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litesleeper unveiled a pulsating prism of euphonic euphoria in their organic electronica release, Hertz

Posted on 26 July 2024

Hertz by litesleeper surpassed sound to become a sophisticated statement that carries the evolution of electronica on its pulsating back. The Northampton-based collective’s objective to arrest rhythmic pulses while simultaneously stirring the soul was efficaciously achieved through their amalgamation of organic instrumentation and powerful basslines.

Vocalist Shannon Kait honed the release with a razor-sharp indietronica edge; her soulfully ethereal and emotionally charged harmonies floating above intricately layered production ensured that Hertz had all the potential to become the definitive sound of the summer.

With a production that’s as lush as it is meticulously arranged, the transcendent quality of the seminal single strikes a perfect balance between bass-fuelled momentum and hypnotic serenity. The seraphically utopic hues are enough to liberate you from the mundanity of material reality.

Keen to orchestrate tracks that resonate with seasoned clubbers and casual electronica fans alike, the only thing that is more monumental than the cross-over appeal of the single is the synaesthesia which will ensnare you from the first tonally rich progression.

Hertz will be available to stream and download on all major platforms from July 26th; stream the single on SoundCloud first.

Review by Amelia Vandergast

Bitvert – Deletist: A Techno-Punk Invocation of Resistance

Posted on 9 July 2024

Bitvert’s latest release, Deletist, is an off-kilter slice of pulse-pounding experimental electronica, crafted in the heart of East London’s artist quarter—where creativity thrives despite economic and political adversity.

The encapsulation of the struggle against a dysfunctional government and parasitic leaders embodies the spirit of liberation and defiance; the punk ethos charges the sequence of nocturnal electro, born through an amalgamation of spectral electronica, 4/4 techno beats and kinetic sub-bass frequencies.

The single’s release coincided with the new government’s election, yet it remains timely all the same, given the sense of nihilism and despair that remains pervasive in the UK’s collective psyche. Deletist serves as a bass-drenched techno resistance, a sonic uprising against the subjugation that has eroded hope and fuelled a belief in our epoch’s irreversible regression.

With punk’s spirit relegated to the shadows of the music industry, Bitvert ensures its essence endures through his frenetic rhythms that testify to the times, call for unity and vindicate through volition.

Deletist was released on the 4th of July via We Are Not Content; stream the single on SoundCloud now.

Review by Amelia Vandergast

Locian became the architect of art-rock therapy with his sophomore single, Power

Posted on 10 May 2024

Artistic intensity is tempered by the dialectical quiescence in the stormily tender confluence of art-rock and trip-hop in the sophomore single, Power, from Sydney’s most promising breakthrough artist, Locian.

Aching reverberations course through the lush architecture of the syncopated progressions, providing the ultimate juxtaposition of discomfort and ease to pay a fitting tribute to the complex interplay of ennui and self-imposed affliction. Locian’s vocals, caressing with each whispered breath, provide the ultimate permission to surrender to the therapeutic virtues of this flawlessly poignant release.

By building into a corrosive industrial electronica sequence towards the outro, which becomes a sonic visualisation of the disorientating soul-tearing nature of self-destructive internal narratives, Locian ensured that Power hit with maximum impact.

If your introspection is more torturous than waterboarding, break free from the poisoned rumination through the resounding philosophy within Power; it’s far cheaper than therapy.

Power will be available to stream on all major platforms, including SoundCloud from May 10th.

Review by Amelia Vandergast

Shadowed Heights: Ikechi Onyenaka Unpacks the Solitude of Success in his Neo-Trap Single, ‘Eclipse’

Posted on 7 May 2024

Ikechi Onyenaka’s latest single, ‘Eclipse,’ delivers an avant-garde blend of saxophone-laden jazz and sharp trap rhythms, underpinned by the emotional richness of neo-soul. This intrinsically authentic release evolves with each soulful progression, compelling listeners to groove along with Onyenaka’s reflective journey. Through ‘Eclipse,’ he explores the seldom-discussed loneliness accompanying success, challenging the enviable facade often associated with prosperity.

In ‘Eclipse,’ Onyenaka’s artistic versatility shines as he oscillates between rap verses and neo-soul vocal spills, each dripping with unfiltered emotion. The heavy bass and ambient synths create a nostalgic backdrop reminiscent of 90’s neo-soul, while the alto saxophone commands attention, weaving through the composition with soul-stirring authority.

