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London Music Scene Blog

Along with Paris and New York, London consistently ranks as one of the best cities in the world for its rich and diverse culture. For decades, a massive part of that culture has revolved around music.

Barely a day goes by before a new metropolitan festival starts in the capital. With All Points East, Camden Rocks Festival, Meltdown and British Summer Time in Hyde Park and plenty more major festivals happening in London’s 32 boroughs, the city constantly attracts music fans from across the UK and beyond.

Pop, rock, classical, jazz, rap, folk and indie fans will never find a shortage of events at the music venues spread across the city. Unsurprisingly, the city has also generated a significant proportion of the UK’s most iconic acts from across all genres.

From Tottenham-born Adele to Amy Winehouse to the original UK rock icon Led Zeppelin to David Bowie, the iconic recording studios in London have never fallen short of talented artists already at their doorsteps. There is only a handful of recording studios in the world that have become a household name; London’s Abbey Road Studios is one of them. Within the walls of Abbey Road Studios, The White Album by The Beatles, Odessy and Oracle by the Zombies and Money by Pink Floyd are just some of the iconic albums that have the talent at Abbey Road Studios to thank.

The London Music Scene wouldn’t be the same without the grassroots venues. The Dublin Castle, the Lexington, Nambucca, The Fiddler’s Elbow, XOYO, The Macbeth and the Jazz Café have all played their part in getting artists discovered.

In the urban arena, the award-winning London-based rappers, Stormzy, Dave, AJ Tracey, Aitch, Skepta and Slowthai have completely redefined the UK hip hop scene in recent years. While exceptionally distinct acts, such as Wolf Alice, Django Django, Baby Queen, have made waves with their off-kilter infectious sound. Wolf Alice, who are thought of as London’s answer to Sonic Youth, won the Mercury Music prize in 2018. They also managed to reach number 2 in the album charts with two of their albums. Yet, most artists live in the ever-growing shadow of the two London heavyweights, Adele and Ed Sheeran. They may not be every musos cup of tea, but that didn’t get in the way of Ed Sheeran selling over 150 million albums worldwide and becoming recognised as one of the best-selling artists to have ever lived. Adele hasn’t done too badly for herself during her decade long career either. Her distinct vocal timbre has allowed her to pick up 15 Grammy awards and plenty of other awards along the way. Adele rocketed herself towards stardom with the release of her debut album, 19, while Ed Sheeran went on the arduous journey from busker to a best-selling artist and became the ultimate contemporary artist success story.

Matt Camillo – Stop to Look Around: A Transatlantic Synthesis of Americana-Tinged Folk-Rock and UK Indie

Matt Camillo’s seminal single, Stop to Look Around, is a striking synthesis of 90s-tinged UK Indie and American Folk Rock which proves that aged 23, the London-based singer-songwriter and multi-instrumentalist possesses a maturity in his music that belies his years.

The track resonates with the melodic influences of Travis, Stereophonics, and Beady Eye, evident in its steady indie rock chords. Yet, it’s the subtle infusion of Americana into the rhythmics that sets this song apart, creating an uplifting yet bittersweet sound that is quintessentially English in its melancholy.

Lyrically, ‘Stop to Look Around’ carries the essence of a love song, yet it’s imbued with a level of artistic ambiguity that allows listeners to find their own meaning within its verses. This narrative flexibility ensures that the track leaves a lasting impression, regardless of how one interprets it.

Camillo, who began composing music at 13 and has since dabbled in Electronica and Pop before settling into the singer-songwriter genre, shows a keen understanding of his musical influences. His experience, including opening for acclaimed acts like Never the Bride and playing at notable venues shines through in this single.

The song’s production balances simplicity with sophistication, allowing Camillo’s vocal delivery to take centre stage. The instrumentation supports without overpowering, creating a harmonious backdrop that complements the lyrical journey. As a precursor to his upcoming acoustic debut EP ‘(Would You) Believe?’, this track cements Camillo’s status as a rising star in the indie scene.

Stop to Look Around was officially released on February 9th. Stream the single on Spotify

Review by Amelia Vandergast

Isabelle Mettle charted new constellations of soul with her interstellar track, Jupiter and Mars

Isabelle Mettle

In the cosmos of contemporary RnB, Isabelle Mettle’s latest single, ‘Jupiter and Mars’, is a celestial defiance of the ordinary. From the outset, the track asserts its uniqueness with stabbing synths and spacey euphonic iconography. The influence of Erykah Badu, Prince, Jill Scott, and Blood Orange is palpable in Mettle’s work, yet she transcends these inspirations to assert herself as a firebrand of a visionary.

