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Best Music Blog for New Artists

Kennedy Bane confronted heart-wrenching grief with grace in her debut, Pushing Up Daisies

Kennedy Bane, a 15-year-old pop singer-songwriter from Nashville, TN, rendered hearts raw with her debut single, “Pushing Up Daisies.” The debut instantaneously proved her mettle as a heart-wrenching lyricist as it showcased her evocatively immense vocal finesse. The single belies her 15 trips around the sun, as she tackles the tender subject of grief with a maturity that artists with decades in the industry would struggle to match.

The indomitable sincerity within her standing ovation-worthy performance, paired with the achingly ornate indie-pop instrumentals, won’t leave a dry eye in the proverbial house. The solemn gravity within “Pushing Up Daisies” is superlatively affecting. Kennedy’s ability to convey profound emotion through her music is nothing short of extraordinary.

As “Pushing Up Daisies” unfolds, it’s clear that whatever subject Kennedy turns her talent to next will make for an equally impactful journey. Her collaboration with Platinum Grammy Producer Bryan Todd for her first EP of six original songs is naturally highly anticipated after the release of what will become revered as one of the strongest debuts of the year.

Pushing Up Daisies was officially released on May 10th; stream the single on Spotify now.

Review by Amelia Vandergast

Dani Enli opened the doorway to the RnB Pop pantheon with ‘till the end of time’

After the phenomenal success of her debut single, used to it, singer-songwriter & producer Dani Enli ensured the momentum amassing around her stayed high by releasing her sophomore single, till the end of time. By synthesising future-forward RnB melodies with a pensive trap beat and the sentimentality of pop balladry, Enli opened the doorway to the RnB pop pantheon with the downtempo release which gives every aching word to breathe and resonate over the synths that echo emotion as much as the lyrical poetry.

The bittersweet RnB pop symphony delivers the heart-wrenching epiphany that in the mind and reality of the one that got away, all you will ever be is a memory that fades. Inspired, written, composed and produced following a breakup, the single tenderly explores the transitions between resentment and longing, regret and mourning, proving that nothing is ever black and white; everything lies on a spectrum which Enli profoundly explores with the blissful tonal hues that drift between the progressions in this mellifluously flawless production.

till the end of time reached the airwaves on May 10th; add the single to your Spotify playlists or stream the single on YouTube.

Review by Amelia Vandergast

R34L dawned a fresh era of alt-electronica with ‘NEW WAYS’

Trippy, transcendent, and rhythmically compulsive, the latest artfully orchestrated installation of alt-electronica, NEW WAYS, from the producer duo, R34L, comprising Sarah Hartman and Cason Trager is a cultivated vessel to spiritual ascension, wrapped in the aura of Lynchian reverie.

Hartman’s vocal lines harmonise with the divine high above the leftfield mix of electronica that will heighten any Portishead and Caroline Polachek-orientated playlists. The sense of soul that Hartman brings to the release in synergy with the lighter textures of the luxe track allows tides of catharsis to wash over you as the strong glitchy backbeat juxtaposes the lush layers with a sense of gravity that you’ll want to anchor yourself to time after time.

Whether you find your body beat to it or use it to slip into a sense of serenity by following the dreamlike progressions as they exit material reality, NEW WAYS defies ambivalence with its potent alchemy, which is likely to be extended through R34L’s upcoming 13-track LP, Falling in Place, which promises to place the listener in the unchartered middle-ground of indie-pop & club music.

NEW WAYS was officially released on May 10th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Spotlight Feature: Be Bigger Not Bitter with Tago’s Feel-Good Hip-Hop Juggernaut, Let Me Talk About Mine

Tago stepped back into the spotlight with his latest single Let Me Talk About Mine, which is set to be a significant moment in his career. The Dallas-based rapper and producer, who has spent the better part of a decade behind the scenes, enriching other artists’ careers, now takes centre stage, showcasing his own story with soul-infused conviction that demands attention.

With Let Me Talk About Mine, Tago crafted lyrics that are both sharp and introspective, set against a backdrop of electrifying beats and cutting-edge electronica aesthetics that shake the dust off old school while tapping into the grit of it.

