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avOva arrested in their emotionally expansive downtempo electronica track, Indigo ft Nalarié

Posted on 18 June 2024
https://www.youtube.com/watch?v=fNTrdFWtiBY/

Let lush etherealism envelop your soul with the arcanely textured track, Indigo, from avOva, featuring Nalarié which transcends transcendence, reaching the epitome of tonal bliss and creating the perfect addition to your summer playlists.

Dream pop coalesces with trip-hopped downtempo beach house & sublime slices of pensively hued soul to orchestrate the ultimate soundscape for your bitter-sweet reflections; capturing the wistfully poignant side of nostalgia.

The single is a solace for anyone who has ever loved and lost…themselves in the process. It’s a stunning score, which will undoubtedly resonate with anyone looking for oceanic depths in electronica; Indigo couldn’t be more emotively expansive.

avOva, the electronic/downtempo outfit from Bristol, UK, set the bar high with their dreamily atmospheric debut soundscape. The haunting vocals perfectly complement avOva’s intricate production, adding scores of striking depth to the single that doesn’t just scratch at the surface of the human experience when capturing the essence of love, loss, and self-discovery.

Indigo will be available to stream on all major streaming platforms from June 21. If you can’t wait that long, head over to YouTube and stream the official music video for the full ethereal experience now.

Review by Amelia Vandergast

Sharon West – Fake: A Euro Disco House Anthem of Pulsating Vindication

Posted on 17 June 2024

Sharon West’s latest single, Fake, created in collaboration with Nick Jay and Jean Luc is an electrifying euro disco house installation of euphoria underpinned by a scathingly sharp persecution of pretenders. The track’s synthesis of retro disco grooves, solid beats, and Sharon’s powerhouse vocals creates a hedonically rhythmic hit that delivers catharsis with infectiously kinetic rhythms that any dancefloor would want to devour.

Sharon West’s journey from live band performances to becoming a sought-after House, Dance, and EDM vocalist and songwriter is reflected in this potent release. Her evolution in the music scene has been marked by her debut album, Revelation, and a series of celebrated collaborations.

Now that Fake has permeated the airwaves, there will be no stopping West in her mission to revolutionise the airwaves. It’s so much more than a nostalgic nod to the forebearers of house; it’s a deeply visceral experience where familiar rhythmic warmth meets the searing burn of truth.

Stream the Radio Edit of Fake on Spotify now.

Review by Amelia Vandergast

Novit Terminus Orchestrated A Darkwave Descent Into a Euphoric Descent With ‘Take Me Down’

Posted on 15 June 2024

Take Me Down by Novit Terminus plunges listeners into unchartered intersections of EBM, Post-Punk, Darkwave, and Techno and drenches its audience in an infectiously rhythmic rendition of sonic Jungian shadow work that is poised to become a sanctuary for darkwave electronica fans seeking liberation from the dark reverberations of their own minds.

Fans of VNV Nation, Ari Mason, Electro Spectre, and Black Nail Cabaret will find themselves irresistibly drawn to this release, which offers a cathartic outlet for emotions as blackened as the industrial-tinged, Eastern-rhythm-influenced progressions.

Each element of Take Me Down attests to Novit Terminus’ cultivated skills as a sonic architect. The euphoria-inducing crescendos, tension-fraught build-ups, and spectral whispers of philosophical poetry come together seamlessly. The result is a track that permeates the soul as deeply as the rhythmic pulses permeate the body.

Novit Terminus’ return to music after a successful tenure in historic preservation and higher education is marked by a profound exploration of trauma and recovery. This project is not just a return to form but a therapeutic journey through shadow work, making Take Me Down a significant and poignant piece in the artist’s discography.

Take Me Down was officially released on May 31; stream the single on Spotify.

Review by Amelia Vandergast

December Fades reached the pinnacle of synthwave seduction in his latest single, With You

Posted on 14 June 2024
December Fades

LA singer-songwriter & multi-instrumentalist, December Fades, has delivered what will undoubtedly be revered as the most seductive synthwave sound of the summer with his latest single, With You.