Mettle, a London native, brings the city’s rich musical heritage into play in her latest release by weaving the rhythmic beats of RnB with the smooth sophistication of jazz. Her soulful sound is a reflection of an artist who has not only mastered her craft but also knows how to push boundaries. The track’s transition from a strikingly future-embracing intro into a melodious groove is seamless, with Mettle’s divine vocal lines adding a touch of classic soul to the stylistically rich composition.

What sets ‘Jupiter and Mars’ apart is its ability to straddle genres effortlessly. The track sits comfortably between the raw, unfiltered energy of Brooke Combe and the ethereal, dream-like quality of Warpaint. Mettle is not just following trends; she is setting them in constellations of her own making.

Jupiter and Mars will come into Earth’s orbit and hit the airwaves on February 23rd.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

In Tune with Matt Camillo: An A&R Factory Exclusive Interview

Dive into the musical mind of Matt Camillo, where the echoes of Americana Folk-Rock blend with bitter-sweet indie melancholy. From the romantic balladry of his latest single ‘Stop to Look Around’ to his explorations across Funk, Jazz, and Post-Punk, Camillo’s narrative is as diverse as it is profound.

Discover the inspirations behind his debut EP, his evolution from a MIDI-tinkering teenager to a multifaceted musician, and his aspirations to impact the music world.

Matt Camillo, welcome to A&R Factory! We’d love to know a little more about your latest single, Stop to Look Around, what’s the story behind the single, and what do you hope listeners will take from it? 

“It was the last song I wrote for my debut EP. It was written very quickly with the intention of writing a romantic ballad, but it turned into this Americana Folk-Rock thing or something Jewel could have written, though I got told several times that it sounds like Oasis for some reason.

This song is basically about doing the best with what you’ve got here and now, but once it’s out in the world it’s not up to me anymore to attach a meaning. The listeners can literally do whatever they want with it.”

Is Stop to Look Around reflective of who you are as an artist or are there more multi-faceted sides that will become exposed in your future releases?  

“I wouldn’t use it to describe who I am musically, but I feel like it’s a good representation of my Folk-y side. The songs I’m working on right now span from Funk to Jazz to Post-Punk even though I’m still working hard to make these different styles match together when it comes to an EP or Album.”

When did you get into music, and how has your relationship with music changed since the creative spark first ignited your desire to create? 

 “I started at 13 years old just writing instrumentals with MIDI in my bedroom. Then the guitar and the piano entered the scene, and eventually I found my voice (literally!). It’s always a discovery, this music thing. Every time I feel like I’m comfortable with a certain style or approach then I tend to move to new territory, but I always feel I’m still proving something to that kid in the bedroom.”

With such a wide range of influences, was it hard to create your own sonic signature? 

“Doesn’t matter how hard I try to find that sound, I’ll never catch it. I’m more focused on what’s naturally gonna come out of my failed attempts. And that should be good enough, I guess.”

What was the first and last single that had a profound impact on you? 

“The first Coldplay record (and the first one I ever owned) changed my life and helped me to bring out that same bittersweetness I’ve always felt as a kid. More recently I fell in love with ‘Live At Montreux, 1976’ by Nina Simone. She represents everything that an artist should be. Farless, honest and passionate. But she managed to be even more than that. So, I’d say ‘Trouble’ by Coldplay and ‘I Wish I Knew How It Would Feel To Be Free’ by Nina Simone.”

Where will your artistic journey take you next?  

“Right now I’m doing early attempts at my first album. Just experimenting and combining different worlds together until I feel something is moving. I’m taking my time. I’m giving way more space to the electric guitar, arrangements and production. Also messing around with my lower vocal range. It’s gonna be way different from what I already released, to say it short.”

If you could make one positive change with your music, what would it be? 

“I just want my music to help people connect more with reality and with who they really are or at least to offer them a new point of view.  Real music is so much more powerful than any other medium and that’s why the state of this industry is in such conditions.  Maybe I wanna prove that it can still free us or maybe I just wanna have my own fun. Music won’t stop tho.”

Stream Matt Camillo’s latest single, Stop to Look Around, on Spotify.

Interview by Amelia Vandergast

Bluku: A Fusion Firestorm of Culture and Beats by Hype and Fever

Hype and Fever lived up to their moniker with their universally magnetic standout single, Bluku. The monocultural mould was rhythmically obliterated by the pulse-pounding kinetic melodies in the synthesis of Jamaican, Indian, and UK sonic culture.