This single is an unreckonable assertion of self-worth and an invitation to witness his ascension in hip-hop. His narrative is potent, steeped in personal growth and the gritty realities of forging one’s path against the odds. Tago captivates through this monolithic hit, employing kinetic rhythms that propel the listener through his journey of self-realisation and unflinching ambition.

It’s a track that will stand the test of time as a testament to Tago’s ability to weave traditional influences into a modern sonic landscape that pulsates with energy. If you’ve ever felt overshadowed, step into the limelight with his emboldening instant classic.

Stream the official music video for Let Me Talk About Mine from May 16th.

Follow Tago on Instagram.

Review by Amelia Vandergast

Taking Back Tomorrow have made their supersonic orchestral indie rock debut, In This Moment

If anyone ordered the male version of The Last Dinner Party, judging by the cinematically theatrical flair of their orchestrally cut debut single, In This Moment, they’ve arrived in the form of Taking Back Tomorrow.

Exhilarating from the first augmented rock-licked breath, the symphonic pop-rock mash-up exudes the charisma of Queen, slick indie style in the same vein as Editors, and orchestral layers intense enough to bring Vangelis to climax.

The synergy exhibited between the instrumentals as they spark electricity and work their way towards Blockbuster OST-esque crescendos and within the euphonically layered harmonies is unparalleled. Pour into that mix the sticky sweet extolling of mindfulness and living for the moment and you’ve got a track that transcends your ordinary earworm; there isn’t a part of your anatomy that Taking Back Tomorrow will leave unaltered.

The first thing you’ll think after having your face melted by the debut is how long has the Stoke-on-Trent 5-piece been sitting on their virtuosic talent; the second is when are they releasing their sophomore single. If any newcomer in 2024 is capable of a sure-fire trajectory straight to the top of the charts, it is Taking Back Tomorrow. Watch this space; if they can come in this strong with their debut, there’s no telling what they will do next.

In This Moment was officially released on May 4th; stream the single on Spotify.

Review by Amelia Vandergast

Cambridge’s LAY / BYE ignited the modern rock scene with their expansive earwom, ACTIVE!

If any up-and-coming band can kick Royal Blood off their throne, it’s the Cambridge-hailing three-piece LAY / BYE with the polished hooks, fiery intensity, and unflinching resonance in their debut single, ACTIVE!

The debut holds no prisoners when holding the worst archetypes of the human experience to account; the flaying lyrics pick up more volition through the catchy delivery that forces you right into the electrifying nucleus of the single that stands as a testament to the trio’s ability to vindicate the masses.

After a Velvet Revolver-esque intro, the buzzsaw riffs and snarling basslines rip through the dynamic modern hard rock atmosphere honed by Robin Schmidt, known for his work with Nothing But Thieves, the 1975 and Sam Fender. The juxtaposition between the scathing energy within the rhythm section and the pop-pinched vocal hooks creates a dynamic strong enough to carry a rock revolution on its back.

The explosively expressive release is a sure sign of big things to come for LAY / BYE; their ability to fuse integrity with infectious earworm appeal is superlative.

Jump on the ACTIVE! hype by streaming the single on Spotify.

Review by Amelia Vandergast

Mia Laren navigates passion and fatal dysfunction in her Latin Dance Pop track, My Heart

Since 2019, the Baltimore-born, Cali-based singer-songwriter, dancer and producer, Mia Laren, has rhythmically and emotionally moved her international fanbase; her latest Latin Dance Pop track, My Heart (can’t live or live or without you), captures Laren at her most infectious, intimate and powerful.

After an intro which nods to Gaga’s Alejandro, Laren opens her single up to a sensually electrifying, moodily hypnotic groove which constructs an exotically rich platform for her arcane harmonies to ascend from. The monocultural mould disintegrates around her infusion of folky Eastern mysticism and Latin guitars in the electro-pop mix which explores the tormenting nature of your heart beating for someone that will ultimately be the death of you if you keep clinging to the dysfunction in the name of passion.

It’s a rare feat to discover a release that is organically rooted in the heritage of Latin and folk yet transcends contemporary pop trends with a stylish flair that embodies couture pop, yet, five years after learning how to produce music on her laptop, Mia Laren achieved it with plenty of sincerity and authenticity to spare.

My Heart was officially released on April 24; stream the official music video on YouTube now.

