Browsing Tag

Alt Indie Rock

Sleemo – Teeth Tapping: Riotously Fresh Alt Indie Rock

Up and coming UK Alt Rock artist Sleemo dropped their self-titled debut in 2019. Anyone who prides themselves in having their finger on the pulse of brand-new exciting talent will definitely want to get acquainted with it.

While each track is a hit, the perfect introduction to their riotously eclectic sound is “Teeth Tapping”. With Sleemo’s experimentation with elements of Funk, Post-Punk, and Surf Rock along with their devilish tendency to efficaciously dabble with special effects, the immersive distinction in their sound is impossible to miss.

Teeth Tapping was a track born to get sweaty and bruised in a pit to. After hearing the virtuosic nuances in the riffs and becoming enamoured by the vocals which find the perfect balance between abrasive swagger and Indie Rock charm, I definitely won’t hang around if presented with the opportunity to witness a live set from Sleemo

You can check out Sleemo’s single Teeth Tapping along with the rest of their EP via Spotify.

Keep up to date with the latest releases and tour dates from Sleemo via Facebook.

Review by Amelia Vandergast

Happy Freuds – Why: Reflectively Sedative Alt Indie Blues Rock

https://open.spotify.com/track/16KgWWC6YiQMm0vGeE9sWh

Up and coming Indie Artist Happy Freuds have released their most captivating single to date. “Why” is a stylistically moody reflectively sedative single – until the soaring, jarring guitar solo’s kick in.

It’s safe to say virtuosic licks weren’t an expectation after drinking in the dark Indie Folk Blues progressions which gently ease you into the melancholic melodies until they get richer and amplify in intensity throughout the extended track.

If you could imagine what a record would sound like if Bowie, Hendrix, and Tom Waits collaborated on it, you’ll get an idea of what to expect when you hit play on Why. Happy Freuds may have borrowed a fair few nostalgic tones, but it’s all too evident that creative ingenuity was at the heart of this mesmerising track.

You can check out the latest single from Happy Freuds by heading over to Spotify now.

Review by Amelia Vandergast

Columbia – Fall into The Sun: Raucously Volatile Indie Rock

If you’re always on the lookout for the most viscerally explosive Indie Rock, look no further than the latest single “Fall into the Sun” from up and coming artist Columbia.

With all of the unrestrained energy of bands such as Buckcherry and the fraught Indie tones of The Kooks, Fall into the Sun is an instantly captivating hit. Those James Dean Bradfield-style relentless riffs will stay stick to my synapses for quite some time.

Columbia makes enough of an impact you may very well get to the outro feeling slightly aurally bruised for the amount of volatility found in the tensile single. If they can bring that amount of energy to a recording, I’m not going to miss any opportunities to hear them live.

You can check out Fall into the Sun for yourselves by heading over to YouTube now.

Review by Amelia Vandergast

Leo Aram-Downs – As Is: Innovatively Enamouring Indie Acoustic Pop Rock

When an artist throws as much energy into a track as Leo Aram-Downs did with their standout single “As Is”, it’s practically impossible not to become enamoured.

In a world of Ed Sheeran assimilations, it’s incredibly refreshing to hear an up and coming singer-songwriter compelled to create an innovatively distinctive hit which pushes the boundaries of sound.

Leo Aram-Downs’ rapid-fire Indie Rock vocals start off resting against a mellow Indie Acoustic Pop soundscape. Yet, As Is has plenty of seamless progressions up its aural sleeve which will catapult you into a high-octane offering of Alt Rock complete with mind-blowing guitar riffs.

You can check out As If for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

Telyscopes – Monkey Beating a Bucket: Funk-Fused Chaotically Composed Alt Indie Rock

https://youtu.be/TTGTTUCErIc

Thankfully, the Telyscopes latest single “Monkey Beating a Bucket” sounds nothing like a monkey beating a drum. Instead, the single progresses through a prelude which wouldn’t sound too dissimilar to a Dresden Dolls/Talking Heads mash up, yet once the single kicks into verse the soundscape becomes with reverberantly deep lines around crunchy and angular guitar licks which feed into the Funk grooves of the single. It is pretty rare to find an up and coming artist who shows no lack of restraint when it comes to ensuring their creative visions are expressed, whose sound doesn’t register as a novelty. The single is laced with playful enigmatic charisma, yet, the ingenuity of the soundscape goes uncompromised which may have a lot to do with the sweetly alluring style of the vocals.

You can check out the official video to Monkey Beating a Bucket by heading over to YouTube now.

Review by Amelia Vandergast

State of Nature – Two Weeks Notice: Playfully Punchy Alt Indie Rock

It’s sardonic, it’s sweet, it’s genius and its State of Nature’s latest single Two Weeks Notice which was released on April 13th 2018. The Soft Alt Indie anthem unfolds as one of the punchiest uplifting tracks I’ve heard this year. State of Nature encapsulate the sound of the California sun within their latest single alongside the disparity that the working masses feel daily. It’s pretty rare that I’ll describe a track as inspirational, yet, I couldn’t help but get caught up within the dreamy bohemian sentimentality of Two Weeks Notice. The Jangle Pop guitars laid down their soulfully intricate licks as the soft, domineeringly sweet vocals serenade you into an alternative reality that lingers behind the confines of the rat race & capitalism. Far from yet another aggressive track full of contempt, the playful approach to lyricism will leave you with a smile on your face. “I’m keeping my swivel chair”. Genius.

Anyone who has ever hated their job will adore Two Weeks Notice by State of Nature where Alt Indie Rock is their bag or not. You can check out State of Nature’s quite genius lyric video to Two Weeks Notice on YouTube now

Review by Amelia Vandergast