Browsing Tag

Alt Indie Pop

Olen Filipe – Home 17: Authentically Augmented Indie Pop

Swiss-based Portuguese artist Olen Filipe’s latest alt-indie-pop single, Home 17, is a firestorm of evocative momentum, alchemised through a stridently lush blend of introspection, innovation, and unflinching soul.

The exposition of the complexities of love and self-discovery is guided by Filipe’s tender vocals and mapped with his candour-fuelled lyrics which transpose aching emotion into nuanced storytelling. The stylised and authentically augmented production ensures that the only thing that’s raw about Home 17 is the visceralism within the expression, which has earned the singer-songwriter a devoted following since his debut.

Filipe’s subtle harmonies leave a profound impact as they juxtapose the oceanic evocative nature of the release, which echoes the pain inflicted by self-conflict. There’s no understating the affecting nature of the production as it simultaneously stirs and comforts your soul.

Influenced by artists like Bon Iver and Neil Frances, Filipe stands out with his distinct sound in Home 17, which stands as a testament to his commitment to crafting music that not only resonates with listeners but also invites them on a passionate, introspective journey.

Home 17 was officially released on February 9th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Etherdene filtered her latest indie dream pop release ‘You Are My World’ through rose-tinted lenses.

In her ethereal alt-indie pop single, You Are My Word, Etherdene captured the transcendence of someone walking into your life and completely redefining reality around the light and colour they use to infuse your perceptions with renewed vibrance. To ground the track in realism, Etherdene used the all-too-relatable fear of rose-tinted glasses being shattered under the realisation of lack of reciprocation.

The ever-ascending melodies within the ardent yet sublimely tender track amplify the sticky-sweet romanticism drifting through the lyricism. Far from your average head-over-heels hit, You Are My World will leave you on a plateau, constructed by tentatively pure poetry which cohesively coalesces with the dreamy melodies that will easily be placed on any playlists featuring Cigarettes After Sex, Sigur Ros, and Beach House.

With over 10k monthly listeners behind her, Etherdene’s trajectory will only be upwards from here on out. Her rapid ascent after her 2023 debut reflects the affecting resonance within her self-expressive self-produced releases.

You Are My World was officially released on January 5th. Slip into the etherealism via Spotify.

Review by Amelia Vandergast

Heather McDowall visualised a digital delirium in her infectiously disorientated alt-indie pop hit, Truman Show

In 1998, The Truman Show exhibited the exploitative tendencies of media and how it damages self-perception; Heather McDowall spun that narrative a little further through the lens of a Gen Z raconteur of alt-indie pop with her latest single, Truman Show.

The Midlands-residing singer-songwriter burst through the delicate and twee indie pop bubble to deliver a funk-distilled, rock-licked earworm which transcends the candidly confessional and conversational style of Kate Nash.

The delirium of living in a reality marred by digital ties and afflictions is pervasive throughout the single; a nod to the unorthodox yet exhilarant production style, which allowed Heather McDowall to efficaciously visualise her disorientating experience with reality. It’s safe to say that she spoke for us all in yet another stellar feat of ‘multi-dimensional’ music orchestrating.

Since she made her 2019 debut on the airwaves following the success of her YouTube channel, McDowall has made several appearances on BBC Introducing, Live at the Basement Amazing Radio, and Totally Music. After bearing witness to the evolution of her style and the tangible resonance in Truman Show, McDowall is by far one of the most promising artists in the UK right now. For your own sake, dig in.

Truman Show aired on the airwaves on January 5th; stream the single on Spotify.

Review by Amelia Vandergast

MER reached the pinnacle of cathartic intimacy with ‘When I’m Alone’

With a touch of Adrianne Lenker to the vocals and a lo-fi ethereal guitar atmosphere which will placate the staunchest Elliott Smith fans, the NYC-residing singer-songwriter, MER’s latest artfully vulnerable single, When I’m Alone, reaches the pinnacle of cathartic intimacy.

The descent into Avant-Garde indie bedroom pop obscurity just before the track fades to a close gives you the compulsion to dive back into the passionately elevated arrangement while pulling in reminiscences to Mitski. But make no mistake, When I’m Alone is no feat of assimilation.

The visceral soul which emanates from the experimentalism is a testament to the originality of MER. The lyrical experience of fierce independence as a coping mechanism may be a relatively universal phenomenon, but MER is one in an expressively eloquent million.

When I’m Alone hit the airwaves on May 12. Hear it on Spotify.

Review by Amelia Vandergast

The Garnetts released the ultimate summer indie-pop staple with their latest hit single, Jealous

The Garnetts have exactly what it takes to follow in the alt-indie footsteps of their Liverpudlian counterparts, Red Rum Club, as they melodically stride towards success with their nostalgically sepia-tinged latest single, Jealous, which is due for official release on June 2nd.

With the angularly funky staccato guitar chops, crooned guitar lines, and definitively 80s atmosphere in the sentimentally sweet single, you will be immersed in the bitter-sweet narrative of romantic possession from the first infectiously carved chorus.

Any fans of The Maccabees, Foals and Mystery Jets will be instantly enamoured by the bubblegum propensity of this emotionally monolithic hit single that could easily become a staple part of your summer indie pop playlists.

Stream Jealous via SounCloud from June 2nd.

