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Dream-Pop

Ted brewed the ultimate blend of jazzy indie-folk dream pop with ‘The Coffee Shop’

There was no forgetting Ted’s folk-meets-dream-pop hit, Revolution Then, which reminisced on the times when revolution action was a feasible act of retribution amongst the repressed masses.

In his latest single, the Australian singer-songwriter and multi-instrumentalist waltzed into The Coffee Shop to share a jazzy and intimate vignette of an unassuming female protagonist who inspired the laidback with luxe style from the fleeting observations made on her curious reticence.

With touches of the Beatles melding with a dreamy iteration of the 70s folk style, The Coffee Shop is far from short of beguile. Ted captured the coffee shop mood perfectly. The snug comforting atmosphere breathes right through the sax-infused kaleidoscopic melodies.

Visit The Coffee Shop for yourselves by heading over to Spotify first.

Review by Amelia Vandergast

Dream Baby Dream with Cati Landry’s indie pop installation of etherealism, Mind’s Eye

With vocal lines that hypnotise as they harmonise, Cati Landry’s indie dream pop single, Mind’s Eye, will instantly put you under its ethereal spell. As the lead guitars bend licks of Americana into the notes, the rhythm guitars keep the 90s indie dream alive in their steady spills of instrumental romanticism.

The Canadian singer-songwriter set to create the ultimate anthem for the diehard romantics who find themselves consistently contending with the juxtaposition between dreams and reality; given that she made romantic expectations all the more unrealistic with her butterfly-releasing release, it is safe to say she succeeded in her enchanting record, which deserves to be just as revered as Swift’s latest LP. I highly recommend investing in Cati Landry’s promising career before you have to take out a second mortgage for her gig tickets too.

Mind’s Eye was officially released on July 14; stream it on Spotify.

Review by Amelia Vandergast

Bomb Voyage has debuted his compassionately choral RnB dream pop serenade, Serenity

With melodically intricate indie guitars and synths that wouldn’t be out of place in a Cigarettes After Sex single, Bomb Voyage created a hazily dreamy atmosphere for his classic RnB vocals to soak into in his latest single, Serenity.

Hedonistic and self-destructive behaviour may have been normalised to the point it has been glamorised in contemporary culture; instead of contributing to the acceptability of the toxicity of the trend, Bomb Voyage orchestrated a moody yet compassionate ballad to pay an ode to a female protagonist who has a proclivity towards excess.

Rather than painting a monster, Bomb Voyage used their lyrical empathy and beckoningly magnetic vocal lines to create a consoling release for anyone who needs the affirmation that even the most wayward souls deserve to be seen beyond their lifestyles.

Serenity is now available to stream on Spotify.

Review by Amelia Vandergast

Foreign Saints is sonorously spectral in their debut shoegaze single, Here With Me

If you placed yourself in the middle ground of Elliott Smith and Slowdive, you would be in good company with the sonorously spectral debut single, Here With Me, from Foreign Saints.

With a slice of psychedelia written into the indie pop songwriting chops, Here With Me unravels as a hazy kaleidoscope of wistful colour. As the lyrics allude to what’s lost through time and distance, the dreamy instrumentals envelop you in their reverb-swathed cathartic tonality.

The bedroom pop project from the Brooklyn-based musician, Thomas Roberts, may not be far past its inception, but Roberts is already proving himself to be an unreckonable resonant force. Fans of The Japanese House, War on Drugs, and Day Wave won’t want to let the project slip them by, especially with the debut EP in the pipeline.

Here With Me is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Ella Rossi negated adorated anxiety in her ethereal indie soul pop sophomore single, Linen

Ella Rossi

After finding her voice as a jazz singer, the LA-born, Montreal-based artist Ella Rossi has flourished as one of the most seminal RnB Pop singers of her generation. With a vocal timbre as rich as the staccato guitar chords, few ethereal indie RnB Pop soundscapes spill as much tonal sanctity as her sophomore single, Linen, which explores the sensual highs and the tormenting lows of a relationship you can’t leave in the rearview mirror, despite never knowing where you stand in it, or how the severe the wounds will be when time finally closes on it.

With a vocal range so luxe and rich it would make Elon Musk feel inferior, Ella Rossi is a diamond in the rough; it is only a matter of time before major record labels want to mine her. Her capacity to captivate with her honeyed harmonies and so-radiant-they-glow soundscapes is second to none. Rossi is the ultimate proof that if you stay in your own creative lane, there will be no one out of your expressive league.

Ella Rossi said:

“Linen is about a passionate but complicated relationship and being unable to resist the attraction, despite the potential consequences. The lyric, “wrapped in this linen”, represents a sense of comfort and intimacy while alluding to a feeling of entrapment in a dynamic where there is no longer a clear view of how the other person feels.”

Linen will release ahead of Ella Rossi’s debut EP; stream it via Spotify and SoundCloud from June 16th.

Review by Amelia Vandergast

House of Asha broke through silence and stigma with her debut dream-pop single, Talk About It

https://youtu.be/Z27jssfBhsU

With her diaphanous debut single, Talk About It, the alternative singer-songwriter, House of Asha, broke the silence and stigma which often stifles the conversation around mental health in South Asian communities.

