Terry Logan is one of those artists who in just less than four minutes can give you a comprehensive argument, in the form of one graceful song, why music genres are such a waste of time. The song is based around straightforward folk-pop structures but is eminently soulful and wistfully optimistic, it is both chilled and restrained but filled with just enough groove and is infectiously danceable.
And if that wasn’t enough her voice is a fantastic mix of vulnerability and warmth all of which makes to perfect vocal icing for such a luxurious musical cake. It comes as no surprise that after a busy year of gigs, festivals and recordings her current e.p. from which Believe It a Little comes was produced by someone whose roster also name checks the likes of Marina and The Diamonds, Alison Moyet and Scissor Sisters. The future is looking very bright for Terry Logan.
London based singer-songwriter, piano player and all round multi-talented performer has released her second album Everyday featuring “He”, an uplifting track representing a zealous confidence across all musical platforms, and fusing a classical element to the pop genre. Milena is an artist who takes her career seriously. Through every ounce of detail in writing her own songs, the sheer positivity in her performance and not to mention the amount of passion she expresses in her stride. Yet, what stands out in “He”, is the nonchalant attitude she depicts; Milena’s cheery attitude is an obvious natural element of her character, and is what gives her music personal style.
The subject of “He” is traditionally meagre, but the performance of Milena is what increases the song’s prolific competence. Milena passionately sings, “He gives me all that I need/Is it possible to fall in love with him”, it’s not so much the lyrics which draws us into the track, but the devotion Milena shares with music. As the track reaches its close, Milena puts the nail in the coffin with an unexpected solo on the piano, ending the song as it started, with pure elegancy.
Pablo Schmal does that most rare of things, he makes pop that sounds both grown up and wonderfully infectious at the same time. Throwaway pop is two a penny, it always has been, and that is pretty much the nature of the beast. But pop aimed at a more mature audience generally misses the point, taking itself too seriously and forgetting why it came into the room in the first place. Lovejar, however, is the best of both worlds.
It plays with the same dreamy vibes that Damien Rice made his hallmark but has a more confident delivery than his drifting soundscapes. It employs some wonderfully trippy electronica and chiming musical motifs that take this out of the realms of the usual singer-songwriter offering and pushes it towards a more mature and exploratory sound. The real charm is the songs ability to sonically twist and turn, play with dynamics and throw in a few musical curveballs but still stay focused and cohesive. A neat trick if you can do it, Pablo not only does so but also makes it sound effortless.
Folk has definitely shown itself to have a strong staying power, weaving in and out of alternative and pop eras alike. These days, it’s been commercialized to a degree many would never have expected. This said, there’s still heart left to follow in so many artists. For Now is a song that comes at a height of many similar contemporaries. Chris Ho doesn’t however walk in line with the rest waiting for his due. He strides confidently with a sense of class attached to his charmingly influenced roots.
With a beat that you can walk to and a melody that knows when to peak in and when to duck out, this song is certain to inspire adventurous days in the outdoors for young people yearning to enjoy any spare moment they can find. But Chris Ho doesn’t stop at a satisfyingly cute song. There’s energy put into the guitar and the intermittent touches of strings that dance on the outskirts of the song in a microcosm of how folk has always walked parallel to so many wonderful artists and songs. This is not a song to blend in with, For Now is a song to stand out with and truly let yourself move in a positive way.
Contrast would be the best word to describe singer-songwriter/producer Rushes. Growing up in a small rural town in Ireland isn’t something you normally associate with soulful cutting edge electronic sounds. The time had finally come for Rushes to fly the coop and explore his opportunities by moving to Dublin permanently to refine his craft and link up with innovators who understood his vision.
In 2017, Rushes joined creative collection Diffusion Lab, who has the likes of Soulé and Jafaris in their ranks to bring his diverse ideas alive. Rushes draws inspiration from artists like N.E.R.D, D’Angelo, Frank Ocean, Radiohead, Jai Paul, Kanye West, Marvin Gaye and Prince but never limits his sonic palette.
Rushes debut single “Wild High” droped on May 26th. An alluring blend of electro-RnB infused with smooth wavy vocals and perfectly polished production.
