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London Music Scene Blog

Along with Paris and New York, London consistently ranks as one of the best cities in the world for its rich and diverse culture. For decades, a massive part of that culture has revolved around music.

Barely a day goes by before a new metropolitan festival starts in the capital. With All Points East, Camden Rocks Festival, Meltdown and British Summer Time in Hyde Park and plenty more major festivals happening in London’s 32 boroughs, the city constantly attracts music fans from across the UK and beyond.

Pop, rock, classical, jazz, rap, folk and indie fans will never find a shortage of events at the music venues spread across the city. Unsurprisingly, the city has also generated a significant proportion of the UK’s most iconic acts from across all genres.

From Tottenham-born Adele to Amy Winehouse to the original UK rock icon Led Zeppelin to David Bowie, the iconic recording studios in London have never fallen short of talented artists already at their doorsteps. There is only a handful of recording studios in the world that have become a household name; London’s Abbey Road Studios is one of them. Within the walls of Abbey Road Studios, The White Album by The Beatles, Odessy and Oracle by the Zombies and Money by Pink Floyd are just some of the iconic albums that have the talent at Abbey Road Studios to thank.

The London Music Scene wouldn’t be the same without the grassroots venues. The Dublin Castle, the Lexington, Nambucca, The Fiddler’s Elbow, XOYO, The Macbeth and the Jazz Café have all played their part in getting artists discovered.

In the urban arena, the award-winning London-based rappers, Stormzy, Dave, AJ Tracey, Aitch, Skepta and Slowthai have completely redefined the UK hip hop scene in recent years. While exceptionally distinct acts, such as Wolf Alice, Django Django, Baby Queen, have made waves with their off-kilter infectious sound. Wolf Alice, who are thought of as London’s answer to Sonic Youth, won the Mercury Music prize in 2018. They also managed to reach number 2 in the album charts with two of their albums. Yet, most artists live in the ever-growing shadow of the two London heavyweights, Adele and Ed Sheeran. They may not be every musos cup of tea, but that didn’t get in the way of Ed Sheeran selling over 150 million albums worldwide and becoming recognised as one of the best-selling artists to have ever lived. Adele hasn’t done too badly for herself during her decade long career either. Her distinct vocal timbre has allowed her to pick up 15 Grammy awards and plenty of other awards along the way. Adele rocketed herself towards stardom with the release of her debut album, 19, while Ed Sheeran went on the arduous journey from busker to a best-selling artist and became the ultimate contemporary artist success story.

Spotlight Feature: London rap artist LKS’ lyricality exposed the tumultuous nature of expression in ‘Say My Peace’

South London-based rap artist, LKS, penned one of the sincerest windows into the artistic process with his latest single, Say My Peace, which officially dropped on February 22nd.

The arrestingly deep introspection pulls you into the intimately expressive core of the melodic indie hip-hop hit that explores how creativity can push you to be the best version of yourself while exposing self-sabotaging tendencies that stem from fear and insecurity.

Every artist has a different set of motivational cogs working behind their tracks; for LKS, it is the sensation of seeing an emotionally constructed concept come to visceral life. Say My Peace is a testament to his ability to resist the allure of a façade and the superficiality of fame as an artistic incentive. Hit play and listen to your perception of success distort around the mellow melodicism.

Here’s what LKS had to say about his latest single:

“I wanted to write about that weird state of mind where you feel you have no limits, but at the same time, you suppress your success and accept the fate that comes with disregarding your talent. It’s also about the inability to grasp an amazing moment tight enough to live it to the fullest.

Ultimately, you end up with nothing and have to go through the process of accepting that too, but in the end, we can’t take our material world or success into the next life; everything we have amassed will be in the hands of others or cast away in the same vein as my disregard for my talents.”

Listen to Say My Peace on Spotify or watch the official music video on YouTube.

To keep up to date with future releases, follow LKS on Instagram.

Review by Amelia Vandergast

Raw candour and cadence collide in South London rapper LKS’ single, Say My Peace

If you thought the titular metaphor in the South London rap artist LKS’ latest single, Say My Peace, is something, wait until you feel how the introspective wisdom grips you through the fluid cadence it is delivered through

The gentle and melodic guitars spill accordance under the luminary artist’s soberingly raw bars that compel you to lean so deeply that you will feel every syllable crawl under your skin. Based on Say My Peace, no one could ever accuse LKS of not keeping it real. The candour in his admissions of creative mental friction sounds so much sweeter when you hear what a luminary he is. He’s undeniable.