It is one thing to be candid when there will be no negative consequence or connotation, it is quite another to defy culture to break the cycle of generational trauma. The mellifluous dream-pop synthetics are a sublime pairing for the harmonically poised bleeding vocals, which effortlessly coalesce with the shoegazey dream-pop layers that will leave your rhythmic pulses on a plateau while the lyricality leaves you grounded.

Talk About It is the first single to release from House of Asha’s debut LP; it set the bar for what is to come, although, our faith is well-placed in the elevated grace of the songstress who scores her melancholically demure tracks around influences from the likes of Imogen Heap, Billie Eilish, Hozier and Young the Giant.

You can check out the debut single, Talk About It, from House of Asha via SoundCloud or stream the official music video on YouTube.

Review by Amelia Vandergast

Synth yourself to sleep with Curtis Melton’s Firefly Lullaby

The endlessly accoladed American composer, conductor and music educator Curtis Melton dusted off his analogue synths to orchestrate the ultimate instrumental soundtrack to synth yourself to sleep.

Firefly Lullaby is a definitively 80s ambient score with majestic overtones that invite you into a scintillating fantasia of pop and romanticism-soaked synthwave; insomnia doesn’t stand a chance against the glistening motifs and crescendos that are endlessly efficacious in their ability to allow your subconscious to take the lead.

His sonic scores are achievements standing alone. In addition to them, in 2015, he was nominated for “Best Original Score” at the Idyllwild International Film Festival, in the same year, he won “Best Original Song” at the Las Vegas 48 Hour Film Festival. He was named a finalist in the Ravel Association International Soundtrack Competition in Italy in 2016, and was named a semi-finalist in The American Prize Composer Competition in 2018 for his original works “The Genesis Effect” and “Forever Through The Fire”.

Firefly Lullaby hit the airwaves on May 1; hear it on YouTube.

Review by Amelia Vandergast

dollhaus debuted their dream-goth potion of hell-hath-no-fury vindication, The Devil Makes a Sale

Two superlative staples of the London alt-scene, Katie Green & Rob Alexander, joined reverent post-punk forces to forge the new two-piece outfit dollhaus; the debut single, The Devil Makes a Sale, will leave you questioning, Siouxsie who?

Rhythmic hypnotism constructs the whirling dervish of a prelude before the guitars contort into angular prisms of kaleidoscopic colour as the basslines add dark depth around the harbingering percussion that punctuates the dreamy layers Katie Green’s glassy vocals filter into.

Chewing up and spitting out the archetypes attached to the dream-pop, post-punk, goth, and art-rock genres enabled dollhaus to effortlessly establish themselves as one to watch in a saturated scene. If anyone can appetise an apathetic alternative audience, it is dollhaus with this inordinately magnetic manifestation of pure songwriting talent that drinks like a potion of hell-hath-no-fury vindication.

Stream the Devil Makes a Sale on Spotify & Bandcamp.

Follow dollhaus on Facebook and Instagram.

Review by Amelia Vandergast

London indietronica artist Lily Juniper is anxiously auspicious in her narratively dreamy single, All Mine

After a successful debut in 2022, Lily Juniper enriched the London indie electronica scene with her dreamily dance-leaning sophomore single, All Mine.

The ethereally warm vocals inject as much soul into the production as the softly tensile looped progressions as they wrap the vibrant texture around the affectionately uncertain lyrics, which project the compulsion to solidify a relationship when it is in its early stages of romantic hesitation.

We’ve all been there, not wanting to go all in for fear our vulnerability will lead to our greatest fears. But there’s nothing bittersweet as this Four Tet and James Blake-ESQUE soundscape. All Mine is as rich as Musk in its artful beguile, making the deeply evocative context of romantically anxious edge all the more intoxicating while the indietronica poetry in motion is auspiciously unravelling.

Lily Juniper said:

“All Mine is a song about new love and the nervous energy that it brings, about seeing someone you like at a party and then going home alone, about overthinking everything you said and did, reading into every word and look. All of the best (and worst) moments that humans can experience.”

Stream All Mine via Spotify.

Connect with Lily Juniper on Twitter & Instagram

Review by Amelia Vandergast

 

Tre. Charles melded soulful undertones with resonantly mantric vocals in his ambient indie dream-pop single, Lately.

https://soundcloud.com/user-927736750/lately-2/s-0bEGiubGPfS?in=user-927736750/sets/tre-charles-currently-ep-demo/s-vyUjqvhKQ7t&si=b3399ccd97c44b2398eab32ecc2c9458&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I’ve been around the shoegaze and dream-pop block a fair few times, but the latest single, Lately., from the alt-indie artist, Tre. Charles, is a strikingly crystal-clear cut above the rest.

With his soulful vocals bleeding into the choral amalgam of trip-hop, Avant-Garde RnB, ambient electronica and indie rock, the quiescently powerful release is a feat of unparalleled consoling alchemy.

Staying true to his brand of soulful undertones, resonantly mantric vocals, and evocative crooning, the East Coast-born artist orchestrated an efficaciously disarming hit that will make your soul as perceptible as the one poured into the lyrics.

Any fans of James Blake, Frank Ocean, Sampha, and Moses Sumney won’t want to miss out on this reverb-drenched opportunity to form a connection with the award-winning D’angelico Guitars-sponsored artist. We’re officially stoked for the upcoming EP due for release in 2023.

Lately. will officially release on March 15th; hear it on SoundCloud.

Review by Amelia Vandergast