With “Wild High”, Rushes launches himself into the eye of the music industry with the intent of being heard. For visuals, he teamed up with Gorilla – Nathan Barlow, responsible for Soulé, Jafaris recent music videos.
Delicate, tender and poignant, Calming River returns following his critically acclaimed 2015 EP with the dark and brooding new single, “For The Echoes To See”, released Friday 26th May 2017.
Intricate fingerpicking, numerous tunings and contemplative lyrics create an intimate and beautiful aesthetic showcasing the British-born, Denmark-based songwriter at the peak of his powers.
The atmospheric new single, “For The Echoes To See”, addresses the discomfort and disequilibrium of not living up to expectations inherent in modern life – “a feeling felt by many who struggle to see human values of care and empathy reflected in today’s world”,” as Calming River songsmith Joshua Malcolm explains.
Songwriter Joshua Malcolm explains, “The ethos of my work is to create challenging, artistic and meaningful work. On one level the music is deceptively simple—an acoustic guitar and vocal. But when analysed on another level, there is a distinguished complexity in the technical guitar playing, alternative song structures and reflective lyrics. My music is aimed to oppose an overly-produced and formulaic tide that washes many shores.”
The sensitive nature of Calming River’s artistry generates the rare ability to form a uniquely personal connection with his audience resulting in numerous festivals and radio sessions as far as Australia, New Zealand, Denmark and the UK. The arrival of “For The Echoes To See” embraces a poetic class that justifies the songwriter as being described as one of the best up and coming writers in Europe.
Described as an eclectic mix of Cat Stevens and John Mayer, up and coming English singer songwriter Lawrence Hill has become a popular staple of the independent music scene in London, performing at venues the likes of The Spice of Life and the Hard Rock Café. Combining contemporary musings with an ear for their roots, Hill strives to culminate his influences into a cohesive sound that’s authentic and unique unto himself. His latest studio endeavor, ‘Time Keeps Rolling On,’ is an intriguing excursion through singer songwriter infused rock and roll worth taking a listen to. Let’s delve into it.
‘Time Keeps Rolling On’ is in the same spiritual vein of ‘You’ve Got a Friend in Me.’ It’s an anthem of friendship, but it avoids the cliché and manages to feel genuinely authentic and heartfelt. Hill’s songwriting is particularly interesting because he uses time as the shifting factor in a grounded friendship. A lifelong friend is someone you can see every day or once a year and the dynamic of the relationship remains the same. That’s what ‘Time Keeps Rolling On’ brings to mind – the kind of friendships that time, uncharacteristically, cannot touch.
Musically, ‘Time Keeps Rolling On’ juggles a few influences successfully. While it’s still most apt to classify it ‘singer songwriter’ music, it’s injected with doses of pop and R&B influence as well. The single sounds like it could have been picked up off the cutting room floor of a Jack Johnson session. It’s infectiously lovable with a sing-along chorus that isn’t kitschy – a difficult feat not to scoff at. Instrumentally, the song is performed exceptionally well, too, with fantastic harmonies, searing electric guitar, and thunderous percussion.
It also benefits Hill that the studio work on ‘Time Keeps Rolling On’ is especially good. I get singer songwriters across my desk on a daily basis that don’t fall within the same ballpark of production quality that Hill does with this new song. Everything is well mixed and mastered, exuding quality without feeling sterile, either. One can’t help but want to see Hill perform it live and see whether or not the intensity of the recording would translate to the stage well.
James Brown once famously said that if something “sounds good and feels good, then it is good.” Lawrence Hill’s ‘Time Keeps Rolling On’ sounds good and feels good, thus accomplishing two of the most important goals of music. It’s worth the time of anyone looking for a lovely singer songwriter pop tune to blast out their car stereo on their way to the beach come this summer.
An artist of abundance, Jacob Lee is rapidly becoming known as one of the most diverse discoveries in Australian Music.
