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Dream-Pop

dollhaus debuted their dream-goth potion of hell-hath-no-fury vindication, The Devil Makes a Sale

Posted on 12 April 2023

Two superlative staples of the London alt-scene, Katie Green & Rob Alexander, joined reverent post-punk forces to forge the new two-piece outfit dollhaus; the debut single, The Devil Makes a Sale, will leave you questioning, Siouxsie who?

Rhythmic hypnotism constructs the whirling dervish of a prelude before the guitars contort into angular prisms of kaleidoscopic colour as the basslines add dark depth around the harbingering percussion that punctuates the dreamy layers Katie Green’s glassy vocals filter into.

Chewing up and spitting out the archetypes attached to the dream-pop, post-punk, goth, and art-rock genres enabled dollhaus to effortlessly establish themselves as one to watch in a saturated scene. If anyone can appetise an apathetic alternative audience, it is dollhaus with this inordinately magnetic manifestation of pure songwriting talent that drinks like a potion of hell-hath-no-fury vindication.

Stream the Devil Makes a Sale on Spotify & Bandcamp.

Follow dollhaus on Facebook and Instagram.

Review by Amelia Vandergast

London indietronica artist Lily Juniper is anxiously auspicious in her narratively dreamy single, All Mine

Posted on 26 March 2023

After a successful debut in 2022, Lily Juniper enriched the London indie electronica scene with her dreamily dance-leaning sophomore single, All Mine.

The ethereally warm vocals inject as much soul into the production as the softly tensile looped progressions as they wrap the vibrant texture around the affectionately uncertain lyrics, which project the compulsion to solidify a relationship when it is in its early stages of romantic hesitation.

We’ve all been there, not wanting to go all in for fear our vulnerability will lead to our greatest fears. But there’s nothing bittersweet as this Four Tet and James Blake-ESQUE soundscape. All Mine is as rich as Musk in its artful beguile, making the deeply evocative context of romantically anxious edge all the more intoxicating while the indietronica poetry in motion is auspiciously unravelling.

Lily Juniper said:

“All Mine is a song about new love and the nervous energy that it brings, about seeing someone you like at a party and then going home alone, about overthinking everything you said and did, reading into every word and look. All of the best (and worst) moments that humans can experience.”

Stream All Mine via Spotify.

Connect with Lily Juniper on Twitter & Instagram

Review by Amelia Vandergast

 

Tre. Charles melded soulful undertones with resonantly mantric vocals in his ambient indie dream-pop single, Lately.

Posted on 15 March 2023
https://soundcloud.com/user-927736750/lately-2/s-0bEGiubGPfS?in=user-927736750/sets/tre-charles-currently-ep-demo/s-vyUjqvhKQ7t&si=b3399ccd97c44b2398eab32ecc2c9458&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I’ve been around the shoegaze and dream-pop block a fair few times, but the latest single, Lately., from the alt-indie artist, Tre. Charles, is a strikingly crystal-clear cut above the rest.

With his soulful vocals bleeding into the choral amalgam of trip-hop, Avant-Garde RnB, ambient electronica and indie rock, the quiescently powerful release is a feat of unparalleled consoling alchemy.

Staying true to his brand of soulful undertones, resonantly mantric vocals, and evocative crooning, the East Coast-born artist orchestrated an efficaciously disarming hit that will make your soul as perceptible as the one poured into the lyrics.

Any fans of James Blake, Frank Ocean, Sampha, and Moses Sumney won’t want to miss out on this reverb-drenched opportunity to form a connection with the award-winning D’angelico Guitars-sponsored artist. We’re officially stoked for the upcoming EP due for release in 2023.

Lately. will officially release on March 15th; hear it on SoundCloud.

Review by Amelia Vandergast

Find catharsis in the candour of Yen Won’s dreamy alt-rap hit, Never Fade Away

Posted on 14 March 2023

The Cali born and raised 23-year-old Korean-Japanese rapper Yen Won’s latest new wave hit, Never Fade Away, is an ethereal technicolour dream. While the strong and steady backbeat brings the energy in line with the fervidly delivered rap bars, there was plenty of room in the short and sweet mix for lush reverb and the transcendentally ascending electronica motifs which enabled Yen Won to effortlessly establish his distinction in the semi-lucid soundscape.

Beyond dying alone, the fear of fading away weighs heavy on the psyche for many, but only artists as vulnerably bold as Yen Won would ever care to admit it. By doing so, he exhibited the commonality and tore through the stigma. It comes as no surprise that thousands of listeners find solace and catharsis in his candour.

Never Fade Away is available to stream via Spotify.

Review by Amelia Vandergast

Slender Dan orchestrated a superlative existential meditation with ‘Time is Running Out’

Posted on 2 March 2023

With vocals as ethereally magnetic as Cigarettes After Sex atop cinematically intricate Aphex Twin-ESQUE beats and apocalypse-centred lyricism, the latest single, Time is Running Out, by Slender Dan, is the ultimate existential meditation.

With chilling vocal samples alluding to how our child-like proclivities are the main reason behind our destructive tendencies that have led the earth to the point of collapse, there’s no exaggerating the sombreness of the dream-like Avant-Garde score. Yet, Slender Dan simultaneously succeeded in creating a tranquil feat of electronic ambience that will quell your end-of-days fears.

The striking mindfulness within the layers of lush reverb allows the tonally transcendent single to unravel as one of the superlative feats of post-modernism you could add to your playlists.