By portraying the stark reality of success through the upbeat, genre-melding soundscape of neo-trap, Onyenaka not only rips up the clichéd narrative of an effortless life at the top but also emphasises the fundamental human need for connection.

Eclipse hit the airwaves on May 3rd, stream the single here now.

Review by Amelia Vandergast

Drum n Bass entered into a new evocative era with Joy Doc’s All of Me

Posted on 19 April 2024
https://soundcloud.com/joydocdnb/joy-doc-all-of-me-master/s-UmM63gn67rf?si=a4dd89fb1def497ca20fc0ff28693304&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Joy Doc’s latest single, ‘All of Me‘, is a compelling showcase of her multifaceted talent as a drum and bass producer, vocalist, songwriter, DJ, and pianist. Hailing from London, Joy Doc has been carving a niche in the UK’s electronica scene, and this track is an undeniable testament to her superlative prowess.

The track commences with an ornate orchestral introduction, setting an evocative stage for what’s to come. As Joy Doc’s vocals enter, “Oh Lorde,” will be the first thing on your mind due to the striking resemblance and depth in her voice. These vocals, layered over the sound of hammered piano keys, create a hauntingly beautiful atmosphere, where you can contemplate the self-sacrifice of giving someone your whole essence only to transform into a shell of who you were before you surrendered yourself completely and knelt at the feet of romantic mercy.  The lyrics poignantly explore the transformation of self when consumed by love, painting a vivid picture of becoming a secondary character in one’s own love story.

The production, handled by Joy Doc herself, is flawlessly and meticulously crafted, ensuring that the listener is drawn in and remains captivated until the outro and then some; the crescendos of drum & bass momentum are tensile, perfectly timed to elevate the track’s emotional intensity.

Mixed and mastered by Jose De Mara, ‘All of Me’ is a declaration of Joy Doc’s potential to dominate the electronica landscape. Her previous accolades, including her debut E.P ‘Sunshine‘ and the recognition of her track ‘Been Here Before‘, are just the beginning.

All of Me will hit the airwaves on April 19th; stream the single on SoundCloud.

Review by Amelia Vandergast

Synthetix – Ominous Data: Meet the Master of Electronica Futurology

Posted on 12 April 2024

Synthetix looked far beyond the binary with the cybernetically harbingering title single from his latest bass-heavy electro LP, Ominous Data. The San Francisco-residing breakbeat producer and live artist Shea Steinbacher founded Synthetix and started cutting his teeth in the rave and nightclub scene in 1999, the same year The Matrix hit the big screen, which may or may not be coincidental, but one thing is for sure, Synthetix has become a moniker synonymous with the futurology of electronica.

As dark, heavy, and brooding as Ominous Data may be, nothing about the polished mix feels oppressive. The reverberating glitchy waves wash over you, allowing your rhythmic pulses to ebb and flow with the syncopated momentum that speaks volumes of the producer’s experience and expertise which has lent itself to 13 LPs and EPs on labels including Anti-Matter Records and Black Magic Records.

Currently operating under his own independent label, ZerosAndOnes Records, the innovative originator is ensuring that if we do have a future to look forward to where our autonomy doesn’t atrophy, he’s going to hold dominion over the breakbeat scene with his kinetic rhythms and synths that carve through the atmosphere with the reverberations of a full-scale invasion.

Ominous Data was inputted into the airwaves on April 5th; stream the track on SoundCloud.

Review by Amelia Vandergast

One Tree – Beaming Up: A Cosmic Sojourn Through Time and Sound

Posted on 9 April 2024

One Tree’s latest single, “Beaming Up,” invites listeners on a cosmic journey that intertwines the mindfulness of the present moment with the futuristic exploration of the cosmos and a nod to the nostalgia of the happy hardcore era. Hailing from Lakewood, CO, One Tree delivered an interstellar production that transcends mere magnitude, forming a constellation of sound that captivates with each progressive sonic orbit.

In this hypersonic mix, One Tree deftly incorporates intuitively electrifying effects, creating a sonic landscape that resonates with both the exhilaration of the present and the boundless possibilities of the future. The track’s outro leaves listeners with a palpable sense of rejuvenation and a renewed zest for life, a testament to its ability to connect on a profound level.