Unearthed by Will.i.am on the 2014 season of ‘The Voice’, Jacob Lee has taken his music international, collaborating with a myriad of established artists & releasing his alluring original tunes. With his debut single ‘Chariot’ swiftly climbing the iTunes charts, Jacob is the first to have his single played on major, commercial radio stations without assistance from a label.
Sounding like a creamy mix of Matt Corby, Jarryd James, James Bay and Ed Sheeran, Jacob has just released his debut EP ‘Sine Qua Non’, whilst also writing for Aria Chart-topping DJ duo ‘Social Hooliganz’, Trifo & Swede Dreams. He is also the only Australian Ambassador for the India-based, internationally recognised ‘Good Will’ Foundation.
Jacob Lee (In the words of Will.i.am) has “All the elements in the makings of something super”. He has collectively achieved over 600,000 streams & rising on Spotify, YouTube & SoundCloud.
Jacob is no stranger to achievement & has been regarded as Australia’s answer to Ed Sheeran. With his captivating onstage aura, Jacob Lee is known to absorb audiences, reeling them into his stories with his clever, yet ambiguous lyrics.
Jacob is leaving his mark, with a loyal fanbase growing by the hour, his optimistic message is creating a positive impact worldwide, only strengthening his desire to motivate others & create music that makes a difference.
For years, Patrick Joseph has forged a prolific career as a songwriter on the rise. You may have heard his music on such television shows as Gossip Girl, The Office, Chicago Fire, MTV’s Friendzone, or Happy Endings, to name a few. You might have caught him at festivals around North America such as SXSW in Austin, NXNE in Toronto, or CMJ in New York. Or maybe you’re just discovering his music for the first time. Regardless of how you’ve gotten to know him, you’ve already discovered quickly why Joseph’s had a steady rise to success over the past few years from the Los Angeles music scene to the international stage. With two releases and a few years of touring under his belt, singer/songwriter Patrick Joseph is no stranger to the craft, and 2015 shows no signs of slowing down for the young songsmith who hails from Los Angeles, CA.
Originally from Pittsburgh, PA, Joseph forges a mixture of pretty & gritty vocals, lush production and timeless songwriting, creating a presence that NOW Magazine describes as “A Gifted LA adult-contemporarist with a world-weary Waitsian voice and a Spoon meets Beatles soft-rock vibe.”
Patrick is largely independent, producing, recording, mixing, and until recently, performing all of his recordings on his own. A resident of the neighborhood of Silverlake in Los Angeles, Joseph has established himself as one of the rising stars in the buzzing songwriting scene of Southern California.
His latest release Hindsight brought Patrick Joseph on a US Tour, steady airplay around North America, several features in film & television and the honor of Producer Of The Year in the 2015 Independent Music Awards, as well as recently being named Best Male Pop/Rock Artist in the 2016 LA Music Critic Awards.
Jake Herring is a singer, songwriter, and producer from c, Florida. He has worked with multiple artist around the globe including RÆVE, DJ Paige, Bowie, Part Native, Allegory, Christian Alexander, and CLN. Jake has been playing guitar since he was 8, singing & songwriting since he was 14, and producing since he was 16.
Jake had his break in the music industry through a single off of his first EP titled “Little Mess.” Little Mess generated just over 810,000 views on Spotify in the first 7 months of being released. Following the release of Little Mess EP, Jake worked to find a remixer for the track which in turn led him to meet !KE and creating Little Mess (!KE Remix). In just around 42 days the track generated over 190,000 views on Soundcloud with the average view count sitting at just around 4,500 views a day.
Jake Herring plans to drop his next single “Miami” on November 18th, 2016. After this release, Jake will have started his transition into the R&B/Electro Pop genre further pushing his efforts in creating his first self-produced album titled “Somewhere Down The Road.” The drop date for this album is still unsure but is aimed for early-to-mid 2017.
Jake’s future plans include receiving a publishing deal, leading on to receiving a record label deal. Jake also plans to begin touring the U.S after the release of his first album “Somewhere Down The Road.” Jake believes that by mixing his folk, singer/songwriter voice with deep R&B/Electro Pop he will be able to create a genre of his own, incorporating such sounds as Majid Jordan and Alt-J together in one track with one mood.