Review by Amelia Vandergast

Love, Builder of Worlds has unleashed their synth-punk manifesto, Scared for the Climate

Love, Builder of Worlds

With the release of “Scared for the Climate“, the independent artist, Love, Builder of Worlds, delivered an electrifying DIY alt-rock anthem that captures the essence of punk rebellion with the precision of a seasoned artist.

The single encapsulates a raw, urgent message wrapped in the infectious energy of funk-drenched synth punk—a stylistic nod to the dance-punk vibes reminiscent of Kathleen Hanna’s work in Le Tigre. The track’s short, snappy runtime is no barrier to its impact; instead, it enhances its punchy, protest-driven ethos. The lyrics hit hard and fast, their pseudo-hip-hop delivery layering a sense of immediacy over the compelling synth rhythms. The result is a powerful musical manifesto that does more than just sound an alarm—it’s a public safety announcement for the planet.

Love’s unique artistic background, as part of the Olólúfè Collective, infuses their work with a profound understanding of intersectional struggles. They navigate through genres—from punk rock to afrobeat—with the ease of a genre-defying originator, underscoring their commitment to challenging colonial binary frameworks through music.

Scared for the Climate is a fiery call to awareness, urging listeners to confront one of the most pressing existential threats of our time. Through this track, Love, Builder of Worlds, doesn’t merely aim to entertain but to galvanise action, making it a quintessential listen for those attuned to the pressing issues of our era and the potent power of music as a form of resistance.

Scared for the Climate is due for release on May 5th; stream the single on Bandcamp, SoundCloud and Apple Music.

Review by Amelia Vandergast

Meg Scane broke free from the shackles of throwaway culture in her folk pop single, Bottoms Up

Meg Scane’s latest single, Bottoms Up, is a striking testament to her unique ability to intertwine confessional candour with melodic ingenuity, ensuring that the rawness of heartache is as palatable as it is poignant. Wrapped in the artful echoes of chamber pop and infused with the intimacy of folk elements, Scane’s sound bears a thematic intensity reminiscent of Florence and the Machine, yet it thrives on a more personal scale.

This track breaks free from the shackles of today’s throwaway culture, challenging the transient nature of contemporary hits and relationships with its enduring message about the sweetness of lasting love. The fervent declaration that deep, abiding affections still hold a revered place in both music and life couldn’t be more convincing.

Scane’s journey from her debut album, Blind Trial, at just sixteen to her performances from The Midlands to Puglia, Italy, paints her as a dedicated artist fuelled by passion—a passion that also sustains her through the arduous hours spent mucking out horses to fund her studio time. Between her determination and her talent, she has everything it takes to become one of the most seminal indie pop artists of her generation.

Better Sides of You was officially released on March 8th; stream the single on Spotify now.

Review by Amelia Vandergast

Move Over Amanda Palmer, Naomi Castellano is the New Girl Anachronism in Her Debut, Hide and Seek

Naomi Castellano’s debut single ‘Hide and Seek‘ reveals an artist who has been seemingly playing hide and seek with her own vast talents. Her debut resonates with the essence of Tom Waits, Stevie Nicks, Kate Bush, The Last Dinner Party, and Mitski, showcasing a high-fidelity cultivation of these influences that will leave listeners in awe. Castellano’s music, entrenched in a genre-fluid nostalgic reverence, promises to captivate this generation’s penchant for artful expressionism.

Her quirky anachronistic tendencies lend ‘Hide and Seek’ a timeless depth, where nothing feels antiquated—from the smoky jazz grooves that billow between the robust pillars of chamber pop swells, to her Joni Mitchell-esque vocal range comfortably sitting in the alto, and not to forget the baroque flourishes that tint her artistic sensibilities.

With a background in classical music and a love for jazz, indie, alternative, and folk-pop, Castellano’s songwriting echoes the influences of Ani DiFranco, Fiona Apple, Norah Jones, and Sia. Utilising strings and keys, she created hypnotic transportation into a daydream, making ‘Hide and Seek’ not just a song, but a sublime sonic journey.

Naomi Castellano is undeniably holding the future of alternative music in her deft hands, and with such a compelling start, it’s clear she has exactly what it takes to stand at the vanguard of a new era of musical innovation.

Hide and Seek was officially released on April 17th, stream the single on Spotify.

Review by Amelia Vandergast