The official music video for Say My Peace is now available to stream on YouTube.

Review by Amelia Vandergast

Floating on The Wings: Mirko Sangrigoli waited so long for that special moment on Never Enough

https://www.youtube.com/watch?v=-CfjhUEveFg

With his focus back on writing songs again and sensing the right time to get his compositions out into the world, Mirko Sangrigoli demonstrates to us the power of a chance collaboration with Never Enough.

Mirko Sangrigoli is a London, UK-based indie singer-songwriter who is a true muso and shines a light on underground tracks made from the soul.

I remember always mucking about with any instrument I could get my hands on. The first thing I ever played was my father’s drums. It quickly developed from there, and the next thing you know, I was writing songs about everything I could think of on a toy keyboard. Growing up, I didn’t have fancy equipment, so I learned to get creative with what was available.” ~ Mirko Sangrigoli

Sinking in the dark all alone and waiting for the kiss that might never arrive, Mirko Sangrigoli is in top form and shows us where real quality is in this watered-down world. This is a class personified and ultimately a fine effort.

Never Enough from London, UK-based indie singer-songwriter Mirko Sangrigoli is a real stunner of an experience for anyone who’s waited so long for something, to ultimately feeling like it was a complete waste.

Projected so eloquently and soaked in a ray of hope, that perhaps the feeling will change, even though deep down, the defeat is rather close.

Meaningful music with impact will always sound a bit better than most. Mirko Sangrigoli has just proved this notion with some aplomb.

Hear more on YouTube.

Reviewed by Llewelyn Screen

Make It: Kem .SoL hopes for the romance to blossom on 1 Day

Wanting so much more and sensing that the formally fragmented pieces are finally plunging together, Kem .SoL shows us an unbelievable new creation on the superb 1 Day.

Kem .SoL is an American indie alternative artist who is now based in London, UK and makes a sterling blend of vividly descriptive soundscapes to love forever.

Hoping for love to stay strong despite the strong winds and taken as the 2nd track off The Only Way Is Up, Kem .SoL sends our gaze right into better days. Vocally smooth and drifting with some impact, this is a rather splendid experience to love for its kind energy.

1 Day from the London, UK-based indie alternative artist Kem .SoL is a tremendous single to turn up loud and with some velocity. This is a strength-packed song when you need to keep that hope strong, that two loving humans may stay close despite all the temptations lurking. Lathered in magnificence and calming our ears, we are treated to something so honest and caring when needed most.

When you speak your intentions, the road suddenly clears.

Turn this up loud on YouTube.

Reviewed by Llewelyn Screen

8rii put the soul in indecision in her latest single, Stay

8rii

Independent singer-songwriter, 8rii, earned herself a spot on the East London RnB map with her latest emotionally elevated latest single, Stay. Putting the soul in indecision, the Ashanti & Aaliyah-inspired artist created a compelling exposition of how jarringly contradictory our minds become when the right romantic path is impossible to discern from the wrong one.

Any artist able to paint the complexities of the human psyche is more than worth having on your playlists, and that’s without mentioning the melodic mesmerism of the lo-fi RnB instrumentals that deliciously flirt with the Afroswing style.

Stay will officially release on March 10th. Until then, check out the artist on Instagram, TikTok and Twitter.

Review by Amelia Vandergast

Mariele Jankowski sang ‘The Long Song of Mary Green’ in her folky feat of beguile

https://soundcloud.com/mariele-jankowski/sets/the-long-song-of-mary-green-radio-edit/s-OdOKTKKMffi?si=6275f7fbaf144e95a35971da75ba80b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The latest single, The Long Song of Mary Green, from the London-based singer-songwriter Mariele Jankowski keeps the true storytelling roots of folk blossoming in blissfully melodic beguile.

Around the vivid imagery that spills over the acoustic guitars, which rhythmically guide you through the release beneath Mariele Jankowski’s timelessly mesmeric vocal timbre that lends itself well to distinction, is a compelling tale that is worth heeding.

As we all embark on endless quests for eternal happiness, and we fail to account for the world’s tendency to throw us curveballs as it turns, upending the promise of eternal bliss. Mariele Jankowski delivers the soulfully resonant reminder that for any real shot of happiness, we need to master the art of letting go and enjoying the journey instead of fixating on the destination.

I can honestly say I haven’t been this taken with a folk artist since discovering Amigo the Devil, and that isn’t an accolade I part with easily. Yet, the euphorically euphonic outro is one that I will delve into this extended release time and time again for.