The Nashville-residing duo comprising Heather Dickinson (vox, keys, guitar, bass), and Patrick Ahern (drums, production, vox) debuted their first EP on KEXP in 2021 and has had its fair share of successes since. Time is Running Out is just one of the singles to feature on the forthcoming LP, GESTALT. In their own words, here is what it traverses:

“GESTALT is a 1 hour long, 19 track, avant-garde electronic album. With 13 songs and 6 interludes, Slender Dan presents a sobering critique of modern Orwellian forces- commenting on such topics as propaganda, censorship, the lack of consensus on truth, and the attempt to remain sane in the midst of insane times.”

Time is Running Out will officially release on March 2nd. Hear the official audio on YouTube.

Review by Amelia Vandergast

 

Whitefeathers are an ethereal dream (pop) come true in their debut, As Always ft Mike Watt

Posted on 25 February 2023

For their debut single, As Always, the up-and-coming alt-rock UK/Czech artist, Whitefeathers, collaborated with bassist Mike Watt (Minutemen, Firehouse, Stooges) to orchestrate an artfully atmospheric feat of ardent indie melancholia.

Filtering pensive art pop panache into the eloquently composed release created a superlatively reflective soundscape for the lyrics that traverse the theme of losing love and finding yourself. The dreamy melodicism abstracts the ennui that accordantly rings from the scorned stabs of minor piano keys as the aloofly harmonised male and female vocals sigh from the soul.

It’s an impeccably strong offering from Whitefeathers, who undoubtedly have a luminary career ahead of them if they continue to create in the same vein as As Always.

As Always will drift onto the airwaves on February 24th – you won’t want to miss it. Catch it on SoundCloud.

Review by Amelia Vandergast

Rae Larz drifted into the 5th dimension in her spacey synth-pop debut, Tea in the Stratosphere

Posted on 23 February 2023

Here to warn us that reality isn’t what we think it is, is the up-and-coming experimental artist Rae Larz, who could give Bjork a run for her Avant-Garde money with her introspectively spacey hit, Tea in the Stratosphere.

Stirring her artfully psychedelic single with a heavy dose of futurism ensured that she established herself as an orchestrator of soul-emancipating sonic remedies, which take us far beyond the maladies of the 21st century.

The decadently soft synth lines lustfully collide with the trip-hop-y percussive fills and the nuanced slithers of jazz timbres and other world music elements that heighten this elevated hit to the nth degree.

Every aural inch of Tea in the Stratosphere was written, performed, produced, and engineered by Rae Larz herself. Evidently, the Brooklyn-based originator will become an unreckonable force in the industry.

Tea in the Stratosphere was officially released on February 3rd via Jupiter’s Luck Records. Hear it on Spotify.

Review by Amelia Vandergast

 

millar is sweeter than a ‘sugar rush’ in her ethereal dream pop sophomore single.

Posted on 18 February 2023

With her light vocal lines that are equally as lush as the reverb they bleed into, London-based singer-songwriter millar is a dream-pop siren in her sophomore single, sugar rush.

The wistfully electrifying air of nostalgia circulates through the soft pastel tonal hues as the gentle rhythm section cradles the soft synth lines and choral indie guitars. sugar rush transcends even what Slowdive was capable of in their heyday. For millar to achieve such atmospheric alchemy at a tender age is inexplicably awe-inspiring.

Referencing childhood rhymes and contrasting them against the quiescent instrumental melancholy sparks sentimentality for the days before innocence was hardened as skin toughened with every knock, bruise and fall. Naturally, we can’t wait to hear what millar orchestrates next.

sugar rush was officially released on February 10th. Hear it on Spotify.

Review by Amelia Vandergast

Sonica unveiled their ethereally experimental shoegaze revival, Wait for Me

Posted on 11 February 2023

With one of the most experimental revivalist approaches to Shoegaze known to the airwaves, the Perth-based outfit, Sonica, easily set their lush reverb-swathed tones apart from the rest. Intent on not being another Lush, Ride, or Curve replica act, Sonica found innovative ways of distorting their dream pop melodies without bursting the semi-lucid bubble

The bleeding vocals from Claire Turton stand up to the mesmeric plate, containing the same ethereal beguile as Cocteau Twins and Siouxsie and the Banshees in the moody standout single, Wait for Me, which pushes grungy tones into the midst of the euphonic kaleidoscopic accordance. Leaving ample space for the gritty and cold timbre of 80s post-punk, the four-piece revisited the golden era of shoegaze by taking a route never tread before.

Wait for Me is now available to stream on Spotify.

Review by Amelia Vandergast

Oxfordshire sound designer Mosa has unveiled his poetically postmodernist score, helicopter

Posted on 2 February 2023
https://soundcloud.com/soundofmosa/helicopter/s-SzrHmsEv6VP?si=900e2a959dbd4e68829de9048b7cfe3f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Game composer by day and sound designer by night, the Oxfordshire-based artist Mosa evidently has a talent for creating immersive worlds. If anyone can exhibit the intrinsic beauty in melancholy, it is Mosa; his latest single, helicopter, is the ultimate testament to his ability to build poetry and a bitter-sweet neo-classic electronica score from scorned emotion.

Juxtaposingly creating an even balance between etherealism and visceralism, helicopter is an achingly artful aural memoir of ennui. The postmodernist reflective piece enmeshes you within the lyrical and vocal vulnerability, while the intricately weaved cinematic layers conceptually depict curtains closing. It is the ultimate consolation for outliers through the sonic resonance and affirmation that whatever you’re sinking into has sunk many of the beautiful minds that came before you.

Helicopter will land on February 3rd. Get onboard via SoundCloud.

Review by Amelia Vandergast