The moody reverberations beneath the transcendent tones emulating from the glassy synths which echo the neon-lit euphoria of the Weeknd create a scintillating contrast while simultaneously injecting profound depth into the unfiltered passion in the love song that invites you to witness the darkness beyond the light of connection.

With all the makings of a radio-ready perennial pop earworm and the sincerity of a soul-bleeding candour in its rawest form, With You broke the summer pop mould. The single stands as a testament to December Fades’ affecting approach to rendering romanticism into his productions which may drift between styles but they always arrive on the airwaves with cinematic flair, infectious melodies, and lyrics sharp enough to tear their way through the coldest of souls.

Stream With You on all major platforms, including Spotify, from June 14.

For more ways to listen and connect with the artist, check out December Fades’ official website.

Review by Amelia Vandergast

$chaff the Prophet – TELEPHONE: The Cosmic Psych-Trap Track You Won’t Be Able to Put Down

Posted on 13 June 2024

$chaff the Prophet burst through the bubblegum pop trend and established his own cosmic bubblegum psych trap niche with his second LP for 2024, PSYCHEDELIC BUBBLEGUM.

The standout single, TELEPHONE, is an electrifying synth-driven kaleidoscopic synthesis of 8Bit, trap, hyperpop, and Owl City-esque electronica. If the viscerally hued sonics of the track don’t ensnare you, $chaff the Prophet’s sticky-sweet approach to painting a neon-lit vignette of a lonely protagonist searching for connection while keeping social life in the palm of her hand hits hard enough to bruise.

The exposition of how easy it is to get “lost in information, pixels and tones” couldn’t hit closer to home now given the hyperconnected nature of Gen Z and Gen Alpha. The artist’s signature arpeggios lend themselves effortlessly well to the playful yet empathy-evoking production, which shows just how far $chaff the Prophet has come since the launch of his debut in 2019. Now 11 LPs deep, his authentic sound has become so cultivated that he deserves to be revered as a pioneer in his own right.

TELEPHONE is now available to stream on Spotify.

Review by Amelia Vandergast

The Primary Phase Principle has unveiled their cerebral post-industrial fable, The Subdued Mechanist

Posted on 12 June 2024

Taken from the debut EP, Echoes of the Mechatronic Age, the standout post-industrial electronica score, The Subdued Mechanist, from the Winnipeg-hailing solo artist, The Primary Phase Principle, paradoxically pacifies the senses while heightening emotions to such a visceral extent, it is almost primal.

The concept EP implants listeners in a fictional civilisation which depends on a universal mechanism they can no longer fully understand to deliver the ultimate parable of the AI-dominated future we are sleepwalking into.

The atmospherically filmic ambience of The Subdued Mechanist cerebrally alludes to Orson Welles’ belief that there is no confidence equal to sheer ignorance; it’s a liberating, quasi-Stoic score that holds a mirror to humanity and its willingness to evolve beyond its own comprehension.

By pouring influence of NIN, How to Destroy Angels and Tangerine Dream through a science fiction lens, The Primary Phase Principle unlocked the narrative power of post-industrial. He has a superlative gift in his ability to chronicle immersive fables simply through juxtapositions of harsh mechanical synthetics and crystalline flashes of enlightenment. His EP is so much more than just another addition to the airwaves, it’s a beacon of higher consciousness.

Stream The Subdued Mechanist on Spotify.

Review by Amelia Vandergast

Nathalie King – More: A Sensory Trip-Hop Revelation

Posted on 5 June 2024

Toronto’s ethereal electropop enchantress, Nathalie King, has recently unleashed ‘More’; a sense-awakening cinematic score of scintillating trip-hopped electropop and deep house waves of euphoria that pull you right into the gravitational force of this paralysingly lush soundscape.