In essence, “Beaming Up” is an invitation to embrace the now, to let go of the constraints of time and to immerse oneself in the pulsating rhythms of the present. With its fusion of cosmic themes and infectious energy, this single serves as a reminder that the only moment that truly matters is the one we’re living in.

Beaming Up was officially released on March 18; stream the single on SoundCloud.

Review by Amelia Vandergast

M31 injected catharsis into loss with his soul and rhythm-driven ambient electronica debut Gone

Posted on 9 April 2024

M31, the new electronic project by Melbourne-based artist and producer Jake Debono, made a captivating entry into the leftfield chill electronica scene with the debut single ‘Gone’. The soul-driven staple for any vibe-out playlist pours aching emotion into a lo-fi production which grooves through the warm reverberations of major key chord progressions, creating an intimate soundscape which speaks volumes of M31’s songwriting stripes.

The track explores the impact of loss while agonising over hauntingly sweet memories and the anxiety of moving on. M31’s mastery in confessional lyricism is evident, offering a narrative that will resonate with anyone who has faced the struggle of starting a new chapter with someone they never wanted to leave behind. Despite its strong emotional themes, ‘Gone’ is a sonic lesson in catharsis. As passion reverberates through the single, it becomes a space for reflection and emotional release.

The production of ‘Gone’ is a testament to Jake Debono’s versatility. Transitioning from a rock-licked sonic edge, influenced by bands like Red Hot Chili Peppers and R.E.M, to a chilled-out electronic ambience, M31 showcases a profound adaptability.

Gone was officially released on March 29; stream the single on SoundCloud.

Review by Amelia Vandergast

Slip into the dark hip-hop abyss with my•escy’s latest harbingering hit, Fallen Fruit

Posted on 30 March 2024

my•escy’s latest single, ‘Fallen Fruit‘ is a gateway into the nefarious underbelly of dark alt-hip-hop. The track stands as a formidable force in the genre, showcasing a blend of jarring reverberation, aural annihilation, and lyrical aggression that captivates and cuts deep.

The sonics of ‘Fallen Fruit’ are akin to synthesised war horns resonating over a trap beat, creating an atmosphere that is both oppressive and exhilarating. It’s a soundscape that plunges listeners into a nightmarish landscape, yet there’s an undeniable allure in its darkness. The vocal hooks in the track are a masterstroke, evoking a sense of what might have been if Andre 5000 had ventured into the darker realms of hip-hop alongside Saul Williams.

Despite its artfully intentional disquietness, ‘Fallen Fruit’ is undeniably infectious. The hard-hitting, visceral melodies linger long after the outro, haunting the listener with their intensity. ‘Fallen Fruit’ is a testament to the power of dark alt-hip-hop’s ability to convey complex emotions and create a sonic experience that is both unsettling and utterly compelling.

Stream the single on SoundCloud and Spotify.

Review by Amelia Vandergast

Let your imagination breathe in the woodland lore in Supernova Goldfish’s composition, Mystic Forest

Posted on 16 March 2024

Few modern orchestral pieces resonate with the vivid imagery and emotional depth of Supernova Goldfish’s ‘Mystic Forest‘. This single, a masterful blend of neo-classical composition and ornate folk elements, invites listeners into a realm where material reality slips away and imagination breathes freely.

Alexis Walter Blaess, the Argentine-American composer behind Supernova Goldfish, draws inspiration from luminaries like George Winston and Olafur Arnalds. He has a unique ability to instil awe and wonder into his productions which find opulent balances between worldly and introspective qualities.

Mystic Forest unravels as a reflection of the composer’s respect for nature; it shifts from the serenity of a sun-dappled glade to the subtle trepidation of unknown paths while encapsulating facets of woodland lore. The interplay of light and dark, the dance of trepidation-tinged and playful tones, all coalesce into a cinematic score that engulfs the listener in aural fantasy.

The release is a reminder of the enchanting power of music to transport us to places unseen, to touch the intangible, and to reconnect us with the natural world’s mystique.

Mystic Forest was officially released on March 1st; stream the soundtrack on SoundCloud.

Review by Amelia Vandergast