The Long Song of Mary Green will be available to stream from March 3rd on SoundCloud.

Review by Amelia Vandergast

Ten(or)s Across the Board for Cameron Owen’s Striking Rework of Bridge Over Troubled Water

After growing up to the sounds of Simon and Garfunkel, listening to Cameron Owen’s classical reworking of Bridge of Troubled Water was an evocative trip of nostalgia. Yet, it was the cinematic crescendos which gripped the senses tight enough to leave a mark which made this a truly unforgettable release.

Tuning this consolingly dulcet classic into a cuttingly intense orchestral masterpiece that is enough to stun you into arrestive awe was undoubtedly no easy feat, but Cameron Owen, armed with his beguilingly commanded operatic tenor range, stunningly succeeded.

With the number of accolades and awards under the British Pianist and singer’s belt, we’re hardly coloured surprised by the international virtuoso’s talents, but God damn, he epitomised visceralism with this dramatical reinvention. I genuinely can’t bring myself to stop listening to it.

Hear it on Spotify.

Review by Amelia Vandergast

All My Life: 4FOXSAKE searches for the one on the super charged single Addicted

After being lost away from proper love for too long, 4FOXSAKE bravely finds the one and lets us into the ravishing romantic moment which can cause ups and downs in this rather tempting world on the excellent Addicted.

4FOXSAKE is a London, UK-based alternative hard rock band that likes to bust open minds, bodies and souls due to their exhilarating live performances.

Gliding with a hugely thrilling sound which might massage many tired ears, 4FOXSAKE wants that tight connection to never cease flowing inside each vein. This is hardcore stuff from growing legends who love to pulsate through our shuddering speakers.

Addicted from London, UK-based alt-rock band 4FOXSAKE is a rather effective effort which will surely slide all the self-doubts away from anyone who is afraid of being alone. Urging hope and sending us into a reflective state of mind, inside a globe which is currently swiping away possible romance as we speak.

Listen up on Spotify. See more on IG.

Reviewed by Llewelyn Screen

The acrimony bells ring in Continental Lovers’ subversively sweet punk-rock ‘Wedding Song’

The UK’s trashiest punk-rock purveyors, Continental Lovers, dialled back on the scuzz in their latest subversively archetypal single, Wedding Song.

The change in direction has lost none of the impassioned volition that Continental Lovers have become renowned for since their relatively recent debut that has sent ricochets of raucous hype through the rock scene. Heartbreak never sounded so viscerally adoring. Nor has the recoil from love-hate whiplash resonated with such realism. Tom Petty would be proud.

The accordant ring of the guitars, contributed by Graham Jones (Haircut 100, Boys Wonder, Glen Matlock, is sweeter than any coil of silver or gold that can decorate your finger. Which is probably a good thing given the playfully machiavellian lyrical admission of theft of said symbolic token.

With producer Phil Booth (Sleaford Mods, Desperate Journalists, Hip Priests), elevating the single from the brashy punk-rock panache that Continental Lovers fans have been clamouring over since the fourpiece outfit started their ascent from the underground with euphonic organ tones, Wedding Song is the breakup song you never knew you needed.

Joe Maddox Said:

“Wedding Song is about quickly falling out of love with somebody and resenting their existence but still feeling that sense of loss and grief when a relationship ends. I guess we’ve all been there; it’s a cathartic process! I rarely write songs about real life, and this is no exception. I just wanted to write a bitter breakup song.”

Stream Wedding Song on Bandcamp & Spotify.

Follow Continental Lovers on Facebook & Instagram.

Review by Amelia Vandergast

Boston Meets Britpop in djamesk13’s Alt-90s International Convergence, You Said.

https://soundcloud.com/djkemp13/you-said

London’s David Kemp has slid back under his djamesk13 moniker once again to release yet another feat of evocative lo-fi alternative alchemy by the grace of his 8-track recorder. You Said carries the raw lyricality of Disco 2000 while the instrumentals look far beyond 90s Britpop for their grit and sludge.

With no-wave-y motifs and crunchy guitars that bite in the same vein as Pixies, You Said is a riotous smorgasbord of Alt-90s nostalgia. Judging by the streaming stats on this release shortly after it grunged up the airwaves, clearly, plenty have an appetite for djamesk13’s seemingly effortless ingenuity.

You Said is now available to Stream on SoundCloud.

Review by Amelia Vandergast