The track delivers vocal lines that are just as melodiously luxuriant as the pulsating progressions in a style that will never go out of trend. It’s safe to say King has broken the spell of throwaway pop culture with this seminal release The sensory staying power will stand the test of time as a monument to King’s ability to render catharsis into her staunchly accoladed serene productions, which reverberate with arcanely rendered audial bliss. Nathalie King’s music is noted throughout the industry for its cinematic gravitas which envelops her dynamic vocal range which is just as comfortable in a sultry low register as a soft and melodic upper range.

King is currently working on her new EP, PTSD, which is slated for release in 2024 and has become a therapeutic means to overcome childhood trauma and enduring depression. Collaborating with Bristol-born producer Joseph Snook, PTSD promises King’s fans a more electronic and UK-centric sound.  Away from her solo music, King has garnered attention with placements in commercials and TV shows; she also continues to contribute to Universal Production Music UK and perform throughout Toronto and Europe.

Watch the official music video for More on YouTube now.

Review by Amelia Vandergast

Embers’ Breakbeats are as Hard-Hitting as Her Bite in ‘Teeth’

Posted on 2 June 2024

By anchoring the transcendent house elements with the forcefully resonant undertones of the bass that reverberate through the entrancing breakbeat production against techno beats and vocal pop hooks, Embers’ started a fire that will never go out with her latest single, Teeth.

Sensually sonorous in one breath and rhythmically liberating in the next, every progression is a revelation in stylistic motion in Teeth, which attests to the London-based singer-songwriter and producer’s triple-threat talent that is making waves in the UK electronica scene and tearing attention away from the likes of Sylvan Esso, Lapsley, and Maggie Rogers.

While the instrumentals deliver an expansive brand of alchemy, Embers brings the intimacy with her ever-ascending vocal lines, making Teeth fitting for late-night sessions of reflection, your after-party playlists, and whenever you need reminding of the transformative power of sound orchestrated by a visionary who knows exactly to stir the soul with melody.

Teeth was officially released on May 24; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Lose your head and your heartbreak on the dancefloor with Sam Macdonald’s nu-disco hit, I Wanted More

Posted on 2 June 2024

80s synth pop vicariously lives and breathes through Sam Macdonald’s latest nu-disco hit, I Wanted More, which is a testament to the artist and producer’s cultivated talent, honed while studying music production at Leeds Conservatoire.

Hit play and be force-fed ear candy through the synthesis of the rhythmically compulsive disco grooves and the 80s Madonna-esque vocals that don’t stop at soaring above the production; the passion within them wraps around the track like an incandescent aura you will want to bask in time and time again.

The euphoria within the fiery neon-lit tour de force, which finds a vindicating way to address the dejection of not being able to meet unrealistic romantic expectations ensures that anyone who has been burnt by that particular old flame before will be able to lose their head and heartbreak on the dancefloor with this flawless hit.

I Wanted More was officially released on May 10th and is now available to stream on Spotify.

Review by Amelia Vandergast

Pearl Poet – At the End of the World: Apocaloptimist Electro Pop

Posted on 1 June 2024
At the End Of the World by Pearl Poet

If the end of the world is nigh, we may as well follow the human proclivity to romanticise tragedy; there’s no better track to look at the apocalypse through an affectionate lens than the latest single, At the End of the World, by the Floridian producer duo, Pearl Poet. The pangs of euphoria as soon as you immerse yourself in the nu-disco landscape of melody, sincerity and harmony could turn up the heat in the bitterest soul.

As the lyrics and effect-imbued vocals euphonise on a thin line between existentialism and exuberance, the thematic duality of At the End of the World will take the reigns of your rhythmic and emotional impulses; relinquish control and you’ll find yourself in the safe hands of a gifted duo of apocaloptimist electro-pop producers.

The 80s pop aesthetic may continuously be revisited in 2024, but few artists are better placed to modernise the lush neon-lit synthetics as Pearl Poet. Wherever their creative journey takes them next, we want to be there for it.

At the End of the World will be available to stream on all major platforms from May 31. Stream and purchase the single now on Bandcamp.

Review by Amelia Vandergast