If you like your beats hot, your bass heavy, and your rhythms tight, let your speakers ignite to the sound of the UK-residing duo which melds bansuri flutes with dancehall kicks to create a kaleidoscope of hybridic culture in their self-produced beats which pay an ode to their Jamaican and Indian heritage.

The explosively vibrant smorgasbord of culture delivers a burst of colour as Hype and Fever create friction on the instrumentals with their distinctively dominant bars that bring energy, fire, and enigmatic flair to ensure Bluku unravels as a dynamically intense release that is far too addictive to quit.

The momentum around Hype and Fever is only growing; be a part of their ascent.

Hype and Fever is now available to stream on YouTube, or you can add the release to your playlists.

To follow the next moves of the brother duo, link up on Instagram.

Review by Amelia Vandergast

IzzyG spits fire with irresistible swagger in her RnB Hip-Hop hit, All My Heart

IzzyG, the 24-year-old firebrand from Gateshead, now dominating West London’s music scene, has dropped her latest single ‘All My Heart‘ – a track that doesn’t just push boundaries; it obliterates them. This isn’t your run-of-the-mill RnB track; it’s a gritty, raw, and unapologetic anthem that resonates with the pulse of the streets and anyone who has suffered through the fuckboy era of dating.

From busking the cold corners of Newcastle with sultry covers to crafting this audacious blend of RnB, hip-hop, and soul, IzzyG’s journey is etched into every beat of ‘All My Heart’. Her vocals which spit fire with irresistible swagger, are a fierce mix of rap verses and pop harmonies, are a testament to her versatility.

The track itself is a sonic powerhouse, a slick fusion of snappy trap beats and RnB melodies that hit hard enough to leave a mark. IzzyG’s lyrics are a no-holds-barred exploration of love’s battleground, where vulnerability and strength collide. She’s not playing the game; she’s rewriting the rules, with a voice that carries the echoes of jazz legends and the bite of Nicki Minaj and Cardi B.

Drawing inspiration from the likes of Amy Winehouse and Ella Fitzgerald, IzzyG adds a touch of vintage seduction to her sound. But make no mistake, ‘All My Heart’ is fiercely contemporary. It’s a track that doesn’t just get under your skin; it courses through your veins.

Stream the official music video for All My Heart via YouTube.

Review by Amelia Vandergast

London’s most enchanting jazz siren, Camille Rose, soulfully reimagined the 50s classic ‘So This is Love’ for her latest release

Camille Rose, the South-East London songstress, has elegantly redefined the 1950s classic ‘So This is Love’, known from Disney’s Cinderella. This loungey, bright, and warm rendition is a testament to her ability to enchant; even if she sang acapella, the release would want for nothing with her soulful harmonies reaching the epitome of class as they hit the high notes.

Her approach to breathing new life into the release is a delicate balance, maintaining the gravitas of the original while infusing it with a contemporary zeal in opportune moments. Resulting in a rendition that respects its roots yet feels fresh and relevant.

The transformation of this well-known melody into a 21st-century jazz piece is nothing short of remarkable. With a brass section, backbeats, and basslines, Camille creates a texture-rich track that grooves effortlessly. Her velvet-smooth vocals, reminiscent of and influenced by Amy Winehouse are delivered with a playful spontaneity that mirrors the song’s narrative excitement.

Starting with just vocals and bass, the track explores a dynamic range, culminating in a rich backing by a 7-piece live band. This arrangement not only showcases Camille’s vocal prowess but also her deep understanding and love for jazz-infused soul music.

‘So This is Love’ is available now, preceding Camille Rose’s second EP ‘Be Alright’, set for release in April 2024; stream the single on Spotify.

Review by Amelia Vandergast

ArkAngel47 flowed into the heart of memory in his alt-hip-hop track, nostalgia

ArkAngel47’s latest single, nostalgia, crashed into the alt-rap scene like a rogue wave, unapologetically dismantling the boundaries of the genre on February 8th. The raw, unfiltered plunge into the depths of memory, wrapped in a soundscape that defies easy categorisation, is an unconventional fusion that grips you from the first beat.

Imagine grime’s gritty pulse, new wave’s introspective echo, and alt-hip-hop’s rebellious spirit colliding around lyricism that balances candour and volition. Hit play and feel the push and pull of time as North West London’s grittiest poet waxes lyrical with melancholic wisdom. Nostalgia is beyond reminiscence; it is the dissection of the essence of the psychological phenomenon; an exposition of its sweet allure and sharp bite.

