightly Lo-Fi feel to Somewhere Brighter, but this only amplifies the emotivity in the seamlessly progressive single.
The single kicks off with soft vocals around hazy, sunny layers of reverb spilling from the guitars before building into a captivating feat of pioneering Indie which is all too tempting to play on repeat.
You can check out Haven’s debut single Somewhere Brighter for yourselves by heading over to Spotify now.
Alt Pop duo Sisk & James has recently made their debut with the four-track EP “Outer Limits”. If you can imagine what it would sound like if Maroon 5 teamed up with Depeche Mode, you may just get an idea of how infectiously Funk-filled their take on Synth Pop is.
The best introduction to their genre-contorting sound is the upbeat jam “Right Between”. With elements of Synth Pop, Funk, Rock, and Contemporary Pop all fed into the mix, you’ll be able to throw yourself into familiar and accessible sounds while being in arrested in awe at Sisk & James’ pioneering aural flair.
As punchy and melodic as Right Between was, I wasn’t expecting a jaw-drop moment on the outro. But when it comes to keyboard riffs, I can quite honestly say that I’ve never heard anything so sonically alchemic in all my time ingesting electronica.
You can check out Sisk & James’ single Right Between along with the rest of their EP for yourselves by heading over to Spotify now.
Australian singer-songwriter Hugo Basclain has recently released their evocatively intense Pop single “Veins”. By hitting play, you’ll throw yourself headfirst into the refreshing distinction of the uniquely compelling Ballad. With elements of Classic Pop combined with a contemporary Indie feel, it doesn’t matter how many times you’ve heard someone spill their souls through a single. Veins is a soundscape which makes very little apology about getting under your skin.
By far the most striking aspect of the single is the way in which the narrative gradually unfolds against the semi-orchestral piano-led soundscape as the lyrics become increasingly candid with each verse. It’s the perfect track to test whether your soul is still functioning or not.
You can check out Hugo Basclain’s single Veins for yourselves by heading over to SoundCloud.
London-based multi-instrumentalist singer-songwriter NevilleSounds (Aaron Kieran Neville) has made their solo debut with their single “Ending Scene”. I can quite safely say that any fans of Mike Patton are going to want to hear it.
In parts, Ending Scene is reminiscent of Patton’s unfalteringly smooth crooning style which you’ll hear in the more sedate Faith No More tracks such as Evidence, Ashes to Ashes, and Easy. Yet, the single also throws in plenty of indulgently captivating Pop hooks, giving Ending Scene a massive amount of contemporary appeal – but it’s not without its melancholy.
It’s all but impossible not to make a visceral intrinsic connection with Ending Scene. So frequently moody Alt Pop is totally void of any soul – you may as well stand at a bus stop and listen to someone have a bit of a rant, thankfully, Ending Scene lies on the other end of the spectrum. With the light, vibrant and shimmering Pop elements sitting against the smooth and sonorous Rock, and the Motown soul tones, it’s enough to make your own soul feel exposed.
Ending Scene was inspired by the empathy and compassion found in trying to understand a friend’s terminal diagnosis with cancer. But Ending Scene encompasses a whole manner of other tribulations including our own personal apocalypses and the mental thrashing we take knowing our planet is on fire. Essentially the single serves as a roadmap through the artist’s journey through compassion and death – and it hits hard.
Ending Scene was released on November 1st, and you can check it out for yourselves by heading over to SoundCloud.
“Mr Square” is the latest single to be released by the experimentally pioneering, unfuckwithably fabulous up and coming artist Gelax.
Without any hint of hyperbole, I may have just stumbled across my favourite new artist in 2019. From the very first time of hearing Mr Square, the taunting, sardonic nature of the lyrics hits you along with the unique sense of satisfaction through listening to such convictive lyricism laying down an aural attack on misogyny.
The same instantaneously gripping effect is something that I have only ever experienced through hitting play on any of Amanda Palmer’s (Dresden Dolls) tracks. And that’s certainly not a comparison I make lightly.
Despite the angst behind the inspiration of the soundscape, the lyrics are versed through reflectively hazy vocals which sit in perfect synergy with the instrumentals which share the same lucid textures until the basslines come in to dominate the soundscape through blistering grooves.
You can check out Mr Square along with Gelax’s earlier released singles for yourselves by heading over to Spotify now.