Follow The Garnetts on Facebook and Instagram.

Review by Amelia Vandergast

Chelsea Silva delivered the ultimate exposition on tentative anxiety with her canderous alt-indie-pop single, frontline

Chelsea Silva

After the Australian alt-pop singer-songwriter, Chelsea Silva ensnared us with her devilishly quirky 2022 single, Hades Has a Daughter, she’s shown us an equally disarming new side to her cogent talent with ‘frontline’.

With 70s folk pop tones behind her soft indie pop vocals in the intro which build into scintillating reminiscences to the likes of Lorde while sharing the same command of dark and gothic vocal ranges as Evanescent and Nightwish while never losing the stylish pop edges, frontline is definitively a triumph.

Silva set the lyrical bar high with her former releases. She transcended it with elevated grace in frontline. Exuding a tentative sense of disquiet uncertainty that grips us all while we attempt to work around anxiety and the landmines that our disparate society leaves us, only a sociopath would fail to get on the same page as Silva and resonate with every soul-shivering line.

Frontline will officially release on January 31st. Hear it on Spotify.

Review by Amelia Vandergast

Chelsea Silva reclaimed power in her vindicatingly catchy electro-pop debut, hades has a daughter

Alt-indie-pop singer-songwriter Chelsea Silva spilt fabled glamour all over the standout single, hades has a daughter, from her spell-binding EP, But What if You Fly?

Using Greek Mythology for her narratively clever exposition on how this mortal world puts kinks in our soul, the Sydney, Australia luminary newcomer proved that hell hath no fury like a woman scorned. Not even the god of the underworld can match a woman determined to reclaim power and question, “why do the happiest ones leave a trail behind?”.

The catchy, moody electro-pop beats playfully pop around Silva’s sultry theatrical vocal timbre to ensure that everyone who tunes into hades has a daughter gets a shot of vindication through the quirky arrestive sensation of a debut. She shimmers with all of the star power of Marina and the Diamonds while ensuring her own autonomy is the centre of gravity in the infectious hit.

hades has a daughter will be available to stream from November 30th. Catch the earworm on Spotify.

Review by Amelia Vandergast

Fair Verona roll their cigarettes with ‘Starlight’ in their latest evocative alt indie pop single.

‘Starlight’ is the latest sorrowfully ornate single from the Charlottesville, Virginia-hailing up-and-coming alt-pop duo, Fair Verona. In a sea of Phoebe Bridgers, Angel Olsen, Daughter and Lorde assimilators, Fair Verona gracefully went against the tide in their raw candour led soundscape.

While the lyrics bite into your sense of empathy, delicate piano keys and the twilight textures envelop you in their efficacious ethereal catharsis. It is impossible not to take on the emotional weight of the single. Unless you are a complete sociopath, in which case, I pity your immunity to the lush spacey blows hammered home by Mickey Vaughan’s evocatively glistening vocal timbre.

Check out the alternative mix of Starlight by heading over to YouTube.

Review by Amelia Vandergast

Glitchy art rock meets alt urban pop in Jacobi.e’s latest single, Rcv

Since his 2020 debut, experimentalism has been at the forefront of Jacobi.e’s alt bedroom pop sound. With his aptly dark, melodically off-kilter and tumultuously glitchy first single of 2022, Rcv, the Jamaican American artist and producer, currently residing in LA, fused his rock background with contemporary flavours of the originators, Dominic Fike, Kanye and Yeek.

While some artists manage to make exploring alternative sounds a contrived act of pretension, Jacobi.e instantly affirms that the alchemy came organically through his affinity for a plethora of genres. Pulling all of the contrasting textures together, his vocals are a sticky-sweet vocal point in the wavy track that stands as a testament to his flair as a producer that continues to amass gravitas.

RCV is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Melancholy Goes Pop in Castle KYD’s Alt-Indie Single Melatonin

https://open.spotify.com/track/6ORviCipZhv1u6wn1kILfi?si=eb21b894f01a4607

After leaving us infatuated with the brevity in “The Mess You Leave Behind”, the Rexburg, Idaho alt-indie artist, Castle KYD, has rekindled our penchant for his artfully affectionate sonic signature with his latest release, Melatonin.

Melatonin may have started as a proclamation against people who push you towards progress that you’re not ready for do more harm than good. But the jangly up-vibe single easily carries Castle KYD’s innocently defiant soul in the nuances of shoegaze and no-wave indie.

Castle KYD is by far one of the most promising artists on our radar. His artful inclination that reads in his sonic textures is one thing, his un-bittered sense of enlightened and reflective soul is another thing entirely. Melancholic indie-pop has scarcely been more infectious. Which goes a fair way in explaining how the independent artist has amassed over 54,000 streams since making his debut with ‘Menagerie’ in 2021.

Here’s what Castle KYD had to say on his latest release

“Most of the growth I’ve had happened when I just let the hurt flow through and let time do its healing.
I chose Melatonin for the title and overarching metaphor because it’s much like the hormone, or when you take melatonin pills. For me, I don’t want to move until it’s out of my system after I wake up, I usually wait, but it doesn’t help when I feel rushed, that’s how the concept for the song.”

Melatonin will officially release on April 8th, 2022. You can check it out for yourselves on SoundCloud or Spotify.

Review by Amelia Vandergast