Musically, the track is a beast of its own making. The beats morph and twist before flooding into a melodious flow and glitching like a dream half-remembered as the backing vocals resonate as ethereal whispers from bygone days, adding layers of haunting depth to the track.

Mixed and mastered with the sharp ear of Kult Eviction at Kabin Studios, nostalgia is a testament to ArkAngel47’s raw talent and vision. With plenty more genre-fluid releases locked, loaded, and ready to drop throughout 2024, ArkAngel47 is one to watch.

Watch the official music video for nostalgia on YouTube, or add the single to your Spotify playlists.

Review by Amelia Vandergast

Elevate your playlists with Tom Gimson’s architecturally inspired ambient electronica piece, Ridge

Tom Gimson’s latest single ‘Ridge‘ reflects his richly multi-faceted creativity as a London-based multi-media artist; the track is a journey through complex intersections of music, film, and architecture. Gimson, with his background as a performing saxophonist, composer, and crew member in the UK’s commercial photography and film industry, brings a unique perspective to his craft, and ‘Ridge’ is a shining example of this.

The single begins with the pulse of a heartbeat, a foundational rhythm that sets the stage for a multi-layered auditory experience. From this simple beginning, ‘Ridge’ builds into a complex tapestry of sound. The use of scintillating droning synth lines introduces elements of discordance, creating a striking contrast with the euphonically melodious core of the track. This intentional juxtaposition and use of more exotic percussive fills breaks the mono-cultural mould, showcasing Gimson’s ability to challenge conventional musical boundaries.

The amalgamative nature of the sonic catharsis and harbingering tones in the track elucidates the harsh realities of our social tapestry, inviting listeners to engage with the music on a deeper, more introspective level. Sink in, and sink into yourself.

Ridge was officially released on February 2nd; stream the single on all major platforms via this link.

Review by Amelia Vandergast

djamesk13 weaved scathing socialism into a grungy dreamscape with ‘Everything Is Certain – Your Majesty’

The London-based solo artist, djamesk13, is no stranger to the arenas of Avant-Garde alt-rock, but for his latest release, Everything Is Certain – Your Majesty, he went deeper into the domain than ever before while exploring our strained relationships with high society.

While we used to look at royalty and other figures of the elite ruling class with awe, the tables are gradually turning on the perception shared by the masses. Simply put, Everything Is Certain – Your Majesty is a socialist masterclass, but instead of running in the same vein as the Manic Street Preachers, djamesk13 orchestrated a dreamy grungy dreamscape to run his reflective lyricism through.

How can you be magnificent when we can buy you” will go down as one of my favourite lyrics of all time, and for the way the instrumentals and ethereally sludgy vox juxtapose the lyrical sting, Everything Is Certain – Your Majesty became an unforgettable release; a paragon of the post-grunge movement.

Everything Is Certain – Your Majesty was officially released on January 28th; stream the single on SoundCloud.

Review by Amelia Vandergast

Kweku Bandit cinematically reimagined London’s streets in his urban tale of triumph, Nowhere

You may think you know London’s streets but once you see them from a different point of view in Kweku Bandit’s official music video for his latest rap hit, Nowhere, your perception of the cityscape will take a seismic shift after you acknowledge how they can be the breeding ground to success stories rather than just battlegrounds for class wars.

The conceptually compelling music video, which has already racked up over 24k streams since its debut on January 19, depicts Kweku Bandit on a rags-to-riches character arc. The orchestrally laced instrumentals bring a touch of film noir glamour to the track that sees Kweku Bandit bringing as much rhythm in his Dancehall-inspired bars as the snappy beats that heighten the energy of the hit that will give you all the inspiration you need to stay on your grind. The track is as essential as it is phenomenal; as Kweku Bandit exposits, the road to success often moves people out of your corner and in the rearview mirror. If fake friends fall by the wayside, you can always lock into the inspiration that pours from this seminal hit.

Despite the flashy iconography in the music video to depict an ascent through the economic ranks, nothing about Nowhere feels like a flex; the sense of soul that radiates from Kweku’s persona translates into an affirmation that anywhere can be the land of opportunity if you’re willing to reach for it and refuse to be a victim to circumstance.

Stream the official music video for Nowhere on YouTube now.

Review by Amelia Vandergast